View allAll Photos Tagged Asmodee
Also on sale in black and coral color
En vente également en couleur noir et couleur corail
Shop Goth Grove :maps.secondlife.com/secondlife/Ellis%20Island/194/198/24
susannedrechsler.wordpress.com/2024/10/13/hearts-6321/
Shape: LAQ – .SHAPE. Nia by LAQ. (Body edited)
Body: eBody – Reborn by eBODY v1.69.6 Mesh Body @ eBody
Head: LAQ – .HEAD by LAQ. Era2 Elle 1. SupremeUHD 1.2 NEW @ LAQ
Skin: LAQ – SKIN. SupremeUHD Karmila by LAQ. 2.1 Champagne NEW @ LAQ
Eyes: LAQ – Eyes BOM ~ Nia NEW @ LAQ
Hairbase/Hair: LAQ – Nia High Bun NEW @ LAQ
Tattoo: Deadly Cyanide – Asmodee Tattoo (Arms Only Medium) NEW @ Deadly Cyanide
Necklace: RAWR! – LunaCat Necklace eBody NEW @ Access
Top/Skirt/Flower: tentacio – itaca set fatpack NEW @ WLRP
Umbrella: Ersch (Old item)
susannedrechsler.wordpress.com/2024/10/05/come-in-6308/
Shape: [ VelvetVue ] – Scarlett Shape Avalon (Body edited for Reborn)
Body: eBody – Reborn by eBODY v1.69.6 Mesh Body @ eBody
Head: Lelutka – Avalon Head 4.0 @ Lelutka
Skin: [ VelvetVue ] – Scarlett Skin :: Rose Kiss / DK BROWS / LeL EvoX NEW @ [ VelvetVue ]
Eyes: [ VelvetVue ] – Hope Eyes EvoX Applier :: Brown and Special NEW @ Saturday Sale Extravaganza Party
Hair: Magika – Hair – Delulu The Spooky NEW @ Magika
Nails: *{Liv Black}* – Coffin Nails – Reborn + Summer Gardens – Nail HUD NEW @ *{Liv Black}*
Tattoo: Deadly Cyanide – Asmodee Tattoo (Upper Only Medium) NEW @ Deadly Cyanide
Necklace: (Kunglers) – Halla necklace – Reborn NEW @ Halloween Shop&Hop
Dress/Gaiters/Boots: pOOnsh – Dita Dress. REBORN/Dita Gaiters. REBORN/Dita Boots. REBORN NEW @ Level
SPONSORED:
---Hairbase: ADDON+ - Nubia Hairbase – Find it @ Addon+ Mainstore
---Skin: WHITE RAVEN – Lilith Skin – Find it @ Disturbed Event
---Earrings: BEETLE – Elaine Earrings – Find it @ Disturbed Event
---Lip Scar: AFFLICTSINS – “Lip Scars” – Find it @ Disturbed Event
---Neck Tattoo (Also comes with Arm and Leg options): DEADLY CYANIDE – Asmodee Tattoo – Find it @ Deadly Cyanide Mainstore
OTHER CREDITS:
---Eyeliner: DARKMOON
---Eyebrows: WIHK
Elle a son makeup depuis cet été, sa wig depuis cet automne et n'est toujours pas présentée ! Ce n'est pas faute de le vouloir pourtant, j'en ai tenté des séances, mais aucune satisfaisante, plein de photos qui finissent à la corbeille, ça devient décourageant. J'aimerais la prendre en photo dehors, c'est ce qui lui convient le mieux mais ce temps gris, pluvieux et venteux est déprimant et pas franchement approprié... -.- Du coup, une photo d'intérieur juste histoire de vous la montrer : Asmodée, ma harpie.
A third of the way through the year, and a third of my 100x project done!
But, I've fallen very far behind with uploading my pictures! There's quite a few more in March and April still to do.
Asmodée (Nosferatu custom) and Erzebeth (Pullip Seila)
Ils partageront quelques liens dans la vie quotidienne de l'équipage, mais ça, vous ne le découvrirez que plus tard ... (j'upload l'histoire d'Erzebeth ce soir sur les blogs / forums pour ceux qui veulent ~)
Haha haha !
Llyod - Taeyang Andrew custom
Kanye - Taeyang Jade custom [@Lor_yana]
Thanh - Taeyang Arion custom
" ... Sali oltre il Faro, dirigendoti al Pozzo in cima al promontorio.
Sai che devi guardarci dentro e chiedere al Fato quale sarà il tuo compito.
Ma la risposta ti giunge in una lingua arcana, fatta di sibili di vento e infrangersi d'acque irrequiete.
D'improvviso, si apre un portale dimensionale e ti ritrovi catapultato in uno strano mondo.
Su una lontana torre di guardia splende un fuoco impetuoso che illumina la notte.
Lupi ululanti e oscuri esseri dalle orecchie a punta corrono verso di te ... "
Good Light and Roll the Dice! 🎲⚡️
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Nikon D5500 + Nikkor 35mm f/1.8 G
© Diletta Galassi, MIXTURE of LIGHT
EOS 60D+Sigma 50mm F1.4 EX DG HSM
* If you have requests or comments, please describe these in photo comment space.
Made a Tie Interceptor repaint (X-Wing Miniatures Game) for a good friend of mine. He wanted something... yellow... Here‘s my take in his wish.
French postcard. Nos artistes dans leurs expressions, No. 1041. Comoedia, Paris.
Georgé (1880-1969), born Ernest Georgé, was a French stage and screen actor, who played in 16 films between 1920 and 1948. While his debut was in the fantasy film Asmodée à Paris (1921), the next year he had the title role in Le Noël du père Lathuile (1922) by Pierre Colombier. After a few minor parts, he had a major role as the priest in Colombier's comedy Paris en cinq jours (1926), starring Dolly Davis and Nicolas Rimsky. In the early sound era he did almost one film per year between 1930 and 1937, including the comedy Conduisez-moi, Madame (Herbert Selpin, 1932) with Jeanne Boitel, and La châtelaine du Liban (Jean Epstein, 1934), but from the mid-1930s his parts became small, uncredited ones. In 1947-1948 Georgé did his last three film parts, including Mademoiselle s'amuse (Jean Boyer 1948) with Ray Ventura and Gisèle Pascal.
Sources: IMDB.
French postcard by Editions P.I., no. 147. Photo: Pathé Cinema.
Aimé Clariond (1894-1960) was a French theatre and film actor and theatre director.
Clariond’s career was a-typical ine the sense that he never entered the Conservatoire despite three attempts. Clarion started his stage career in 1921 at the Théâtre de l'Odéon, where he interpreted the classics, before joining in 1926 the troupe of André Antoine and afterwards that of Lugné-Poë at the Théâtre de l'Œuvre. In 1936 he was engaged as ‘pensionnaire’ at the Comédie-Française when the government of the Front populaire apppointed Édouard Bourdet as general administrator. In 1937, one year after his engagement, he was appointed ‘sociétaire’ and remained at the Comédie-Française until his death in 1959. In the mid-1930s he met actress Renée Simonot, pensionnaire of the Théâtre de l'Odéon, with whom he had a daughter in 1937, but the couple separated soon after. Clariond was an actor with a great power in his performance, a slightly veiled voice, thus giving life to both characters little known to the big audiences as well as to characters from the classic repertory, such as Alceste in The Misanthropist by Molière, Othello in Shakespeare’s play, Marc Anthony in Gide’s adaptation Antoine et Cléopâtre, directed by Jean-Louis Barrault, or Le Carrosse du Saint-Sacrement by Prosper Mérimée (co-acting with Maria Casarès). He was also memorable in modern repertory such as Le Soulier de satin (Paul Claudel), Asmodée and Les Mal-Aimés by François Mauriac,and Port-Royal by Montherlant (alternating the lead with his comrade Jean Debucourt). Between 1946 and 1950 he also directed various plays, mainly at the Théâtre des Celestins.
Parallel to his stage career, Aimé Clariond developed a very prolfic career in French sound cinema, starting with Les Frères Karamazoff (Fedor Ozep 1931) in which he played Ivan Karamazoff. While he first played in several comedies, later on he specialised in historical dramas, such as Lucrèce Borgia (Abel Gance 1935), La route impériale (Marcel L’Herbier 1935), La mensonge de Nina Petrovna (Victor Tourjansky 1937), La Marseillaise (Jean Renoir 1938), Entente cordiale (L’Herbier 1939) and De Mayerling à Sarajevo (Max Ophüls 1940). This continued during the war years – during which Clariond was highly active - with films such as Mam’zelle Bonaparte (Maurice Tourneur 1942) and Le Comte de Monte Christo (Robert Vernay 1942), as well as after the war in films like Le Capitan (Vernay 1946) and Si Versailles m’était conté (Sacha Guitry 1954). His last part was that of Une fille pour l’été(1960)by Edouard Molinaro, which was released after Clariond’s death. Aimé Clariond was buried at Fouquenies (Oise) on 4 January 1960.
Sources: Wikipedia (French) and IMDb.
And, please check out our blog European Film Star Postcards.
EOS 60D+TAMRON SP AF90mm F/2.8 Di MACRO 1:1
* If you have requests or comments, please describe these in photo comment space.
French postcard by A.N., Paris, no. 1228. Photo: Ancrenaz / C.F.C.C. Publicity still for Le Capitan (1946, Robert Vernay) with Aimé Clariond as Concini.
Aimé Clariond (1894-1960) was a French theatre and film actor and theatre director.
Clariond’s career was a-typical ine the sense that he never entered the Conservatoire despite three attempts. Clarion started his stage career in 1921 at the Théâtre de l'Odéon, where he interpreted the classics, before joining in 1926 the troupe of André Antoine and afterwards that of Lugné-Poë at the Théâtre de l'Œuvre. In 1936 he was engaged as ‘pensionnaire’ at the Comédie-Française when the government of the Front populaire apppointed Édouard Bourdet as general administrator. In 1937, one year after his engagement, he was appointed ‘sociétaire’ and remained at the Comédie-Française until his death in 1959. In the mid-1930s he met actress Renée Simonot, pensionnaire of the Théâtre de l'Odéon, with whom he had a daughter in 1937, but the couple separated soon after. Clariond was an actor with a great power in his performance, a slightly veiled voice, thus giving life to both characters little known to the big audiences as well as to characters from the classic repertory, such as Alceste in The Misanthropist by Molière, Othello in Shakespeare’s play, Marc Anthony in Gide’s adaptation Antoine et Cléopâtre, directed by Jean-Louis Barrault, or Le Carrosse du Saint-Sacrement by Prosper Mérimée (co-acting with Maria Casarès). He was also memorable in modern repertory such as Le Soulier de satin (Paul Claudel), Asmodée and Les Mal-Aimés by François Mauriac,and Port-Royal by Montherlant (alternating the lead with his comrade Jean Debucourt). Between 1946 and 1950 he also directed various plays, mainly at the Théâtre des Celestins.
Parallel to his stage career, Aimé Clariond developed a very prolfic career in French sound cinema, starting with Les Frères Karamazoff (Fedor Ozep 1931) in which he played Ivan Karamazoff. While he first played in several comedies, later on he specialised in historical dramas, such as Lucrèce Borgia (Abel Gance 1935), La route impériale (Marcel L’Herbier 1935), La mensonge de Nina Petrovna (Victor Tourjansky 1937), La Marseillaise (Jean Renoir 1938), Entente cordiale (L’Herbier 1939) and De Mayerling à Sarajevo (Max Ophüls 1940). This continued during the war years – during which Clariond was highly active - with films such as Mam’zelle Bonaparte (Maurice Tourneur 1942) and Le Comte de Monte Christo (Robert Vernay 1942), as well as after the war in films like Le Capitan (Vernay 1946) and Si Versailles m’était conté (Sacha Guitry 1954). His last part was that of Une fille pour l’été(1960)by Edouard Molinaro, which was released after Clariond’s death. Aimé Clariond was buried at Fouquenies (Oise) on 4 January 1960.
Sources: French Wikipedia, IMDB.
French postcard by S.E.R.P., Paris, no. 44. Photo: Studio Harcourt.
French actress Renée Faure (1918-2005) had an exceptional theatrical career that spanned from 1937 to 1990. She was a member of the Comédie-Française, but also appeared in many films. Faure was married to director Christian-Jaque, but he left her for Martine Carol.
Renée Paule Nanine Faure was born in 1918 in Paris. She was the daughter of René Prosper Faure, director of the Lariboisière Hospital in Paris, and Henriette Anna (née Beauregard). She attended the Maison de la Légion d'Honneur in Saint-Denis. An excellent student, she was the youngest graduate of her class to receive the baccalaureate. With her parents' approval, she entered the Paris Conservatoire to study with René Simon, then André Bruno. At 19, Renée Faure married her classmate, actor Renaud Mary, father of her only daughter, Emmanuelle. Renée Faure joined the Comédie-Française in July 1937, where she played ingénues and was appointed a Sociétaire (a member) in 1942. When, in 1938, she played the role of Emmauelle in 'Asmodée,' directed by Jacques Copeau, Renée Faure demonstrated her dramatic talents, and from then on, she performed plays by the great authors. Her classical repertoire included 'Ruy Blas' by Victor Hugo (1938), 'Cyrano de Bergerac' by Edmond Rostand (1938), 'Twelfth Night' by William Shakespeare (1940) and 'Phèdre' by Racine (1942). After breaking through on stage, she made her film debut in the crime comedy L’assassinat du Père Noël / The Assassination of Santa Claus (Christian-Jaque, 1941), the first film produced by Continental Films. She played Catherine, who dreams of her Prince Charming, Baron Rolant (Raymond Rouleau). Catherine is the daughter of Cornusse (Harry Baur), who, like every year, disguises himself as Santa Claus. But this year, a murdered Santa Claus is found. Fortunately, it isn't Cornusse; the police arrest a stranger hiding among the villagers. Her debut was followed by the romantic comedy Le prince charmant / Prince Charming (Jean Boyer, 1941). She played Rosine, a young girl who meets a wealthy partygoer (Jimmy Gaillard). He falls madly in love and pretends to be a bad boy to seduce her better. Then Robert Bresson offered her a challenging role in his first film, Les Anges du péché / Angels of Sin (Robert Bresson, 1943). In this moving drama, she played an angelic nun who devotes herself to imprisoned women. She strives to help a prisoner (Jany Holt), but once freed, the latter murders the man who caused her incarceration and takes refuge in a convent. Wikipedia: "Though usually seen as being the most 'conventional' of Bresson's features, the religious subject matter and the directness of the film's style are seen by many as auspicious of the director's later work." In Christian-Jaque's romantic drama Sortilèges / The Bellman (Christian-Jaque, 1944), Faure is coveted by a solitary sorcerer and murderer in the mountains of Auvergne. The film was popular and recorded over 2,5 million admissions in France. In the sentimental and tragic drama, Torrents (Serge de Poligny, 1946), Georges Marchal's character had to choose between his cousin (Renée Faure) and his wife (Helen Vita). A huge hit was the historical drama La chartreuse de Parme / The Charterhouse of Parme (Christian-Jaque, 1947), based on Stendhal's novel. Renée Faure played the daughter of a prison governor, who falls in love with a handsome prisoner, a marquis played by Gérard Philipe. It was the most popular French film at the French box office in 1948. In 1949, Faure starred in the romantic drama On n'aime qu'une fois / You Only Love Once (Jean Stelli, 1949), in which the mother (Françoise Rosay) of her childhood friend (Jacques Berthier) rejects their relationship and sends her son to Paris to become a great surgeon.
In 1947, Renée Faure married director Christian-Jaque. The couple worked together three times. Their last film together was the romantic comedy Adorables créatures / Adorable Creatures (Christian-Jaque, 1952) starring Daniel Gélin, Antonella Lualdi, Danielle Darrieux and Martine Carol. When Christian-Jaque started an affair with Carol, Faure's marriage to him ended in a divorce in 1953. Faure played a sinister role as an organiser of the trafficking of women in Cargaison blanche / White Cargo (Georges Lacombe, 1953) with Georges Rivière. During the 1950s, she continued to perform on stage and played in William Shakespeare's 'Romeo and Juliet' (1952), Racine's 'Britannicus' (1953), and Jean Giraudoux's 'Electra' (1959). On screen, she was three times the partner of Jean Gabin, in Le sang à la tête / Blood to the Head (Gilles Grangier, 1956), the psychological drama Rue des Prairies (Denys de La Patellière, 1959) and Le Président / The President (Henri Verneuil, 1961). The following decade, Renée Faure devoted herself to television and theatre, and her appearances on the big screen became less frequent. On stage, she appeared in Jean Anouilh's 'Antigone' (1961), Friedrich Schiller's 'Mary Stuart' (1963), and Jean Cocteau's 'The Two-Headed Eagle' (1965). In 1964, she left the Comédie-Française, and in 1965, she was appointed a Sociétaire honoraire (honorary member). After a ten-year hiatus, she returned to the cinema in Bertrand Tavernier's Le juge et l’assassin / The Judge and the Assassin (1975). She played the fearsome mother of the social climber Judge Rousseau (Philippe Noiret), who handles the case of Bouvier (Michel Galabru), who has killed his fiancée and committed other crimes. In La petite voleuse /The Little Thief (Claude Miller, 1988), she had a brief but striking role as an abortionist with a witchy look who terrifies a pregnant teenager (Charlotte Gainsbourg), a little thief living on the fringes of society. After twenty-two years' absence, she returned to the Comédie-Française to play the role of the first prioress in 'Dialogue of the Carmelites' (1987) by Georges Bernanos. In the 1990s, her career was almost over. She made brief appearances in such films as À la vitesse d'un cheval au galop (Fabien Onteniente, 1992) and the crime drama L'inconnu dans la maison / Stranger in the House (Georges Lautner, 1992), starring Jean-Paul Belmondo. The latter was based on a novel by Georges Simenon, previously filmed by Henri Decoin in 1941, the year of her film debut. Then, she returned to television, which she considered an ideal compromise between film and theatre. Her final film was the Italian drama
Nel profondo paese straniero / Homer: Portrait of the Artist as an Old Man (Fabio Carpi, 1995) with Claude Rich. After her divorce from Christian Jaque, she never remarried. In 2005, Renée Faure died of complications following surgery at the age of 86 in Clamart, near Paris. She is buried in the old cemetery in Boulogne-Billancourt. At Notre Cinéma, Gary Richardson cites her answer to a journalist who asked her once what her passion was in life: "Fishing. Whenever I can, I go to my cottage in the Nièvre to harpoon salmon trout."
Sources: Gary Richardson (Notre Cinéma - French), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Editions O.P., Paris, no. 97. Photo: Teddy Piaz.
French actress Renée Faure (1918-2005) had an exceptional theatrical career that spanned from 1937 to 1990. She was a member of the Comédie Française, but also appeared in many films. Faure was married to director Christian-Jaque, but he left her for Martine Carol.
Renée Paule Nanine Faure was born in 1918 in Paris. She was the daughter of René Prosper Faure, director of the Lariboisière Hospital in Paris, and Henriette Anna (née Beauregard). She attended the Maison de la Légion d'Honneur in Saint-Denis. An excellent student, she was the youngest graduate of her class to receive the baccalaureate. With her parents' approval, she entered the Paris Conservatoire to study with René Simon, then André Bruno. At 19, Renée Faure married her classmate, actor Renaud Mary, father of her only daughter, Emmanuelle. Renée Faure joined the Comédie-Française in July 1937, where she played ingénues and was appointed a Sociétaire (a member) in 1942. When, in 1938, she played the role of Emmauelle in 'Asmodée,' directed by Jacques Copeau, Renée Faure demonstrated her dramatic talents, and from then on, she performed plays by the great authors. Her classical repertoire included 'Ruy Blas' by Victor Hugo (1938), 'Cyrano de Bergerac' by Edmond Rostand (1938), 'Twelfth Night' by William Shakespeare (1940) and 'Phèdre' by Racine (1942). After breaking through on stage, she made her film debut in the crime comedy L’assassinat du Père Noël / The Assassination of Santa Claus (Christian-Jaque, 1941), the first film produced by Continental Films. She played Catherine, who dreams of her Prince Charming, Baron Rolant (Raymond Rouleau). Catherine is the daughter of Cornusse (Harry Baur), who, like every year, disguises himself as Santa Claus. But this year, a murdered Santa Claus is found. Fortunately, it isn't Cornusse; the police arrest a stranger hiding among the villagers. Her debut was followed by the romantic comedy Le prince charmant / Prince Charming (Jean Boyer, 1941). She played Rosine, a young girl who meets a wealthy partygoer (Jimmy Gaillard). He falls madly in love and pretends to be a bad boy to seduce her better. Then Robert Bresson offered her a challenging role in his first film, Les Anges du péché / Angels of Sin (Robert Bresson, 1943). In this moving drama, she played an angelic nun who devotes herself to imprisoned women. She strives to help a prisoner (Jany Holt), but once freed, the latter murders the man who caused her incarceration and takes refuge in a convent. Wikipedia: "Though usually seen as being the most 'conventional' of Bresson's features, the religious subject matter and the directness of the film's style are seen by many as auspicious of the director's later work." In Christian-Jaque's romantic drama Sortilèges / The Bellman (Christian-Jaque, 1944), Faure is coveted by a solitary sorcerer and murderer in the mountains of Auvergne. The film was popular and recorded over 2,5 million admissions in France. In the sentimental and tragic drama, Torrents (Serge de Poligny, 1946), Georges Marchal's character had to choose between his cousin (Renée Faure) and his wife (Helen Vita). A huge hit was the historical drama La chartreuse de Parme / The Charterhouse of Parme (Christian-Jaque, 1947), based on Stendhal's novel. Renée Faure played the daughter of a prison governor, who falls in love with a handsome prisoner, a marquis played by Gérard Philipe. It was the most popular French film at the French box office in 1948. In 1949, Faure starred in the romantic drama On n'aime qu'une fois / You Only Love Once (Jean Stelli, 1949), in which the mother (Françoise Rosay) of her childhood friend (Jacques Berthier) rejects their relationship and sends her son to Paris to become a great surgeon.
In 1947, Renée Faure married director Christian-Jaque. The couple worked together three times. Their last film together was the romantic comedy Adorables créatures / Adorable Creatures (Christian-Jaque, 1952) starring Daniel Gélin, Antonella Lualdi, Danielle Darrieux and Martine Carol. When Christian-Jaque started an affair with Carol, Faure's marriage to him ended in a divorce in 1953. Faure played a sinister role as an organiser of the trafficking of women in Cargaison blanche / White Cargo (Georges Lacombe, 1953) with Georges Rivière. During the 1950s, she continued to perform on stage and played in William Shakespeare's 'Romeo and Juliet' (1952), Racine's 'Britannicus' (1953), and Jean Giraudoux's 'Electra' (1959). On screen, she was three times the partner of Jean Gabin, in Le sang à la tête / Blood to the Head (Gilles Grangier, 1956), the psychological drama Rue des Prairies (Denys de La Patellière, 1959) and Le Président / The President (Henri Verneuil, 1961). The following decade, Renée Faure devoted herself to television and theatre, and her appearances on the big screen became less frequent. On stage, she appeared in Jean Anouilh's 'Antigone' (1961), Friedrich Schiller's 'Mary Stuart' (1963), and Jean Cocteau's 'The Two-Headed Eagle' (1965). In 1964, she left the Comédie-Française, and in 1965, she was appointed a Sociétaire honoraire (honorary member). After a ten-year hiatus, she returned to the cinema in Bertrand Tavernier's Le juge et l’assassin / The Judge and the Assassin (1975). She played the fearsome mother of the social climber Judge Rousseau (Philippe Noiret), who handles the case of Bouvier (Michel Galabru), who has killed his fiancée and committed other crimes. In La petite voleuse /The Little Thief (Claude Miller, 1988), she had a brief but striking role as an abortionist with a witchy look who terrifies a pregnant teenager (Charlotte Gainsbourg), a little thief living on the fringes of society. After twenty-two years' absence, she returned to the Comédie-Française to play the role of the first prioress in 'Dialogue of the Carmelites' (1987) by Georges Bernanos. In the 1990s, her career was almost over. She made brief appearances in such films as À la vitesse d'un cheval au galop (Fabien Onteniente, 1992) and the crime drama L'inconnu dans la maison / Stranger in the House (Georges Lautner, 1992), starring Jean-Paul Belmondo. The latter was based on a novel by Georges Simenon, previously filmed by Henri Decoin in 1941, the year of her film debut. Then, she returned to television, which she considered an ideal compromise between film and theatre. Her final film was the Italian drama
Nel profondo paese straniero / Homer: Portrait of the Artist as an Old Man (Fabio Carpi, 1995) with Claude Rich. After her divorce from Christian Jaque, she never remarried. In 2005, Renée Faure died of complications following surgery at the age of 86 in Clamart, near Paris. She is buried in the old cemetery in Boulogne-Billancourt. At Notre Cinéma, Gary Richardson cites her answer to a journalist who asked her once what her passion was in life: "Fishing. Whenever I can, I go to my cottage in the Nièvre to harpoon salmon trout."
Sources: Gary Richardson (Notre Cinéma - French), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.