The first recipient of the residency staged under the auspices of the Art & Science Network is María Ignacia Edwards (CHL). She was selected from among the 140+ applicants from 40 countries and will be spending her residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria. Picture is showing María Ignacia Edwards during her pre-visit in Chile, together with Ferrando Comeron (ESO) at the Paranal Observatorium Platform.

Credit: Claudia Schnugg

The first recipient of the residency staged under the auspices of the Art & Science Network is María Ignacia Edwards (CHL). She was selected from among the 140+ applicants from 40 countries and will be spending her residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria. Picture is showing María Ignacia Edwards during her pre-visit in Chile, walking on the Star Track up to the Paranal Observatorium Platform.

Credit: Claudia Schnugg

Swamp Radio takes on the challenge of giving a voice to many who are unheard and invisible. The swamps, these vast wetlands with their ancient ecosystems, are like time-capsules. Yet they are also key players for providing a variety of ecological services for our modern society. Escaping from intensive agriculture, the swamps contain dormant resources, and myriad other species, with whom we share life on this planet.

Credit: tom mesic

The first recipient of the residency staged under the auspices of the Art & Science Network is María Ignacia Edwards (CHL). She was selected from among the 140+ applicants from 40 countries and will be spending her residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria. Picture is showing María Ignacia Edwards during her pre-visit in Chile with Fernando Comeron (ESO).

Credit: Claudia Schnugg

The organized game "Otelo Futurespace – The Digital Playground" took place at Ars Electronica Center from April 4 to 8, 2018. In eight labs, each focusing on a different aspect of digitization, 10-18-year-olds acquire the skills that will help them get the final "Robo-Challenge" up and running. In these lab settings, the accent is on hands-on practice—the participants are encouraged to try out new things, experiment and learn.

Credit: Vanessa Graf

Swamp Radio takes on the challenge of giving a voice to many who are unheard and invisible. The swamps, these vast wetlands with their ancient ecosystems, are like time-capsules. Yet they are also key players for providing a variety of ecological services for our modern society. Escaping from intensive agriculture, the swamps contain dormant resources, and myriad other species, with whom we share life on this planet.

Credit: tom mesic

María Ignacia Edwards (CL) “Mobile Instrument” works with equilibrium, lightness, and the weightlessness of objects, which she brings into balance by deploying their own weight or counterweights.

The Materia Prima exhibition has been produced jointly by LABoral Centro de Arte in Gijón, Spain, and Ars Electronica Export.

Credit: Sergio Redruello / LABoral

In cooperation with seven artistic & cultural institutions as well as the ESO–European Southern Observatory, Ars Electronica has launched "art & science", the European Digital Art and Science Network, an international initiative offering artists the chance to spend several weeks at both the ESO and the Ars Electronica Futurelab.

Picture showing Robert Devčić (UK), founder and director of GV Art gallery London, during the jury session.

Credit: Martin Hieslmair

Impression from the opening of the exhibition "The Alchemists of Art and Science" at the Ars Electronica Center Linz.

Credit: Ars Electronica / Martin Hieslmair

The organized game "Otelo Futurespace – The Digital Playground" took place at Ars Electronica Center from April 4 to 8, 2018. In eight labs, each focusing on a different aspect of digitization, 10-18-year-olds acquire the skills that will help them get the final "Robo-Challenge" up and running. In these lab settings, the accent is on hands-on practice—the participants are encouraged to try out new things, experiment and learn.

Credit: Vanessa Graf

Susan and I went to the Art, Science and Sustainable Community Symposium at Richland College today. Interesting talk by Ignacio Bunster, lead architect of the Trinity Parks Lake Design, followed by a great panel discussion that included SJ of La Reunion, and finally a tour of the cool new LEED Platinum certified Sabine Hall building.

The first recipient of the residency staged under the auspices of the Art & Science Network is María Ignacia Edwards (CHL). She was selected from among the 140+ applicants from 40 countries and will be spending her residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria. Picture is showing María Ignacia Edwards at the ALMA laboratory during her pre-visit in Chile.

Credit: Claudia Schnugg

VIRT-EU aims to intervene at the point of design to foster ethical thinking among developers of IoT solutions. In fact, addressing social concerns in new technologies not only impacts changes in regulatory regimes, but also influences the process of imagining and developing the next generation of digital technologies within European clusters of creative innovation.

Credit: tom mesic

The first recipient of the residency staged under the auspices of the Art & Science Network is María Ignacia Edwards (CHL). She was selected from among the 140+ applicants from 40 countries and will be spending her residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria. Picture is showing María Ignacia Edwards at her studio in Chile with Fernando Comeron (ESO, left) and Enrique Rivera (right).

Credit: Claudia Schnugg

The first recipient of the residency staged under the auspices of the Art & Science Network is María Ignacia Edwards (CHL). She was selected from among the 140+ applicants from 40 countries and will be spending her residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria. Picture is showing VLT unit in Paranal, Chile.

Credit: Claudia Schnugg

VIRT-EU aims to intervene at the point of design to foster ethical thinking among developers of IoT solutions. In fact, addressing social concerns in new technologies not only impacts changes in regulatory regimes, but also influences the process of imagining and developing the next generation of digital technologies within European clusters of creative innovation.

Photo showing Annelie Berner (DK)

Credit: tom mesic

Photo showing Body Paint by exonemo (JP) at the Ars Electronica Center's Elements of Art and Science exhibition.

Credit: Martin Hieslmair

The Materia Prima exhibition has been produced jointly by LABoral Centro de Arte in Gijón, Spain, and Ars Electronica Export.

Credit: Sergio Redruello / LABoral

Aoife van Linden Tol (IE) is the first artist-inresidence hosted jointly by Ars Electronica and the European Space Agency (ESA). During the artandscience@ESA Residency the artist spent several weeks at the European Space Research and Technology Centre (ESTEC) in Noordwijk, the Netherlands.

Credit: Aoife Van Linden Tol

For more information on the artist, visit: www.karenwirth.com

Wirth, Karen. Questions On Empty Space: In Response to Otto Von Guericke's Experimenta Nova (ut Vocantur) Magdeburgica De Vacuo Spatio. [Minneapolis, Minn.?]: K. Wirth, 2003.

Karen Wirth, Chair, MCAD Fine Arts Dept.

See MCAD Library's catalog record for this book.

intranet.mcad.edu/library

There is no region of the world from which we receive more media coverage than the Middle East. The images are of places completely destroyed by war. Some may still remember that the cradle of our culture lies between the Euphrates and Tigris. However, it is nearly impossible for most people to imagine that between bomb attacks and ruins there exists young, contemporary art which continues to develop, which both attaches importance to the preservation of its culture and seeks connection to the Western world.

Credit: tom mesic

50 years after the Apollo 11 lunar landing, we are seeing another strong push for space exploration: from new and renewed space programs in developed and developing countries to innovative technologies and commercial services from private industry. Along the way, cultural production for outer space becomes crucial for humanity as we expand beyond the earthbound. In the past, the desire for exploration and expansion had a profound impact on how we imagined planetary futures. What shall we imagine now? In this exhibition, six projects from the Space Exploration Initiative of MIT Media Lab are asking the same question and bringing possibilities to the (im)possible space: All the projects were successfully deployed and performed in a zero-gravity parabolic flight last year. They are hopes beyond solutions, imaginations, more than facts. Our effort addresses outer space as a critical territory that must be inhabited—imaginatively, artistically, scientifically and collaboratively.

Credit: Jürgen Grünwald

The global plastics manufacturer Greiner showcases 5 future mockups, which in combination with printed electronics, have the potential to sense and act according to inputs gathered from our daily-life environments.

Credit: Greiner

VIRT-EU aims to intervene at the point of design to foster ethical thinking among developers of IoT solutions. In fact, addressing social concerns in new technologies not only impacts changes in regulatory regimes, but also influences the process of imagining and developing the next generation of digital technologies within European clusters of creative innovation.

Credit: tom mesic

Adding an exceptional length of time in comparison to common studies, in The 101-Nights we perform the recording of her sleep with 256 EEG channels, a performance in which her dreams were electronically recorded and stimulated with audios. These stimuli occasionally demonstrate their influence in the account of her dreams.

Credit: tom mesic

For more information on the artist, visit: www.karenwirth.com

Wirth, Karen. Questions On Empty Space: In Response to Otto Von Guericke's Experimenta Nova (ut Vocantur) Magdeburgica De Vacuo Spatio. [Minneapolis, Minn.?]: K. Wirth, 2003.

Karen Wirth, Chair, MCAD Fine Arts Dept.

See MCAD Library's catalog record for this book.

intranet.mcad.edu/library

In cooperation with seven artistic & cultural institutions as well as the ESO–European Southern Observatory, Ars Electronica has launched "art & science", the European Digital Art and Science Network, an international initiative offering artists the chance to spend several weeks at both the ESO and the Ars Electronica Futurelab.

Picture showing Robert Devčić (UK), founder and director of GV Art gallery London, and José Carlos Arnal (ES), managing director of the Zaragoza City of Knowledge Foundation, during the jury session.

Credit: Martin Hieslmair

VIRT-EU aims to intervene at the point of design to foster ethical thinking among developers of IoT solutions. In fact, addressing social concerns in new technologies not only impacts changes in regulatory regimes, but also influences the process of imagining and developing the next generation of digital technologies within European clusters of creative innovation.

Credit: tom mesic

For more information on the artist, visit: www.karenwirth.com

Wirth, Karen. Questions On Empty Space: In Response to Otto Von Guericke's Experimenta Nova (ut Vocantur) Magdeburgica De Vacuo Spatio. [Minneapolis, Minn.?]: K. Wirth, 2003.

Karen Wirth, Chair, MCAD Fine Arts Dept.

See MCAD Library's catalog record for this book.

intranet.mcad.edu/library

In cooperation with seven artistic & cultural institutions as well as the ESO–European Southern Observatory, Ars Electronica has launched "art & science", the European Digital Art and Science Network, an international initiative offering artists the chance to spend several weeks at both the ESO and the Ars Electronica Futurelab.

Picture showing Jurij Krpan (SI), Kapelica Gallery, during the jury session.

Credit: Martin Hieslmair

The organized game "Otelo Futurespace – The Digital Playground" took place at Ars Electronica Center from April 4 to 8, 2018. In eight labs, each focusing on a different aspect of digitization, 10-18-year-olds acquire the skills that will help them get the final "Robo-Challenge" up and running. In these lab settings, the accent is on hands-on practice—the participants are encouraged to try out new things, experiment and learn.

Credit: Vanessa Graf

For more information on the artist, visit: www.karenwirth.com

Wirth, Karen. Questions On Empty Space: In Response to Otto Von Guericke's Experimenta Nova (ut Vocantur) Magdeburgica De Vacuo Spatio. [Minneapolis, Minn.?]: K. Wirth, 2003.

Karen Wirth, Chair, MCAD Fine Arts Dept.

See MCAD Library's catalog record for this book.

intranet.mcad.edu/library

Ceremony to celebrate the massive mural of the ATLAS detector at CERN Point 1 painted by artist Josef Kristofoletti. This mural was commissioned by the ATLAS Experiment, and it shows on two walls the detector with a collision event superimposed. The event on the large wall shows an actual event recorded in ATLAS; it shows a Z boson decay to two muons.

Impression from the opening of the exhibition "The Alchemists of Art and Science" at the Ars Electronica Center Linz.

Credit: Ars Electronica / Martin Hieslmair

Swamp Radio takes on the challenge of giving a voice to many who are unheard and invisible. The swamps, these vast wetlands with their ancient ecosystems, are like time-capsules. Yet they are also key players for providing a variety of ecological services for our modern society. Escaping from intensive agriculture, the swamps contain dormant resources, and myriad other species, with whom we share life on this planet.

Credit: tom mesic

The Materia Prima exhibition has been produced jointly by LABoral Centro de Arte in Gijón, Spain, and Ars Electronica Export.

Picture showing Gerfried Stocker (AT), artistic director of Ars Electronica.

Credit: Sergio Redruello / LABoral

My project is an attempt to reproduce the human body while blurring the boundaries between the real and the artificial. The sculpture/anatomical model is a life size reproduction of a human hand, leg and head with a bronze skeleton and a translucent wax that has similar feel to real flesh. The limbs are direct casts of real human parts so in close view one is able to see fingerprints and any other texture that would appear on human skin. The limbs are on a stainless steel table.

Photos from the 2010 Too Cool for School Art and Science Fair that was was held at Harbourfront Centre in Toronto on 8 May 2010.

Learn more at www.artandsciencefair.ca.

In Anti-Gravity Soundscape, small Styrofoam particles are made to hover in midair by so-called acoustic levitation. Levitation is defined as the process by which an object is held aloft in a stable position without contact to the ground or any mechanical support.

Credit: Martin Hieslmair

“Biopresence” by Shiho Fukuhara (JP) and Georg Tremmel (AT) creates “Human DNA Trees” by transcoding the essence of a human being within the DNA of a tree in order to create “Living Memorials” or “Transgenic Tombstones”. “Biopresence” is collaborating with scientist and artist Joe Davis on his “DNA Manifold algorithm”, which allows for the transcoding and entwinement of human and tree DNAs.

The Materia Prima exhibition has been produced jointly by LABoral Centro de Arte in Gijón, Spain, and Ars Electronica Export.

Credit: Sergio Redruello / LABoral

VIRT-EU aims to intervene at the point of design to foster ethical thinking among developers of IoT solutions. In fact, addressing social concerns in new technologies not only impacts changes in regulatory regimes, but also influences the process of imagining and developing the next generation of digital technologies within European clusters of creative innovation.

Credit: tom mesic

Aoife van Linden Tol (IE) is the first artist-in-residence hosted jointly by Ars Electronica and the European Space Agency (ESA). Photo showing a talk with ESA engineer Thomas Walloschek (DE).

Credit: Ars Electronica / Martin Hieslmair

With its inhumane and environmentally destructive production methods, fast fashion has long since surpassed all boundaries. Fashion & Technology offers alternatives to the system with new, sustainable processes. The participatory workshop situation *In the Lab: Processing Fashion* aims to make them visible and tangible. Material development, shaping techniques and design processes that take place before product solutions, are the focus of attention.

Credit: Jürgen Grünwald