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María Ignacia Edwards (CL) works with equilibrium, the lightness and weightlessness of objects that she brings into balance by deploying their own weight or counterweights.
Credit: Martin Hieslmair
Photo showing the Atacama Large Millimeter/submillimeter Array (ALMA), located at 5000 metres above sea level on the remote and empty Chajnantor Plateau in the Chilean Andes. Some of the 66 high-precision antennas that comprise ALMA are visible here, with dishes pointed aloft, studying the cold clouds in interstellar space, and peering deep into the past at our mysterious cosmic origins. The spectacular javelin of light over the ALMA array is a shooting star, slicing through the image in a vivid streak of colours.
ESO/C. Malin
Impression from the opening of the exhibition "The Alchemists of Art and Science" at the Ars Electronica Center Linz. Photo showing Floraform by Jessica Rosenkrantz (US), Jesse Louis-Rosenberg (US) / Nervous System (US).
Credit: Ars Electronica / Martin Hieslmair
Photo showing Body Paint by exonemo (JP) at the Ars Electronica Center's Elements of Art and Science exhibition.
Credit: Martin Hieslmair
Photo showing Encounters by María Ignacia Edwards (CL) at the Ars Electronica Center's Elements of Art and Science exhibition during the Opening and Introduction Parcours.
credit: tom mesic
The UK artist duo Ruth Jarman and Joe Gerhardt aka Semiconductor during their introduction visit at CERN in Switzerland, preparing their residency after they have recieved the 2015 Collide@CERN Ars Electronica Award. Picture is showing them in talk with Peter Jenni (physicist at CERN).
Credit: Claudia Schnugg
As ELBEETAD is a 3D print inspired by the voluptuousness of the so-called “Rubens woman,” it brings into question the “skin” of the sculpture.
credit: Peter Verplancke
The Wandering Artist is a meditation that took place at the European Space Agency on the role that creativity and human expression play in the context of space exploration. A robotic entity was equipped to interact with its environment in personally expressive ways as a catalyst to encourage reflection from scientists and engineers about the purpose and identity of space-faring technology.
credit: tom mesic
In cooperation with seven artistic & cultural institutions as well as the ESO–European Southern Observatory, Ars Electronica has launched "art & science", the European Digital Art and Science Network, an international initiative offering artists the chance to spend several weeks at both the ESO and the Ars Electronica Futurelab.
Picture showing Martin Honzik (AT) and Gerfried Stocker (AT), Ars Electronica during the jury session.
Credit: Martin Hieslmair
Morten Søndergaard, Jamie Allen & Stine Ejsing-Dunn Design for another future: Reformatting the relation of art and science practices.
In a world in which growth is driven by creativity, art and technology are domains that should inspire and provoke in terms of methods and ways of thinking – in fact our digital media may in fact be the very concretisations of thought (F.Kittler). We explore how these similar yet different domains relate to each other. The relation of art and science has been central to many long standing debates within contexts of art education, university teaching, and human- and lab-based research. The relation also plays an important role in artistic practices influencing both conceptual and aesthetic positions of work production.
Thought as a theoretical problem, or a discourse of purely ideas and cultures, the arts and sciences have often seemed juxtaposed. However in restructuring the forms and formats of the practice of art and science in particular contexts and events of their composition. We are interested in how artists and scientists think and operate on a processual level, and in innovating the forms and formats chosen and design for the engagement of these processes. If “thinking is practice” (J.L.Nancy), then where, when and how this thinking is done is as important as the ideas themselves. Kathrine Hayles puts this down as a failing of the humanities’ literary discretions and directions, but with a discussion of the ‘action research’ modes that are available.
In this paper, we would like to take this discussion about ‘action research’ further, and investigate the art/science relation in practice. For this purpose, we will build upon the experiences and observations from various ‘re-mix’ situations in which artists and scientists meet in publishing, exhibition, conference and festival settings.
Curated by
Timothy Nolan
Dates February 1 – March 15, 2009
Coinciding with the TED Conference.
Opening reception February 5th, 5pm-9pm
Pedestrian Viewing 24/7, Galleries open by appointment. Gallery Hours during TED TBA.
Location: 170 North Promenade, Long Beach, 90802
Phantom Galleries, L.A. presents its inaugural exhibit at the Pacifica Building in Long Beach, curated by artist Timothy Nolan. In response to the first appearance of the TED Conference in Long Beach this February, Super Elastic brings together large works from four Los Angeles-based artists whose work addresses our expanding visual landscape propelled by advances in science and technology. From the subatomic to the super galactic, imagery coming from electron microscopes and the Hubble telescope is now an integral part of the culture. Quantum mechanics, relativity, the Big Bang, chaos theory, multi-dimensional math, etc., have all irrevocably shifted the consciousness of our society, even if many have little or no knowledge on the subjects. Scientists and mathematicians are busily trying to solve the puzzles of the universe, and these four artists exploit these puzzles for all they're worth.
Julia Latané's Blue Superstrings, informed by the mind boggling concepts of string theory, springs from the wall and undulates to and fro. Rebecca Niederlander's mobiles are clearly of the natural world, but their spindly rotating tendrils could go micro or macro, referring to plant structures or meteor showers. Likewise, in wall drawings made with Mylar tape, Carrie Ungerman builds tension that evokes mighty asteroids colliding, or the tenderness of cell division. Nolan's repeated triangle floor work plays with the geometry of crystal formations while conjuring a fourth dimension with its double-mirrored surfaces. Although each artist is very literate in the history of pattern-based abstraction, conceptually and aesthetically, they are inspired by and draw liberally from an infinite pool of scientific inquiry.
Super Elastic Artists: Julia Latané, Rebecca Niederlander, Timothy Nolan, Carrie Ungerman
Timothy Nolan and Rebecca Niederlander Courtesy of Carl Berg Gallery.
Media Contact: Liza Simone Liza@PhantomGalleriesLA.com 213.626.2854
Partners
"The Long Beach Redevelopment Agency is proud to partner with Phantom Galleries LA, not only to revive empty storefronts along our major corridors, but also to showcase the arts and build a sense of community and culture in our Downtown," said Craig Beck, Executive Director of the Long Beach Redevelopment Agency. LongBeachRDA.org
Special Thank you to Hillcrest Development Partners, Pacifica HOA, Wokcano Restaurants, Charles Dunn Company.
About Phantom Galleries LA
Phantom Galleries LA is a Los Angeles County based organization that transforms properties in transition into 24/7 public art galleries. Each installation is a unique relationship between the participating Artist, Curator, and Property Owner. Exhibits are curated by local Arts Organizations, Galleries, Independent Curators, and Artists. www.PhantomGalleriesLA.com
photo by liza simone
The organized game "Otelo Futurespace – The Digital Playground" took place at Ars Electronica Center from April 4 to 8, 2018. In eight labs, each focusing on a different aspect of digitization, 10-18-year-olds acquire the skills that will help them get the final "Robo-Challenge" up and running. In these lab settings, the accent is on hands-on practice—the participants are encouraged to try out new things, experiment and learn.
Credit: Vanessa Graf
With Organs Sound The Body, San Francisco machine-arts icon Kal Spelletich sets out to create “backup organs for an artist who has never had health insurance,” positing a series of hybrid human organs (lungs, heart, kidneys, skin) as playful and reactive metaphors for survival, identity, agency, and responsibility in an era in which increasingly utilitarian values may overshadow technology’s capacity for poetry. / Strange Temporalities
STOCHASTIC LABS (US)
Credit: Jürgen Grünwald
The members of the Quadrature artists’ collective, Juliane Götz (DE), Sebastian Neitsch (DE, Jan Bernstein (DE), are the recipients of the 2016 European Digital Art and Science Network residency. Following their successful application in response to the network’s open call, the three artists will be traveling to Chile to spend several weeks at the European Southern Observatory (ESO). The second stop on their itinerary is Linz, where the Ars Electronica Futurelab’s staff will provide them with support as they go about developing the project that emerges from their stay in Chile.
Credit: Quadrature
In cooperation with seven artistic & cultural institutions as well as the ESO–European Southern Observatory, Ars Electronica has launched "art & science", the European Digital Art and Science Network, an international initiative offering artists the chance to spend several weeks at both the ESO and the Ars Electronica Futurelab.
A group photo showing the jury consisting of representatives of Ars Electronica, ESO and members of the cultural partner institutions.
Credit: Martin Hieslmair
Curated by
Timothy Nolan
Dates February 1 – March 15, 2009
Coinciding with the TED Conference.
Opening reception February 5th, 5pm-9pm
Pedestrian Viewing 24/7, Galleries open by appointment. Gallery Hours during TED TBA.
Location: 170 North Promenade, Long Beach, 90802
Phantom Galleries, L.A. presents its inaugural exhibit at the Pacifica Building in Long Beach, curated by artist Timothy Nolan. In response to the first appearance of the TED Conference in Long Beach this February, Super Elastic brings together large works from four Los Angeles-based artists whose work addresses our expanding visual landscape propelled by advances in science and technology. From the subatomic to the super galactic, imagery coming from electron microscopes and the Hubble telescope is now an integral part of the culture. Quantum mechanics, relativity, the Big Bang, chaos theory, multi-dimensional math, etc., have all irrevocably shifted the consciousness of our society, even if many have little or no knowledge on the subjects. Scientists and mathematicians are busily trying to solve the puzzles of the universe, and these four artists exploit these puzzles for all they're worth.
Julia Latané's Blue Superstrings, informed by the mind boggling concepts of string theory, springs from the wall and undulates to and fro. Rebecca Niederlander's mobiles are clearly of the natural world, but their spindly rotating tendrils could go micro or macro, referring to plant structures or meteor showers. Likewise, in wall drawings made with Mylar tape, Carrie Ungerman builds tension that evokes mighty asteroids colliding, or the tenderness of cell division. Nolan's repeated triangle floor work plays with the geometry of crystal formations while conjuring a fourth dimension with its double-mirrored surfaces. Although each artist is very literate in the history of pattern-based abstraction, conceptually and aesthetically, they are inspired by and draw liberally from an infinite pool of scientific inquiry.
Super Elastic Artists: Julia Latané, Rebecca Niederlander, Timothy Nolan, Carrie Ungerman
Timothy Nolan and Rebecca Niederlander Courtesy of Carl Berg Gallery.
Media Contact: Liza Simone Liza@PhantomGalleriesLA.com 213.626.2854
Partners
"The Long Beach Redevelopment Agency is proud to partner with Phantom Galleries LA, not only to revive empty storefronts along our major corridors, but also to showcase the arts and build a sense of community and culture in our Downtown," said Craig Beck, Executive Director of the Long Beach Redevelopment Agency. LongBeachRDA.org
Special Thank you to Hillcrest Development Partners, Pacifica HOA, Wokcano Restaurants, Charles Dunn Company.
About Phantom Galleries LA
Phantom Galleries LA is a Los Angeles County based organization that transforms properties in transition into 24/7 public art galleries. Each installation is a unique relationship between the participating Artist, Curator, and Property Owner. Exhibits are curated by local Arts Organizations, Galleries, Independent Curators, and Artists. www.PhantomGalleriesLA.com
Fessler, Ann, Nexus Press. Genetics Lesson. [Atlanta, Ga.]: Nexus Press, c. 1992.
See MCAD Library's catalog record for this book.
In cooperation with seven artistic & cultural institutions as well as the ESO–European Southern Observatory, Ars Electronica has launched "art & science", the European Digital Art and Science Network, an international initiative offering artists the chance to spend several weeks at both the ESO and the Ars Electronica Futurelab.
Picture showing Fernando Comerón, head of the ESO Representation in Chile, and Lucía García Rodríguez, managing director of Laboral, during the jury session.
Credit: Martin Hieslmair
Photo showing Encounters by María Ignacia Edwards (CL) at the Ars Electronica Center's Elements of Art and Science exhibition during the Opening and Introduction Parcours.
credit: tom mesic
In cooperation with seven artistic & cultural institutions as well as the ESO–European Southern Observatory, Ars Electronica has launched "art & science", the European Digital Art and Science Network, an international initiative offering artists the chance to spend several weeks at both the ESO and the Ars Electronica Futurelab.
Picture showing the jury consisting of representatives of Ars Electronica, ESO and members of the cultural partner institutions.
Credit: Martin Hieslmair
María Ignacia Edwards (CL) works with equilibrium, the lightness and weightlessness of objects that she brings into balance by deploying their own weight or counterweights.
credit: tom mesic
The UK artist duo Ruth Jarman and Joe Gerhardt aka Semiconductor during their introduction visit at CERN in Switzerland, preparing their residency after they have recieved the 2015 Collide@CERN Ars Electronica Award. Picture is showing them in talk with Peter Jenni (physicist at CERN).
Credit: Claudia Schnugg
Curated by
Timothy Nolan
Dates February 1 – March 15, 2009
Coinciding with the TED Conference.
Opening reception February 5th, 5pm-9pm
Pedestrian Viewing 24/7, Galleries open by appointment. Gallery Hours during TED TBA.
Location: 170 North Promenade, Long Beach, 90802
Phantom Galleries, L.A. presents its inaugural exhibit at the Pacifica Building in Long Beach, curated by artist Timothy Nolan. In response to the first appearance of the TED Conference in Long Beach this February, Super Elastic brings together large works from four Los Angeles-based artists whose work addresses our expanding visual landscape propelled by advances in science and technology. From the subatomic to the super galactic, imagery coming from electron microscopes and the Hubble telescope is now an integral part of the culture. Quantum mechanics, relativity, the Big Bang, chaos theory, multi-dimensional math, etc., have all irrevocably shifted the consciousness of our society, even if many have little or no knowledge on the subjects. Scientists and mathematicians are busily trying to solve the puzzles of the universe, and these four artists exploit these puzzles for all they're worth.
Julia Latané's Blue Superstrings, informed by the mind boggling concepts of string theory, springs from the wall and undulates to and fro. Rebecca Niederlander's mobiles are clearly of the natural world, but their spindly rotating tendrils could go micro or macro, referring to plant structures or meteor showers. Likewise, in wall drawings made with Mylar tape, Carrie Ungerman builds tension that evokes mighty asteroids colliding, or the tenderness of cell division. Nolan's repeated triangle floor work plays with the geometry of crystal formations while conjuring a fourth dimension with its double-mirrored surfaces. Although each artist is very literate in the history of pattern-based abstraction, conceptually and aesthetically, they are inspired by and draw liberally from an infinite pool of scientific inquiry.
Super Elastic Artists: Julia Latané, Rebecca Niederlander, Timothy Nolan, Carrie Ungerman
Timothy Nolan and Rebecca Niederlander Courtesy of Carl Berg Gallery.
Media Contact: Liza Simone Liza@PhantomGalleriesLA.com 213.626.2854
Partners
"The Long Beach Redevelopment Agency is proud to partner with Phantom Galleries LA, not only to revive empty storefronts along our major corridors, but also to showcase the arts and build a sense of community and culture in our Downtown," said Craig Beck, Executive Director of the Long Beach Redevelopment Agency. LongBeachRDA.org
Special Thank you to Hillcrest Development Partners, Pacifica HOA, Wokcano Restaurants, Charles Dunn Company.
About Phantom Galleries LA
Phantom Galleries LA is a Los Angeles County based organization that transforms properties in transition into 24/7 public art galleries. Each installation is a unique relationship between the participating Artist, Curator, and Property Owner. Exhibits are curated by local Arts Organizations, Galleries, Independent Curators, and Artists. www.PhantomGalleriesLA.com
Impression from the opening of the exhibition "The Alchemists of Art and Science" at the Ars Electronica Center Linz.
Credit: Ars Electronica / Martin Hieslmair
Curated by
Timothy Nolan
Dates February 1 – March 15, 2009
Coinciding with the TED Conference.
Opening reception February 5th, 5pm-9pm
Pedestrian Viewing 24/7, Galleries open by appointment. Gallery Hours during TED TBA.
Location: 170 North Promenade, Long Beach, 90802
Phantom Galleries, L.A. presents its inaugural exhibit at the Pacifica Building in Long Beach, curated by artist Timothy Nolan. In response to the first appearance of the TED Conference in Long Beach this February, Super Elastic brings together large works from four Los Angeles-based artists whose work addresses our expanding visual landscape propelled by advances in science and technology. From the subatomic to the super galactic, imagery coming from electron microscopes and the Hubble telescope is now an integral part of the culture. Quantum mechanics, relativity, the Big Bang, chaos theory, multi-dimensional math, etc., have all irrevocably shifted the consciousness of our society, even if many have little or no knowledge on the subjects. Scientists and mathematicians are busily trying to solve the puzzles of the universe, and these four artists exploit these puzzles for all they're worth.
Julia Latané's Blue Superstrings, informed by the mind boggling concepts of string theory, springs from the wall and undulates to and fro. Rebecca Niederlander's mobiles are clearly of the natural world, but their spindly rotating tendrils could go micro or macro, referring to plant structures or meteor showers. Likewise, in wall drawings made with Mylar tape, Carrie Ungerman builds tension that evokes mighty asteroids colliding, or the tenderness of cell division. Nolan's repeated triangle floor work plays with the geometry of crystal formations while conjuring a fourth dimension with its double-mirrored surfaces. Although each artist is very literate in the history of pattern-based abstraction, conceptually and aesthetically, they are inspired by and draw liberally from an infinite pool of scientific inquiry.
Super Elastic Artists: Julia Latané, Rebecca Niederlander, Timothy Nolan, Carrie Ungerman
Timothy Nolan and Rebecca Niederlander Courtesy of Carl Berg Gallery.
Media Contact: Liza Simone Liza@PhantomGalleriesLA.com 213.626.2854
Partners
"The Long Beach Redevelopment Agency is proud to partner with Phantom Galleries LA, not only to revive empty storefronts along our major corridors, but also to showcase the arts and build a sense of community and culture in our Downtown," said Craig Beck, Executive Director of the Long Beach Redevelopment Agency. LongBeachRDA.org
Special Thank you to Hillcrest Development Partners, Pacifica HOA, Wokcano Restaurants, Charles Dunn Company.
About Phantom Galleries LA
Phantom Galleries LA is a Los Angeles County based organization that transforms properties in transition into 24/7 public art galleries. Each installation is a unique relationship between the participating Artist, Curator, and Property Owner. Exhibits are curated by local Arts Organizations, Galleries, Independent Curators, and Artists. www.PhantomGalleriesLA.com
photo by liza simone
María Ignacia Edwards (CL) works with equilibrium, the lightness and weightlessness of objects that she brings into balance by deploying their own weight or counterweights.
credit: tom mesic
Transforming Objects into Information Displays
Subtle, overlooked everyday interactions with objects carry the potential to transform how we engage with the world. An umbrella is the interface to the rain and climate; a store-bought apple is the interface to the transnational food system; your skin is the interface to your body’s health. As Internet of Things further extends digital life to objects and environments, Organic Primitive Bioplastics challenges endless data accumulation and memory by posing an ephemeral paradigm for interacting with objects, driven by organic intelligences.
This installation presents a library of smart bioplastics that give objects a “voice” to communicate with us, by converting chemical inputs into human senses – changing color, odor, and form in response to fluids. Artifacts made from the materials act as information displays which provide a glimpse into a new material reality, a world where everyday objects mediate the ecological signals they’re part of, and come to life to communicate with their owners.
Credit: Jürgen Grünwald
General view of the Paranal Observatory Platform with six domes (from left to right): ANTU, KUEYEN, MELIPAL, AT1, VLT Survey Telescope (still to be installed) and YEPUN. Some of the positions for the Auxiliary Telescopes and the railway tracks on which they move are seen in the foreground.
credit: ESO
The UK artist duo Ruth Jarman and Joe Gerhardt aka Semiconductor during their introduction visit at CERN in Switzerland, preparing their residency after they have recieved the 2015 Collide@CERN Ars Electronica Award.
Credit: Claudia Schnugg
Curated by
Timothy Nolan
Dates February 1 – March 15, 2009
Coinciding with the TED Conference.
Opening reception February 5th, 5pm-9pm
Pedestrian Viewing 24/7, Galleries open by appointment. Gallery Hours during TED TBA.
Location: 170 North Promenade, Long Beach, 90802
Phantom Galleries, L.A. presents its inaugural exhibit at the Pacifica Building in Long Beach, curated by artist Timothy Nolan. In response to the first appearance of the TED Conference in Long Beach this February, Super Elastic brings together large works from four Los Angeles-based artists whose work addresses our expanding visual landscape propelled by advances in science and technology. From the subatomic to the super galactic, imagery coming from electron microscopes and the Hubble telescope is now an integral part of the culture. Quantum mechanics, relativity, the Big Bang, chaos theory, multi-dimensional math, etc., have all irrevocably shifted the consciousness of our society, even if many have little or no knowledge on the subjects. Scientists and mathematicians are busily trying to solve the puzzles of the universe, and these four artists exploit these puzzles for all they're worth.
Julia Latané's Blue Superstrings, informed by the mind boggling concepts of string theory, springs from the wall and undulates to and fro. Rebecca Niederlander's mobiles are clearly of the natural world, but their spindly rotating tendrils could go micro or macro, referring to plant structures or meteor showers. Likewise, in wall drawings made with Mylar tape, Carrie Ungerman builds tension that evokes mighty asteroids colliding, or the tenderness of cell division. Nolan's repeated triangle floor work plays with the geometry of crystal formations while conjuring a fourth dimension with its double-mirrored surfaces. Although each artist is very literate in the history of pattern-based abstraction, conceptually and aesthetically, they are inspired by and draw liberally from an infinite pool of scientific inquiry.
Super Elastic Artists: Julia Latané, Rebecca Niederlander, Timothy Nolan, Carrie Ungerman
Timothy Nolan and Rebecca Niederlander Courtesy of Carl Berg Gallery.
Media Contact: Liza Simone Liza@PhantomGalleriesLA.com 213.626.2854
Partners
"The Long Beach Redevelopment Agency is proud to partner with Phantom Galleries LA, not only to revive empty storefronts along our major corridors, but also to showcase the arts and build a sense of community and culture in our Downtown," said Craig Beck, Executive Director of the Long Beach Redevelopment Agency. LongBeachRDA.org
Special Thank you to Hillcrest Development Partners, Pacifica HOA, Wokcano Restaurants, Charles Dunn Company.
About Phantom Galleries LA
Phantom Galleries LA is a Los Angeles County based organization that transforms properties in transition into 24/7 public art galleries. Each installation is a unique relationship between the participating Artist, Curator, and Property Owner. Exhibits are curated by local Arts Organizations, Galleries, Independent Curators, and Artists. www.PhantomGalleriesLA.com
Photo showing Encounters by María Ignacia Edwards (CL) at the Ars Electronica Center's Elements of Art and Science exhibition during the Opening and Introduction Parcours.
credit: tom mesic
In cooperation with seven artistic & cultural institutions as well as the ESO–European Southern Observatory, Ars Electronica has launched "art & science", the European Digital Art and Science Network, an international initiative offering artists the chance to spend several weeks at both the ESO and the Ars Electronica Futurelab.
Picture showing the jury consisting of representatives of Ars Electronica, ESO and members of the cultural partner institutions.
Credit: Martin Hieslmair
Within the framework of Art & Science, the Fraunhofer Institute for Image-Based Medicine MEVIS and the media artist Yen Tzu Chang (JP) conducted a workshop for pupils at the Ars Electronica Center in June 2017.
Credit: Ars Electronica / Martin Hieslmair
Photo showing Voxel Posse by Universal Everything (UK) at the Ars Electronica Center's Elements of Art and Science exhibition.
Credit: Martin Hieslmair
María Ignacia Edwards (CL) works with equilibrium, the lightness and weightlessness of objects that she brings into balance by deploying their own weight or counterweights.
credit: tom mesic
The first recipient of the residency staged under the auspices of the Art & Science Network is María Ignacia Edwards (CHL). She was selected from among the 140+ applicants from 40 countries and will be spending her residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Austria. Picture is showing María Ignacia Edwards at the SEST in La Silla during her pre-visit in Chile.
Credit: Claudia Schnugg
Proteus 2.0 is an installation that modulates ferrofluid patterns, with both human and machine intelligences, in a closed loop. Through an individual and prolonged visual experience, it immerses the visitor in an implicit interaction with the material through a brain-computer interface. A pre-trained dedicated machine learning model is informed by real-time neural signals, produced by the visitor’s gaze while being exposed to the rapid serial change of patterns without any explicit instructions to follow. Over the time of the gaze experience, visitors may witness a certain stabilization of their own modulated picture of the material.
Credit: tom mesic