Architect: Stuart, James 'Athenian'
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Casa Loma (Spanish for Hill House) is a Gothic Revival style house and gardens in midtown Toronto, Ontario, Canada, that is now a museum and landmark. It was originally a residence for financier Sir Henry Mill Pellatt. Casa Loma was constructed over a three-year period from 1911–1914. The architect of the mansion was E. J. Lennox, who was responsible for the designs of several other city landmarks. 221
font: Architects Draft
textures and effects by Remember Remember
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John Clare
The shepherds calender July
Or nuzling colt that trys to catch
A gate at night left off the latch
By traveller seeking home in haste
Or the clown by fareys chas'd
Sint Nicholaskerk is the most seen and at the same time overlooked church in Amsterdam as well as being one its most recent constructions, no one can miss this iconic structure upon arrival to the city walking from Centraal Station your eye is immediately drawn to it at 58 m in height it towers over the city skyline.
This Roman Catholic Church was designed by Architect Adrianus Bleijs and is a nod to the past combining elements of neo-Baroque and neo-Renaissance styles, completed in 1887 it was made a minor Basilica in 2012.
The church is dedicated to the 4th century charitable patron saint of children that became our Santa Claus as well as the patron saint of sailors and prostitutes, another winning combination.
In the Netherlands Santa Claus is known as Sinterklaas and a feast has been celebrated for over 700 years in his name and adopted in the early part of 20th century the tradition of leaving small gifts in children’s shoes was practiced on Dec 6th which has evolved now to become a Dec 5th evening tradition of gathering of family and friends to exchange gifts and laughter.
While Dutch Sinterklaas celebrations are mainly for the children its adult component is an annual grievance poem written to the recipient that must rhyme and be read out loud by the subject at the evening party all in good fun but beware you may get as good as you give.
I took this on Sept 10th, 2017 with my D750 and Nikon 28-300mm f/3.5-5.6 Lens at 58mm 15 sec f/16 ISO100 processed in LR, PS +Lumenzia, Topaz , Luminar and DXO
Disclaimer: My style is a study of romantic realism as well as a work in progress
The Caldwell County jail was built in 1908-1909. Designed by architect T. S. Hodges, this castellated brick structure served as the county's jail until 1982. Hodges is also known for the Dr. Eugene Clark Library in Lockhart shown previously in this short series.
The jailer's quarters occupy the ground floor, over a storage area in the basement. The upper floor contain fifteen cells of concrete and steel, with one cell rising from the center of the building. Gallows are said to have been removed from this jail in the 1930s.
Now a museum, the jail also hosts exhibits relating to the history of Caldwell County and the State of Texas. The former jail is not a Texas Historic Landmark.
Lockhart is the seat of Caldwell County, and is located 30 miles (48 km) south of Austin. The estimated population of Lockhart in 2019 was 14,133. Known as the Barbecue Capital of Texas, Lockhart also has played host to many film sets. The 1996 Christopher Guest comedy film Waiting for Guffman and the 1993 drama What's Eating Gilbert Grape were filmed partially in Lockhart, including the historic courthouse and the town square.
être assidu ...
fleißig sein ...
light like through an aperture ...
Jean Nouvel | The Pritzker Architecture Prize
... tribute to Arabic culture.” The Arab World Institute is just one of more than two hundred projects by Jean Nouvel, created ...
ƒ/5.6 20.0 mm 1/1600 6400
FV0A6933_pt4
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Hilversum, Dudokpark (NL) 26-10-2019
Het raadhuis van Hilversum is een van de mooiste werken van de bekende Nederlandse architekt Willem Dudok. Op de foto de Burgerzaal van het raadhuis.
The Hilversum town hall is one of the most beautiful works by the well-known Dutch architect Willem Dudok. In the photo the Citizens' Hall of the town hall.
Das Rathaus von Hilversum ist eines der schönsten Werke des bekannten niederländischen Architekten Willem Dudok. Auf dem Bild die Bürgerhalle des Rathauses.
L'hôtel de ville de Hilversum est l'une des plus belles œuvres du célèbre architecte néerlandais Willem Dudok. Sur la photo la salle des citoyens de l'hôtel de ville.
El ayuntamiento de Hilversum es una de las obras más bellas del conocido arquitecto neerlandés Willem Dudok. En la foto la sala de los ciudadanos del ayuntamiento.
Il municipio di Hilversum è una delle opere più belle del noto architetto olandese Willem Dudok. Nella foto la stanza dei cittadini del municipio.
A câmara municipal de Hilversum é uma das mais belas obras do conhecido arquiteto neerlandês Willem Dudok. Na foto o quarto dos cidadãos.
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The Louvre Pyramid (Pyramide du Louvre) is a large glass and metal pyramid designed by Chinese-American architect I.M. Pei, surrounded by three smaller pyramids, in the main courtyard (Cour Napoléon) of the Louvre Palace (Palais du Louvre) in Paris. The large pyramid serves as the main entrance to the Louvre Museum. Completed in 1989,[1] it has become a landmark of the city of Paris.
The Louvre or the Louvre Museum (French: Musée du Louvre, pronounced: [myze dy luvʁ]) (French About this sound (help·info)) is the world's largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). Approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres (782,910 square feet).[3] The Louvre is world's most visited museum, receiving 7.4 million visitors in 2016
The north facing wall of the Atmosphere condo complex in downtown Toronto. Developed by Tridel and designed by Rudy Wallman of Toronto’s Wallman Architects, it opened in 2013.
Architects:
Frank Gehry, Gehry Partners,
Annabelle Selldorf, Selldorf Architects.
www.luma-arles.org/en/luma/Parc-des-Ateliers/Architectura...
Parc des ateliers, Luma Arles & The Luma Foundation,
Under construction.
Meßberghof - Hamburg
(1924 - 1938 Ballinhaus)
Das Gebäude wurde von 1922 bis 1924 nach Entwürfen der Architekten Hans und Oskar Gerson für die Aktiengesellschaft für In- und Auslandsunternehmungen errichtet und nach dem 1918 verstorbenen Hamburger Reeder Albert Ballin benannt.
The building was built from 1922 to 1924 based on designs by the architects Hans and Oskar Gerson for the stock corporation for domestic and foreign companies and was named after the Hamburg shipowner Albert Ballin, who died in 1918.
This Cambridge college was founded (and this part of the college built) in the 1880s. The style is Victorian Late Perpendicular Gothic Revival (though to my untrained eyes it looks an awful lot like Tudor revival), designed by the architect Sir Arthur Blomfield.
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
This is part of series of photographs of the suitcase leading into Caixa Forum Madrid. Originally, I had envisioned the series as a set of monochrome images. However, when I first processed them I was so pleased with the colour versions that I decided that the monochrome versions could wait. All images of the Caixa Forum staircases, both colour and monochrome, are available here Caixa Forum Madrid.
Alternative shot of the Main Shrine of Izumo Taisha. It is believed to be the residence of the enshrined gods, namely, Ookuninushi and his family members.
Shintou architectures are known to preserve original Japanese architectural traditions better than Buddhist architectures that were influenced by Korean and Chinese architectures. Although half-hidden by the walls, residences for the gods in the compound are constructed as stilt houses with a ladder. In this sense, they resemble the houses by the Yeak Laom Lake.
Architects point out that Japanese houses are designed to be well ventilated in order to be comfortable in humid summer by sacrificing protection against the cold in winter. In my opinion, it would be an influence of the Austroasiatic people, which came with the rice cultivation.
Rice cultivation in Japan started in Kyuushuu Island in the west around the 10th century B.C. and spread nationwide except for northern Honshuu and Hokkaidou by the 3rd century B.C., which roughly coincides with the period of Austroasiatic expansion. The style of earthen ware had drastically changed as rice cultivation spread.
This is the last photo of the consolation and gleaning of the year 2024.
Architects house... - Have you ever stumbled upon an abandoned house that seems frozen in time? This forgotten place with decay is sure to pique your curiosity. From the architect's books to the once-played piano, every relic inside tells a story of its own. Who lived here before? Where did they go? So many questions left unanswered! Despite all odds, this place has turned into a beautiful artwork - one that speaks of someone's cherished memories
ensures that his building merges with its surroundings!
Every twist and turn on yesterday's walk produced new treasures!
View LARGE on Black to fully appreciate!
Avec sa courbe spectaculaire et sa structure typique des années 20, ce magnifique escalier patrimonial situé au Printemps Haussmann qui répondent aux lignes rationnelles de l’Art déco
Il est né en pleines Années Folles, entre 1922 et 1924 sous la direction de l’architecte Georges Wybo
Il a été érigé 60 ans après la création du Grand Magasin à la suite des incendies des Nouveaux Magasins Printemps Haussmann de 1921
Après une restauration minutieuse, faisant suite à une fermeture de près de 40 ans, il retrouve un rôle d’honneur au Printemps Haussmann,
C’est la seule structure du Printemps Haussmann en béton armé.
Elle est unique dans le magasin et offre une grande légèreté grâce à la succession de miroirs le long des murs latéraux.
L'escalier flottant : Il se caractérise par l'absence de points d'appui visibles. Les rampes sont délimitées par des ferronneries aux motifs géométriques courant au centre de la cage.
La rambarde en forme de P : Cette caractéristique souligne l'attachement du Printemps à son identité et s'inscrit dans une approche moderne de la mise en valeur
With its spectacular curve and its typical structure of the 20s, this magnificent heritage staircase located at Printemps Haussmann that responds to the rational lines of Art Deco It was born in the middle of the Roaring Twenties, between 1922 and 1924 under the direction of the architect Georges Wybo It was erected 60 years after the creation of the Department Store following the fires of the New Printemps Haussmann Stores in 1921 After a meticulous restoration, following a closure of nearly 40 years, it returns to an honorary role at the Printemps Haussmann, It is the only structure of the Printemps Haussmann in reinforced concrete. It is unique in the store and offers great lightness thanks to the succession of mirrors along the side walls.
The floating staircase: It is characterized by the absence of visible support points. The ramps are delimited by metalwork with geometric patterns running through the centre of the cage.
The P-shaped railing: This feature underlines Printemps' attachment to its identity and is part of a modern approach to showcasing its heritage
New Sika Technical and office building in Zürich
Architects : Itten & Brechbühl AG
Comments are always welcome and favs most appreciated.
Comentarios y favs son siempre bienvenidos
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IT: La Vectron 383.222 di Budamar in livrea speciale 'Architects of Logistics' è ripresa al comando di un treno di bisarche cariche di Mercedes diretto verso Nord.
EN: The Budamar 383.222 'Vectron' with special livery 'Architects of Logistics' hauls a northbound freight train loaded by Mercedes cars.
© Mirko Destefani
Hungerburgbahn and Bergiselschanze (Hungerburg funicular railway and Berg Isel ski jump) - designed by the famous architect Zaha Hadid
Architect H.G.J. Schelling, originally a civil engineer, designed several railway stations in the Netherlands from the 1920s to 1950s. Schelling’s works show a distinct development in terms of construction materials used. Early railway stations, such as Naarden-Bussum (1926) have façades in fired clay brick, with details in Doornik limestone, as dimension stone typical of medieval building in the Netherlands. Later railway stations such as Amsterdam-Muiderpoort (1937) and Amsterdam Amstel (1939) were constructed in concrete, but fired clay brick, and in the case of Amstel railway station French limestone (Bois fleuri) still dominates the façades. After the Second World War, Schelling designed a series of railway stations - Enschede (1950), Hengelo (1951), Zutphen (1952), Leiden (1953, demolished) and Arnhem (1954, largely demolished) - in which visible concrete dominates the façades. In his use of concrete, Schelling was strongly inspired by Perret. Schelling used various geometric forms (so-called claustra) and above all a careful selection of concrete aggregate (different types and colours of crushed bricks, pipes and roofing tiles, selected natural sands and chert, glass) and surface finishing methods to achieve aesthetic effects. The paper outlines Schelling’s development in choice of materials, largely in his own words.
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Thank you very much for the comments and the Faves ..... is much appreciated ...... ;-))