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"For fuck's sake, I know you're there...."
*CLICK* "H-hello?"
"S'me, Arnie. I need your help."
"Oh, really?... well, that makes, two of us."
"Wait, what? Shit, hold on--Kevin! Don't touch my briefcase! My shit's in there!"
"Jerrick, look, it's really complicated--"
"I can handle complicated just fine. Alot the shit I deal with is---KEVIN! Goddammit!--complicated."
"Well, what do you want anyway?"
"Need me to test any other PA gizmos for you? I'll be your test dummy for pay. MMA is down for a bit for me, so I need something else for my daylife---KEVIN, I WILL TAKE YOU TO MY FUCKING SHED!!!"
"The hell are you yelling about?"
"I'll tell you some other time. Hell, you'll probably meet him sometime. Anyway, anything I can do for you?"
"S-sure. I don't wanna say it on the phone. Meet me at the Armory or something tomorrow at 12 PM. I'll be out front."
"Something up Arnie? You sound fucked up. Arnie? Hey, Arnie!"
.............
"Sonuva bitch hung up on me! The hell's up with the secrecy anyway?... I mean---KEVIN!!! HOW THE FUCK DID YOU OPEN THAT?!? NO!! I HAVEN'T PAYED THOSE TICKETS OFF YET YOU CURLY-TAILED ASSHOLE!!!"
Application tracking spreadsheet, file management, stenciled envelope, photo corners, golden paper clips, 11 pages, just to apply for jobs?! Jeez.
Here is the first screenshot of my new flickr app : 365 project
A simple and intuitive way to show your own 365 project in a calendar style, take a look : 365.statsr.net
You can find the app in the Flickr app garden : www.flickr.com/services/apps/72157625784913627/
Application tracking spreadsheet, file management, stenciled envelope, photo corners, golden paper clips, 11 pages, just to apply for jobs?! Jeez.
Pebtechsolutions is the leading Hybird Mobile Application Development company in USA. Hire best Custom Hybird Mobile Application developers now. Get a Quote
Read More: pebtechsolutions.com/hybird-mobile-development.html
Application tracking spreadsheet, file management, stenciled envelope, photo corners, golden paper clips, 11 pages, just to apply for jobs?! Jeez.
Application tracking spreadsheet, file management, stenciled envelope, photo corners, golden paper clips, 11 pages, just to apply for jobs?! Jeez.
This is a shot of an old version of Anxiety, a dashboard widget running through Amnesty Singles that works as a simple to do list. However, I've since abandoned this version, in favor of a sleeker 100% cocoa application, which syncs with iCal and Mail; pictures of the newer version can be found in my flickr photos.
Avaya IP Office Customer Call Reporter with location-based business intelligence provides performance by geography allowing small and medium enterprises to personalize customer service.
Écrit sur un scrabble : application
Réutilisation libre contre un simple lien vers www.tyseo.net (licence CC BY 2.0)
Avaya IP Office Customer Call Reporter provides the supervisor with an at-a-glance Dashboard view of the selected goals and statistics most important for their business to manage and improve customer service.
Image source: Queensland State Archives Item ID ITM1102501 Expo 88 opening day crowds outside the Australia Pavilion, Brisbane.
World Expositions (or Exhibitions) become increasingly popular after the 1851 Great Exhibition in London, but their frequency, and the standard of their facilities, was not regulated until after the 1928 Paris Convention on International Expositions. The Bureau International des Expositions (BIE) was established in 1931 to administer the Convention. Under BIE rules there are two types of international exposition: the Universal/Category A/General Exposition, and the International/Category B/Special Exposition. The former involves broad themes, and participants design their own pavilions from the ground up, based on the theme.
The International Exposition, which has a narrower theme, is much cheaper to host, and is usually limited to one branch of human endeavour. Participants rent prefabricated pavilions from the host country's committee. Brisbane's Expo 88 was an International Exposition, with the theme "Leisure in the Age of Technology". Most of the structures built on exposition sites are intended to be temporary, but some sites have become parks, incorporating surviving exposition elements, including the sites of Montreal 1967, Seville 1992, Taejon 1993, and Lisbon 1998. Some structures have gone on to become landmarks in their own right, such as the Royal Exhibition Building (Melbourne 1880), the Eiffel Tower (Paris 1889), and the Space Needle (Seattle 1962).
The first bid to bring an exposition to Brisbane in 1988 began with James Maccormick , the architect who had designed the Australian pavilions at Montreal 1967, Osaka 1970, and Spokane 1974. The Brisbane Chamber of Commerce was converted to the idea, and lobbied the Queensland State Government during 1977. However, the Queensland Government was worried about the cost of a Universal Exposition, and was preoccupied with its bid for the 1982 Commonwealth Games. A second Queensland bid was made in 1981. The Australian Bicentennial Authority (ABA), under John Reid, wanted an Universal Exposition in Australia as part of Bicentennial in 1988, and the Federal Government was prepared to fund half of the cost of an exposition in Melbourne or Sydney. However, when these states turned the offer down in January 1981, Reid approached the Queensland Government with a proposal for a cheaper International Exposition. In late 1981 the State Cabinet funded a study that identified South Brisbane as the preferred site. The State Cabinet approved the study on 5 November 1981, on the condition that the Federal Government share the capital costs, but Prime Minister Malcolm Fraser rejected this notion in December 1981.
Queensland made two more attempts in 1982 for an International Exposition. Frank Moore, Chairman of the Queensland Tourist and Travel Corporation (QTTC), believed that private enterprise could fund the exposition, and that it would benefit Queensland's tourism. Queensland's Premier Joh Bjelke-Petersen asked Prime Minister Fraser to get the BIE to keep a slot open for Brisbane in 1988. Fraser was willing to support this proposal, so long as there was no Federal financial commitment. However, Queensland private enterprise was not forthcoming, and Bjelke-Petersen withdrew the proposal in April 1982. November of 1982 witnessed a renewed bid by the State Government. The State would lend money to a statutory authority, which would be tasked with buying and developing the land, and managing the exposition. Brisbane's application was sent to the December 1982 meeting of the BIE in Paris, and was approved in June 1983.
The Brisbane Exposition and South Bank Redevelopment Authority (BESBRA) was established in February 1984 by an Act of the Queensland Parliament. BESBRA was soon referred to in the media as the Expo 88 Authority, or the Expo Authority. Sir Llewellyn Edwards, the Deputy Premier, was appointed as Chairman. In April 1984 the Expo 88 Authority's general manager, Bob Minnikin, claimed that Expo 88 would require $180 million to produce, including resumptions and development, and $90 million to run. It was hoped that gate takings and sponsorship would cover the running costs, and that the development cost would be recouped through selling off the site after Expo 88. Only 13 hectares of the Expo 88 site was private land, with the remainder of the 40 hectares belonging to either the State Government or the Brisbane City Council. Nonetheless, the last resumption did not occur until October 1984, as the owner of the heritage-listed residence 'Collins Place' fought a running legal battle with the Expo 88 Authority.
Grey and Stanley Streets were closed to traffic in July 1985, and demolition work began. Construction of the pavilions started in January 1986. The concept of the Expo 88 architects, Bligh Maccormick 88, included eight large shade-canopies, to protect the public from the Queensland sun. Landscaping began in March 1987, and the Monorail, which would circle the site on a 2.3 kilometre long track, was commissioned in June of that year. By January 1988, $90 million of the $136.8 million construction budget had been spent, and 7.8 million visitors were expected.
During 1987 developers had been asked to present their proposals for Southbank's redevelopment after Expo 88. In February 1988 the State Government announced that the redevelopment plan of the River City 2000 Consortium had been accepted. The Consortium, headed by Sir Frank Moore of the QTTC, had visions of a World Trade Centre on an island, and a casino. However, by early 1988 there was a growing call in the media for more of the site to be turned into public parkland. During March and April 1988 the National Trust protested the River City 2000 Consortium's scheme to move Collins Place, the Plough Inn, and the Allgas Building, three heritage listed buildings, to a historic village. Premier Mike Ahern eventually gave reassurances that this would not happen.
Expo 88 ran for seven days a week, between the hours of 10am-10pm, for six months. Between its opening on 30 April, attended by Queen Elizabeth II, and 30 October 1988, the Expo attracted 15,760,447 visitors, the majority of these being Australians. Most of the international visitors were Japanese, but 100,000 came from the United Kingdom and Europe, with 150,000 visitors from the United States. A total of 36 nations, two international organisations, 14 state and regional governments, and 34 corporations had exhibits.
The pavilions were mostly plain, modular, and temporary. However, the Nepalese Peace Pagoda is a distinctive building, and was easily noticed as the public came through the Vulture Street entrance to Expo 88. The Association to Preserve Asian Culture (APAC) commissioned the Peace Pagoda, which was built by 160 craftsmen of the Kathmandu Valley over two years, before being assembled in Brisbane. It is one of only three such temples outside Nepal, the others being at Munich and Osaka. Nepal has a long history of intricate woodcarving on buildings, and the Peace Pagoda was an attempt to showcase this skill to the world. The two small timber pavilions in front of the Peace Pagoda sold yoghurt lati, samosas, orange juice and lemon tea. Artisans demonstrated their crafts inside the ground floor of the Pagoda, and people could drink their tea and watch the Expo crowds from the teahouse on the first floor. The nearby Nepalese pavilion showcased traditional costumes, climbing dress, photographs, and artefacts.
Expo 88 was a turning point for Queensland's culture and economy, especially in Brisbane. On 30 May 1983 Joh Bjelke-Petersen had noted that if Brisbane's bid were successful, it would focus the world's spotlight on Queensland. Sir Frank Moore believed that the key to developing a major tourist industry in Queensland was a series of hallmark events, including the 1982 Commonwealth Games, which would focus attention on Queensland far better than any advertising campaign. Expo 88 was also intended to start Brisbane on a modernisation process, and towards becoming a 'global' city. The urban renewal of South Brisbane was just one aspect. In April 1984 Sir Llew stated that Queensland would never be the same again after Expo 88, and Brisbane would develop an image as a centre of trade, culture and entertainment. In April 1988 the Courier Mail claimed that Expo 88 was "bridging the yawning gap from a hayseed State to an urbane, international future". Sir Llew also claimed in April 1988 that the aim was for Expo 88 to be a catalyst for a change in lifestyle. Queenslanders had experienced extended opening hours and outdoor café dining, and had liked it.
While the crowds enjoyed Expo 88, controversy continued regarding future plans for the site. There were calls for more public input on redevelopment plans. About 4.5 hectares of land between Stanley Street and the river belonged to the Brisbane City Council (BCC), as Clem Jones Park, and had been lent to the Expo 88 Authority. In June 1988 it was decided to restore this land as parkland, and the River City 2000 Consortium lost its Preferred Developer status.
Government plans for a South Bank Development Corporation were announced, and in July 1988 an interim committee, headed by Sir Llew, was formed to oversee redevelopment. Sir Llew noted in October 1988 that more public funding was necessary to increase the parkland component of the new Southbank, as the land had been earmarked for development to repay for the cost of Expo 88. The draft redevelopment plans released in November 1988 included 12 hectares of parkland. Public submissions on the plan suggested that people wanted to be able to return to the Expo 88 site, to a public facility that had a similar combination of food, art and nature.
At the end of Expo 88, the APAC had planned to sell the Nepalese Peace Pagoda, and it appeared likely that it would be moved to Japan. However, 90,000 people had signed a petition during Expo 88 to keep the Peace Pagoda in Brisbane, and in late 1988 the BCC offered to provide land for the Peace Pagoda, if the Federal Government would pay for its cost and maintenance. A "Save the Pagoda Campaign" was active by February 1989. Public donations eventually totalled $52,000, with $30,000 coming from one couple, who wanted to "give Brisbane something to remember from Expo 88". The BCC provided $50,000, and the Federal Government supplied $100,000. "The Friends of the Pagoda Committee" also raised funds to buy several items that had complemented the Peace Pagoda, including a brass statue of the deity of compassion, a bronze bell and carved stone frame, and a stone lingam.
The Southbank Development Corporation was set up February 1989, with Vic Pullar as the Chairman. Approximately $200 million had been spent on developing the Expo site, and this money had to be recouped. The South Bank Corporation Act was passed in May 1989, and the former Clem Jones Park area was transferred to the Southbank Corporation, which was tasked with managing a new parkland precinct. In June 1989 submissions were sought from five architectural firms, and in August the "Media Five" concept of a mixed residential, commercial, and parkland development was chosen. Under Media Five's plans, the Peace Pagoda would be moved to the northern part of the parklands. The Media Five Chairman, Desmond Brooks, also suggested that Collins Place, the Plough Inn and the Allgas Building be removed to a historic village, but Vic Pullar rejected this idea. However, when the Southbank Corporation's Draft Development Plan was released in November 1989, it proposed to only keep the facades of the historic buildings. After protests by the National Trust, the State Government overruled the Southbank Corporation.
The proposed redevelopment included a waterway through the park, and a large lagoon, which was later downsized. In March 1990 the Final Plan was presented, after public submissions, and site redevelopment started in July 1990. The official Southbank Parklands opening occurred on 20 June 1992. The Waterway was later filled in and replaced with the Energex Arbour, which was officially opened in March 2000.
The transfer of the Peace Pagoda to its current site started on 24 September 1991. The deity of compassion was moved from the first floor to a glass case on the ground floor, the sides of the ground floor were encased in glass, and a display case was added inside. Access to the first floor was sealed off. The two smaller pavilions were also transferred, but their service windows were locked up. Two lion statues and two elephant statues were also relocated. The building was originally designed to be demountable, but it is currently set in a ceramic tiled floor. The Peace Pagoda was one of the best-loved exhibits at Expo 88, as visitors were able to relax in it away from the bustle of the crowds. Today it is still popular, both with tourists, and those who go there to meditate and reflect.
Despite late entrants into the Exposition due to domestic political measures, World Expo 88 attracted some 100 pavilions, from 52 governments, of which 36 were from international-level, and numerous corporate participants. Major western and European nations were represented such as the United States, the Soviet Union (last representation at a World Exposition), France, West Germany (also last representation at a World Exposition), the United Kingdom, Canada, Spain and Greece, as well as major Asian countries such as Singapore, Thailand, Nepal, Pakistan, China, Japan, Sri Lanka, South Korea, Indonesia, and the Philippines, and amongst others. Close neighbouring countries, New Zealand and Papua New Guinea were also represented.
State-level and multi-lateral organisations included the six Australian states, the United Nations, the European Union, Vatican City, three American states (Hawaii, California and Alaska), one Japanese prefecture (sister state of Queensland, Saitama Prefecture), and one Japanese city (Brisbane's sister city Kobe City).
Corporate pavilions included IBM, Ford, Fujitsu, Queensland Newspapers, Australia Post, Cadbury Chocolate, Suncorp, and the Queensland Teachers Credit Union. NASA and Universal Studios hosted outdoor exhibits, with models of the space shuttle and Apollo program, as well as the car KITT from the TV series Knight Rider. Also having its own pavilion was the official Australian TV partner of the Expo, Network Ten, via its Queensland station TVQ, whose news studios were located there for public tours and during the Expo also switched channel frequencies in September (from channel 0 to channel 10) in line with the other state channels.
The most expensive pavilion was Japan (A$26 million), followed by the Queensland Pavilion (A$20 million) and the Australia Pavilion (A$18 million). The largest Pavilions were also Queensland,[6] followed by Australia then Japan.
High Definition TV received its Australian premiere at the Japan Pavilion, and the text-based Internet at the Swiss Pavilion. At the University pavilion the world's longest lab experiment was on display. The pitch drop experiment, which features tar pitch slowly dripping through a funnel at a rate of nine drops in 81 years, actually made an unseen drop while on display.
By doing this, the ultimate product could be more prone to embody their own ideas featuring while ultimately meeting application developer specific project goals. Getting everybody involved such as the developers, designers, stakeholders, and clients will assist you to check out the problems in depth and encourage feedback to produce a product which will come across business and user needs.
Funding
The merchandise must exceed the theoretical to have buy-in from both internal and exterior stakeholders. Before a stakeholder invests, the prototype must give them a real product to make sure that its an invaluable investment. Prototyping reduces uncertainties and offers an exhibition of methods the ultimate product works as well as ensures investors the method is valuable enough to purchase.
startup-photos
Market Validation
Creating something that leads to deep customer engagement is really a struggle to complete. It's very easy to check the usability of the application, but how can you tell if there is a interest in it? The reply is running the prototype via a user test.
Based on research by Localytics, 22% of downloaded mobile phone application developer are just used once and 62% of application users are totally gone after 30 days. It’s important to possess a goal which goes past the mere quantity of downloads and maintains users by supplying continual value. When the application is downloaded, metrics like application engagement, usage, and lifelong value end up being the focus. Application prototyping will validate the merchandise with regards to the right market fit and consumer experience. This reduces costs before proceeding with further development.
Exploration and experimentation through mobile application developer prototyping will produce better finish results and make apps which are valuable for that user. New items frequently fail because of the possible lack of demand, poor researching the market, along with a problematic product. Application prototyping however, avoids these common errors and helps to ensure that a competent and valuable method is developed.
LiveFurnish is revolutionary application that allows Furnishing & Furniture Retailers, Manufacturers and Wholesalers sell, showcase and customize their products and designs.
A Mobile & Tablet Application, LiveFurnish is for all types of furnishing, furniture, Tiles, Vinyls, Laminates, Curtains, Wall Papers, Cushions, Cloth Materials and many more.
3D Visualization: Enable retailers to interactively visualize one of the largest libraries of Furniture in 3D
This is a shot of an old version of Anxiety, a dashboard widget running through Amnesty Singles that works as a simple to do list. However, I've since abandoned this version, in favor of a sleeker 100% cocoa application, which syncs with iCal and Mail; pictures of the newer version can be found in my flickr photos.
Helicopters come and go in the continuing aerial application of straw to mitigate soil and ash runoff from the mountainous terrain leading to Seaman Reservoir, drinking water resource for the City of Greeley, on Friday, July 20, 2012, near Fort Collins, Colorado. A Bell UH-1H (2-blade rotor) and A-Star Model B (3-blade rotor) take turns picking up loads of straw from the landing zone at the foot of the reservoir spillway. The 100-150- cables hold and release loads of certified straw weighing 1,400 – 2,000 pounds. Forest service lands received straw, while private and other lands receive a seed mix and straw to promote ground cover plant growth on ash-covered lands. In total, 1,800 tons of straw will be applied during the 14-day operation. One quarter of the cost was paid by the City of Greeley and the U.S. Department of Agriculture funded the remainder. The Hewlett Gulch Fire was started by a camper’s alcohol stove, on May 14, at the saddle of a picturesque mountain ridge along the Hewlett Gulch Trail of Poudre Canyon, in the Roosevelt National Forest, 60 miles north of Denver. At it’s more than 400 firefighters were battling fires being pushed by 50 mph winds that helped blacken over 12-square-miles of dry ground cover, brush and trees. Many of the trees were already dead and tinder dry from beetle-kill. The water in the reservoir remains clean and clear, while downstream water flow has gone from famous Colorado clear water to nearly black flows of water heavily laden with ash, silt, and burnt debris that recent thunderstorms have already washed down from the mountainsides. USDA Photo by Lance Cheung.
Ground-breaking Ceremony New Nuclear Applications Laboratories Building (FML2) at the IAEA laboratories in Seibersdorf, Austria. 3 October 2022
Photo Credit: Dean Calma / IAEA
Opening Remarks:
Najat Mokhtar, IAEA Deputy Director-General and Head of the Department of Nuclear Sciences and Applications
Welcome Remarks:
Rafael Mariano Grossi, IAEA Director-General
Remarks from Host Country Representatives:
HE Ms. Gabriela Sellner, Ambassador, Republic of Austria
Mr. Christoph Kainz, Deputy, Regional Government of Lower Austria (on behalf of Ms. Johanna Mikl-Leitner, Governor, Lower Austria).
Remarks for Co-Chairs of the Friends of ReNuAL
HE Mr. Rapulane Molekane, Ambassador, Republic of South Africa
HE Mr. Gotz Schmidt-Bremme, Ambassador, Federal Republic of Germany
New/additional pictures from an old model.
With retro-camouflaged Valkyries popping up in official sourcebooks (like Su-27, U.S. Navy or Royal Navy derivates) and some national identity in mind, I wondered what a German Valkyrie would look like? Well, this here is the (quite flashy) result! The idea came when I recently got hands on the brand new WAVE Ma.K. 'Snake-Eye' kit - the box art shows the fighting suit with very special decorative markings: "tulip" wedges.
For those interested, here's an excursion about the story behind it:
The 'black tulip' markings have a real historic heritage from WWII. They had been the personal markings of German pilot ace Erich Hartmann on his Messerschmidt Bf-109 fighter machines. The characterstic markings were painted on the motor cowl, just behind the propeller spinner, which used to be black, too.
After the war (and 352 air combat victories!), when Germany began re-building its defensive forces under the pressure of the Cold War, Erich Hartmann returned from Russian imprisonment, joined German Luftwaffe's forces again and received in 1960 command over Germany's first jet fighter squadron, the JG 71 "Richthofen", which was initially equiped with CL-13 Mk. 6, Canadian-built F-86F-40 'Sabres'.
Consequently, besides the glamorous "Richthofen" name of the squadron, JG71's F-86 would sport the 'black tulip' trademark of their commander around their air intakes and on the fins, paired with bright red or yellow contrast fields. The tulips would, with the advent of the F-104G 'Starfighter' in the mid 60ies, disappear again, though.
But back to the little Valkyrie: The kit is actually a bastard. I did not have a single seater left in stock, so I bashed a VF-1D two-seater with the cockpit and wings of a single-seater Gerwalk kit. This caused little problem, since these kits have almost 100% matching 'interfaces'. The Gerwalk cockpit just differs slightly in proportions and lacks a landing gear compartment. The wings have no punches/adapters for weapons underneath, and the holes for the wings' sweeping mechanism are a bit larger than on the Fighter kits.
Beyond that, the Valkyrie was - as usual - built almost right out of the box, with typical minor details added to the exterior like some antennae, plus some interior things like a pilot figure and a HUD.
In oder to set this Valkyrie a bit apart from the anime versions, I gave it an "L" designation (for "Luftwaffe", the only plausible suffix I could find which was not occupied yet...). A scratch-built laser spot tracker (similar to the Pave Penny system) was mounted under the Valkyrie's front as part of a domestic KWS package ("Kampfwertsteigerung", a German term and abbreviation for military vehicle upgrades). This package also includes subtle details like passive radar sensors (fins, front, legs) and flare dispensers (legs), Small things, but they add some grit and differentiate it from standard anime models. The wings were left empty, in order not to compromise the wonderful lines and keep the kit's focus on its unique livery.
The basic paint scheme is typical for German jets like the F-4F, F-104G or Alpha Jet in the 1960-80 era. AFAIK, it was officially called "Norm '72", but it had the inofficial nickname of "Zitronenfalter" ("Brimstone Butterfly"). It already looks retro due to the angular design, but proves highly effective at medium heights over typical German countryside or over coast line areas. Today it would be sold as "fractal", but the design's origins reach back into the pre-WWII time.
The authentic colors of the Norm '72 scheme are RAL 6014 ("Gelboliv", a dark, brownish olive drab tone; Humbrol's 108 or Revell's 46 come close), RAL 7012 ("Basaltgrau", similar to the Bristish Dark Sea Grey or FS36118) for above and RAL 7001 for the undersides ("Silbergrau", a unique light grey with a metallic hue).
For the small Valkyrie kit , though, I settled for different, lighter shades, because the original tones are pretty murky and they'd rather conceal the wicked camouflage pattern. The Gelboliv became the much lighter 1711 from Testors (simple Olive drab, FS34087), and for the dark Basaltgrau, Humbrol's 27 (Matt Sea Grey) was used. The obscure undersides' RAL 7001 was simulated with a 1:1 mix of Humbrol's 11 and 34 (Silver and Flat White).
While the choice of tones was basically O.K., the olive drab turned out to be way too light after application. The contrast with Humbrol's 27 was weak, so Humbrol 108 would be recommended for a more authentic look, even though weathering would bleach the real colors. But, heck, we are doing anime here! Therefore, I left it as it was.
When the basic camouflage was done, though, I found that something was missing to round up the Valkyrie's look, due to the low contrast of the Zitronenfalter scheme's colors from above. As a visual trick, I simply added leading edges on the wings and fins in Humbrol 94 (Matt Brown Yellow) - this plausible detail clears up the machine's outlines but does not compromise the overall visual style.
The red squadron markings were painted with Humbrol 174 (Signal Red), a bright and yellowish red tone which came out almost orange in the proximity to the murky camouflage. The black tulip wedges were partly taken from a HobbyBoss Sabre's JG71 decal sheet in 1:72 and partly hand-painted in black, with white decal trims. I was surprised how these small details changed the total look of the machine!
A light wash with black ink in order to point out the surface engravings and a final coat of matt varnish (except for the nose, which is intentionally finished in high gloss like German F-4F Phantom's with the Norm '72 outfit) finished the job.
The typical German bort numbers in black with white outlines came from a spare decal set. The Valkyrie's shown registration 27+85 corresponds to German Luftwaffe's nomenklatura since 1968 (the Hartmann tulips are older, though), but is fictional. By current standards, numbers from 20+01 to 49+99 are reserved for front line fighters, with serials corresponding to types in service (and not to sqaudrons). 27+85 would have been a TF-104G Starfighter trainer at its time, but phased-out numbers have been knwon to be used again, so the bort number is plausible ;)
Overall I find this Valkyrie interpretation better than expected. At first I was afraid that the Zitronenfalter scheme would make it look boring. It IS retro, O.K., but the flashy, historic JG71 trims add that special touch and comic-likeness that make it IMO look plausible even for the Macross universe? It is amazing what you can make from these simple kits, and once more respect and awe for Kawamori Shoji's timeless design. So inspiring! ^^
💡 HOW : 🔽
🔥 ACTION ONE (3✔️) (👨🔧Cut) Cut out the lap of the sheet :
👣 Step 1 (3✔️) : 0:02
🔥 ACTION TWO (2✔️) (👨🔧Coffe) Pour the coffee on the paper :
👣 Step 2 (2✔️) : 0:20
✅ Finish : 0:40
➕ 5 ✔️ Experience Points in making
⏳ Make in Less Than 1 Minute : www.youtube.com/playlist?list=PLCnt1yP-rsmkh4qyHHS_fhY69X...
ℹ️ You can use a hair dryer (Or others) for the drying step of the paper.
⚠️ Not strong and not close to the paper so as not to tear the paper.
⚠️ Not hot so as not to wrinkle the paper
⚠️ If you dry the paper with a hair dryer (Or others). Wait at least 5 minutes, so that the paper is completely impregnated with coffee.
ℹ️ Go generously on the coffee so you do not have to do both odds. If not, simply do step 2 on both sides.
ℹ️ Do not pour hot coffee on the paper. Wait until it cools to reach room temperature at the room where you are.
ℹ️ Drying varies depending on the humidity of the medium on which your paper is dried and the number of coffe you pour on the paper. It takes between 2 and 12 hours maximum to have a completely dry paper.
⚠️ Pay attention to hair, dust ... etc. This can disturb the impregnation of coffee.
✔️ Download PICTURES by L.Guidali : www.dropbox.com/sh/9fboaw8ev3r8nxi/AABPk_iz-zvB-snpDKlRtr...
✔️ Download PDF by L.Guidali : www.dropbox.com/s/nasg7i102o1q8jw/How%20to%20Make%201%20-...
✔️ Download VIDEO by L.Guidali : www.dropbox.com/s/9njyney79cq72tu/How%20to%20Make%201%20%...
🏆 Difficulty : Very Easy (Level 1 )
🎓 Skills : No special skills needed
️ Senses : 👀 Vision 👆 To Touch 💃 Proprioception
👩🏫 Intelligences : Kinesthetic Body Intelligence
🔢 Intelligence Logic Mathematics
💡 Imagination
🙇 State of Mind : 😶 Focus
😔 Patient
🤔 Perfectionist
️ Tools : 🔨 3
🔨 Coffee (Cold)
🔨 Brush
🔨 White Paper
⚠️ The materials used for the making, are not a standard for the making you make.You can use any other type of tools.
⚠️ Some steps may be repetitive or unnecessary. because you can already perform the step, or simply, is not suited to your current tools, your tastes ... etc. Please demonstrate understanding about repetitiveness or innutility according to your wishes of certain steps.
📋 WHAT :
🔨How To Make {1} Step by Step (1 Minute)
🌟 Parchment With a White Sheet and Coffee
💫 Paper/Parchment World
🌌 Stationery Galaxy
✨ Making Universe
📝 Type : Making of Parchment (📝Paper & ⚗️Liquid)
🎨 Style : How To Make Parchment With a White Paper and Coffee
️ Language : International (🇬🇧 description and steps in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCb1N-vNT8Y1-qx0PdlvLRpg/playlists
⚠️ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📖 HOW MUCH :
👣 2 Steps
🔥 2 Actions
✔️ 5 Experience Points
️ 3 tools
️ 3 Senses
👩🏫 3 Intelligences
🙇 3 State of Mind
WHO :
🔨 Maked by LG
🎥 Filmed by LG : Samsung Galaxy S7
📡 Posted by LG
️ Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright (Making)
© Ikson (Music)
🎵 Music Used Ikson - Together
Support Ikson :
ℹ️ How to use music : iksonmusic.wordpress.com/
📌 www.youtube.com/channel/UCyB3YiRU9OXJgIkRi-Z3wEA
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❓ WHY : Learn How To Make Parchment With a White Paper and Coffee
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v.2.001
...Or how to spend £8.5M of other people's money.
Its finished! woot! all submitted to the council and thank god that is all over now. Just have to build the thing now.
A large crowd of placard-waving, chanting pro-Palestinian protesters stand behind crowd barriers outside the Israeli embassy.
"Protest for Palestine" at Israeli embassy as violence increases in East Jerusalem: London 17/10/2015
Following weeks of escalating violence in Israel since the provocative invasion by armed Israeli jews and soldiers into the Al Aqsa mosque in Jerusalem - a tactic used several times in the past by the right-wing Likud party around election time guaranteed to inflame tensions and spark violence - which has since resulted in many violent, tragic deaths and tit-for-tat revenge attacks, a large crowd of London-based pro-Palestinian campaigners protested outside the Israeli embassy calling for the Israeli government to stop their provocation
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According to the definition of the app by different authors with references as they were able to figure out the definition of the app in a different perspective.
Definition of App.
The app is a short word for an Application.
It's simply a software designed to work with mobile phones which are generated in computers for smartphones, Android, iPhone, iOS, desktop.
And as well as others wearable smart wristwatch that works with the app as we reckoned with the smart wristwatches of Pebble when is connected to Bluetooth with the app.
Who then is app creator?
As we briefly tell a short story about the app creator who initiated an AppSheet into Creative Arts Solution Foundation.
Since 2018, just to mention someone significant who has successfully come up with an application from AppSheet created by app creator for Creative Arts Solution Foundation on the 3rd - 14th of November 2018 by Olusola David, Ayibiowu (App creator)
This app is specially created by the app creator, Olusola David, Ayibiowu since 3rd & 14th of Nov 2018.
App Name:
Creative Arts Solution Foundation
Target Audience: Everyone, company, organization, foundation, NGOs, stakeholders, social media, visual arts, social platform, politics, donors, marketers, advertisers, Arts Exhibition, businesses as well as sales order online app.
Benefits: Everyone can edit, add, delete, create your own advertisement on this app within 5 Minutes or 45 Minutes.
Access to all features of the AppSheet in order to create an app for business and personal use, association, organization, and for positive influence in our society by creating awareness on particular ongoing programs, political events, products, online marketing to generate a lead. It also serves as a medium for effective and positive traffic sources to blogger, social media, website. And other people in their professional field or task
* Warning:
This app is not for someone who is involved in a fraudulent act or activities.
Anyone found who are involved in fraud is not welcome on this app platform
* Termination of account with immediate effect and without notice if found involved in fraudulence on this particular platform
Add Users.
We add users to this platform by whitelist as you send your email to creativeartssolutionfoundation@gmail.com
Guidelines
Creative Arts Solution Foun... is Ready
Congratulations, 'Creative Arts Solution Foun...' is created and ready to be configured. Install it on your device, continue customizing it in the editor & share it with your team!
Install Creative Arts Solution Foun...
Customize Creative Arts Solution Foun...
How to use the app
Step 1.
* Download Appsheet on your mobile through Google play store for (Android or iOS).
To install the app, open this link on your mobile device: bit.ly/2DEPWca
Use this install link on AppSheet to Run the app in your browser: bit.ly/2zT7Pzs
Sign in to AppSheet with any of this account below:
* Google (Gmail)
* Office365
* Dropbox
* Smartsheet
* Box
* Salesforce
Log out: You can log out when you are done.
Step 2
Click on the top button (left) to view the menu button: Document, Link website, Order Salesperson, Assistant, Feedback
Use the Bottom button for Share, Customer by the organization, organization chart, person, sync, as you click any of this button to view.
Step 3
Edit any of the already empty existing pages with sample photos by removing it and replace by uploading your photo and the organization as you edit and change the name to your name on our app platform and add your logo or photo. Etc.
* Email: Press the email icon to send an email by sharing with email or Gmail based on your mobile setting.
* Phone call: make a phone call with the app phone icon by clicking on it to call.
* Massager (Facebook massager) You can use the app to link Facebook massager. Message-Text and Video chat for free.
* Send SMS (short message service):
Send SMS with Hangout, messages using this app message icon
* Feedback: Use the feedback button to send us your opinion on app or others information
* App gallery: use the app gallery to view more of our existing app like Volunteer form- Creative Arts Solution Foundation.
Step 4
Share: click on the share icon button at the bottom of the customer as you place (upload) order photo of your work to be displayed.
Share the icon button on social media, platform like WhatsApp, Facebook, Twitter, Instagram, LinkedIn, YouTube Etc.
Please note the following as you may want to create a New App as you click on the top menu button (left) to locate the New App and create a new one for yourself of necessary as you want it.
Use free prototype/standard when to deploy your app.
Summary
Upgrade is available based on your app creator structure to determine what plan (Premium like Pro on a monthly fees charge or per annual payment fee to be paid per user or the app owner as they charge or debit your credit card based on the app setting when approved as it passes through test when you run it.
Visit our blog : creativeartssolutionfoundation.blogspot.com/2018/11/app-c...
For more information
F/A-18 Hornet strike fighter
Description
All-weather fighter and attack aircraft. The single-seat F/A-18 Hornet is the nation's first strike-fighter. It was designed for traditional strike applications such as interdiction and close air support without compromising its fighter capabilities. With its excellent fighter and self-defense capabilities, the F/A-18 at the same time increases strike mission survivability and supplements the F-14 Tomcat in fleet air defense. F/A-18 Hornets are currently operating in 37 tactical squadrons from air stations world-wide, and from 10 aircraft carriers. The U.S. Navy's Blue Angels Flight Demonstration Squadron proudly flies them. The Hornet comprises the aviation strike force for seven foreign customers including Canada, Australia, Finland, Kuwait, Malaysia, Spain and Switzerland.
The newest model, Super Hornet, is highly capable across the full mission spectrum: air superiority, fighter escort, reconnaissance, aerial refueling, close air support, air defense suppression and day/night precision strike. Compared to the original F/A-18 A through D models, Super Hornet has longer range, an aerial refueling capability, increased survivability/lethality and improved carrier suitability. [Capability of precision-guided munitions: JDAM (all variants) and JSOW. JASSM in the future]
Features
The F/A-18 Hornet, an all-weather aircraft, is used as an attack aircraft as well as a fighter. In its fighter mode, the F/A-18 is used primarily as a fighter escort and for fleet air defense; in its attack mode, it is used for force projection, interdiction and close and deep air support.
Background
The F/A-18 demonstrated its capabilities and versatility during Operation Desert Storm, shooting down enemy fighters and subsequently bombing enemy targets with the same aircraft on the same mission, and breaking all records for tactical aircraft in availability, reliability, and maintainability.
Hornets taking direct hits from surface-to-air missiles, recovering successfully, being repaired quickly, and flying again the next day proved the aircraft's survivability. The F/A-18 is a twin engine, mid-wing, multi-mission tactical aircraft. The F/A-18A and C are single seat aircraft. The F/A-18B and D are dual-seaters. The B model is used primarily for training, while the D model is the current Navy aircraft for attack, tactical air control, forward air control and reconnaissance squadrons. The newest models, the E and F were rolled out at McDonnell Douglas Sept. 17, 1995. The E is a single seat while the F is a two-seater.
The F/A-18 E/F acquisition program was an unparalleled success. The aircraft emerged from Engineering and Manufacturing Development meeting all of its performance requirements on cost, on schedule and 400 pounds under weight. All of this was verified in Operational Verification testing, the final exam, passing with flying colors receiving the highest possible endorsement.
The first operational cruise of Super Hornet, F/A-18 E, was with VFA-115 onboard the USS Abraham Lincoln (CVN 72) on July 24, 2002, and saw initial combat action on Nov. 6, 2002, when they participated in a strike on hostile targets in the "no-fly" zone in Iraq.
Super Hornet, flew combat sorties from Abraham Lincoln during Southern Watch, demonstrating reliability and an increased range and payload capability. VFA 115 embarked aboard Lincoln expended twice the amount of bombs as other squadrons in their airwing (with 100% accuracy) and met and exceeded all readiness requirements while on deployment. The Super Hornet cost per flight hour is 40% of the F-14 Tomcat and requires 75% less labor hours per flight hour.
All F/A-18s can be configured quickly to perform either fighter or attack roles or both, through selected use of external equipment to accomplish specific missions. This "force multiplier" capability gives the operational commander more flexibility in employing tactical aircraft in a rapidly changing battle scenario. The fighter missions are primarily fighter escort and fleet air defense; while the attack missions are force projection, interdiction, and close and deep air support.
The F/A-18C and D models are the result of a block upgrade in 1987 incorporating provisions for employing updated missiles and jamming devices against enemy ordnance. C and D models delivered since 1989 also include an improved night attack capability. The E and F models have built on the proven effectiveness of the A through D aircraft. The Super Hornet provides aircrew the capability and performance necessary to face 21st century threats.
Service
Navy and Marine Corps
Point Of Contact
Naval Air Systems Command
F/A-18 Public Affairs Officer
47123 Buse Road, Bldg 2272
Patuxent River, MD 20670-1547
(301) 757-7646
General Characteristics, Super Hornet, E and F models
Primary Function: Multi-role attack and fighter aircraft.
Contractor: McDonnell Douglas.
Date Deployed: First flight in November 1995. Initial Operational Capability (IOC) in September 2001 with VFA-115, NAS Lemoore, Calif. First cruise for VFA-115 is onboard the USS Abraham Lincoln.
Unit Cost: $57 million
Propulsion: Two F414-GE-400 turbofan engines. 22,000 pounds (9,977 kg) static thrust per engine.
Length: 60.3 feet (18.5 meters).
Height: 16 feet (4.87 meters).
Wingspan: 44.9 feet (13.68 meters).
Weight: Maximum Take Off Gross Weight is 66,000 pounds (29,932 kg).
Airspeed: Mach 1.8+.
Ceiling: 50,000+ feet.
Range: Combat: 1,275 nautical miles (2,346 kilometers), clean plus two AIM-9s
Ferry: 1,660 nautical miles (3,054 kilometers), two AIM-9s, three 480 gallon tanks retained.
Crew: A, C and E models: One
B, D and F models: Two.
Armament: One M61A1/A2 Vulcan 20mm cannon; AIM 9 Sidewinder, AIM-9X (projected), AIM 7 Sparrow, AIM-120 AMRAAM, Harpoon, Harm, SLAM, SLAM-ER (projected), Maverick missiles; Joint Stand-Off Weapon (JSOW); Joint Direct Attack Munition (JDAM); Data Link Pod; Paveway Laser Guided Bomb; various general purpose bombs, mines and rockets. See the F/A-18 weapons load-out page.
General Characteristics, C and D models
Primary Function: Multi-role attack and fighter aircraft.
Contractor: Prime: McDonnell Douglas; Major Subcontractor: Northrop.
Date Deployed: November 1978. Operational - October 1983 (A/B models); September 1987 (C/D models).
Unit Cost: $29 million.
Propulsion: Two F404-GE-402 enhanced performance turbofan engines. 17,700 pounds static thrust per engine.
Length: 56 feet (16.8 meters).
Height: 15 feet 4 inches (4.6 meters).
Wingspan: 40 feet 5 inches (13.5 meters).
Weight: Maximum Take Off Gross Weight is 51,900 pounds (23,537 kg).
Airspeed: Mach 1.7+.
Ceiling: 50,000+ feet.
Range: Combat: 1,089 nautical miles (1252.4 miles/2,003 km), clean plus two AIM-9s
Ferry: 1,546 nautical miles (1777.9 miles/2,844 km), two AIM-9s plus three 330 gallon tanks.
Crew: A, C and E models: One
B, D and F models: Two
Armament: One M61A1/A2 Vulcan 20mm cannon; AIM 9 Sidewinder, AIM 7 Sparrow, AIM-120 AMRAAM, Harpoon, Harm, SLAM, SLAM-ER, Maverick missiles; Joint Stand-Off Weapon (JSOW); Joint Direct Attack Munition (JDAM); various general purpose bombs, mines and rockets. See the F/A-18 weapons load-out page.
Last Update: 26 May 2009
Employment Application Process
Front row L to R: High School medalists—Silver-Codie Loftus, Boone Career Center & Technical Center (W.Va.); Gold-Braeden Santos, Greater New Bedford RVTHS (Mass.); and Bronze-Courtney Knihtila, Wilson Central High School (Tenn.); and, national technical committee member Yuette Weaver. Back row L to R: National technical committee member Diane Swenson; College/postsecondary medalists—Silver-Kimberly R NeSmith (Ga.); Gold-Dawn Fenton, Sheridan Technical College (Fla.); and Bronze-Connie Davis, Tennessee College of Applied Tech-Chattanooga, (Tenn.); and National Technical Committee Member Sherry Anderson.
Jillian Davis is my application for Bizarre.
The contest just sounds so good that i wanted to try.
Originally there are four polaroids but the other two are just too..
much failure - u can see them here when u wanna have eye cancer ;)
I introduced that sim before
but changed her hair color in that dark blue-ish
shade.