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Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
Apollos's 2000 (concert hall). 2869-2883 W Cermak Road (at Marshall Bv). Designed by Alexander L. Levy, 1917.
Copy of Apollo Sauroktonos, Roman, 1st-2nd century, marble, H: 1.49m, Louvre, Ma441. photo by Marie-Lan Nguyen, 2010. commons.wikimedia.org/wiki/File:Apollo_Sauroktonos_Louvre...
"KSC, FL -- The LM for Apollo 13, the nation's third lunar landing mission, was encapsulated within its Spacecraft LM Adapter (SLA) in the Manned Spacecraft Building today. The entire spacecraft is to be mated with its Saturn V launch vehicle in the VAB on December 10 and the space vehicle is to be rolled out to Pad A at Launch Complex 39 on December 15."
-- caption for NASA photo No. 108-KSC-69P-953, release date November 26, 1969.
Apollo 15 selected photos of interesting specimen rocks on Moon's surface. I enhanced photos for clarity - some are rotated.
Temple of Apollo, constructed in the 2nd century AD.
Apollo:
The son of Zeus and Leto.
The god of truth and prophecy, archery, medicine and healing; music, poetry, the arts and finally light and the sun.
The temple is very impressive, especially while the sun goes down right behind it.
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
New Mexico Museum of Space History
The Apollo Fuel Cell was designed to convert cryogenic oxygen (O2) and hydrogen (H2) into electrical power. A vitally important by-product of this chemical reaction was the production of water (H2O) which was used by the astronauts during their mission. A complement of three 28-volt fuel cells provided all the onboard electrical power to the Apollo Command and Service Module (the Lunar Excursion Module was battery powered). Each fuel cell was rated at 1.5kW, with a maximum power of 2.2kW for brief periods. Each fuel cell consisted of 31 cells connected in scries (each producing one volt) and weighed 245 pounds. Each fuel cell had its own hydrogen and oxygen compartment and two electrodes (conductors). The heat produced by the chemical reaction (mixing H2 with O2) was used to maintain the gases at a reactive temperature (385 F) while excess heat was vented into space. The three power cells operated in parallel; although a single power plant was enough to ensure safe return. Fuel cells were first tested during the Gemini program and are still used today, in modified form, aboard the Space Shuttle.
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
This is a shot up the sign posts for the abandoned Apollo Mall in Monticello, NY. At one time is was a fairly vibrant shopping location but went out of business and has since fallen into disrepair over many years. There is plan to tear it down and build a new mall there. The location has provided me with many opportunities to do some photography though so this is from my latest visit. The sign posts are in the form of rockets to emphasize the mall name. The image below shows a side view of the sign posts. Taken with a Canon S3IS. Type L for a better view.
Our Daily Challenge - Tall - 9/3/11
350-275 BC. Bronze, copper and stone inlay. Attributed to Praxiteles. (Greek, 400-330BC). Cleveland Museum
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (portuguĂŞs).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
Apollo Flaying Marsyas (A.6-1967) is one of two life-sized marble sculptures that were originally commissioned by the King of Poland and Elector of Saxony, Augustus the Strong from the Venetian sculptor Antonio Corradini (b.1668; d.1752) between 1723 and 1728 for the gardens of the Höllandisches Palais in Dresden.
[V&A website]
The Victoria & Albert Museum originated with the Great Exhibition of 1851; a collection was established to show applied art and science. The collection was initially shown at Marlborough House, followed by Somerset House (both in 1852). In 1855 plans began for a South Kensington site, with the new location opened in 1857. The development of the collection meant that eventually more development of the building was needed - in 1899, the foundation stone for the current site was laid (Victoria's last public engagement) and the site was formally named the Victoria and Albert Museum.
Apollo - Apollo has been variously recognized as a god of light and the sun; truth and prophecy; medicine, healing, and plague; music, poetry, and the arts; and more. Apollo is the son of Zeus and Leto
Source of picture: luhy.wordpress.com/2008/12/24/greek-god-of-the-week-4-2/