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© Andy Brandl (2015) // PhotonMix Photography
--> Andy Brandl @ Robert Harding
This is part of a zigzag pattern of glass windows in the building at Landmark Square in Long Beach. From the street this looks rather uniformly blue, due to the sky reflecting off of the glass, but by using a polarizing filter, and boosting the contrast and saturation I was able to bring out the subtle colors in the individual rows of glass.
Scottish Parliment at Holyrood, Edinburgh. 14th Oct 2014. FED 50 with K2 Yellow filter with Ilford XP2. Lab C41 processed and scanned.
An alternative portrait composition of one of my favourite buildings in Paintworks, Bristol. Love the simplicity, boldness, colours and angles in this architectural design.
Golden Mile Complex, April 2023
This landmark 1973 Singapore development is about to be closed for a major redevelopment. The brutalist icon was designed by architects Gan Eng Oon, William Lim and Tay Kheng Soon and engineered by Arup.
A close-up of portable plastic traffic barriers.
(Shot with the low-res camera in my cellphone, Sept. 2013.)
C. J.R. Devaney
Shot with a Voigtländer Perkeo II
80mm f/3.5 Color-Skopar lens
Kodak Gold 200 film
Shot at EI 200
Developed by The Darkroom
Scanned on a Coolscan 9000ED
An accidental mini shoot with a few sprigs from Christmas flowers & some ice from a bucket left outside. This was lots of fun especially because it was sandwiched between a portrait session and a special event shoot.
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2 b (i).
Arrows pointng to the planets and Galilean Moons with explanatory labels. Triangles point towards the 400mm-focal length magnified shots (into ellipsis)
On May 23, 2020, the apparent angular distance between Jupiter and Saturn was only 4° 0′ 6″. A shot of them over Meteora, Greece, was captured with a wide-angle lens (24mm) and this was earlier uploaded. The two planets’ apparent positions were approaching each other throughout 2020 and they will reach a closest conjunction on Devember 21, 2020 with only 6’ (one tenth of a degree) separating them.
The apparent angular distance of 4° only between the two planets allowed both of them to fit into one single frame at a 200mm focal length. The magnification at the 200mm was not good at all, so separate shots, too, of each planet were captured at 400mm; cropped parts of these magnified shots were superimposed to the 200mm shot.
This #2.b photograph (in the “Jupiter Saturn 2020” album) has 4 versions:
(i) Arrows pointng to the planets and Galilean Moons with explanatory labels. Triangles point towards the 400mm-focal length magnified shots (into ellipsis)
(ii) Arrows pointing to the 2 planets only, with labels. Triangles point to magnified shots.
(iii) No distracting magnified shots. The original 200mm focal length shot without any cropping. The 2 planets only labeled and the apparent angular distance between them.
(iv) No distracting explanatory markings of any sort. The original 200mm focal length shot without any cropping.
Camera SETTINGS:
For both planets into the same frame:
Canon EOS M50
Canon EF100-400mm f/4.5-5.6L IS II USM @ 200mm
ISO 1600 - f/5.6 - 1/20 sec
For Jupiter magnified:
Canon EF100-400mm f/4.5-5.6L IS II USM @ 400mm
ISO 640 - f/5.6 - 1/20 sec
For Saturn magnified:
Canon EF100-400mm f/4.5-5.6L IS II USM @ 400mm
ISO 1600 - f/5.6 - 1/20 sec
For Jupiter’s Galilean Moons magnified:
Canon EF100-400mm f/4.5-5.6L IS II USM @ 400mm
ISO 1600 - f/5.6 - ¼ sec
Nikon D3
Nikon 14-24 AF-S 2.8
© Manuel Orero
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Cualquiera de las imágenes publicadas en este Flickr, estan registradas. El uso sin consentimiento por mi parte de ellas, reportará la denuncia al registro de propiedad intelectual.
Any of the images published in this Flickr are registered. Use without consent on my part of it, will report the complaint to the registration of intellectual property.
Man, these are some janky-ass camera controls. Very odd to manage.. jumpy. But finally getting around to playing this one.
Remember Me
@3840x2160
Camera binds, timestop, FOV control
TexMod (remove film grain)
+SweetFX
A close-up, tilted view of some orange plastic traffic barriers.
(cellphone camera shot, Oct. 2013)
C. J.R. Devaney