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Google Analytics es probablemente la mejor herramienta existente para conocer el estado de salud de nuestro blog o página web. Mediante este servicio provisto por Google es fácil conocer el número de visitantes que recibe, las páginas que más visitas reciben y hacia dónde van esas mismas visitas después. Pues bien, con el fin de hacer su consulta aún más sencilla Google Analytics ha presentado durante el día de ayer una nueva forma de visualizar estos datos durante el evento Web 2.0. La función se llama Flow Visualization y la tendremos habilitada en Google Analytics a lo largo de la presente semana en la columna de la izquierda, con una nueva sección dedicada.
The second photo from Betabrand that uses Web Analytics 2.0 as a prop.
This one for a Gray Dress Yoga Pants.
Great personas team Betabrand!
Gregor Schwerhoff presents during the Analytical Corner titled “Reaching Net Zero Emission” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
1 October 2021
Washington, DC, United States
Photo ref: CH211001003.arw
Avaya IQ reporting and analytics provides an easily customizable user-interface that facilitates managing the contact center.
Roofing Analytics, LLC is a premier roofing company incorporated to facilitate roofing and building restoration and maintenance.
Trend Following Analytics is the newest Micheal Covel book. It was written as a companion piece to his other four books as it consists mainly of charts and graphs.
I have passed Marylebone many time, either in a taxi or underneath on the Tube, and have always meant to go in. And with a morning spent in the area last month, I walked over Euston Road to find all three doors open, and a good number of people coming and going.
From the outside it could be a City Wren church, inside it has lots of space and a fine painted chancel.
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St Marylebone Parish Church is a place of active and engaged Christian witness, set at the very heart of central London. With a history stretching back nearly 900 years, those of us who worship here continue seek to offer God worship that has long been renowned for musical and liturgical excellence and to serve the diverse community in which we are set.
For more than 30 years, St Marylebone, just a few metres from Harley Street, has pioneered the work of Christian healing and, as well as being home to the internationally respected St Marylebone Healing and Counselling Centre, which offers low-cost analytical psychotherapy and spiritual direction, the Crypt at St Marylebone also houses an innovative NHS doctor’s surgery - the Marylebone Health Centre. Our work is enhanced by maintaining close and active links with some of medicine’s Royal Colleges and through our provision of chaplaincy to The London Clinic and King Edward VII’s Hospital.
St Marylebone has a flourishing Young Church, which complements our two schools: The St Marylebone Church of England School, an Outstanding Academy, National Teaching School and Maths Hub, and The St Marylebone Church of England Bridge School, a Free Special School working with secondary school age students who have speech, language and communication difficulties. Alongside our two schools St Marylebone works closely with the Royal Academy of Music and the University of Westminster, providing chaplaincy services to both, and also with Regent’s University.
As a parish church in the Diocese of London, we share a vision of a Church for this great world city that is Christ-centred and outward looking. By God’s grace we seek to be more confident in speaking and living the Gospel of Jesus Christ, more compassionate in serving others with the love of God the Father and more creative in reaching new people and places in the power of the Spirit.
Construction of the present church was first considered in 1770. A site was given in Paddington Street and plans were prepared by Sir William Chambers, Architect to the King, but the scheme was abandoned and the land purchased for a burial ground. In 1810-11 the present site was secured, and it was intended that this building should be another Chapel of Ease supporting the work of the nearby Parish Church.
Plans were prepared by Thomas Hardwick, who was a pupil of Sir William Chambers, and the foundation stone was laid on 5 July 1813. Later, it was decided to enlarge the building and make it the Parish Church; the present tower was erected, the front widened, and the gigantic Corinthian-columned Portico built. A vaulted crypt extended under the whole area of the church, with extensive catacombs under the west side.
These catacombs were bricked up in 1853, and in the mid-1980s, with due authority, the coffins were removed from the crypt for reinternment at Brookwood Cemetery in Surrey and the crypt was transformed into the present-day Healing and Counselling Centre, Sacrament Chapel, Jerusalem Chapel and NHS Marylebone Health Centre.
The present parish church, opened in February 1817, is the fourth known parish church building to serve this parish.
The first, established sometime in the early 12th century, was dedicated to St John the Evangelist and was the parish church of the manors of Tyburn and Lisson (Lillestone); it stood on what is now Oxford Street, on a site near Stratford Place. Indeed, it is thought that the open courtyard of Stratford Place is the graveyard of the first parish church.
By 1400, St John's had fallen into disrepair and was demolished; a new parish church was built opposite Tyburn Manor House (now the site of the Duchess of Devonshire Wing of The London Clinic). The site of this parish church and its successor church (is now the Old Church Memorial Garden at the north end of Marylebone High Street); Francis Bacon was married in this Church on the 11th May 1606.
In 1740, a new parish church was built on the same site and here you will find buried one of the founders of Methodism, Charles Wesley, along with other members of his family. He is commemorated by an obelisk memorial. Here it was that Lord Byron was christened, and here Lord Nelson attended services and, on the 3rd May 1803, brought his daughter by Lady Hamilton (who had herself been married here) to be baptised. This parish church was associated with many famous figures and the interior was used by William Hogarth for the ‘Marriage of the Rake’ in his ‘Rake’s Progress’ cycle of paintings. Some of the many memorials that crowded its walls, including a memorial to the cupbearer to Ann of Denmark and Queen Henrietta Maria, may be seen in the present parish church’s stairways, to which they were transferred when the old parish church was demolished (following damage in World War II) in 1949. Other people connected with this building include: James Figg, James Gibbs, Edmond Hoyle, John Rysbrack, John Allen, James Ferugson, Alan Ramsay, Stephen Storace, the dukes of Portland and Caroline Watson.
The present parish church was originally built (at a cost of some £80,000.00) without its fine Roman Renaissance style frescoed apse; this was added in 1884 by Thomas Harris. The original position of the altar was in what is now the Choir, just below the cross built into the ceiling. This altar (before which Robert Browning married Elizabeth Barrett in 1846) can be seen in the Holy Family Chapel. Above it hangs the painting of the Holy Family donated to the new parish church by Benjamin West, PRA (1738 -1820).
The parish church of 1817 is reputed to have sat 3,000 people and, above the present gallery, a second gallery (the remains of which can be seen either side of the organ) wrapped around three sides of the building.
The present organ, one of the finest recital instruments in the country, was built by Rieger Orgelbau of Austria and was commissioned in July 1987; it was a joint venture between the parish church and the neighbouring Royal Academy of Music. The organ pipes, which can be seen at the ends of the first floor galleries, belong to earlier instruments.
Charles Dickens and his family lived for many years next door to the parish church in Devonshire Terrace. He brought his son here to be baptised and the ceremony is described in his novel Dombey and Son.
Bomb damage sustained during World War II destroyed the stained glass windows and also the Georgian roof. Fragments of the destroyed windows were collected and set in the windows you see today.
The fine crystal chandeliers were relocated here in 1968 from the old Council Chamber in St Marylebone Town Hall when the Borough of St Marylebone merged with other metropolitan boroughs of Middlesex to form the City of Westminster.
A fine collection of memorials adorn the walls of the parish church; many of them belonging to colonial administrators and governors and members of the East India Company
St Marylebone Parish Church has always had a fine musical tradition and today the professional choir of ten voices is supported by the Director of Music, the Assistant Director of Music and an Organ Scholar. Sir John Stainer wrote his Oratorio Crucifixion for the choir in 1886 and it has been performed every year since.
The Browning Room, which commemorates the marriage of the poets Robert Browning and Elizabeth Barrett here on 12th September 1846, has a stained glass window gifted by The Browning Society of Winnipeg. Two fine brass bas reliefs of the poets can also be found in this room.
The fine apse, the mahogany benches and choir stalls together with the gilded English baroque decorative scheme all date from the mid-1880s and were designed by Thomas Hardwick. Work begun in 1884 and a memorial stone laid by Mrs Gladstone can be seen on the outside wall of the apse. The decoration of the apse was carried out by Edward Armitage, RA; his decorative scheme once included murals between the great windows on the gallery level but these were painted over in the late 1940s.
A Christian place of worship has served his part of central London for 900 years. Every London parish church north of Oxford Street, to the east of the Edgware Road and to the west of Cleveland Street, has been ‘planted’ by the Rector and Wardens of this parish. In 2016, the Heritage Lottery Fund awarded the parish church a grant of nearly £4 million to help complete an ambitious programme of works that will repair the ravages of time, extend the crypt and help tell the story of St Marylebone from rural hamlet to urban metropolis. St Marylebone, by God’s Grace, continues its work of Changing Lives and Shaping Community.
The Revd Canon Stephen Evans, Rector
www.stmarylebone.org/index.php?option=com_content&vie...
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St Marylebone Parish Church is an Anglican church on the Marylebone Road in London. It was built to the designs of Thomas Hardwick in 1813–17. The present site is the third used by the parish for its church. The first was further south, near Oxford Street. The church there was demolished in 1400 and a new one erected further north. This was completely rebuilt in 1740–42, and converted into a chapel-of-ease when Hardwick's church was constructed. The Marylebone area takes its name from the church. Located behind the church is St Marylebone School, a Church of England school for girls.
The first church for the parish was built in the vicinity of the present Marble Arch c.1200, and dedicated to St John the Evangelist.
A new, small church built on the same site opened in April 1742. It was an oblong brick building with a small bell tower at the west end. The interior had galleries on three sides. Some monuments from the previous church were preserved in the new building.In 1818 it became a chapel-of-ease to the new parish church which superseded it .[4] It was demolished in 1949, and its site, at the northern end of Marylebone High Street is now a public garden.[5]
Charles Wesley lived and worked in the area and sent for the church's rector John Harley and told him "Sir, whatever the world may say of me, I have lived, and I die, a member of the Church of England. I pray you to bury me in your churchyard."[citation needed] On his death, his body was carried to the church by eight clergymen of the Church of England and a memorial stone to him stands in the gardens in High Street, close to his burial spot. One of his sons, Samuel, was later organist of the present church.
It was also in this building that Lord Byron was baptised in 1788, Nelson's daughter Horatia was baptised (Nelson was a worshipper here), and Richard Brinsley Sheridan was married to Elizabeth Ann Linley. This is also the church in which the diplomat Sir William Hamilton married Emma Hart (Amy Lyon), later the lover of Admiral Horatio Nelson.[citation needed] The architect James Gibbs was buried there in 1751.[6] The crypt was the burial place of members of the Bentinck family, including William Cavendish-Bentinck, 3rd Duke of Portland (died 1809)
Construction of a new church was first considered in 1770, with plans prepared by Sir William Chambers and leadership given by the 3rd and 4th Dukes of Portland (owners of much of the area, by now a wealthy residential area to the west of London that had outgrown the previous church), but the scheme was abandoned and the land donated for it in Paddington Street purchased for a burial ground.
In 1810–11[citation needed] a site was secured to build a chapel-of-ease on the south side of the new road near Nottingham Place.[8] facing Regent's Park.[9] Plans were drawn up by Chambers's pupil Thomas Hardwick [10] and the foundation stone was laid on 5 July 1813. When construction was almost complete, it was decided that this new building should serve as the parish church, and so alterations were made to the design. On the north front, towards the new road, a Corinthian portico with eight columns (six columns wide, and two deep at the sides), based on that of the Pantheon in Rome, replaced the intended four-column Ionic portico surmounted by a group of figures. A steeple was built, instead of a planned cupola.[11] No changes were made to the design of the interior, but plans to build houses on part of the site were abandoned.[12]
Entrance to the church from the north is through three doorways beneath the portico, each leading into a vestibule.[13] There are arched windows above the outer doorways. A blank panel above the central one was intended to house a bas-relief depicting Christ's entry into Jerusalem. Hardwick's church was basically rectangular in plan, with two small extensions behind the entrance front, and two wings placed diagonally flanking the far end (the liturgical east),[14] which originally housed private galleries equipped with chairs, tables and fireplaces.[15][16] Two tiers of galleries, supported on iron columns ran around three sides of the church.[17] The organ case was immediately above the altar screen; in the centre of the organ case was an arched opening with a "transparent painting" by Benjamin West, of the angel appearing to the shepherds. Other church furniture included a large pulpit and reading desk and high box pews.
The steeple, placed over the central vestibule, rises around 75 feet (23 m) above the roof (and thus about 120 feet (37 m) above the ground).[18] It is in three storeys;the first, square in plan, contains a clock, the second circular in plan, has twelve Corinthian columns supporting an entablature, while the third is in the form of a miniature temple raised on three steps and surrounded by eight caryatids, with arched openings between them. The whole structure is topped by a dome and weathervane.[19]
The vaulted crypt, extending under the whole church, with extensive catacombs under the west side was used for burials until being bricked up in 1853. Since 1987, following the reinterment of the 850 coffins it previously contained at Brookwood Cemetery in Surrey, it has housed a healing and counselling centre.
The church was completed in 1817, at an overall cost of £80,000.
A local resident was Charles Dickens (1812–1870), in Devonshire Terrace, whose son was baptised in this church (a ceremony fictionalised in "Dombey and Son"). Robert Browning and Elizabeth Barrett were married in this phase of the church in 1846 (their marriage certificate is preserved in the church archives). The church was also used in location filming for the 1957 film recounting their story, The Barretts of Wimpole Street.[20]
Composer Sir John Stainer wrote an oratorio specifically for the choir at St Marylebone; The Crucifixion was first performed in the church on 24 February 1887, which was the day after Ash Wednesday. It has been performed annually at the church ever since, usually on Good Friday.
Maksym Markevych presents during the Analytical Corner titled “Financial Integrity Screening of Cross-Border Financial Flows” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
30 September 2021
Washington, DC, United States
Photo ref: CH210930031.arw
Gregor Schwerhoff presents during the Analytical Corner titled “Reaching Net Zero Emission” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
1 October 2021
Washington, DC, United States
Photo ref: CH211001008.arw
As a side note, in August 2008, stats from the live video feed were recorded at 279,878 Viewer Hours, 1,141,472 Viewers, 827,159 Unique Viewers, 395.5 Average Viewers, 707 Hours of live broadcasting.
Diego Cerdeiro and Andras Komaromi present on COVID-19 and Supply Disruptions as Seen from Land and Space during an Analytical Corner recording at the International Monetary Fund.
IMF Photo/Cory Hancock
4 April 2022
Washington, DC, United States
Photo ref: CH101145.ARW
This is another bone drawing in the series I completed. I wanted to capture it both in detail and in line to pick it apart more thoroughly.
9/16
Maksym Markevych presents during the Analytical Corner titled “Financial Integrity Screening of Cross-Border Financial Flows” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
30 September 2021
Washington, DC, United States
Photo ref: CH210930026.arw
Marco Casiraghi and Gunes Kamber present during the Analytical Corner titled “Negative Interest Rates: The Experience So Far” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
30 September 2021
Washington, DC, United States
Photo ref: CH210930043.arw
I got a free one-page 'lifetime' account for Crazy Egg analytics (www.crazyegg.com) and tested it out at my blog (dougbelshaw.com/blog).
Given I *know* get at least 40x the number of visitors it reports in the 5-day time period, it serves as a curiosity only, I reckon. ;-)
Dr. Amanda Mangum's Quantitative Consulting class presented their research to Upstate Family Resource Center.
Join us in London, The Royal Institution, April 1st. Take control of your evolving analytics requirements. Experience IBM Watson Analytics and IBM Verse and their integration with Twitter. bit.ly/1b2hcyS
6/50
New Year and a new photo project. My first photo project ever. Fifty photos in fifty days. This project is designed to make me improve and develop in several photography areas which i will elaborate more on later.
My new shirt which was a present yesterday was my inspiration today. The first time i have used my 50mm lens on the project and the first time i have done a one light shot. I dont use it much for portraits so thats one of the things i wanted to get more comfortable with and better at using. I will work on finding its strengths.
Good news... no smoke and a burning smells from my 580ex flash today.
Comments and critiques always welcomed.
Strobist:
Speedlight - westcott 28 softbox L
iso400,50mm,f/8,1/200
Margaux Macdonald, Economist (Research Department) and Davide Malacrino, Economist (Research Department) speak at Analytical corner on the topic of “Boosting Productivity in the Aftermath of COVID-19”.
IMF Photo/Kim Haughton
28 September 2021
Washington, DC, United States
Photo ref: KH210928128.jpg
Ehsan Ebrahimy presents during the Analytical Corner titled “The Decline in Real Rates Despite Soaring Government Debt: What Does It Mean for Debt Sustainability?” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
30 September 2021
Washington, DC, United States
Photo ref: CH210930018.arw
Maksym Markevych presents during the Analytical Corner titled “Financial Integrity Screening of Cross-Border Financial Flows” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
30 September 2021
Washington, DC, United States
Photo ref: CH210930032.arw
StreamAnalytix is industry's only multi-engine, enterprise-grade, Open source analytics based platform. With support for Apache Storm and Spark Streaming, StreamAnalytix is designed to rapidly build and deploy streaming analytics applications for any industry vertical, any data format, and any use case. For more info: www.streamanalytix.com/apachestorm_development
After a storm, many people may not be aware of their roofing needs, as the damage is either non-visible or not immediate. Roofing Analytics offers and encourages inspections by our certified storm damage assessment team.
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Marco Casiraghi and Gunes Kamber present during the Analytical Corner titled “Negative Interest Rates: The Experience So Far” for the 2021 Annual Meetings at the International Monetary Fund.
IMF Photo/Cory Hancock
30 September 2021
Washington, DC, United States
Photo ref: CH210930037.arw
drawn for pharmacy
GIF file
SOLD
sketch
Say No to drugs..
You're just making the drug lords rich and powerful
From the script:
Dr. Jose Rizal: Ang kabataan ang pag-asa ng bayan
Drug Sindicate: Sisirain ko ang kanilang kanabukasan
Bata1: Napagtripan ng mga addict ang ate ko at pinatay. Sya san ang magpapa-aral sa kin.
Bata2: Kapit bahay namin pusher
Bata3: Tatay ng classmate ko druglord. Ang yaman nga nila, gusto ko ganun din ako pag laki ko
Bata4: Wala kayo, tatay at nanay ko addict pati kuya ko.
Nene: Hay naku, di na bago yan
Original ILLUSTRATION
E-MAIL: drift_getche@yahoo.com
rheasan.deviantart.com/#/d3dmy1q
Book cover and illustrations
caricatures
Current location: Metro Manila Philippines
Contact number:
09062258355
(046) 484-7458
*Open for foreign clients
E-mail address: drift_getche@yahoo.com
rhea.cenizal11@yahoo.com
office: genrerhe11@gmail.com
Rhea CAN DO:
BOOK COVER AND ILLUSTRATION(FREEHAND TRADITIONAL)
MURAL PAINTING ( RELIGIOUS, STILL LIFE, SURREALISM, CARTOON)
Rhea have worked on graphics for Idealworld management ltd, Asian International Ltd., Surroundpix.com.au., Tongalei.com.ph, Bellaluce.com, Philippine Nature foundation, Sea Marine International, Bijouelry.com, Pixografx, Fast print inc and NGO's, working for mediategy.com and other freelance projects.
Now working on book illustration and caricature
Awards and Certificates Received: Venue Year
Philippine International Comics, cartoon and Animation membership The Block Edsa 2010
National Certificate II in Computer Hardware Servicing TESDA 2009
Artistic Award Island Cove Resort 2008
Certificate of Attendance, 3rd Cavite I.C.T. Youth Convention SM Bacoor 2008
Topics: IPV6, IT Security Analytics, Visual Studio 2008,
Mobile Programming and Animation
Certificate of Attendance in Kapnayan Festival UPLB 2003
Theme: “Science and Technology as the corner stone in upholding the society”
2nd place On the Spot Painting Contest) Island cove Resort 2003
Sagip-Ilog Counci, DENR (level 2)
1st place On the Spot Portrait Contest (Divisional) Dasma High School 2004
7th place Editorial Cartooning (Calabarzon Region) Imus, Cavite 2004
Theme: “Undas”
3rd place Editorial Cartooning (Calabarzon Region) San Pablo City, Laguna 2003
Theme: “Pasko”
Artist Award (Graduation) Kawit, Cavite 1999
4th place Divisional on the Spot Poster Making Contest Imus, Cavite 1997
Kidney disease prevention month
1st place District on the Spot Poster Making Contest Imus, Cavite 1997
Kidney disease prevention mont
Certificate of participation, Girls Scout of the Philippines Imus, Cavite 1997
Slogan Theme: “Kalayaan Noon, Droga Ngayon”
4th place Regional on the Spot Poster Making Contest (DOH) Mandaluyong City 1998
Theme: “Generations Living Together”
1st place Divisional on the Spot Poster Making Contest (DOH) Naic, Cavite 1998
Theme: “Generations Living Together”
1st place District Level on the Spot Poster Making Contest (DOH) Imus, Cavite 1998
Theme: “Generations Living Together”
1st place District Level On the Spot Poster Making Contest Kawit, Cavite Parish Church 1996
Theme: “Si Hesus; Noon, Ngayon at Magpakaylanman”
Other list of awards not included
Rhea Finished a formal education of Japanese language and currently pursuing her goal to become a translator and a skilled artist.
*I am offering Japanese language, adobe illustrator and adobe photoshop tutorials
Please text or call:09323397495 look for Rhea
I am accepting creative jobs for publishing and printing:
banners
illustrations
drawings
art projects
photo editing
photo enhance
retouching
graphic designs and template
editorial cartooning
comics
logos,t-shirt and sticker designs
I am also doing Photoshop and illustrator home based tutorial. 500php per session
I am also accepting Japanese language both written and speech tutorial. Welcome for beginners, home based tutorial
yhvh
解析天文学：相对观测者观测的空间尺度
周坚/2013年9月24日
解析天文学（Analytic Astronomy），又称为坐标天文学（Coordinate Astronomy），是使用代数方法进行研究的天文学，2008年6月29日发现的周坚定律就是它的理论基础，2009年3月8日创立的解析宇宙学（著作权登记证号是：2009-A-020687）的解析观点促成了它的提出。那么，解析天文学能够为我们带来什么呢？就让我们通过具体的实际应用来回答这个问题吧
空间尺度一般是指开展研究所采用的空间大小的量度。在天文学研究领域，空间尺度就是指宇宙作为一个整体存在的空间大小的量度，它的研究是最基础性的工作，是正确认识宇宙的基础和前提，只有充分理解了空间尺度，才能更好地认识宇宙，为定性和定量分析一切天体提供条件。
说实在的，这些大道理人人都知道，但如何进行这样的研究那就难倒我们了，不过随着我们对宇宙研究的不断深入，我们的认知已经从美国天文学家哈勃于1927年发现的哈勃定律，到美国科学家索尔•珀尔马特，拥有美国和澳大利亚双重国籍的科学家布赖恩•施密特，美国科学家亚当•里斯，他们于1998年发现的宇宙正在加速膨胀，再到中国科学家周坚于2008年发现周坚定律，如今已经进入到解析天文学的研究时代，那是用代数来研究天文的时代。
这幅编号为ZHOU-Jian-2013036的示意图，用图示的形式再现了解析天文学研究空间尺度的结果，它告诉我们，宇宙作为一个整体存在的空间大小是无限的，但相对观测者观测的空间大小，即作为相对观测者所能观测到的宇宙是有限的，它的有限空间尺度极限值是13,771,980,862.5685光年（137.72亿光年），这就是周坚定律中的那个比例常数，称之为周坚常数（Z0），而在相对观测者的这个极限空间尺度范围之内的宇宙我们就将它称之为可观测宇宙，而在相对观测者的这个极限空间尺度范围之外的宇宙我们就将它称之为不可观测宇宙，当然了，在可观测宇宙之内的星系统称为河外星系，而在可观测宇宙之外的星系就统称为视外星系。
最后，在这里一定要负责人地提醒大家注意：
1、河外星系与视外星系是相对观测者对它们进行观测的可见与不可见而言的。
2、观测者在宇宙中没有任何特殊的观测位置，我们在地球上对宇宙进行观测是ZHOU-Jian-2013036图示情况，而在其它星球上的观测者对宇宙进行观测也是如此类似的情况，其实，在宇宙中任何空间位置上的观测者对宇宙进行观测都是如此类似的情况。
3、观测者对宇宙进行观测的这种空间尺度概念来自光（电磁辐射）在传播过程中的传输波长随传播距离的增大向红端发生自然位移的周坚效应所产生的周坚红移所导致的直接结果。
4、周坚红移的产生与观测者的观测与否没有任何关系，换句话说就是光（电磁辐射）在传播过程中的传输波长随传播距离的增大向红端发生自然位移的周坚效应是一种自然现象，它与多普勒效应类似，但产生红移的机制完全不同。
【Analytic Astronomy, also known coordinate astronomy, is to use algebraic methods to study astronomy, June 29, 2008 discovered ZHOU Jian's law is its theoretical foundation, March 8, 2009 founded the analytic cosmology (copyright registration number is :2009-A-020687) contributed to the analytical point of view it's made.So, it brought us what? Let us through specific practical application to answer this question now.】
for wendyhome.com
These are failry typical weekly statistics with the exception that Thursday (tea drinking posts) is looking more popular than Wednesday (why I'm single posts)
Summary:
30% of visits are from returning visitors (same IP address, inactive for 30mins between activity on the Wendyhome), approximately 12 computers/people one of whom is me.
Approximately 40 visits and 60 page-views per day
Most my traffic comes from Goggle (google.com and images). A separate content analysis shows the 18% google images searchers are all looking for my picture of an everclear alcohol bottle (see image in comment below)
12% of my traffic is 'direct' (from bookmarks/favourites, my email signature etc)
10% of my traffic is from msdn.com (Raymond's blog)
Roofing Analytics has had much success in helping to appraise roofs that were repaired, which in fact should have been replaced.
解析天文学应用模板∶天体演化解析模板
周坚/2013年12月10日
解析天文学（Analytic Astronomy），又称为坐标天文学（Coordinate Astronomy），是使用代数方法进行研究的天文学，2008年6月29日发现的周坚定律就是它的理论基础，2009年3月8日创立的解析宇宙学（著作权登记证号是：2009-A-020687）的解析观点促成了它的提出。那么，解析天文学能够为我们带来什么呢？就让我们通过具体的实际应用来回答这个问题吧。
天体演化是指宇宙中的天体有它的产生、发展和衰亡的过程，它是天文学研究领域必须面对的最基础性的自然科学之一，因此，由家住广西柳州市柳北区柳长路611号的中国人周坚，基于1998年发现宇宙正在加速膨胀的超新星哈勃图的进一步深入研究，于2008年6月29日发现周坚定律【周坚，来自超新星哈勃图的观测证明一个周坚红移定律，中国科技财富，2011，24：274】，并基于周坚定律的直接应用，于2009年3月8日独立创立了不可思议的解析宇宙学【著作权登记证号是：2009-A-020687】理论，于2013年6月29日毫不犹豫的提出解析天文学理论，虽然能够让我们应用解析法（代数）来解读我们所观测到的那迷团般的天空，但作为天文学的一门崭新的分支理论——解析天文学，也必须能够对天体演化进行解析。当然了，天体演化是一个相当复杂的过程，为了让我们能够更清晰的认识天体演化过程，这里特制作出这个解析天文学应用模板，即天体演化解析模板，现在呈现给大家，希望能够帮助我们更加深入地理解和认识天体演化过程。
由于解析天文学应用模板：天体演化解析模板实在太大，图片无法清晰上传，只能按附件上传，下载后观看欣赏我们所观测到的天体演化过程。
可以肯定，通过仔细阅读天体演化解析模板后，我们一定能够理解宇宙为什么就是我们观测到的现在这种模样。
解析天文学解析模板，包含星系和星系团等天体的解析模板、恒星和星云等天体的解析模板和天体演化解析模板三个部分，现在已经全部完成，至此，笔者的义务已经完成，敬请大家欣赏，正确与否就由后人研究鉴别好了，笔者完全相信人类的智慧。
Analytic Astronomy, also known coordinate astronomy, is to use algebraic methods to study astronomy, June 29, 2008 discovered ZHOU Jian's law is its theoretical foundation, March 8, 2009 founded the analytic cosmology (copyright registration number is :2009-A-020687) contributed to the analytical point of view it's made.So, it brought us what? Let us through specific practical application to answer this question now.