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From the Discovery Channel Show Mythbusters.
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The Anatomy of Prejudice
5-year-growing-exhibition
on prejudice and xenophobia
@IKM Museum in Oslo
"Thierry Geoffroy’s art format EXTRACTEUR is different from the scientific and academic investigation methods. Rather than following the standard categories, the EXTRACTEUR is based on an artistic way of combining the factual and the poetic interpretations of a subject matter. I consider EXTRACTEUR to be a unique way of extending our understanding of data-collection, classification, and analyses."
—Tijana Miskovic, curator
The exhibition is based around “The Jungle” - an EXTRACTEUR art format, created to collect data about prejudice and give them an evolutive artistic form. The format also includes academic studying of the collected data in order to understand the anatomy of prejudice. The information collected during the exhibition period is aesthetically forming part of a monumental sculptural artwork, but can at the same time be considered as valuable data for scientific and academic purposes. This doubleness between aesthetics and analytics is the core idea of all EXTRACTEUR formats, developed to analyze the socio-political context of the world we live in through artists lens. By the end of the 5-year long exhibition period, the collected data will consist of a huge number of detections of xenophobia-signs reported by 50.000 active participants.
"The Anatomy of Prejudice"
5-year-growing-exhibition
on prejudice and xenophobia
@IKM Museum in Oslo
#anatomyofprejudice #thereisnobut #typiskdem #fordommer
#ikmmuseum#interkultureltmuseum #thierrygeoffroy #utstilling #strongpeopledontfearothers #whoistheotherinyou #artformat
#formatart #ultracontemporary #interculture #multiculture
"Thierry Geoffroy’s art format EXTRACTEUR is different from the scientific and academic investigation methods. Rather than following the standard categories, the EXTRACTEUR is based on an artistic way of combining the factual and the poetic interpretations of a subject matter. I consider EXTRACTEUR to be a unique way of extending our understanding of data-collection, classification, and analyses."
—Tijana Miskovic, curator
The exhibition is based around “The Jungle” - an EXTRACTEUR art format, created to collect data about prejudice and give them an evolutive artistic form. The format also includes academic studying of the collected data in order to understand the anatomy of prejudice. The information collected during the exhibition period is aesthetically forming part of a monumental sculptural artwork, but can at the same time be considered as valuable data for scientific and academic purposes. This doubleness between aesthetics and analytics is the core idea of all EXTRACTEUR formats, developed to analyze the socio-political context of the world we live in through artists lens. By the end of the 5-year long exhibition period, the collected data will consist of a huge number of detections of xenophobia-signs reported by 50.000 active participants.
Thierry Geoffroy/COLONEL’ s exhibition "The Anatomy of Prejudice" is part of TYPISK DEM curated by the IKM museum team: Annelise Bothner-By, Gazi Øzcan and Anders Bettum.
Apart from “EXTRACTEUR”, the artist Thierry Geoffroy/COLONEL works with many other art formats such as "EMERGENCY ROOM" and "CRITICAL RUN". For more information: www.colonel.dkThe exhibition also presents several new videos produced in Oslo this winter together with Jella Bethman and Åsmund Boye Kverneland. The videos express the artist’s meeting with the city and its inhabitants through performative interventions.
In connection with the opening of the exhibition, the curator Tijana Miskovic who has been working with the artist for the last 3 years, will present the art format EXTRACTEUR giving the contextualization of the exhibited artworks. The evening will finish with social atmosphere and music played by Dj Liz from Oh Mama! Crew.
Thierry Geoffroy/COLONEL’ s exhibition "The Anatomy of Prejudice" is part of TYPISK DEM curated by the IKM museum team: Annelise Bothner-By, Gazi Øzcan and Anders Bettum.
Apart from “EXTRACTEUR”, the artist Thierry Geoffroy/COLONEL works with many other art formats such as "EMERGENCY ROOM" and "CRITICAL RUN". For more information: www.colonel.dk
I've had this thing for almost 30 years. It came from a professor at Cornell University who also ran his own soils engineering business. I don't know when it was made, but surely no later than the mid 1940s from what little I know of the guy. In the soils lab at my place of work, we have electronic scales that weigh out to this degree of precision (0.01 gram) in a few seconds. With this balance, it's a long and rather tedious process to come up with the result, but hey, old machines are cool. Also, the method of operation here is not subject to variance within different parts of the working range, as is the case with electronic scales, so it's actually a better machine than modern scales, in that regard at least.
The weights are only handled with soft-surface forceps. Touching them with the fingers would soon change their mass enough to matter, via transfer of skin oils and dirt.
As a final note here, the balance has an over-built steel case finished with thick enamel paint, which was typical of such equipment back in those days. That, along with the decorative design are features that would be too expensive to include on anything built nowadays. And just look at the attention to detail that went into making the box for the weights!
High Performance Business Intelligence mit IBM PureData System for Analytics
Dr. Thomas Petrik, S4S Service for Success GmbH
Ascend Analytics is an application used by Trek bicycle dealers to view reporting on their stores and sales.
I worked with the Ascend Analytics to fix bugs and add new features and enhancements to their web application. The site is entirely database driven, my highlight was implementing a Dundas Chart to allow users to run reports off of their cube
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High-level diagram of an integrated analytics approach (redacted version above), designed to not only track overall UX, but reveal patterns in granular behavior.
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