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For their ENGS 71: Structural Analysis course, students designed and constructed a treehouse at Hanover's Storrs Pond Recreation Area.
Photo by Douglas Fraser
This is probably the tell tale sign of why the storm did not produce anything more than pretty clouds. One thing to note is that the SPC Meso Analysis always over estimates CAPE values so don't take the numbers at face value, just understand that there is more and less energy in certain places.
The storm fired off the boundary wave pushing northeast from Michigan and was supported by the 700mb moisture plume seen previously, this is delineated using the yellow line. At the surface ahead of the wave a warm front was pushing north which is delineated by a pink line.
The maximum shear values were attained directly along this front due to enhanced forcing at the surface.
Initially models showed the storms to fire about 1 hour later than they actually did. What this meant is that the supercell entered the Mount Forest area at 4:30PM as opposed to 5:30PM and as a result the surface front which was lifting north was barely ahead of the storm.
This meant that there was less available energy than forecast, it also put the storm in a position where it was riding and potentially lifting (becoming slightly elevated) as it rode north of the boundary on the 500mb jet nose and eventually fully outpaced the forward motion of the surface warm front.
This explains why the storm was ingesting so much crap by the time it was closing in on Barrie, it was basically either sitting directly on or actually ahead of the surface front by that point.
So ultimately the storm fired one hour too soon and did not have enough environmental energy or run time so to speak to spit out a funnel.
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This Black History Month, the Schomburg Center’s Lapidus Center for the Historical Analysis of Transatlantic Slavery and Village Preservation are partnering to illuminate aspects of New York City’s early Black neighborhoods. From Seneca Village, a community now being memorialized in Central Park, to Greenwich Village’s “Little Africa,” our group of experts addressed the work of discovery, preservation, and documentation of these and other historically significant, but widely-forgotten Black communities.
We are pleased that the following scholars and preservationists were able to join us in this conference:
Leslie M. Harris is a professor of history at Northwestern University and author of numerous books, including In the Shadow of Slavery: African Americans in New York City, 1626-1863 and Slavery in New York (co-edited with Ira Berlin).
Jamila Brathwaite is a trustee of the African American Historical Society of Rockland County. She is an educator and curator and has uncovered hidden histories of the African Diaspora, including Greenwich Village’s “Little Africa,” which flourished during the 19th century.
John Reddick is an architectural historian and Columbia University Community Scholar who is active in Harlem’s culture, art, and preservation. He’s lectured and published broadly, and recently served as a curator and facilitator of the Harlem Focus series at the Smithsonian Institution’s Cooper-Hewitt Design Center.
Michelle D. Commander is the associate director and curator of the Lapidus Center for the Historical Analysis of Transatlantic Slavery at the Schomburg Center. She is the author of Afro-Atlantic Flight: Speculative Returns and The Black Fantastic, among other works.
The results of your analysis say:
You are driven and ambitious and tend to make radical moves to reach your goals.
You are a thoughtful and cautious person. You like to think about your method, seeking to pursue your goal in the most effective way.
You have a sunny, cheerful disposition.
Dr Simon Leefe from Wilde attended the mid-term review of the M3-2S project (a collaborative project funded under the European commission’s Framework Programme 7) in June at the Harbin Institute of Technology, one of China’s top 10 universities.
Figura central do Cartaz de Análise Gráfica. 1982.
Infelizmente o resultado não repetiu a força expressiva do estudo original em caneta bic. Mas, mesmo assim, gosto muito dessa imagem.
Post analysis West facing camera meteor events from 11th to 13th December 2009.
190 recorded meteor events in which 142 meteor events are Geminids. The greatest angular velocity of meteor over this time period was 84Km/s and the brightest was -3 approx in magnitude.
FOV: 33 x 45 d
Equipment & Software...
CBC Computar High Speed Aspherical 8mm f0.8 lens
Watec 902DM2S ½” format Video cameras
Canopus ADVC-55 firewire Frame Grabber
SonotaCo UFO Capture V2.22
SonotaCo UFO Analyzer V2.25
I used this page to enlarge detail I found inspiring and analyse the different aspects of the outfits from the S/S 2012 Dolce & Gabbana collection.
Signature "Deer-in-head-lights" face.
If you look real close you can see the wetness under his nose.
openPlayground Protocol Provider
A screenshot of the software that analyses the movement of the seesaw and provides information like position, endurance, intensity, regularity, beats per minute via OSC
the software is written in processing
For their ENGS 71: Structural Analysis course, students designed and constructed a treehouse at Hanover's Storrs Pond Recreation Area.
Photo by Douglas Fraser
Title: Actuation Analysis
Digital Publisher: Digital: Cushing Memorial Library and Archives, Texas A&M University, College Station, Texas
Physical Publisher: Physical: Agricultural Communications Office of the Texas Agricultural Extension Service, Texas A&M University
Date Issued: 2011-08-17
Date Created: 1965
Dimensions: 4 x 5 inches
Format Medium: Photographic negative
Type: image
Identifier: Photograph Location: Graphic Services Photos, Box 38, File 38-154
Rights: It is the users responsibility to secure permission from the copyright holders for publication of any materials. Permission must be obtained in writing prior to publication. Please contact the Cushing Memorial Library for further information
Since we have like 4 years before the next installment, I guess there's a chance that we might have a full cast from the second movie made from Bandai, even if the release schedule is ridiculously slow.
So while I await the release of Spider-Man India, Spider-Punk was released and arrived in my grubby hands. I don't know anything about the comic version, but for me, this guy was the MVP of the film. Guy didn't even have to do anything... just being in the scene was great. It also didn't hurt that he got all the cool brooding shadowy shots.
Like Miguel, I recall this was one of those Premium Bandai. Accessory wise, pretty much everything I expected, which is basically hands, alternate head, guitar and the wrist band. I just don't remember the guitar being that small.
From a sculpting perspective, beautifully done. The proportions, the detailing, everything. Proper height in comparison to the others in the series, and I'm going to presume this will continue going forward. The leather jacket and overall straps are separate pieces, with the latter given enough slack to not interfere with any posing. The Hobie head is also nicely done, with an appropriate carefree expression on the face. Hair come out nicely as well. Hard to tell if the skin tone is off or not because I don't we ever really got shots of him in normal lighting, so I'll just presume they got it right.
So one of the unfortunately things about getting the figures to be screen accurate is that the proportions can be tricky, and when you do nail them, there's the issue of standing them. Fortunately, Hobie does have relatively normal proportions, just a bit more slender. This is in comparison to Miles, who can't really stand that well.
Articulation is quite good. Proportions look different, but the points of articulation are consistent across the figures. The one exception would be shoulders. Unlike the others, Hobie has a collar and sleeves that get in the way of Butterfly joint operation. Also, because the boots have a piece on the ankle, the feet can't really rotate backwards. Otherwise, the figure poses very much like the other releases.
Paint Application is beautiful. As per usual, there's a lot of reliance on the base plastic colour with top coat, but there are so many accents and decals on this figure that it's hard to tell. Decal work especially has special mention for this figure, as they're everywhere and are as messy as you see on the on screen character. It doesn't look like they used Digital Painting on the face, but it looks sharp and without any real reference material, I give it a pass.
Build Quality wise, no issues with e parts the set comes with or any typical production value issues. The right thigh swivel on my figure, however, was a bit tight. Overall, the figure will hold the pose you want - getting it balanced, however, is a totally different issue.