View allAll Photos Tagged Alignment
Maine.
This was taken the same day as the previous amazing clouds photo, but a couple hours earlier before the clouds arrived. Larger.
The SS Badger sails into Ludington Michigan with the setting sun in the background. This juxaposition occurred because of the sun's position in early October and the fact that the Badger was 25 minutes late into port.
The Badger was built in 1953 and is the last large coal burning steamship in the US. The Badger shuttles both cars and passengers between Michigan and Wisconsin and is listed on the National Register of Historic Places. The 2013 season will end on October 13.
Well, this is not my best work. It was handheld, 05:38, in the morning, grabbed before the clouds rolled it.
As seen from Tasmania, approximately 42.3°S/147.0°E
Lower Right to Upper Left:
Jupiter Venus, Mars, Saturn
A gentle reminder about copyright and intellectual property-
â’¸ Cassidy Photography (All images in this Flickr portfolio)
The overnight passenger train from Narvik heads east at Søsterbekk Station off the realignment that bypassed the tunnel on the right and an older trestle on the far left corner of the photo. See the next photo for more info on the trestle.
Straight out of the memory card to your eyes cropped and that's it!
Press L to get aligned
This took a bit of patience and time to get lined up, I know it's not perfectly lined up but it was getting pretty frustrating. First, framed up with the pylon with Tokina @ 11mm, change lenses, line up with the circuit board at 46mm without moving the camera and compare line up with pylon. Then, Click remote, expose circuit board, cap lens, change lens re-zoom and focus, while capped, blind. Uncap the lens, expose the pylon, cap the lens, pack up. Walk to the car a few blocks away, drive 1/4 mile, set up in a drainage tunnel blindly, uncap lens, trace figure, click remote, bing! Now a cwb and all is good.
After all of that, I noticed my exposed skin bottom right, after originally posting with finger in, I've decided to go with the crop, it's cleaner, any prints will be full sized.. naddafinga!
This 3 panel panoramic shows the current alignment of five planets and the moon, from the Dover Patrol Memorial at St. Margaret's Bay, on the White Cliffs of Dover. The lights of Calais (France) are visible on the horizon. Taken at 6.32am on the morning of 3rd February, with a Fuji XT-1 and Samyang 12mm at f/2.
Of course I had to post the picture of the full eclipse tonight. It was spectacular. When the eclipse began, the moon was as white as always, but as the earth shaded the sun and the shadow fell upon the moon, that moon turned red. I learned that it is because the light from the sun bends around the edges of the earth like a sunrise, but around the entire perimeter of the earth and casts a red orange glow onto the moon. The coincidence of this alignment boggles my mind.
Early morning alignment of (l-to-r) Mars, Saturn, and Jupiter with the Moon. About an hour before sunrise 16 April 2020. Moncton, NB. A few minutes after the tidal bore. No one around. Over the past couple of days, the Moon has been sweeping the 3 planets from right to left. Looking south-ish over Riverview.
PENTAX K-1 • FF Mode • 100 ISO • Pentax HD DA* 11-18 mm F2.8 ED DC AW
Knokke-Heist • Belgium
Alinhamento Planetário em conjunção com a lua. Vénus, lua, Marte, Júpiter e Saturno
Pentax k-1 Mark II + Irix 21mm f1:1.4
Corky did me a huge favour here by coming up in pretty much the dead centre of the pool, so everything sort of lines up. Her vertical spins are very impressive.
Orca, Corky - SeaWorld San Diego
**You are not permitted to repost, copy, edit, redistribute, or display this image without expressed written permission from me. This includes, but is not limited to, social media sites such as: Facebook, Twitter and Instagram/Webstagram.
The apparent alignment of layers of ochre and the Milky Way at the Ochre Cliffs north of Lyndhurst, South Australia. Lit by moonlight. Processed with a daylight white balance for star colours in Lightroom, Tamron lens.
At first glance this looks like an ordinary street moment, a man passing by, lost in his own thoughts. But then the picture starts to reveal itself. The curve of the building, the grid of the paving, the verticals and horizontals, the figure placed just so, all of it held together by light.
What I love is the restraint. Nothing shouts. The photograph works through balance, structure and quiet visual relationships. Even the green bag becomes a small, unexpected accent in an otherwise muted scene.
That is the beauty of subtlety. The image does not demand attention. It rewards it.
"Men love to wonder, and that is the seed of science."
~ Ralph Waldo Emerson
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