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Thought I'd upload something for Alien day, although in Australia, we put day/month rather than month day, so it doesn't really work. The damaged alien that came with Hicks is broken, so I've had to prop it up.
Nikon F65. Fujifilm Pro 400H 35mm C41 film. Some photoshop adjustments in brightness/contrast, color balance & cropping.
I'm back to listening on the Alien Shozy paired with the Fiio A1 amp, a really pleasing combination.
The Velvet 56 lens also likes rendering sharp edged objects as well as curvy stuff.
Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
Would have loved to use this alien for tomorrow's Macro Monadys theme "iron" but it's too big. Part of an old, rusty rudder, that has been fished out of the mud in the mouth of the river Schwentine. They are kind of magnet fishing, but on a big scale, for months, finding WWII bombs and junk.
This is one of my favorite shots in the movie, there really isn't anything breaking about it, nothing special, there isn't the alien or the crashed ship. It's just so minimal, and interesting.
I really like it for some reason, so much that I thought about uploading it, now that I've decided to revisit Alien Isolation for a third time, on a Saturday night at 3AM.
You know when you see Dr Who or Sc-Fi films where you capture a glimpse of the Alien inside the human....well heres mine
Just messing around with Alien Skin Software's "Exposure 2". This shot was processed as Kodak Ultra Color 100UC.
Highest Explore Position: 104 on Monday, July 21, 2008
Possibly for the "Liberation" display in 2011.
Yes/No?
Energy Sword technique by "The Enigma that is Badger".
More textures from the Alien Lifescape Series.
New, handmade texture. Ok to use for your private artwork but not for commercial nor resale. Please do not use my stock to make other stock.
When used, please credit me with a link back to THIS page and a small sample of your work. Thanks!
*** I'd love it if you'd post your artwork to my group Temari's Galactic Studio. ***
In 1954, Dwight Eisenhower signed what's known as the Grenada Treaty with the alien gray race.In exchange for shared .alien technologies, the Grays were allowed to abduct to a number of humans annually for medical examination.
a short time later, human technology took a giant leap forward with circuit chips,fiber optics,and lasers. The Grenada Treaty is still active today, but the number of human abductions has increased,despite objections from the world governments.
Another Alien Bird of Paradise flower.
Strobist info: two Interfit 200s through white umbrellas, camera left and right
This one is definitely better than my last Alien Viper. This started as a Viper for a different theme but it ended up not fitting, so I changed the cockpit. (You'll probably see the other themed one tomorrow) I'm really proud of this one too, the shape is so unique.
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Day 8/30
November 2012
Many strange and vicious creatures also live on Zurivon.
A large hideous Grott lives in a toxic fungus plant, waiting to consume anyone who unknowingly walks into its lair.
Apart of my entry for the MocOlympics - www.mocpages.com/moc.php/291293