View allAll Photos Tagged Algorithms
Algorithmic art created with Processing using blue noise dot patterns, wave functions, and various other computational techniques.
I keep telling myself it's time to retool this generative system--use functions more complicated than simple sine waves, different shapes--but when I set out to retool, I discover aspects I hadn't yet explored.
The series Sturdy, Rendition, Fuste, Eyeteeth, and Elpenor do use many more points than earlier images. Voluntad (like Chupatintas and a few others) uses different color rules. Otherwise, these are all variations on a basic generative system.
See www.openprocessing.org/visuals/?visualID=15891 for code used to generate "dot pattern" images.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
Variations in pattern development through scripting, also some more general explorations in geometry and part to whole relationships
Algorithmically generated image created entirely from random numbers run through mathematical equations.
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Algorithmically generated image created entirely from random numbers run through mathematical equations.
Panel Algorithmic Business Strategies - If everything's being uploaded and shared, what might be next?
Moderator - Mercedes Bunz
Speaker - Dirk Baecker, Jean-Paul Schmetz, - Sean Park, Tom Fuerstner
Wilkinson Eyre's egg was bathed in light that cycled through the spectrum. Here it is bathed in red.
Algorithmically generated image created entirely from random numbers run through mathematical equations.
This is three runs of Wolfram's "Rule 110" cellular automaton. Each run is assigned to a color channel - R, G, and B. Each color began with two pixels turned "on": one in the upper middle, and one that they all shared in the upper right. The sum of all the channels maxes out at 255, so pixels with more colors turned on have a lower intensity. This helps the interference patterns become more apparent. I really like how the encounters propagate backwards when a color hits the uniform white section.
Code is here, I put it in a file called GOL.py and typed: python GOL.py > p.ppm && convert p.ppm p.png
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
A collaboration with onformative.com. A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
******************************
Algorithmes Sérigraphiques
******************************
Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
Are the algorithms of living matter also useful for digital arts? Could they for instance be used in live visual performances? And how? Mediamatic and the Live Performers Meeting invite you for this nerd Biotalk with Federico Corradi, Gianluca Del Gobbo and Timo Dufner. They will give us a glimpse of the potential of nature’s algorithms for digital art and illustrate this with a live audio visual experimental act.
www.mediamatic.net/en/algorithms-from-nature
Photographer: Chiara Barraco
Image for new NSF Headquarters lobby wall design process. This was the final design for the west wall, now installed. Here's the wall text:
A Chance Encounter of Measure and Continuity
Created by software written by the artist, the NSF lobby mural combines a site-specific spatial grid based on the Fibonacci Series (measure) with color gradients (continuity) and chance operations. The grid affects all elements, but divisions within it reflect random decisions made by the software. Visible as bright vertical lines floating above the darker gradient, the grid is a fragment of a non-repeating pattern that could be continued to infinity, not on the wall but in imagination.
Money is neither my god nor my devil. It is a form of energy that tends to make us more of who we already are, whether it's greedy or loving.
-Dan Millman