View allAll Photos Tagged Adolphe
Maker: Philip Adolphe Klier
Born: Germany
Active: Burma
Medium: albumen print
Size: 8.25" x 10.75"
Location: Burma
Object No. 2013.031
Shelf: A-22
Publication:
Other Collections:
Notes: The Shwedagon Pagoda also known in English as the Great Dagon Pagoda and the Golden Pagoda, is a 99 metres gilded pagoda and stupa located in Yangon, Burma. The pagoda lies to the west of Kandawgyi Lake, on Singuttara Hill, thus dominating the skyline of the city. It is the most sacred Buddhist pagoda for the Burmese with relics of the past four Buddhas enshrined within: the staff of Kakusandha, the water filter of Koṇāgamana, a piece of the robe of Kassapa and eight strands of hair from Gautama, the historical Buddha. Uppatasanti Pagoda is an exact replica of Shwedagon Pagoda in Naypyidaw, the new capital of Burma.
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Presentation book to W. Spedding, 1st Prize in French , awarded at the Midsummer Examination 1881, by Stoke Newington Collegiate School in London.
The endpapers and edges show well-executed marbling as seen here.
Thier’s Consulate and Empire 1877.
The history of the French Consulate and Empire under Napoleon, written by Adolphe Thiers.
Thiers condensed history adapted from his original 16 Volume set, translated from the original French.
Published by William Nimmo , Edinburgh. Full leather impressed binding, 864 pages 16cm x 23cm.
Stoke Newington Collegiate School no longer exists, however could be the Board school in this 1877 engraving:
Timother ADOLPHE, Guide Jeffrey JOHN, FRA, Athletisme, 100m - T11 à Rio 2016 Paralympic Games, Brazil
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Maker: Auguste-Adolphe Bertsch/Auguste Jourdain -
Born: France
Active: France
Medium: wood engraving
Size: 10 1/4 in x 14 in
Location:
Object No. 2021.274b
Shelf: B-39
Publication: l'Illustration, Journal Universel, August 27, 1859, pg 174
Other Collections:
Notes: Auguste Adolphe Bertsch (1813-1871) was a Paris optician, pioneer photographer and exponent of microphotography. In 1851, he improved the collodion process invented that year in England by Frederick Scott Archer, and using a solar microscope, began photographing lice, antennae of flies and crystals. Two years later he presented his photomicrographic research to the French Academy of Science. He was a founding member of the Société française de photographie in 1854. In 1861 he invented the first sub-miniature camera called the Chambre Automatique de Bertsch which featured a fixed focus lens with a view of less than 1 inch in diameter and used 1 1/2 inch wet collodion plate. He was killed in the Paris Commune of 1871.
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Steel engraved map to illustrate the French & British Campaigns of the early 1800s from History of the French Consulate and Empire by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead and Hume Greenfield.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 685 pages 26cm x 17.5cm.
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.902
Shelf: E-25
Publication:
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: A.A.E. Disderi (1819-1889)
Born: France
Active: France
Medium: albumen carte de viste
Size: 4" x 2.5"
Location: France
Object No. 2013.111
Shelf: E-16-NAPO
Publication: McCauley, A.A.E. Disderi and the Carte de Visite Portrait Photography, Yale University Press, New Haven, 1985, fig 58
Raymond Lecuyer, Histoire de la Photographie, Baschet et Cie, Paris, 1945, Pg 104
Other Collections:
Notes: TBAL
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Toute reproduction sur un support imprimé ou publication sur internet devra faire l'objet d'une demande expresse auprès du service communication de la Fédération Française Handisport.
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Toute utilisation ainsi autorisée devra mentionner le crédit photo (voir nom du fichier ci-dessus : “©…” ou métadonnées de la photo dans sa taille originale).
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Contact : photos [at] handisport.org
Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: carbon print
Size: 7 3/8" x 10 1/4"
Location: France
Object No. 2015.280
Shelf: L-12
Publication:
Other Collections:
Notes: Printed on mount, MUSEE DE VIENNE (Albertina),
MICHEL-ANGE, ADOLPHE BRAUN, PHOT, 45
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For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Adolphe Louis Donnadieu (1840–1911)
Born: France
Active: France
Medium: photocollographie par MM Thvoz et Cie
Size: 6 1/2" x 9 3/4"
Location:
Object No. 2016.645g
Shelf: B-40
Publication: A. L. Donnadieu - Traite Photographie Stereoscopique, Theorie et Pratique,Atlas, 1892, Pl XIV
Other Collections:
Provenance:
Notes:
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
A youg french girl in that magical house of light and shadow, the Historic Haile Homestead near Gainesville, Florida.
Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: albumen print
Size: 3.5" x 7"
Location:
Object No. 2012.444
Shelf: E-14-BRAU
Publication:
Other Collections:
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Maker: A.A.E. Disderi (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2.25" x 4"
Location: France
Object No. 2014.341
Shelf: B-2
Publication:
Other Collections:
Notes: On April 23, 1963 Disderi filed a patent application to protect his rights over what he called the "mosaic", a composite carte de viste that was a photomontage of portraits of different people.
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Photographer:André-Adolphe-Eugène Disdéri (1819-1889) the father of CDV photos (see en.wikipedia.org/wiki/Andr%C3%A9-Adolphe-Eug%C3%A8ne_Disd...)
Date: 1859-1860
Location: Paris
The portrayed: Pope Pius IX (1792- 1878) (see en.wikipedia.org/wiki/Pope_Pius_IX )
Format: CDV
Steel engraving from History of the French Revolution by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 790 pages 26cm x 17.5cm.
SKA817
Stereobild av trädgården, Palais Longchamp, Marseille.
Stereo image. View from the garden of Palais Longchamp, Marseille.
Photo: Jean César Adolphe Neurdein , 1860-1867.
Steel engraving from History of the French Revolution by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 790 pages 26cm x 17.5cm.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Upper row (L to R):
1) REGARDE ST. CHRISTOPHE PUIS VA-T-EN RASSURE (Look at St. Christopher, go on reassured). 2.7g
2) NTRE DME DE LOUVIERS PRIEZ POUR NOUS (Our Lady of Louviers pray for us). The artist’s/engraver’s signature is added Ph. Godard. 2.92g
3) SAINTES-MARIES P.P.N. (Saint Maries [de la Mer] pray for us). 2.1g
.
Lower row (L to R):
4) NOTRE-DAME DE ROC-AMADOUR P.P.N. (Our Lady of Rocamadour pray for us). Initials AP and KARO also appear along lower edge. AP is the engraver’s initials for Adolphe Penin (1888-1985). 1.65g
5) S E MADELEINE PRIEZ POUR NOUS (St. Mary Magdalene pray for us). This tiny medal shows a seated figure of Mary Magdalene with hands up to her mouth clasped in prayer. 0.46g
.
Enamels: n/a.
Finish: n/a.
Material: Silver. Weights of individual medals listed above.
Fixer: Bale & suspension ring
Size (St. Christopher medal): 11/16” across (18mm).
Process: Die stamped.
Imprint: No maker’s name or mark. All are impressed on the bale with a French silver mark (crab).
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Maker: A.A.E. Disderi (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2.25" x 4"
Location: France
Object No. 2013.557
Shelf: E-16-NAPO
Publication:
Other Collections: Getty Museum
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Steel engraving from History of the French Consulate and Empire by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead and Hume Greenfield.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 685 pages 26cm x 17.5cm.
William-Adolphe Bouguereau, a French painter, used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. In his own time, Bouguereau was considered to be one of the greatest painters in the world. During the 19th century Bouguereau began exploring the subject of the secularized Madonna and Child. Although his renowned Charity, Birth of Venus, and The Martyr's Triumph are perhaps the best known of his paintings for this style, Song of the Angels has been widely acclaimed as his greatest. What is striking about this painting is the casual pose of the Virgin Mary and the artlessness of the Child. This is more a mother and son relationship, which was a reoccurring theme in Bouguereau's works. The angels also lend a sense of reality to the painting. As the trio plays a lullaby, they really seem human and not heavenly images. The three angels and the Madonna were painted after the likeness of the American artist, Elizabeth Jane Gardner, who would later become his wife. Bouguereau's mastery of flesh tones made him renowned during the Victorian period. Art history records mention that his works exhibit flesh tones, "beyond which, in texture, color and flexibility, skill of technique can no further go." This is seen in the definition and tones of each figure's skin, as the figures seem to come alive to the human eye. The original Bouguereau masterpiece, Song of the Angels, is part of Forest Lawn’s permanent collection and is on display in the Forest Lawn Museum in Glendale, California.
Source: Forest Lawn Museum
www.requestaprint.net/forestlawn/itemdetail2.php?work_id=1
www.getty.edu/visit/events/bouguereau.html
www.artrenewal.org/artworks/la-vierge-aux-anges/william-a...
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
"A young girl defending herself against Eros" (Joven defendiéndose de Eros) por William Adolphe Bouguereau (1825 - 1905). Pintada en 1880.
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 4.1' X 2.5'
Location: France
Object No. 2014.829
Shelf: E-16-NAPO
Publication:
Other Collections: GEM
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
William-Adolphe Bouguereau was one of the most successful painters of his day at the end of the 19th century. Reviled by the up-and-coming Impressionists, Bouguereau instead followed the patterns of Raphael, inevitably depicting idealized females (frequently nude, sometimes erotic) in natural or pastoral settings. This, one of his less provocative paintings, nevertheless is not very subtle in suggesting the loss of childhood innocence.
Palace of the Legion of Honor, Lincoln Park, San Francisco, California