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Kajorn Bhirakit is speaking for InDesign and Digital Magazine session
- Licensed to Thai Adobe User Group
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
The video is going faded out - and welcome to Adobe CS5.5 Road show by IT Solution
- Licensed to Thai Adobe User Group
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes six productions and the yearly GALA fundraiser.
In order to get the season brochure ready to send by early June the artwork for all productions needs to be completed in a little under two months so that it can be featured in said direct mailer.
The dark and brooding artwork for this season is a combination of themes and iconography from the two main stage productions, Puccini’s Tosca and Floyd’s Susannah. The two seemingly unrelated operas share quite a bit in common including themes of lust, lost innocence and faithful, strong women torn down by their corrupt religious leaders.
A bloodied dagger drips into a red river that cuts a path through the blue Appalachian mountains. Silhouetted against a velvet sky, heavy with diamonds, is a stained cross. Annapolis Opera’s production of Tosca is set in Mussolini-era Rome, and Scarpia is meant to take after him, so the dagger is actually modeled after one that Mussolini owned. The Appalachian mountains where Susannah grew up are textured with burlap. I chose this to add a rustic feel to the artwork, and also because burlap is hot and itchy.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two distinct shades of red: fresh blood and drying blood. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season. The predominant fonts are Rhode, Sign Painter for titles – although both Susannah and Tosca feature some hand lettering – and Gotham for all body copy.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next.
Teerasej Jiraphatchandej and Any Screen video for Adobe CS 5.5 road show.
The video is showing 3D object on mobile tablet.
- Licensed to Thai Adobe User Group
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes six productions and the yearly GALA fundraiser.
In order to get the season brochure ready to send by early June the artwork for all productions needs to be completed in a little under two months so that it can be featured in said direct mailer.
The dark and brooding artwork for this season is a combination of themes and iconography from the two main stage productions, Puccini’s Tosca and Floyd’s Susannah. The two seemingly unrelated operas share quite a bit in common including themes of lust, lost innocence and faithful, strong women torn down by their corrupt religious leaders.
A bloodied dagger drips into a red river that cuts a path through the blue Appalachian mountains. Silhouetted against a velvet sky, heavy with diamonds, is a stained cross. Annapolis Opera’s production of Tosca is set in Mussolini-era Rome, and Scarpia is meant to take after him, so the dagger is actually modeled after one that Mussolini owned. The Appalachian mountains where Susannah grew up are textured with burlap. I chose this to add a rustic feel to the artwork, and also because burlap is hot and itchy.
For the new season I have adopted an entirely new brand. The artwork for this season relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two distinct shades of red: fresh blood and drying blood. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season. The predominant fonts are Rhode, Sign Painter for titles – although both Susannah and Tosca feature some hand lettering – and Gotham for all body copy.
My goal for the season was to create a cohesive style for all seven shows, so the fonts, color palette and textures carry from one production to the next.
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Kajorn is speaking to audience in Adobe CS 5.5 road show at Sheraton Grand Sukhumvit
- Licensed to Thai Adobe User Group
Kajorn is introducing to fundamental of Digital Publishing - Adobe CS 5.5 Road show
- Licensed to Thai Adobe User Group
Hi There,
I am a professional graphic designer. I designed print items for clients worldwide. You can ask me for a draft of your design; then if you satisfied, you could proceed to order.
Hire me : tinyurl.com/y2amod9o
My Services :
Annual report
Sales Report
Corporate proposals
Company profile
White paper
Newsletter
Brand Guide
Business Brochure
Real state Brochure
Technology Brochure
Business Catalog
Corporate Flyer
Bi-fold Brochure
Tri-fold Brochure
Quad-fold Brochure
A4, A5, Square Brochure
Magazine
University Prospectus
Product Catalog
Lookbook
Workbook
Cookbook
Casestudy
Leadmagnet
ETC
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for The 31st Annual Vocal Competition. The same program is used for both days of the weekend long event, with an insert added in announcing the winners of the first round. The next frames in the album contain all the pages of the printed program. The program was laid out in InDesign and pulls in elements from Illustrator and Photoshop.
Coming up with the artwork for the Vocal Competition was surprisingly challenging. Because there is no plotline for vocal competition the theme is simply “music” and “singing.” This makes it very hard to narrow down which artistic elements to focus on. I decided to make the treble clef the star of the show. I also used the five lines of the staff consistently throughout the program to create unity and line. The color palette and textures match with the rest of the season’s artwork.
Because the theme for this show was so open I was able to pull in artistic and graphic elements from other shows just for decoration throughout the event’s printed program. For example I used the pink color that was created for The Three Little Pigs and added in roses from Carmen and Arias & Encores.
The collateral for the show includes web banners, thumbnail for use on web and in print, various print ads, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (Rossini’s Barber of Seville & Bizet’s Carmen). I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.