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Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Eugenio Vega, doctor en Bellas Artes, profesor de Diseño en la Universidad Complutense de Madrid y ex director de la Escuela de Arte 10. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
I am quite pleased with how both pages of this spread came together. I like the sharp juxtaposition of the yellow and red backgrounds that I created. I link the two pages by having the rose-decorated fan spill over the margin. Additionally, on the left I watermark the page with skyline of Seville, while on the righthand Carmen herself makes a (not-so-subtle) appearance.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
This spread features a half page ad for The Grand Finale. The artwork for this show was a bit of an outlier because I needed to use the photography provided to me of Denyce Graves.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Discurso de Alfredo R. Cebrián, CEO de Cuatroochenta. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Discurso de Alfredo R. Cebrián, CEO de Cuatroochenta. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Get your design done for a reasonable price on Fiverr or Upwork.
Fiverr: www.fiverr.com/naleen123
Upwork: www.upwork.com/fl/naleengraphics
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
This spread contains the artwork designed for The Ruby Society. I changed this page in every program so that the artwork matched the program. For example this version that's featured in Carmen has a wash of roses. (A more detailed version of these same roses make themselves front and center in the Arias & Encores program.) The version in Amazing Grace has stars and mountains to compliment the program's theme.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
I brought my Mac to Chicago! I set it up in the Amcafe, connected to wifi, and got some work done on the way to Chicago! That's the October 2018 issue on the table, I'm working on the November 2018 edition.
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
I created all of the artwork for the Annapolis Opera’s 2018-2019 season, including graphics for their production of Bizet’s Carmen. The next frames in the album contain all of the pages for the printed show program. The program was laid out using Adobe InDesign and pulls in elements created in Photoshop and Illustrator.
Out of the season’s eight shows, creating the artwork for Carmen was definitely my favorite. The concept came together with ease. The silhouette of the eponymous Carmen dominates the artwork. She is seductive and a bit risqué. Her flamenco style dress doubles as a rose, with its center directly between her spread legs. To bring her to life I highlighted her lip, fan and an earring in the golden yellow color that is part of the season’s palette.
The title is placed dramatically above her head and the Seville skyline in Adorn Coronet. The other font used is Charcuterie Block. Depending on the layout the main elements of rose-decorated fan, skyline and Carmen herself became larger or smaller to accommodate changes in ratio.
The collateral for the show includes web banners, thumbnail for use on web and in print, postcard, various print ads, a restaurant table card, large format 5x9’ banner, and the 40-page show program.
My overarching goal for the Annapolis Opera 2018-2019 season was to have a cohesive visual brand that carried across all eight productions, and especially tied together the two main-stage shows (the other one being Rossini’s Barber of Seville, which opened the season.) I did this by using the same color palette (reds & yellows) and textures in every production. Additionally, by limiting myself to three fonts I created unity. For titles and subheadings, I used either the script font Adorn Coronet with its many ligatures and swoops, or Charcuterie Block. I started the season with Adorn Roman, but this font did not have any variations in weight, so I ended up changing to Acuta after the first program. The first three fonts were all created by Laura Worthington, so they worked well together. Additionally, silhouettes, and cutouts feature prominently in the artwork of almost all eight shows.
Hire Naleen for Exceptional Graphic Design! 🎨✨Don't hesitate to reach out to me on Flickr to discuss your project! Let's create something amazing together! ✉️✨ #DesignsWithNaleen #GraphicDesignExpert
Presentación oficial de 480interactive en la sala El Cubo del área Central de Diseño en Matadero Madrid. 480interactive es la herramienta desarrollada por Cuatroochenta para convertir, sin conocimientos de programación, publicaciones de Adobe InDesign en apps interactivas para iPad y tablets Android. Jueves, 17 de octubre de 2013.
Fotos: Pablo Gómez Iglesias.
Más información: www.480interactive.com/blog/disenadores-editores-agencias...