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Claire in "Little Princess" | Nashville | Actor | Headshot
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Featuring Actor/Movie Star, John Wayne
McCall's, 1978-03
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Geoff was one of the foremost and well respected actors of his generation, he had studied at some of the best theatre schools in the garden and had in fact appeared throughout the known world in stage and screen. He was known for his ability to get into the character and immerse himself totally in the persona of the insects he portrayed, I guess you would call him a method actor. Geoff had even been known to carry the character through into his home life, much to the dismay of his friends and neighbours when he played a serial killer or mass murderer. They forgave him though, Geoff was a magnet to lady flies and even though the life expectancy for one of Geoff's friends was alarmingly short, it was a glorious way to go. Geoff's most famous film was called "The Man" in which he played a mad scientist who was experimenting with teleportation and his DNA got mixed up with that of a human. Geoff's character started to lose his exoskeleton, wash occasionally and eat solid food that hadn't been vomited on! He also became duplicitous, conniving and generally a bad fly. The box office receipts were phenomenal as flies queued to see the horror of Geoff's character slowly turning into a human, flies were horrified by the mere thought that this could actually happen. It had been a few days since Geoff's heyday and his "tour de force" movie but it still earned him royalties and accolades for his performance. Geoff would retire happy secure in the knowledge that he had been a part of the biggest movie of his generation and even though "The man 2 - return of the soft skin" was now in production with a new and younger actor, he knew that the classic first film would always be the best.
You'll see him soon in PRELUDE TO FAME with Guy Rolfe, Kathleen Byron and Kathleen Ryan
Magazine cutting from Picturegoer : The National Film Weekly (Alan Ladd cover), Week ending April 29, 1950. Every Thursday. Threepence.
The photographs were taken by the stills photographer Ian Jeayes.
Bought from an eBay seller in Wardle, Greater Manchester, United Kingdom.
Jeremy Spenser (1937-), British actor, active 1948-1967.
en.wikipedia.org/wiki/Prelude_to_Fame
C. A. Lejeune, The Observer, 7 May 1950:
"The film is based on a story by Aldous Huxley called Young Archimedes. It is about a small boy, an Italian farmer's son, who turns out to be a musical prodigy. But for that light chance that touches off the direction of an artist from his earliest years, he might have been a poet. He is not a creator, but an interpreter. His ear picks out the concert of everyday sounds, and correlates the beat of a passing train with the rhythmic crowing of cocks and the whisper of wind in the grass. There is nothing fancy about this idea. Test it for yourself. Sit quite still for a moment, and listen. You will find the inner ear is filled with layer upon layer of sound. I am writing, for instance, beside a gas stove in a room with a wide open window. I can hear, at one and the same time, the faint hiss of gas, the bark of a dog, the mad song of innumerable birds, the distant drone of an aeroplane, a man crying rag-and-bones, a motor-car changing gear: my subconscious mind is bothered with a half-remembered tune, and my conscious mind is trying to compose words into some sort of dominant theme. By nature, we are all living in the heart of a vast orchestral score. But only a few of us, by special gift or training, can hope to make musical order out of it.
The small hero of Prelude to Fame has this natural gift. Rich patrons give him the training to develop it. He becomes the most celebrated child conductor in the world, but suddenly the strain gets too much for him, and he wants either to kill himself or go home. He goes home, leaving the nastiest of his rich patrons fulminating.
The child and the music are the main things, and in all that concerns them I cannot find a fault. A small boy called Jeremy Spenser plays the musical prodigy and manages to be wholly convincing without being in any way a blot. All children are natural mimics, but it is an unusually talented or receptive child who can simulate an intellectual passion. This child does just that. It is highly improbable that Jeremy Spenser could actually conduct the Royal Philharmonic or the San Carlo Theatre Orchestra with success. The impression of the film is that he could and that is all that matters.
Muir Mathieson, the best man of music that British films have permanently employed, makes sure that the musical basis is sound. It is very clear indeed that the score of Prelude to Fame has been built up, deliberately, by a man who knows what's what. He doesn't believe in the fiction of musical groundings. He doesn't kow-tow to the foibles of musical highbrows. He contrives his film music-plot, from Neapolitan love-songs to Weber to Bach to Beethoven to Borodin, with a truly magnificent sense of drama. His best job, and the picture's is to grant a good orchestra the courtesy of allowing them to play the 'Oberon' overture without interruption. This passage of Prelude to Fame, wonderfully cut, beautifully played, with the child conducting in an apparent glory of possession, is so right that I should like to see it carved out of the heart of an inconspicuous picture and kept for posterity."
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Vin Diesel (born Mark Sinclair Vincent; July 18, 1967) is an American actor, writer, director and producer. He became known in the early 2000s, appearing in several successful Hollywood films, including The Fast and the Furious and xXx. He founded the production companies One Race Films, Tigon Studios and Racetrack Records.
Tony Award-winning actor Annaleigh Ashford joined fellow Broadway Coloradans Beth Malone ("Fun Home") and Mara Davi ("Dames at Sea" for "United in Love," a special concert event benefiting the Denver Actors Fund on April 30 at the Lone Tree Arts Center. The three were "back to give back," joined by powerhouse singer, actor and First Lady of Denver Mary Louise; Broadway’s Jodie Langel ("Les Misérables"); composer Denise Gentilini ("I Am Alive") and Denver performers Jimmy Bruenger, Eugene Ebner, Becca Fletcher, Clarissa Fugazzotto, Robert Johnson, Daniel Langhoff, Susannah McLeod, Chloe McLeod, Sarah Rex, Jeremy Rill, Kristen Samu, Willow Samu, Thaddeus Valdez, and the casts of both "The Jerseys" (Klint Rudolph, Brian Smith, Paul Dwyer and Randy St. Pierre), and the all-student cast of the upcoming "13 the Musical" (Rylee Vogel, Josh Cellar, Hannah Meg Weinraub, Hannah Katz, Lorenzo Giovannetti, Maddie Kee, Kaden Hinkle, Darrow Klein, Evan Gibley, Conrad Eck and Macy Friday). The purpose of the evening was to spread a message of love and hope while raising funds for the Denver Actors Fund, which has made $90,000 available to local theatre artists facing situational medical need. The concert was presented by presented by Ebner-Page Productions. Photos by RDG Photography, Gary Duff and DCPA Senior Arts Journalist John Moore, also the founder of the Denver Actors Fund. For more information, go to www.denveractorsfund.org
15° Aniversario de la UDAL (Universidad de América Latina) festeja con El primer actor Miguel Pizarro
Redacción | LAE Manuel Vela Flickr – Facebook
Puebla., Puebla a 24 de Mayo 2011
La Universidad de América Latina cumplió 15 años formando profesionista de éxito y en el marco de dicha celebración, se entregaron reconocimientos a personal que forma parte de esta universidad.
En punto de la 10 am en el auditoria de la UDAL y teniendo la presencia de distinguidas personalidades como la del Lic. José Antonio Fraga Valle “Director General de Educación Superior” de la Secretaria de Educación Publica, La Mtra Gabriela Guadalupe Campos Chávez “Supervisora Escolar Zona 002 SEP”, Ing. Jesus Lopez Chargoy “Rector de la Universidad de América Latina”, Mtra Sandra Liliana Andrade Sánchez de la Vega “Director General de la Universidad Cristobal Colon, Mtra Zayuri Gómez Ramírez “Director del Bachillerato UDAL, Mtro Rodolfo Esteban Vega “Director Plantel Xalapa”, Mtra Luz María Huerta García “Vicerrectora de la Universidad de América Latina”, se llevo a cabo la emotiva entrega de reconocimientos a funcionarios de esta universidad.
Al termino de esta ceremonia se conto con la presencia del Primer Actor Miguel Pizarro quien sostuvo una entretenida charla en el auditorio de la universidad.
Biografia:
Miguel Pizarro es un actor mexicano nacido en Córdoba en el estado de Veracruz.
Hijo de padre español y madre mexicana, tiene tres hermanos. A los ocho años se fue a España junto a su familia por el trabajo de su padre. A los doce años perdió a su madre luego de una larga enfermedad. Pasó toda su infancia y adolescencia en aquel país, en lugares como Galicia, Madrid, Oviedo y Pontevedra. En su etapa final escolar entró a talleres de teatro en su escuela. Al egresar empezó a hacer papeles pequeños en teatro. Al cumplir 21 años decidió regresar a México.
Conocido por sus participaciones en Telenovelas y Películas mexicanas. Inicio su carrera artística en la telenovela del productor Carlos Sotomayor con el nombre Pasión y poder. Por su debut en esa telenovela recibió el premio como mejor revelación masculina de los premios TVyNovelas de 1989. Después siguieron telenovelas como Teresa, Amor de nadie, Cuando llega el amor, Milagro y magia, La última esperanza, la exitosa telenovela La dueña y algunas más.
Ha trabajado con actrices como Delia Casanova , Angelica Rivera, Cynthia Klitbo, Barbara Mori, Leticia Calderon, Lucero, Salma Hayek y algunas más.
En 2007 - 2008 después de su participación en la telenovela de la productora Angelli Nesma con el nombre de Al diablo con los guapos regresa a las telenovelas con una participación especial en la telenovela del productor Roberto Gómez Fernández llamada Para volver a amar.
También en 2010 se integra al elenco de la telenovela Triunfo del amor al lado de actrices como Victoria Ruffo y Erika Buenfil.
[Manuel Vela Photography Copyright©] This image is protected under International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission./ Esta imagen se protege conforme a leyes de Derechos de Autor internacionales y no se puede transferir, reproducir, copiar, transmitir o manipular sin el permiso de escritura.