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Emma watson at the world premiere screening of 'harry potter and the prisoner of azkaban' held at radio city music hall. New york city. 23 may 2004. Pictures dennis van tine/Lfi
John Lowin (baptized 9 December 1576 – buried 16th/18 March 1659) was an English actor born in the St Giles-without-Cripplegate, London, the son of a tanner. Like Robert Armin, he was apprenticed to a goldsmith. While he is not recorded as a free citizen of this company, he did perform as a goldsmith, Leofstane, in a 1611 city pageant written by Anthony Munday. This pageant was commissioned by the Goldsmiths' Company in honor of the election of one of their company as mayor; in the document employing him, Lowin is described as a "brother" of the company, suggesting some form of ongoing relationship with that community. He lived in Southwark, where parish registers record two marriages involving a man of his name (in 1607 and 1620); the latter definitely involved the actor.
Lowin was definitely associated with the theatrical world by 1602. His name frequently occurs in the account books of Philip Henslowe in 1602, when he was playing with Worcester's Men at Rose Theatre in Bankside; a note in Henslowe's book places him in a travelling company in the same year. By late 1603, he had joined the new King's Men, apparently as a hired man rather than a sharer, as his name is not mentioned in the original royal patent. He probably became a sharer in 1604, when the total number of sharers was likely increased to twelve.
That he became important to the company fairly quickly is suggested by his appearance as himself (alongside Richard Burbage and Henry Condell) in the induction to John Marston's The Malcontent. He is mentioned in the surviving cast lists of the company's productions of Ben Jonson's Sejanus (1603), Volpone (1605), The Alchemist (1610), and Catiline (1611), John Fletcher's Bonduca and Valentinian (both ca. 1613), and John Webster's The Duchess of Malfi (ca. 1621).
Lowin's prowess as an actor is displayed by a remarkable fact about the plays in which he acted. In the hundreds of plays, and the thousands of roles in them, that date to the 1580–1610 era, there are only about twenty roles of 800 lines or longer. Only three plays have two roles of this scale: Shakespeare's Othello and Jonson's Volpone and The Alchemist. Burbage played the starring role in the King's Men's productions of these plays—and Lowin apparently was the man who seconded him (just as Lowin is known to have played Bosola to Burbage's Ferdinand in The Duchess of Malfi). In all likelihood it was Lowin who played Iago to Burbage's Othello, Mosca to his Volpone, and Subtle to his Face.[1]
Edward Alleyn's diary speaks of his dining with Lowin in 1620. When John Heminges died in 1630, Lowin purchased an eighth of the total shares in the Globe and Blackfriars Theatres. With the death of Heminges, the old guard left over from the Lord Chamberlain's Men had finally passed. From that year until the theaters closed in 1642, Lowin (together with Joseph Taylor) assumed the roles previously fulfilled by Heminges, serving as treasurers and as contacts with the court and with the Master of the Revels. In 1633, he was scolded by Sir Henry Herbert for staging Fletcher's The Woman's Prize without censorship. After the theaters closed in 1642, Lowin may have kept an inn (called the Three Pigeons) at Brentford, where he died in 1659, at the age of eighty-two.
Lowin was one of the ten King's Men who signed the dedication in the 1647 Beaumont and Fletcher First Folio; also, he signed the 1652 edition of Fletcher's The Wild Goose Chase with Joseph Taylor. In the 25 cast lists added to plays in the second Beaumont and Fletcher folio of 1679, Lowin's name is mentioned in the lists for 21 dramas, more than any other single actor.
Cherokee Warriors - Fort Loudin Re-enactors | Nashville | Driver's Photography | Model | Actor | Headshot
They would paint their bodies with red ochre .. this would protect from sun exposure and repel bugs. It was a really fun shoot.
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ABOUT DRIVER’S PHOTOGRAPHY:
Driver’s Photography located in Nashville Tennessee.
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•Actor Shaam
•tamil movie 6
•12-B
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•Jothika
•Srikanth Deva
•director Durai
•Actress Priyamani
•Actor Shaam
•Actress Poonam
•6 candles
•Prakashraj
•Payanam
•Nenjirukkum Varai
•director S.A. Chandirasekaran
•Naren
•Mugavari
•Thotti Jaya
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•Actor Shaam
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•Bangkok
•director V Z Durai
•English actor Christian Bale
•Srikanth Deva
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Ty was a pretty good smoker himself. And what better way to promote his upcoming Fox film, "Rawhide" than this? (Ad copy courtesy PopKulture)
Bain News Service,, publisher.
Actors
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.28569
Call Number: LC-B2- 4885-4
Bruce Greenwood (WILDLIKE) at 2014 Woodstock Film Festival ACTPRS DIALOGUE Panel at the Kleinert / James (Photo by Jan Rattia)
meta_creation lab: inter-actors, attractors and the aesthetics of complexity
marlon barrios solano
www.dance-tech.net/page/meta-creation
A collaborative workshop interfacing movement art practices, digital creativity, portable computation and networked systems.
This workshop is a collaborative lab to creatively explore the contemporary approaches, practices and aesthetics of self organization and of complex systems within the dynamic couplings of mind, body and information/data flows.
This workshop is an open space for experimentation and inquiry within a well defined theoretical/aesthetic frame and open space format: the participants self-organize in different node projects (collaborative and flexible groups) in order to investigate and deploy bottom-up architectures as compositional prototyping strategies and processes. It explores interactivity plus generativity.
An embodied/distributed cognition approach is used to generate physical activities and games, guided discussions/conversations about relevant artists works and concepts exploring the aesthetic of complex systems and emergence.
Open source technologies and methodologies will be explored in combination with composition in real-time.
Inter and trans-disciplinary explorations are encouraged and diversity is the main asset.
Several nodes of research projects are suggested:
Sampling, recombinations and mashups
New Internet technologies (web 2.0) and collaborative creation
Post-pc technologies apps, tablets and mobile technologies
Life logging and creative process
Media Capturing and Real time processing
Bottom-up architectures of generative systems
Hybrid realities and alternative sites
Portable cameras and video production
Online video and video straming
Cloud/social computing
Locative media/Mobile
Performance, rule systems and algorithms.
Computer aided choreography
Portable hardware as interfaces/interactive media control
Social media for distributed creativity and knowledge production
Networked documentaries/storytelling.
Photos from workshops in Beirut, Lebanon.
October 2011
Actor Kevin McKidd introducing Franz Ferdinand at last night's 'Vote Yes Concert' at the Usher Hall.
Irving Rameses "Ving" Rhames (born May 12, 1959) is an American actor best known for his work in Pulp Fiction, Baby Boy, Don King: Only in America, and the Mission: Impossible film series.
German postcard by Ross Verlag, Berlin, no. 872/1. Photo: Alex Binder.
Anton Pointner (1890-1949), was an Austrian stage and screen actor.
Anton Pointner was born in 1890 in Salzburg. He got his first engagement in Lahr in 1907. His other theater stations included Pilsen (Plzeň), Düsseldorf (1911) and Brno. He then worked in Vienna and from 1920 in Berlin, for example at the Lessing Theater and the State Theater. His roles included the title character of Hamlet, Melchtal in Wilhelm Tell, and Prince Karl-Heinz in Alt-Heidelberg. While debuting on screen in 1911 in Lebensfreude by Reinhard Bruck, also with Polaire, and produced by Düsseldorfer Film-Manufaktur Ludwig Gottschalk, followed by Bruck's film Halbwelt (1911), Pointner did a few films in Vienna during the First World War. Yet, his film career really set off immediately after the war's end. Pointner became one of the favorite actors of actress Ellen Richter, with whom he acted in the episode films Die Abenteurerin von Monte Carlo (Adolf Gärtner, 1921), Die Frau met den Millionen (Willi Wolff, 1922-23), and Der Flug um den Erdball (Willi Wolff, 1924-25), as well as the single films Kopf hoch, Charly! (Ludwig Wolff, 1926) and Die Frau ohne Nerven (Willi Wolff, 1929). Around 1923 Pointner acted in several films by Friedrich Zelnik, in the mid-1920s also in films of e.g. the Dutch emigré directors Theo Frenkel (Frauenmoral, 1923) and Jaap Speyer (Liebeshandel, 1926). He co-acted with many female stars of Weimar cinema such as Ruth Weyher, Liane and Grit Haid, Magda Sonja, Anita Dorris, Claire Rommer, Maria Jacobini, Carmen Boni, Mary Carr, Lya De Putti, Asta Nielsen, Henny Porten, and many others. The athletic actor embodied powerful, robust characters in mostly supporting roles, as Count Leicester in Maria Stuart (Friedrich Fehér, 1927) and Frederick the Great's son and heir Friedrich Wilhelm in Der alte Fritz (Gerhard Lamprecht 1927-28).
In 1930-1931, Anton Pointner went to Hollywood and starred in German versions of American films, most of which were directed by William/ Wilhelm Dieterle. Pointner thus acted e.g. in Die heilige Flamme (Wilhelm Dieterle, Berthold Viertel, 1931), the German version of The Sacred Flame, and Menschen hinten Gittern (Pál Fejös, 1931), the German-language version of The Big House. Returned to Germany in 1931 he easily started in the new sound film industry, e.g. in Trenck (Heinz Paul, Ernst Neubach, 1932), and Ich bei Tag und Du bei Nacht (Ludwig Berger, 1932). At the time of the Third Reich in Germany, Pointner continued to be used in numerous productions such as the comedy Saison in Kairo (1933) with Renate Müller and Willy Fritsch, and he portrayed e.g. the Austrian Emperor Franz I in the 1936 Fridericus Rex film, starring Otto Gebühr. In 1939 he was briefly at the Cinecittà studios in Rome for the shooting of the German-Italian production Castelli in aria by Augusto Genina, starring Lilian Harvey and Vittorio De Sica. After an intermission at war's end, Pointner continued his film acting from 1948. During a trip to Hintersee near Berchtesgaden, Anton Pointner died of a heart attack in 1949. His body was buried in the Salzburg municipal cemetery. His last three films were released after his death. All in all, he acted in 181 films.
Sources: Filmportal.de, German Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
•Actor Shaam
•tamil movie 6
•12-B
•Simran
•Jothika
•Srikanth Deva
•director Durai
•Actress Priyamani
•Actor Shaam
•Actress Poonam
•6 candles
•Prakashraj
•Payanam
•Nenjirukkum Varai
•director S.A. Chandirasekaran
•Naren
•Mugavari
•Thotti Jaya
•Nepali
•Sri Kanth Deva
•Actor Shaam
•6 tamil movie
•Bangkok
•director V Z Durai
•English actor Christian Bale
•Srikanth Deva
•editor Antony
www.kumbal.com/category/cinemahttp://www.kumbal.com/categ... kalaingar kumbalkumbal-politicskumbal.com kumbal gallery kumbal medicinekumbal news kushboo sasikumarseeman invite to jayalalithaa seeman kalyanamsuntv tamil cinema newstamil cinema seithigaltamil daily news tamil dinakaran news tamil seitigalthalaivaa release date thalaiva case Vijay vijay vikatan cinema vikatan news vikraman
Studio: Falk
New York
Ca. 1897
Format: 16cm x 11cm
An Original Modern Comedy, in Five Acts
THE PRINCESS AND THE BUTTERFLY
By ARTHUR W. PINERO
Those who love deep, never grow old
THE PERSONS IN THE PLAY:
Sir George Lamorant = James K. Hackett
Maj.-Gen. Sir Robert Chichele = K. C.B Charles Walcot
Edward Oriel = Edward Morgan
Maxime Demailly (His first appearance here) = William Courtleigh
Hon. Charles Denstroude = Frank R. Mills
Mr. St. Roche = Felix Morris
Lieut.-Col. Arthur Eave = George Alison
Mr. Adrian Mylls = H. S. Taber
Mr. Bartley Levan = Henry Muller
Mr. Percival Ord = Seymour George
Faulding = John Findlay
Fay Zuliani = Mary Mannering
Lady Ringstead = Mrs. Charles Walcot
Lady Chichele = Mrs. Thomas Whiffen
Annis Katharine = Florence
Mrs. St. Roche = Norah Lamison
Mrs. Ware = Alison Skipworth
Mrs. Marsh = Grace Root
Blanche Oriel = Helen Macbeth
Mrs. Sabiston = Nina Morris
Catharine = Evelyn Carter
The Princess Pannonia = Julie Opp
Stage direction of = Mr. Fred. Williams.
Italian postcard by ASER (A. Scarmiglia Ed. Roma), no. 241. Photo: Vaselli / Atlas Film.
Italian character actor Paolo Stoppa (1906 –1988) is best known for his stage work with director Luchino Visconti. In a career of more than 50 years, he also appeared in such cinema classics as Miracolo a Milano (1951), Il Gattopardo (1962) and Once Upon a Time in the West (1968).
Paolo Stoppa was born in Rome, Italy in 1906. He started as a stage actor in 1927 at the company of Capodaglio-Racca-Olivieri. Soon he rose from a supporting actor to a star. From 1938 till 1940 he was a member of the famous Teatro Eliseo in Rome, where he acted in both modern and classic plays. It was while working for this theater troop that he met and married actress Rina Morelli. They would become for more than 30 years one of Italy’s most talented and famous stage couples. During his career, Stoppa made some 194 film appearances till his retirement in 1983. He made his film debut in L’armata azzurra (1932), and soon dozens of film roles followed. In the 1930’s, he was also the Italian voice of Fred Astaire. Stoppa was a renowned dubber of films into Italian. Other actors he dubbed during his long career include Richard Widmark, Kirk Douglas and Paul Muni. After World War II, he formed an acclaimed trio with Rina Morelli and director Luchino Visconti. From 1945 to 1961 the company Morelli-Stoppa, directed by Visconti, had a long series of successes. Highlights were The Glass Menagerie (1946) by Tennessee Williams, Death of a Salesman (1951) and A View from the Bridge (1958) by Arthur Miller, The Innkeeper (1952) and The Impresario of Smyrna (1957) by Carlo Goldoni. Meanwhile Stoppa regularly appeared in films, including the neorealist classic Miracolo a Milano/Miracle in Milan (1951, Vittorio De Sica) with Emma Gramatica.
In 1960, Paolo Stoppa debuted on television in the drama series Vita col padre e con la madre/Life with Father and Mother. In the cinema he appeared in such popular classics as Rocco e i suoi fratelli/Rocco and His Brothers (1960, Luchino Visconti), Viva l'Italia!/Garibaldi (1961, Roberto Rossellini), Becket (1964, Peter Glenville) as Pope Alexander II, and La matriarca/The Libertine (1968, Pasquale Festa Campanile) starring Catherine Spaak. In Luchino Visconti's Il Gattopardo/The Leopard (1963) he played newly appointed Mayor Don Calogero Sedara, the father of the beautiful Angelica (Claudia Cardinale). The two teamed up again five years later to take the memorable horse-drawn ride through Monument Valley in Sergio Leone epic C'era una volta il West/Once Upon a Time in the West (1968). In the theater he had a huge success with his interpretation of Gaev in The Cherry Orchard by Chekhov (1965), directed by Visconti. His popularity reached a peak in the 1970’s with TV adaptations of crime novels by Friedrich Dürrenmatt like Il giudice e il suo boia/The Judge and His Executioner (1972, Daniele D’Anza) and Il sospetto/The Suspect (1972, Daniele D’Anza). When both his wife and Visconti passed away in 1976 Stoppa was devastated. Two years later he returned to the stage at the Spoleto Festival in Coburn's Gin game, with Franca Valeri. One of his last films was the buddy film Amici miei atto II/All My Friends Part 2 (1982, Mario Monicelli) with Ugo Tognazzi. A year later he retired. In 1988 Paolo Stoppa passed away at the age of 82 in his hometown Rome.
Sources: Tom B. (Westerns All’Italiana), A Fistful of Westerns, Wikipedia and IMDb.
Watch our interview: sidewalkstv.com/webclips/e/idriselba.html
Also known as DJ Big Driis, SIDEWALKS host Maaika Westen interviews actor-DJ Idris Elba (Takers) about his career in acting and music.
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On DVD & Blu-Ray Rent, buy or download online at Blockbuster.com & Amazon.com
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These are photographs I took of The Cradle Will Rock, the musical and final show for MIHS/Dreamstate's 2005-2006 season. This also happens to be my final show with the group. For this show I did the lighting design along with Michael and also worked as a stage hand.
This show was nominated for something like 9 awards at the Fifth Ave Musical Theatre Awards including Most Outstanding Stage Crew (we didn't win this one, but guys who did win deserved the award, they did Aladdin and flew a magic carpet, how do you compete with that?). We won the awards for Outstanding Direction, Outstanding Musical Direction, Best Education Impact, plus a few others.