View allAll Photos Tagged Absorption

What happens to a tablet after it has been swallowed? Is drug absorption influenced by food? Do gastrointestinal diseases affect drug absorption?

 

Apart from drug discovery, the development of a suitable pharmaceutical formulation is an important part of drug development. For patients, it is very convenient to take their medicines orally as e.g., tablet, capsule or solution. Consequently, the drug must overcome many obstacles to reach its target site in the body. For instance, the drug can be degraded by enzymes present in the gastrointestinal fluids, be rapidly metabolised or have a very low solubility resulting in a lack of absorption. Therefore, we simulate the gastrointestinal conditions in a laboratory setup by measuring the dissolution and release of the drug from the formulation. Additionally, we use special software to predict the journey of the drug through the body involving the processes of absorption, distribution, metabolism and excretion. Our special focus is to investigate differences of drug absorption in patients with gastrointestinal diseases compared to healthy subjects.

"You Are Beautiful is a simple, powerful statement which is incorporated into the over absorption of mass media and lifestyles that are wrapped in consumer culture.

 

The intention behind this project is to reach beyond ourselves as individuals to make a difference by creating moments of positive self realization. We're just attempting to make the world a little better.

 

Intention is the most important aspect of the You Are Beautiful project in its idea of purity. Nothing is sacred. Everything that has a perceived value becomes commodified. We work extremely hard that this message is received as a simple act of kindness, and nothing more.

 

Advertising elicits a response to buy, where this project elicits a response to do something. The attempt with You Are Beautiful is to create activism instead of consumerism.

 

You Are Beautiful uses the medium of advertising and commercialization to spread a positive message.

Projects like these make a difference in the world by catching us in the midst of daily life and creating moments of positive self realization."

 

www.you-are-beautiful.com

The combination of humic acid and potassium can optimize the absorption of nitrogen, phosphorus and potassium by crops. Stimulate plant growth,Improve the soil structure.

 

●Water soluability—100%

●Humic acid (dry basis)—60.0%-70.0%min

●Potassium (K2O dry basis)—10.0%

●pH—8.0—10.0

Zhengzhou Shengda Khumic Biotechnology Co.,Ltd The Largest Humic & Fulvic Products Manufacturer In China.

Email:melisa@khumic.com|Whatsapp:008618503872723 | Website: www.khumic.com

Phone:+86-371-60992820

Office:Juyimogen Business Center,No.59 Huayuan Road,Zhengzhou,China(Mainland).

Factory: Naomaohu Industrial Park, Hami City, Xinjiang Province, China.

Main products:Humic Acid, Potassium Humate, Fulvic Acid, Potassium Fulvate,Seaweed Extract,Amino Acid,etc.

 

Wetlands are biodiversity rich sensitive ecosystems that harbor hundreds of plants, insects, birds and other animals uniquely adapted to their wetland mode of life.They are crucial to maintain the regional water balance through ground water recharge and absorption of flood waters and also serve as the rice bowl of developing countries. Nevertheless, wetlands play immense role in the socio-economic and livelihood aspects of local communities living around the wetland. In India, rural communities depend wetland for livelihood through farming, mat making etc; for food through fishing and hunting; for roof thatching by collection of reeds and palm leaf ; for firewood; for fodder etc. However, these wetlands are now under a threat of conversion for big industrial and real estate projects, change in lifestyle of local community, over extraction of resources by increased population, pollution,waste dumping, eutrophication and pesticide farming. There are three important wetlands in the Puducherry region namely Oussudu, Bahour and Kaliveli that provide important resources for local communities and also are a home to tens of thousands of migratory birds that visit the Puducherry region in winter. These wetlands have been acknowledged as Important Bird Areas(IBAs) by IBCN, since many of these birds are represented in more than 1% of their global population.

 

The recent threat on wetlands of Puducherry is more due to the change in life style of local community living around these wetlands. The younger generation is not much dependent on wetland resources, The younger and modern generation has lost the compassion and bonding to the wetland which their forefathers maintained through sustainable livelihood practices. This has resulted in a change in attitude and perception of the community towards unsustainable farming and resource extraction, game hunting, intensive fishing and reclamation, ultimately resulting in shrinking of wetland area and loss of biodiversity at an alarming pace. Local community is leaving the traditional farming practices for more fertilizer and pesticide based farming; fish stock is depleted using invasive Gill nets. Since Puducherry is fast developing region with rapidly growing commercial tourism and industrial establishments, these wetlands are under the threat of reclamation for resort construction and other commercial establishments. Poaching for a sport as well as open selling of birds including the threatened species is common. School drop-out are noticed to get attracted to such practices to make easy money as well as hunting for a sport with peers. With time, they may grow into expert hunters who will depend on poaching as the main source of income for the family. There are many wetland awareness programs organized by Forest Department as well as NGOs targeting school kids and educated community through workshops. School drop-outs are often not specially targeted by any of such programs and often not brought under the ambit of such programs. This gap needs to be addressed for local conservation efforts to be fully effective. We have chosen birds as the umbrella species whose conservation will in turn protect the lake and biodiversity as a whole. Birds are attractive and beautiful; ,which may easily get compassion from drop-out kids if guided appropriately. With proper efforts, the poachers can be turned to protectors and expert tour guides to facilitate ecotourism.

  

All that rolling around didn't bother his sleep one bit.

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I keep expecting the tree on the right to inch closer and closer to the house each time I view (trunk and all).

Best if View On Black

“Motion is everywhere we look, resulting in the absorption and expulsion of massive amounts of energy. In essence, motion is a visualization of the energies all around us. That’s the major theme of my work: the visualization of the energies in our city. Our city is alive with movement and the exchange of energy. With my photos I hope to convey but a small sense of that. I always strive to capture something more than just colours and sights with my photos, because I think there’s always something more beneath the surface. And in Toronto there’s always something more.”

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Nike, Air Force 1 High Lv8 GS Wheat, Size 7Y, Wheat, Gum Light Brown, 807617-701, UPC 00666003268573, 2018, Women’s size 8.5, Big Kids High Top shoe, Suede upper, Gum Out Sole, Perforated detailing on toe box, Perforations for breathability, cored-out gum midsole, dark green Nike branding on the tongue, heel, and outsole, Nike Swoosh on the sides, Ankle strap for security, Polyester tongue, Nike Air branding, Midsole Air-sole for impact absorption, Nike Air branding on the heel, Rubber outsole for increased traction, originally released in 1982, named after the aircraft that carries the President of the United

Nike Air Force 1 High Dream Team, Size 5.5Y, White, Black, 653998-102, UPC 00885176668243, 2016, Women’s size 7, Kids High Top Basketball sneaker, "Dream Team" mini-collection, USA 1992 basketball Team, perforated white leather upper, rubber outsole, White midsole, Nike branding on the tongue, Nike Swoosh Branding on the sides, basketball logo at the heel counter, Ankle strap, Polyester tongue, Nike Air branding, Midsole Air-sole for impact absorption, basketball and five stars at the heel, 1992 scripted along the insole,

Three close absorption bands in the mid-IR are used to measure the isotopologues 12CO2, 13CO2 and CO18O in air at ambient concentrations in the Campbell Scientific TGA 200 Spectrometer.

 

Part of album Emission attribution of CO2 in urban air

www.fature.net/release.php?id=2

Colours from Thought - Based on emotions we can safely say that you will not be disappointed!

There are some absolutely colossal tracks included in this collection. Starting off with some dark angry pieces and then opening up into some lighter, deeper and happier moods, all of various electronic styles

 

Compiled by Fature, Sevish & Almost Synthesis

 

01.Robert Lamont - Death Camp Orchestra

02.Sevish - Mako Haze

03.Magnetik9 - Tragedy and Hope

04.Hellscion - Haunted

05.Fafnirrockson - Life Is Real Only Then When I Am

06.Fature - Ice Cream Mundae

07.Elektrolad - Monaco

08.Dario - Stay Strong

09.Television Overdose - SlowDawn

10.BlackPanther - The Dream

11.Nabux - Small Deeds

12.CJ Blacklime - Kiss of an Angel

13.Absorption - Silence

14.Mainiakist - Parade Jamz

 

Released: 24th Aug 2009

Timberland 6” Premium Waterproof Boots, 6 Inch, Men’s Size 10, Tan, Natural Horween, A1JJB, TB0A1JJB, UPC 190852615801, EAN 0190852615801, Premium waterproof Horween Latigo leather uppers, Seam-sealed waterproof construction, Direct-attach construction for durability, Leather lining for comfort and durability, Rustproof hardware, anti-fatigue technology, 200 grams of PrimaLoft® insulation, Padded collar for a comfortable fit around the ankle, Anti-fatigue midsole and removable footbed for all-day comfort, lightweight cushioning and shock absorption, Rubber lug outsole is made with 10% plant-based materials,

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JIRCAS Photo Archive

www.jircas.go.jp/ja/database/photoarchive

 

Author: Hamamura Kunio

浜村邦夫 (TARC)

Date: 1992.07.24

Description: 河南省農業科学院

Project: 中国河南省黄河沿岸稲麦研究計画長期調査(国際協力事業団の委託による)

Country: 中国(中華人民共和国) (China(people's Republic Of China))

Place: Zhen Zhou,henan,china (中国,河南省 鄭州市)

Keywords: 中国河南省黄河沿岸稲麦研究計画長期調査(国際協力事業団の委託による),中国(中華人民共和国),中国,河南省 鄭州市,建物・人物

Slide no. 02-057-13

  

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本コンテンツは、政府標準利用規約第2.0版(クリエイティブ・コモンズ 表示 4.0 国際 ライセンス(CC BY)互換)に基づき、出典を明記の上で利用できます。利用条件の内容については「JIRCAS Webサイトの利用について」をご参照ください。

印刷物、調査研究等でご利用頂いた場合は、お問い合わせフォームにてお知らせ頂ければ幸いです(任意)

 

This content is provided under the terms and conditions of the JIRCAS Website Terms of Use or Creative Commons Attribution 4.0 International (CC BY 4.0) license.

For this gentle and relaxing photowalk in my district, Lyon, France, I brought along my French TLR SEMFLEX Standard 3.5 camera (see below for details) loaded with a never-tried yet film Svema FOTO 100 made in Ukraine. The backing paper is black with white numbering and signaling symbols are easy to read across the small red window of my SEMFLEX.

 

For all the frames, my SEMFLEX was equipped with the original SEMFLEX squared shade hood a SEMFLEX yellow filter x2. The film was exposed for 50 ISO to compensate the light absorption of the yellow filter. Metering was done using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas or an opale dome for incident light integration.

 

View n° 2: 1/100s f/8 focusing @ infinite, SEMFLEX Yellow filter x2

 

Parc de la Cerisaie - Villa Gillet ***, May 10, 2025

69004 Lyon

France

 

___________

*** ** PARC DE LA CERISAIE, WHOSE NAME COMES FROM THE PRESENCE, OLD, OF A CHERRY ORCHARD ALREADY BELONGS TO THE CITY OF LYON: SINCE 1976.

Previously owned by the Gillet family, precursors of silk dyeing at the beginning of the 20th century, the park and the Villa built in 1911 by the architect Joseph Folléa communicated at the time directly with their factory installed on the banks of the Saône. In the 60s, their vast industrial empire merged with the Rhône-Poulenc group of which Renaud Gillet was president from 1973 to 1979.

Very quickly, the City of Lyon chose to open this park to the people of Lyon and to direct its vocation towards the Arts. Thus, during the 2nd and 3rd sculpture symposiums of 1980 and 1982 the park hosted many works. Some of them are still there.

The villa, renovated in 1986, also became a place dedicated to the Arts. Initially, it was the headquarters of the Fonds Régional d'Art Contemporain (FRAC), the organization supporting creation, before it was transferred to the Institut d'Art Contemporain de Villeurbanne.

Today, the villa houses three cultural institutions: La Villa Gillet, which defines itself as a Contemporary Research Unit and is interested in all forms of culture (literature, human, political and social sciences, history, or contemporary arts), the Agence Rhône-Alpes pour le Livre et la Documentation (ARALD) whose objective is to promote the culture of writing and activities related to books, and the Groupe Musiques Vivantes de Lyon which works for the creation and diffusion of acoustic music.

 

_______________

  

After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+25 and the film processed for 7 min at 20°C. The first view was shifted by about two frames leading to only 10 views on the film. This is clearly due to a quality problem. The backing paper was improperly positioned during the spooling of the film.

 

Digitizing of the remaining 10 frames, was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.

 

The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG together with some documentary smartphone pictures..

 

About the camera and lenses :

 

My French Semflex TLR year 1959-1960 is equipped with triplet 1/3.5 f=75mm SOM Berthiot lenses as descripted bellow.

 

The SEM company ("Société des Etablissements Modernes de Mécanique") was founded in France by Paul Royet in 1946, in the small city of Aurec near Saint-Etienne (Loire). The SEM camera's was known essentially for the TLR Semflex that were a great commercial success in France until the 70's. The camera's are constructed around an injected aluminum alloy chassis, very resistant and rigid permitting precise optical alignments. The focusing mechanism is made of a cam system like the Rolleiflex giving an accurate and smooth focusing. SEM constructed their own shutters called Orec with 5 leaves capable of the 1/400s to 1s with B.

 

Semflex received in majority French optics Berthiot with 3 or 4 lenses (Tessar type). Some camera's were also mounted with Angénieux lenses.

 

Semflex were trusted TLR camera's used by amateurs and for professional purposes. From 1949 to 1976, 171.000 Semflex were produced in many different types and versions.

 

My Semflex in a middle grade version Standard 3.5 type-10 (1959-1960). It was the last version mounted with the 3-lens SOM Berthiot 1:3.5 f=75mm. I got the camera with set of accessories and several documents including the user manual of the Semflex Standard 4.5 versions. The accessories include a leather SEM ever-ready bag, a Semflex push-on shade hood, a Semflex push-on yellow filter x2 in its original box, and close-focusing lenses. The 1D one is constructed with a prism for the finder lens that compensates the parallax in the zone 1m to 0.5m.

 

The decorative ring around each lenses can also receive push-on accessories in 36mm diameter as the FOCA or Leitz 36mm filter series. I adapted two protective lens caps from Kodak film canister snapped covers.

Nike Air Force 1 High 07 LV8, Men’s Size 10, Hyper Cobalt, Blue, Gum, 806403-400, suede upper, reflective mesh panels, “AIR” printed on heel, Perforated detailing on the toe box, Perforations for breathability, Nike Swoosh on the sides, Ankle strap for security, Nubuck tongue with Nike Air branding, Midsole Air-sole for impact absorption, Nike Air branding on the heel, Rubber outsole for increased traction, rubber foam sole, Air-Sole cushioning unit, Bruce Kilgore, basketball sneaker, NBA, AF1, Originally released in 1982, named after the aircraft that carries the President of the United States, reddealsonline, eBay sneakers, redd3413, Authenticity Guarantee

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samadhi when walking:

 

when i go into cities i pray

 

unexplainable repititions.

Timberland 6” Premium Waterproof Boots, 6 Inch, Men’s Size 10, Tan, Natural Horween, A1JJB, TB0A1JJB, UPC 190852615801, EAN 0190852615801, Premium waterproof Horween Latigo leather uppers, Seam-sealed waterproof construction, Direct-attach construction for durability, Leather lining for comfort and durability, Rustproof hardware, anti-fatigue technology, 200 grams of PrimaLoft® insulation, Padded collar for a comfortable fit around the ankle, Anti-fatigue midsole and removable footbed for all-day comfort, lightweight cushioning and shock absorption, Rubber lug outsole is made with 10% plant-based materials,

Nike Air Force 1 High 07 LV8, Men’s Size 10, Hyper Cobalt, Blue, Gum, 806403-400, suede upper, reflective mesh panels, “AIR” printed on heel, Perforated detailing on the toe box, Perforations for breathability, Nike Swoosh on the sides, Ankle strap for security, Nubuck tongue with Nike Air branding, Midsole Air-sole for impact absorption, Nike Air branding on the heel, Rubber outsole for increased traction, rubber foam sole, Air-Sole cushioning unit, Bruce Kilgore, basketball sneaker, NBA, AF1, Originally released in 1982, named after the aircraft that carries the President of the United States, reddealsonline, eBay sneakers, redd3413, Authenticity Guarantee

Beautiful photos of new immigrants from Ethiopia, on the day they arrived to Israel, in their new home, the Kna’an Absorption Center in Tzfat.

 

Photo Credit: Jewish Agency for Israel

“Motion is everywhere we look, resulting in the absorption and expulsion of massive amounts of energy. In essence, motion is a visualization of the energies all around us. That’s the major theme of my work: the visualization of the energies in our city. Our city is alive with movement and the exchange of energy. With my photos I hope to convey but a small sense of that. I always strive to capture something more than just colours and sights with my photos, because I think there’s always something more beneath the surface. And in Toronto there’s always something more.”

Nike Air Force 1 High 07 LV8, Men’s Size 10, Hyper Cobalt, Blue, Gum, 806403-400, suede upper, reflective mesh panels, “AIR” printed on heel, Perforated detailing on the toe box, Perforations for breathability, Nike Swoosh on the sides, Ankle strap for security, Nubuck tongue with Nike Air branding, Midsole Air-sole for impact absorption, Nike Air branding on the heel, Rubber outsole for increased traction, rubber foam sole, Air-Sole cushioning unit, Bruce Kilgore, basketball sneaker, NBA, AF1, Originally released in 1982, named after the aircraft that carries the President of the United States, reddealsonline, eBay sneakers, redd3413, Authenticity Guarantee

Closed loop reactor system pilot plant with a distillation column and absorption column. This system is used for understanding the kinetic limitations and potential enhancement of using particle technology at high-vacuum regeneration conditions.

Class A Sonata Vario sound absorption panels installed within Ixworth Village Hall to reduce reverberation and noise during use

Unusual choice of book for a three year old!

Beautiful photos of new immigrants from Ethiopia, on the day they arrived to Israel, in their new home, the Kna’an Absorption Center in Tzfat.

 

Photo Credit: Jewish Agency for Israel

Timberland 6” Premium Waterproof Boots, 6 Inch, Men’s Size 10, Tan, Natural Horween, A1JJB, TB0A1JJB, UPC 190852615801, EAN 0190852615801, Premium waterproof Horween Latigo leather uppers, Seam-sealed waterproof construction, Direct-attach construction for durability, Leather lining for comfort and durability, Rustproof hardware, anti-fatigue technology, 200 grams of PrimaLoft® insulation, Padded collar for a comfortable fit around the ankle, Anti-fatigue midsole and removable footbed for all-day comfort, lightweight cushioning and shock absorption, Rubber lug outsole is made with 10% plant-based materials,

Shush Sky

is a suspended tile which is installed in a grid system. The tile allows excellent sound absorption characteristics and is available in a square edge finish.

Many sticky globs coat the surface to attract and then trap insects for absorption.

Timberland 6” Premium Waterproof Boots, 6 Inch, Men’s Size 10, Tan, Natural Horween, A1JJB, TB0A1JJB, UPC 190852615801, EAN 0190852615801, Premium waterproof Horween Latigo leather uppers, Seam-sealed waterproof construction, Direct-attach construction for durability, Leather lining for comfort and durability, Rustproof hardware, anti-fatigue technology, 200 grams of PrimaLoft® insulation, Padded collar for a comfortable fit around the ankle, Anti-fatigue midsole and removable footbed for all-day comfort, lightweight cushioning and shock absorption, Rubber lug outsole is made with 10% plant-based materials,

ISO-200

35mm

F/4.5

HDR multiple exposures

Sonata Class A rated Acoustic absorption panels are used within a wide variety of buildings to reduce reverberation and give a suitable acoustic environment. SRS are experts in the field of room acoustics and offer a complete service from specification to supply and install. www.soundreduction.co.uk/3se/

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Acoustic Panels are used to control the noise in an indoor environment, which can be irritating. Soundhush provides sound absorption panels for use in both indoor or open air applications can be manufactured in customized sizes to meet your requirement. We have a wide range of architectural and decorative acoustic wall panels.

 

For the test film of the Jupiter-9 lens I mounted it on the Leningrad camera (see below for detail about the lens and the camera). The lens was fitted with a generic yellow filter (screw-on 49mm) and a generic cylindrical metal shade hood designed for a 50mm lens. By safety, a lens cap fitted on the hood (55mm) was also used to protect the shutter curtains from an accidental sun burning (I forgot twice to remove the cap before shooting...)

 

I loaded the Leningrad with a Rollei RPX 400 film exposed for 250 ISO to compensate the absorption of the yellow filter. The light metering was done using a Minolta Autometer III with the 10° viewer for selective metering privileging the shadows areas.

 

The viewer of the Leningrad has build-in frame for the 85mm and is fully compensated for the parallax error.

 

View Nr. 10 : 1/500s f/8 focusing @ 12m

 

Les Quais du Rhône, February 17, 2025

Quai Victor Augagneur

69003 Lyon

France

 

After completion, the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min15 at 20°C.

 

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

 

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

  

About the camera :

 

After several months, my local repair shop gave up to repair my first exemplary of Leningrad camera. I got that GOMZ Leningrad for less than the price of the lens (50€) a year ago (February 24, 2024, flic.kr/s/aHBqjBftyP) at the monthly collector meeting in Saint-Bonnet-de-Mure, near Lyon, France. I looked then again for a working one.

 

Leningrad’s are fascinating Russian range-finder 35mm camera’s produced in Leningrad (USSR) / Saint-Petersburg, from 1956 to 1968 at about 76.000 units. It is not really a rare camera but appears only from time-to-time in the classical collector’s networks.

 

The Leningrad camera project was developed by GOMZ company (ГОМЗ, Государственный оптико-механический завод, Ленинград = Gosularstvennyi Optiko-Mekhanicheskii Zavod =State Optical-Mechanical Factory), Leningrad, USSR. The Leningrad ’s were constructed to a very high degree of precision and likely the most advanced rangefinder ever made at that time in Russia. At the 1958 World Exposition in Brussels, the Leningrad was awarded the "Grand Prix de Bruxelles”. Modified Leningrads were also used in the Soviet space program. In addition to a complex parallax-compensated multi-focal (for 3.5, 5, 8.5 and 13.5cm) collimated system, the camera has a built-in spring-powered mechanical motor for an automated film advance after each view taken. The Leningrad mounts the 39mm Leica-type thread lenses, especially of the Jupiter series of lens derived of classical Carl Zeiss lenses designed for the Contax (Biogon 3.5cm and Sonnar’s 5, 8.5 and 13.5cm).

 

In 1965, GOMZ became LOMO ( ЛОМО, Ленинградское oптико-механическое oбъединение (Leningradskoïe Optiko-Mekhanitcheskoïe Obiedinienie) that is still existing, producing instrumental optical devices (www.lomo.ru).

 

On eBay, I focused on a LOMO Leningrad year 1965 in working condition but without the original film plate. I got the camera for 130€ including the leather bag and a standard lens Jupiter-8 1:2 f=5cm. The seller adapted cleanly a different film plate that looked to work, but my idea was to use the camera back of my faulty Leningrad. This film plate may a precision glass plate special designed for optimum film transport and optical planarity. I received my new Leningrad on January 31, 2025 in good condition.

 

After a very careful inspection and a detailled cleaning, I decided to make a test film using a FOMAPAN 200 black-and-white film. On the Leningrad it is said that there is absolutely no way to check the correct film advance during the shooting session. The rewind should not be up since the mechanical forces induced would be too high for the spring-powered spooling barrel. The film should be also in a quality not too tight film cartridge and should be checked before use. This stressful machine should be manipulated with maximum care when not familiar with it.

  

About the lens Jupiter-9:

 

New in my collection in Feb. 2025, this very popular lens Jupiter-9 1:2.8 f=85mm for my Zorki’s and Leningrad camera’s. The lens was produced in 1978 by the LZOS company (Лыткаринский завод Оптического Стекла , Lytkarino Zavod Optychisovo Sticklo) located in Lytkarino (about 100 km Noth to Moscow).

 

I sourced a clean exemplary in Germany at regular price given the popularity of the Jupiter-9 (170€) with the Leica 39mm thread mount, front and rear caps plus the lens black storage canister. The lens is popular especially among videographers due to its peculiar bokeh and perfectly round shaped diaphragm made of 15 blades.

 

Originally, the Jupiter 9 is based on the design of the Carl Zeiss Sonnar designed for the Zeiss Ikon Contax in the years 1930’s. Production began in USSR in 1948, when the lens was initially called the ЗК-85 (Sonnar Kransogorsk) and it was assembled using mostly German parts in Contax/Kiev mount. The lens was also adapted to Zorki (M39) mount to fit the Zorki cameras early in production It appears, for both Zorki and Kiev mount, in a 1949 catalogue. By 1951 the name changes to Jupiter 9 (Юпитер-9). The lens has seven glass elements in three groups; a single glass at the front, and two cemented groups of three. All versions of the lens are coated. It was made by the KMZ (Красногорский механический завод, Krasnogorski Mekhanicheskii Zavod) and LZOS factories, in Leica 39 mm thread mount for Fed and Zorki rangefinders, but originally it was a Contax bayonet used in Kiev cameras. Jupiter-9 lenses were also made at the Arsenal factory in Ukraine, for Kiev rangefinders,but initially released as KMZ. It was later adapted for M42-mount Zenit SLR cameras, with an M24×1 thread mount.

For the test film of the Jupiter-9 lens I mounted it on the Leningrad camera (see below for detail about the lens and the camera). The lens was fitted with a generic yellow filter (screw-on 49mm) and a generic cylindrical metal shade hood designed for a 50mm lens. By safety, a lens cap fitted on the hood (55mm) was also used to protect the shutter curtains from an accidental sun burning (I forgot twice to remove the cap before shooting...)

 

I loaded the Leningrad with a Rollei RPX 400 film exposed for 250 ISO to compensate the absorption of the yellow filter. The light metering was done using a Minolta Autometer III with the 10° viewer for selective metering privileging the shadows areas.

 

The viewer of the Leningrad has build-in frame for the 85mm and is fully compensated for the parallax error.

 

View Nr. 29 : 1/500s f/8 focusing @ infinite

 

Les Quais du Rhône, February 17, 2025

Quai Victor Augagneur

69003 Lyon

France

 

After completion, the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min15 at 20°C.

 

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

 

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

  

About the camera :

 

After several months, my local repair shop gave up to repair my first exemplary of Leningrad camera. I got that GOMZ Leningrad for less than the price of the lens (50€) a year ago (February 24, 2024, flic.kr/s/aHBqjBftyP) at the monthly collector meeting in Saint-Bonnet-de-Mure, near Lyon, France. I looked then again for a working one.

 

Leningrad’s are fascinating Russian range-finder 35mm camera’s produced in Leningrad (USSR) / Saint-Petersburg, from 1956 to 1968 at about 76.000 units. It is not really a rare camera but appears only from time-to-time in the classical collector’s networks.

 

The Leningrad camera project was developed by GOMZ company (ГОМЗ, Государственный оптико-механический завод, Ленинград = Gosularstvennyi Optiko-Mekhanicheskii Zavod =State Optical-Mechanical Factory), Leningrad, USSR. The Leningrad ’s were constructed to a very high degree of precision and likely the most advanced rangefinder ever made at that time in Russia. At the 1958 World Exposition in Brussels, the Leningrad was awarded the "Grand Prix de Bruxelles”. Modified Leningrads were also used in the Soviet space program. In addition to a complex parallax-compensated multi-focal (for 3.5, 5, 8.5 and 13.5cm) collimated system, the camera has a built-in spring-powered mechanical motor for an automated film advance after each view taken. The Leningrad mounts the 39mm Leica-type thread lenses, especially of the Jupiter series of lens derived of classical Carl Zeiss lenses designed for the Contax (Biogon 3.5cm and Sonnar’s 5, 8.5 and 13.5cm).

 

In 1965, GOMZ became LOMO ( ЛОМО, Ленинградское oптико-механическое oбъединение (Leningradskoïe Optiko-Mekhanitcheskoïe Obiedinienie) that is still existing, producing instrumental optical devices (www.lomo.ru).

 

On eBay, I focused on a LOMO Leningrad year 1965 in working condition but without the original film plate. I got the camera for 130€ including the leather bag and a standard lens Jupiter-8 1:2 f=5cm. The seller adapted cleanly a different film plate that looked to work, but my idea was to use the camera back of my faulty Leningrad. This film plate may a precision glass plate special designed for optimum film transport and optical planarity. I received my new Leningrad on January 31, 2025 in good condition.

 

After a very careful inspection and a detailled cleaning, I decided to make a test film using a FOMAPAN 200 black-and-white film. On the Leningrad it is said that there is absolutely no way to check the correct film advance during the shooting session. The rewind should not be up since the mechanical forces induced would be too high for the spring-powered spooling barrel. The film should be also in a quality not too tight film cartridge and should be checked before use. This stressful machine should be manipulated with maximum care when not familiar with it.

  

About the lens Jupiter-9:

 

New in my collection in Feb. 2025, this very popular lens Jupiter-9 1:2.8 f=85mm for my Zorki’s and Leningrad camera’s. The lens was produced in 1978 by the LZOS company (Лыткаринский завод Оптического Стекла , Lytkarino Zavod Optychisovo Sticklo) located in Lytkarino (about 100 km Noth to Moscow).

 

I sourced a clean exemplary in Germany at regular price given the popularity of the Jupiter-9 (170€) with the Leica 39mm thread mount, front and rear caps plus the lens black storage canister. The lens is popular especially among videographers due to its peculiar bokeh and perfectly round shaped diaphragm made of 15 blades.

 

Originally, the Jupiter 9 is based on the design of the Carl Zeiss Sonnar designed for the Zeiss Ikon Contax in the years 1930’s. Production began in USSR in 1948, when the lens was initially called the ЗК-85 (Sonnar Kransogorsk) and it was assembled using mostly German parts in Contax/Kiev mount. The lens was also adapted to Zorki (M39) mount to fit the Zorki cameras early in production It appears, for both Zorki and Kiev mount, in a 1949 catalogue. By 1951 the name changes to Jupiter 9 (Юпитер-9). The lens has seven glass elements in three groups; a single glass at the front, and two cemented groups of three. All versions of the lens are coated. It was made by the KMZ (Красногорский механический завод, Krasnogorski Mekhanicheskii Zavod) and LZOS factories, in Leica 39 mm thread mount for Fed and Zorki rangefinders, but originally it was a Contax bayonet used in Kiev cameras. Jupiter-9 lenses were also made at the Arsenal factory in Ukraine, for Kiev rangefinders,but initially released as KMZ. It was later adapted for M42-mount Zenit SLR cameras, with an M24×1 thread mount.

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