View allAll Photos Tagged Absorption
I met a good 'friend' in northern China, we trusted each other instantly...
I was having dinner at a seafood restaurant, suddenly I felt something brushing my foot. Looking down I saw this beauty. I offered her a shimp and she took it ever so gently...
Timberland Women’s Jayne 6” Waterproof Boots, Women’s Size 9.5, Burgundy, A1SFD, UPC: 191928439178, EAN: 0191928439178, TBOA1SFD, Timberland Style Number A1SFD605, Premium waterproof Olive Leather uppers, slimmer silhouette, Seam-sealed waterproof construction, Direct-attach construction for durability, Rustproof hardware, anti-fatigue technology, 200 grams of PrimaLoft® insulation, Padded collar for a comfortable fit around the ankle, Anti-fatigue midsole and removable footbed for all-day comfort, lightweight cushioning and shock absorption, Durable, translucent TPU (thermoplastic urethane) lug outsole, 777, reddealsonline, sneaker collection
I made another attempt with a different way to slow the absorption into the black paper. For this series I prepped the black cardstock with a nice layer of Krylon clear spray sealer. I let it thoroughly dry, then I applied diagonal smears of perfect pearl paints.
This time I used Grape Fizz, Pink Gumball, Sour Apple, Blue Raspberry. These are intense and bright colors and sold in a 4-pack at JoAnns and Michaels. Some places sell individual colors of Perfect Pearls.
Suspended time and absorption are central in our performative work. We perform „engrossed in an activity as if in denial of an audience“. We keep still. We move according to a choreographed path. We keep close to each other, we touch each other, we lie on the floor. From one tableau to the next. Holding the image for few minutes. One of us lies on a wooden plank. The whole leg, buttocks and lower back rest on the plank. Only shoulders and head touch the floor. The second figure is already doing a shoulderstand, bending the left knee and simultaneously stretching and leaning the right leg slightly over the head. The stretched leg remains leaning… The piece is inspired by the long scene in the sculpture garden at the Museum of Modern Art in New York from the film „Shadows“ by John Casavettes; Stills from Bob Fosse’s „All that Jazz“; photos of works by Yvonne Rainer and Rudolph von Laban and Kinesiology, physical therapy exercises.
Take a picture of yourself. Right now! NO, NOW! RIGHT NOW YES YOU DAMMIT QUICK TAKE THE FRIGGING PICTURE
Timberland Women’s Jayne 6” Waterproof Boots, Women’s Size 9.5, Burgundy, A1SFD, UPC: 191928439178, EAN: 0191928439178, TBOA1SFD, Timberland Style Number A1SFD605, Premium waterproof Olive Leather uppers, slimmer silhouette, Seam-sealed waterproof construction, Direct-attach construction for durability, Rustproof hardware, anti-fatigue technology, 200 grams of PrimaLoft® insulation, Padded collar for a comfortable fit around the ankle, Anti-fatigue midsole and removable footbed for all-day comfort, lightweight cushioning and shock absorption, Durable, translucent TPU (thermoplastic urethane) lug outsole, 777, reddealsonline, sneaker collection
Products Description:
Item No:JA8032/JA8038/JA8039/JA8051
Series Name:Soluble Salt
Water Absorption :below 0.15%
Mohs Hardness:8
Glossy Rate: above 55 degree
Flatness :+-0.15%
Size Tolarance:+-0.5mm
Size Available:600*600mm,800*800mm;
Colour:white, beighe , brown, grey, and so on, each color with polished, matt, rustic three finish.
Price and Package:
600*600MM : 4PCS/CARTON,30G/CARTON;
Ex-Work Price:10.20RMB/PCS,28.36RMB/SQM;
800*800MM:
3PCS/CARTON,45KG/CARTON;
Ex-Work Price:21.60RMB/PCS,33.70RMB/SQM;
NOTE:
1.The price is based on EX-Work which includes the wooden pallets and VAT.
2.The glazed tiles are porcelain glazed tiles ,the water absorption is below 0.5%;
3.If you need to change the cartons ,It will charges you 0.3RMB/PCS(600*600MM) and 0.6RMB/PCS(800*800MM).
4.If load the tiles from Shiwan warehouse,It needs you to pay the freight cost as below:
1RMB/CARTON(600*600MM);1.2RMB/CARTON(800*800MM);1.5RMB/CARTON(1000MM*1000MM)
Products Description:
Item No:JPB8D00/ JPB8D01/ JPB8D02/ JPB8D03(Light Colour)
Series Name:PULATI
Water Absorption :below 0.15%
Mohs Hardness:8
Glossy Rate: above 55 degree
Flatness :+-0.15%
Size Tolarance:+-0.5mm
Size Available:600*600mm,800*800mm, 1000*1000mm;
Colour:white, beighe , brown, grey, and so on, each color with polished, matt, rustic three finish.
Price and Package:
600*600MM : 4PCS/CARTON,30G/CARTON;
Ex-Work Price:17.5RMB/PCS,48.65RMB/SQM;
800*800MM:
3PCS/CARTON,45KG/CARTON;
Ex-Work Price:36.00RMB/PCS,56.16RMB/SQM;
1000*1000MM:
2PCS/CARTON,60KG/CARTON;
Ex-Work Price:80.00RMB/PCS,80.00RMB/SQM;
NOTE:
1.The price is based on EX-Work which includes the wooden pallets and VAT.
2.The glazed tiles are porcelain glazed tiles ,the water absorption is below 0.5%;
3.If you need to change the cartons ,It will charges you 0.3RMB/PCS(600*600MM) and 0.6RMB/PCS(800*800MM).
4.If load the tiles from Shiwan warehouse,It needs you to pay the freight cost as below:
1RMB/CARTON(600*600MM);1.2RMB/CARTON(800*800MM);1.5RMB/CARTON(1000MM*1000MM)
Wetlands are biodiversity rich sensitive ecosystems that harbor hundreds of plants, insects, birds and other animals uniquely adapted to their wetland mode of life.They are crucial to maintain the regional water balance through ground water recharge and absorption of flood waters and also serve as the rice bowl of developing countries. Nevertheless, wetlands play immense role in the socio-economic and livelihood aspects of local communities living around the wetland. In India, rural communities depend wetland for livelihood through farming, mat making etc; for food through fishing and hunting; for roof thatching by collection of reeds and palm leaf ; for firewood; for fodder etc. However, these wetlands are now under a threat of conversion for big industrial and real estate projects, change in lifestyle of local community, over extraction of resources by increased population, pollution,waste dumping, eutrophication and pesticide farming. There are three important wetlands in the Puducherry region namely Oussudu, Bahour and Kaliveli that provide important resources for local communities and also are a home to tens of thousands of migratory birds that visit the Puducherry region in winter. These wetlands have been acknowledged as Important Bird Areas(IBAs) by IBCN, since many of these birds are represented in more than 1% of their global population.
The recent threat on wetlands of Puducherry is more due to the change in life style of local community living around these wetlands. The younger generation is not much dependent on wetland resources, The younger and modern generation has lost the compassion and bonding to the wetland which their forefathers maintained through sustainable livelihood practices. This has resulted in a change in attitude and perception of the community towards unsustainable farming and resource extraction, game hunting, intensive fishing and reclamation, ultimately resulting in shrinking of wetland area and loss of biodiversity at an alarming pace. Local community is leaving the traditional farming practices for more fertilizer and pesticide based farming; fish stock is depleted using invasive Gill nets. Since Puducherry is fast developing region with rapidly growing commercial tourism and industrial establishments, these wetlands are under the threat of reclamation for resort construction and other commercial establishments. Poaching for a sport as well as open selling of birds including the threatened species is common. School drop-out are noticed to get attracted to such practices to make easy money as well as hunting for a sport with peers. With time, they may grow into expert hunters who will depend on poaching as the main source of income for the family. There are many wetland awareness programs organized by Forest Department as well as NGOs targeting school kids and educated community through workshops. School drop-outs are often not specially targeted by any of such programs and often not brought under the ambit of such programs. This gap needs to be addressed for local conservation efforts to be fully effective. We have chosen birds as the umbrella species whose conservation will in turn protect the lake and biodiversity as a whole. Birds are attractive and beautiful; ,which may easily get compassion from drop-out kids if guided appropriately. With proper efforts, the poachers can be turned to protectors and expert tour guides to facilitate ecotourism.
For this gentle and relaxing photowalk in my district, Lyon, France, I brought along my French TLR SEMFLEX Standard 3.5 camera (see below for details) loaded with a never-tried yet film Svema FOTO 100 made in Ukraine. The backing paper is black with white numbering and signaling symbols are easy to read across the small red window of my SEMFLEX.
For all the frames, my SEMFLEX was equipped with the original SEMFLEX squared shade hood a SEMFLEX yellow filter x2. The film was exposed for 50 ISO to compensate the light absorption of the yellow filter. Metering was done using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas or an opale dome for incident light integration.
View n° 6: 1/60s f/3.5 (full aperture) focusing @ 0.9 m (minimum distance), SEMFLEX Yellow filter x2
Parc de la Cerisaie - Villa Gillet ***, May 10, 2025
69004 Lyon
France
___________
*** ** PARC DE LA CERISAIE, WHOSE NAME COMES FROM THE PRESENCE, OLD, OF A CHERRY ORCHARD ALREADY BELONGS TO THE CITY OF LYON: SINCE 1976.
Previously owned by the Gillet family, precursors of silk dyeing at the beginning of the 20th century, the park and the Villa built in 1911 by the architect Joseph Folléa communicated at the time directly with their factory installed on the banks of the Saône. In the 60s, their vast industrial empire merged with the Rhône-Poulenc group of which Renaud Gillet was president from 1973 to 1979.
Very quickly, the City of Lyon chose to open this park to the people of Lyon and to direct its vocation towards the Arts. Thus, during the 2nd and 3rd sculpture symposiums of 1980 and 1982 the park hosted many works. Some of them are still there.
The villa, renovated in 1986, also became a place dedicated to the Arts. Initially, it was the headquarters of the Fonds Régional d'Art Contemporain (FRAC), the organization supporting creation, before it was transferred to the Institut d'Art Contemporain de Villeurbanne.
Today, the villa houses three cultural institutions: La Villa Gillet, which defines itself as a Contemporary Research Unit and is interested in all forms of culture (literature, human, political and social sciences, history, or contemporary arts), the Agence Rhône-Alpes pour le Livre et la Documentation (ARALD) whose objective is to promote the culture of writing and activities related to books, and the Groupe Musiques Vivantes de Lyon which works for the creation and diffusion of acoustic music.
_______________
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+25 and the film processed for 7 min at 20°C. The first view was shifted by about two frames leading to only 10 views on the film. This is clearly due to a quality problem. The backing paper was improperly positioned during the spooling of the film.
Digitizing of the remaining 10 frames, was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG together with some documentary smartphone pictures..
About the camera and lenses :
My French Semflex TLR year 1959-1960 is equipped with triplet 1/3.5 f=75mm SOM Berthiot lenses as descripted bellow.
The SEM company ("Société des Etablissements Modernes de Mécanique") was founded in France by Paul Royet in 1946, in the small city of Aurec near Saint-Etienne (Loire). The SEM camera's was known essentially for the TLR Semflex that were a great commercial success in France until the 70's. The camera's are constructed around an injected aluminum alloy chassis, very resistant and rigid permitting precise optical alignments. The focusing mechanism is made of a cam system like the Rolleiflex giving an accurate and smooth focusing. SEM constructed their own shutters called Orec with 5 leaves capable of the 1/400s to 1s with B.
Semflex received in majority French optics Berthiot with 3 or 4 lenses (Tessar type). Some camera's were also mounted with Angénieux lenses.
Semflex were trusted TLR camera's used by amateurs and for professional purposes. From 1949 to 1976, 171.000 Semflex were produced in many different types and versions.
My Semflex in a middle grade version Standard 3.5 type-10 (1959-1960). It was the last version mounted with the 3-lens SOM Berthiot 1:3.5 f=75mm. I got the camera with set of accessories and several documents including the user manual of the Semflex Standard 4.5 versions. The accessories include a leather SEM ever-ready bag, a Semflex push-on shade hood, a Semflex push-on yellow filter x2 in its original box, and close-focusing lenses. The 1D one is constructed with a prism for the finder lens that compensates the parallax in the zone 1m to 0.5m.
The decorative ring around each lenses can also receive push-on accessories in 36mm diameter as the FOCA or Leitz 36mm filter series. I adapted two protective lens caps from Kodak film canister snapped covers.
For the test film of the Jupiter-9 lens I mounted it on the Leningrad camera (see below for detail about the lens and the camera). The lens was fitted with a generic yellow filter (screw-on 49mm) and a generic cylindrical metal shade hood designed for a 50mm lens. By safety, a lens cap fitted on the hood (55mm) was also used to protect the shutter curtains from an accidental sun burning (I forgot twice to remove the cap before shooting...)
I loaded the Leningrad with a Rollei RPX 400 film exposed for 250 ISO to compensate the absorption of the yellow filter. The light metering was done using a Minolta Autometer III with the 10° viewer for selective metering privileging the shadows areas.
The viewer of the Leningrad has build-in frame for the 85mm and is fully compensated for the parallax error.
View Nr. : 1/--s f/-- focusing @ -- m
February 17, 2025
69003 Lyon
France
After completion, the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min15 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
After several months, my local repair shop gave up to repair my first exemplary of Leningrad camera. I got that GOMZ Leningrad for less than the price of the lens (50€) a year ago (February 24, 2024, flic.kr/s/aHBqjBftyP) at the monthly collector meeting in Saint-Bonnet-de-Mure, near Lyon, France. I looked then again for a working one.
Leningrad’s are fascinating Russian range-finder 35mm camera’s produced in Leningrad (USSR) / Saint-Petersburg, from 1956 to 1968 at about 76.000 units. It is not really a rare camera but appears only from time-to-time in the classical collector’s networks.
The Leningrad camera project was developed by GOMZ company (ГОМЗ, Государственный оптико-механический завод, Ленинград = Gosularstvennyi Optiko-Mekhanicheskii Zavod =State Optical-Mechanical Factory), Leningrad, USSR. The Leningrad ’s were constructed to a very high degree of precision and likely the most advanced rangefinder ever made at that time in Russia. At the 1958 World Exposition in Brussels, the Leningrad was awarded the "Grand Prix de Bruxelles”. Modified Leningrads were also used in the Soviet space program. In addition to a complex parallax-compensated multi-focal (for 3.5, 5, 8.5 and 13.5cm) collimated system, the camera has a built-in spring-powered mechanical motor for an automated film advance after each view taken. The Leningrad mounts the 39mm Leica-type thread lenses, especially of the Jupiter series of lens derived of classical Carl Zeiss lenses designed for the Contax (Biogon 3.5cm and Sonnar’s 5, 8.5 and 13.5cm).
In 1965, GOMZ became LOMO ( ЛОМО, Ленинградское oптико-механическое oбъединение (Leningradskoïe Optiko-Mekhanitcheskoïe Obiedinienie) that is still existing, producing instrumental optical devices (www.lomo.ru).
On eBay, I focused on a LOMO Leningrad year 1965 in working condition but without the original film plate. I got the camera for 130€ including the leather bag and a standard lens Jupiter-8 1:2 f=5cm. The seller adapted cleanly a different film plate that looked to work, but my idea was to use the camera back of my faulty Leningrad. This film plate may a precision glass plate special designed for optimum film transport and optical planarity. I received my new Leningrad on January 31, 2025 in good condition.
After a very careful inspection and a detailled cleaning, I decided to make a test film using a FOMAPAN 200 black-and-white film. On the Leningrad it is said that there is absolutely no way to check the correct film advance during the shooting session. The rewind should not be up since the mechanical forces induced would be too high for the spring-powered spooling barrel. The film should be also in a quality not too tight film cartridge and should be checked before use. This stressful machine should be manipulated with maximum care when not familiar with it.
About the lens Jupiter-9:
New in my collection in Feb. 2025, this very popular lens Jupiter-9 1:2.8 f=85mm for my Zorki’s and Leningrad camera’s. The lens was produced in 1978 by the LZOS company (Лыткаринский завод Оптического Стекла , Lytkarino Zavod Optychisovo Sticklo) located in Lytkarino (about 100 km Noth to Moscow).
I sourced a clean exemplary in Germany at regular price given the popularity of the Jupiter-9 (170€) with the Leica 39mm thread mount, front and rear caps plus the lens black storage canister. The lens is popular especially among videographers due to its peculiar bokeh and perfectly round shaped diaphragm made of 15 blades.
Originally, the Jupiter 9 is based on the design of the Carl Zeiss Sonnar designed for the Zeiss Ikon Contax in the years 1930’s. Production began in USSR in 1948, when the lens was initially called the ЗК-85 (Sonnar Kransogorsk) and it was assembled using mostly German parts in Contax/Kiev mount. The lens was also adapted to Zorki (M39) mount to fit the Zorki cameras early in production It appears, for both Zorki and Kiev mount, in a 1949 catalogue. By 1951 the name changes to Jupiter 9 (Юпитер-9). The lens has seven glass elements in three groups; a single glass at the front, and two cemented groups of three. All versions of the lens are coated. It was made by the KMZ (Красногорский механический завод, Krasnogorski Mekhanicheskii Zavod) and LZOS factories, in Leica 39 mm thread mount for Fed and Zorki rangefinders, but originally it was a Contax bayonet used in Kiev cameras. Jupiter-9 lenses were also made at the Arsenal factory in Ukraine, for Kiev rangefinders,but initially released as KMZ. It was later adapted for M42-mount Zenit SLR cameras, with an M24×1 thread mount.
Cooking Plate is comprised of 100 % unadulterated Himalayan Pink Salt stone gems. Dependable. Normally bestows the unimaginable medical advantages. Medical advantages incorporate settling hydration levels. Adjusting your body's pH. Decreasing indigestion. Improving absorption.
Fluorescing Coral- Fluorescence is the absorption of one wavelength of light and the re-emission of another, a totally different colour. A fluorescent object under near UV light, it absorbs the blue and re-emits a fluorescent colour, brightly glowing in a totally different colour. - Raja Ampat, Dampier Strait, West Papua, Indonesia.
The root system, as a bridge connecting the aboveground part of the plant and the soil, plays an important role in promoting plant growth.
Our products can promote the development of crop roots and make crops form a huge deep root system, which is conducive to the regulation of water, fertilizer, gas and heat in the soil, and is conducive to the absorption of water and nutrients by crops . This will increase the yield and quality of crops.
ZHENGZHOU SHENGDA KHUMIC BIOTECHNOLOGY CO., LTD
The largest humic fulvic factory in China
Phone:+86-371-60992820
Whatsapp : 8615139002620
E-mail:wendy@khumic.com
Website: www.khumic.com
Office:Juyimogen Business Center,No.59 Huayuan Road,Zhengzhou,China(Mainland).
Factory: Naomaohu Industrial Park, Hami City, Xinjiang Province, China.
Upper section of an impervious graphite column fitted with bubble cap trays. Tray towers are usually better at handling lower liquid rates. More... www.gab-neumann.com/columns
For the test film of the Jupiter-9 lens I mounted it on the Leningrad camera (see below for detail about the lens and the camera). The lens was fitted with a generic yellow filter (screw-on 49mm) and a generic cylindrical metal shade hood designed for a 50mm lens. By safety, a lens cap fitted on the hood (55mm) was also used to protect the shutter curtains from an accidental sun burning (I forgot twice to remove the cap before shooting...)
I loaded the Leningrad with a Rollei RPX 400 film exposed for 250 ISO to compensate the absorption of the yellow filter. The light metering was done using a Minolta Autometer III with the 10° viewer for selective metering privileging the shadows areas.
The viewer of the Leningrad has build-in frame for the 85mm and is fully compensated for the parallax error.
View Nr. 8 : 1/500s f/8 focusing @ 8m
Les Quais du Rhône, February 17, 2025
Quai Victor Augagneur
69003 Lyon
France
After completion, the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min15 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
After several months, my local repair shop gave up to repair my first exemplary of Leningrad camera. I got that GOMZ Leningrad for less than the price of the lens (50€) a year ago (February 24, 2024, flic.kr/s/aHBqjBftyP) at the monthly collector meeting in Saint-Bonnet-de-Mure, near Lyon, France. I looked then again for a working one.
Leningrad’s are fascinating Russian range-finder 35mm camera’s produced in Leningrad (USSR) / Saint-Petersburg, from 1956 to 1968 at about 76.000 units. It is not really a rare camera but appears only from time-to-time in the classical collector’s networks.
The Leningrad camera project was developed by GOMZ company (ГОМЗ, Государственный оптико-механический завод, Ленинград = Gosularstvennyi Optiko-Mekhanicheskii Zavod =State Optical-Mechanical Factory), Leningrad, USSR. The Leningrad ’s were constructed to a very high degree of precision and likely the most advanced rangefinder ever made at that time in Russia. At the 1958 World Exposition in Brussels, the Leningrad was awarded the "Grand Prix de Bruxelles”. Modified Leningrads were also used in the Soviet space program. In addition to a complex parallax-compensated multi-focal (for 3.5, 5, 8.5 and 13.5cm) collimated system, the camera has a built-in spring-powered mechanical motor for an automated film advance after each view taken. The Leningrad mounts the 39mm Leica-type thread lenses, especially of the Jupiter series of lens derived of classical Carl Zeiss lenses designed for the Contax (Biogon 3.5cm and Sonnar’s 5, 8.5 and 13.5cm).
In 1965, GOMZ became LOMO ( ЛОМО, Ленинградское oптико-механическое oбъединение (Leningradskoïe Optiko-Mekhanitcheskoïe Obiedinienie) that is still existing, producing instrumental optical devices (www.lomo.ru).
On eBay, I focused on a LOMO Leningrad year 1965 in working condition but without the original film plate. I got the camera for 130€ including the leather bag and a standard lens Jupiter-8 1:2 f=5cm. The seller adapted cleanly a different film plate that looked to work, but my idea was to use the camera back of my faulty Leningrad. This film plate may a precision glass plate special designed for optimum film transport and optical planarity. I received my new Leningrad on January 31, 2025 in good condition.
After a very careful inspection and a detailled cleaning, I decided to make a test film using a FOMAPAN 200 black-and-white film. On the Leningrad it is said that there is absolutely no way to check the correct film advance during the shooting session. The rewind should not be up since the mechanical forces induced would be too high for the spring-powered spooling barrel. The film should be also in a quality not too tight film cartridge and should be checked before use. This stressful machine should be manipulated with maximum care when not familiar with it.
About the lens Jupiter-9:
New in my collection in Feb. 2025, this very popular lens Jupiter-9 1:2.8 f=85mm for my Zorki’s and Leningrad camera’s. The lens was produced in 1978 by the LZOS company (Лыткаринский завод Оптического Стекла , Lytkarino Zavod Optychisovo Sticklo) located in Lytkarino (about 100 km Noth to Moscow).
I sourced a clean exemplary in Germany at regular price given the popularity of the Jupiter-9 (170€) with the Leica 39mm thread mount, front and rear caps plus the lens black storage canister. The lens is popular especially among videographers due to its peculiar bokeh and perfectly round shaped diaphragm made of 15 blades.
Originally, the Jupiter 9 is based on the design of the Carl Zeiss Sonnar designed for the Zeiss Ikon Contax in the years 1930’s. Production began in USSR in 1948, when the lens was initially called the ЗК-85 (Sonnar Kransogorsk) and it was assembled using mostly German parts in Contax/Kiev mount. The lens was also adapted to Zorki (M39) mount to fit the Zorki cameras early in production It appears, for both Zorki and Kiev mount, in a 1949 catalogue. By 1951 the name changes to Jupiter 9 (Юпитер-9). The lens has seven glass elements in three groups; a single glass at the front, and two cemented groups of three. All versions of the lens are coated. It was made by the KMZ (Красногорский механический завод, Krasnogorski Mekhanicheskii Zavod) and LZOS factories, in Leica 39 mm thread mount for Fed and Zorki rangefinders, but originally it was a Contax bayonet used in Kiev cameras. Jupiter-9 lenses were also made at the Arsenal factory in Ukraine, for Kiev rangefinders,but initially released as KMZ. It was later adapted for M42-mount Zenit SLR cameras, with an M24×1 thread mount.
Top section of an impervious graphite annular groove absorber fitted with liquid distribution plates and overflow candles to ensure homogenous liquid distribution. More... www.gab-neumann.com/Annular-groove-Isothermal-absorbers
Each serving of Isotonix® Maximum ORAC contains 3000 ORAC (Oxygen Radical Absorption Capacity) units. A good ORAC supplement should contain at least this amount in the form of high-ORAC value foods such as blueberries, cranberries and elderberries. The use of natural vitamin E isomers, tocotrienols (closely related to vitamin E in chemical structure) and vitamin C in ORAC supplements can contribute to an antioxidant network inside cells, which offers far more protection than using a single agent. Supports cognitive health and helps maintain healthy cholesterol levels. To learn more visit www.gomarketamerica.com
Read more about lurgi double absorption sulfuric acid oleum plant production equipment type for sale From IPPE. Visit Us Today!.www.sulfuricacidplants.com
GAB Neumann’s impervious graphite annular groove absorbers have a unique design that guarantees an intimate and prolongated contact between the gas and the absorption liquid. More... www.gab-neumann.com/Annular-groove-Isothermal-absorbers
Technicial operating atomic absorption spectometer in Applied Chemistry lab (Waurn Ponds) 1975 P2008-0565
Sonata Class A rated Acoustic panels are used within a wide variety of buildings to reduce reverberation and give a suitable acoustic environment.
Sonata Class A rated Acoustic absorption panels are used within a wide variety of buildings to reduce reverberation and give a suitable acoustic environment. SRS are experts in the field of room acoustics and offer a complete service from specification to supply and install. www.soundreduction.co.uk/3se/
Solar Town and Village Planting Planning and Design Projects
Abstract: May 11, 2012 Jan. 10, 2011
A CO2 absorption strategy proposed by tree planting new solar town and village plans provides place and work for people displaced by global warming, pollution, etc. Full town and village area tree planting has maximum potential tree products as infrastructure patterns form on degraded land with close-planted interspersed tree, shrub, and grass species. Fast growth short-term yield trees, micro-climate protecting long-term slow growth trees, nitrogen fix soil, and provide food, fuel, and building material within a few years with adequate water. Water conservation works (small trenches, mounds) catch rain and seeds starting at watershed tops. Gully plugs and very small dams form circulation ways for people. Shaded walking and cycle paths, avenues, forest perma-culture parks with local sanitation systems, future building sites, urban and agriculture patterns are tree formed by a small hard working group. Trees can have good survival rates where people live (with water and compost material) caring for place with long term home commitment, beginning with indigenous tree, shrub and grass species that have survived many generations and extreme weather conditions. From tree centers (nurseries, seed banks) outlying areas are planted-maintained. Solar buildings and technology includes modular durable structural frames for low energy in-fills beginning with 1-2 levels, and foundations for ‘growing’ taller with the trees, with top solar collectors. Solar village houses have thru-mirror-wall greenhouse type oven kitchens. Environmental regeneration and town and village patterns tree formed with basic renewable–solar energy infrastructure planning may reduce the damage and loss of life due to global warming pollution and associated climate change extremes with modest investment.
Joel H. Goodman
P.O. Box 14
Dodgeville, Wisconsin, 53533
Email: joelhgoodman3@hotmail.com
Suspended time and absorption are central in our performative work. We perform „engrossed in an activity as if in denial of an audience“. We keep still. We move according to a choreographed path. We keep close to each other, we touch each other, we lie on the floor. From one tableau to the next. Holding the image for few minutes. One of us lies on a wooden plank. The whole leg, buttocks and lower back rest on the plank. Only shoulders and head touch the floor. The second figure is already doing a shoulderstand, bending the left knee and simultaneously stretching and leaning the right leg slightly over the head. The stretched leg remains leaning… The piece is inspired by the long scene in the sculpture garden at the Museum of Modern Art in New York from the film „Shadows“ by John Casavettes; Stills from Bob Fosse’s „All that Jazz“; photos of works by Yvonne Rainer and Rudolph von Laban and Kinesiology, physical therapy exercises.
Nike Air Force 1 High 07 LV8, Men’s Size 10, Hyper Cobalt, Blue, Gum, 806403-400, suede upper, reflective mesh panels, “AIR” printed on heel, Perforated detailing on the toe box, Perforations for breathability, Nike Swoosh on the sides, Ankle strap for security, Nubuck tongue with Nike Air branding, Midsole Air-sole for impact absorption, Nike Air branding on the heel, Rubber outsole for increased traction, rubber foam sole, Air-Sole cushioning unit, Bruce Kilgore, basketball sneaker, NBA, AF1, Originally released in 1982, named after the aircraft that carries the President of the United States, reddealsonline, eBay sneakers, redd3413, Authenticity Guarantee
Nike Air Force 1 High 07 LV8, Men’s Size 10, Hyper Cobalt, Blue, Gum, 806403-400, suede upper, reflective mesh panels, “AIR” printed on heel, Perforated detailing on the toe box, Perforations for breathability, Nike Swoosh on the sides, Ankle strap for security, Nubuck tongue with Nike Air branding, Midsole Air-sole for impact absorption, Nike Air branding on the heel, Rubber outsole for increased traction, rubber foam sole, Air-Sole cushioning unit, Bruce Kilgore, basketball sneaker, NBA, AF1, Originally released in 1982, named after the aircraft that carries the President of the United States, reddealsonline, eBay sneakers, redd3413, Authenticity Guarantee
HIRST, Damien
United Kingdom b.1965
For the love of God, laugh
2007
Silkscreen print with glazes and diamond dust
on paper
ed. 105/250
100 x 75cm
Acc. 2008.332
Purchased 2008 with funds from the Estate of Lawrence F. King in memory of the late Mr and Mrs S.W. King through the Queensland Art Gallery Foundation