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đ§ The Aural Inspiration *Maneskin - I Wanna Be Your Slave ( Iggy Pop Cover) * đ§
I know youâre scared of me
You said that Iâm too eccentric
Iâm crying all my tears
And thatâs f#cking pathetic
I wanna make you hungry
Then I wanna feed ya
I wanna paint your face
Like youâre my Mona Lisa
I wanna be a champion
I wanna be a loser
Iâll evĐ”n be a clown
Cause I just wanna amuse ya
I wanna bĐ” your sex toy
I wanna be your teacher
I wanna be your sin
I wanna be a preacher
I wanna make you love me
Then I wanna leave ya
âCause baby Iâm your David
And youâre my Goliath
Because Iâm the devil
Whoâs searching for redemption
And Iâm a lawyer
Whoâs searching for redemption
Owing to their memorable and unusual style and appearance, A Flock of Seagulls are sometimes referred to with ironic appreciation. The New Musical Express wrote: "Of course, everyone remembers this group now for singer Mike Score's ridiculous back-combed haircut and the fact that they are mentioned in Pulp Fiction. So now they're kind of cool, but in the early 1980s it was a different story." Additionally, the band was featured on Viacom's VH1 and Sony's BMG Legacy Recordings' 2006 revival CD series and multi-platform marketing campaign, "We Are the 80's". In a 2007 article for The Guardian, Alfred Hickling described the group as "dreadful", and unfavourably compared them to Liverpool new wave peers OMD and other acts of the time.
Their dramatic style has drawn much criticism and parody, but the band has also been recognized as a pioneering act, capturing the spirit of their time, particularly with the guitar work of Paul Reynolds and sonically multi-layered hits such as "Space Age Love Song," "Telecommunication," and "Modern Love Is Automatic." The band also is noted for creating a successful concept album, their debut, which alludes to an alien invasion of earth. Billboard writer Robert Christgau applauded their "mechanical lyrics, about a mechanical end of the world," while noting the "aural pleasure" of both the band's debut album and the follow-up.
The video for "I Ran" was low budget (even for the time) but enjoyed enormous success, and is well-remembered in part because MTV played it frequently. Video below if interested.
Wiklipedia
www.youtube.com/watch?v=iIpfWORQWhU
For Smile on Saturday THEME: "PORTRAY the name of A MUSIC BAND" .
Had to use old photo - camera broken.
Its stillness and quiet intensity says much about the Great Grey owl... I caught her beautiful profile as she sat listening intently for prey burrowing underneath the snow.
(Feb. 2018, Overcast, Nikon 300mmf4D +1.4X,
ISO 3000,)
Thank you very much for your visit and comment.
HI990, a McDonnell Douglas DC-9-83, was about to launch from runway 10 at Princess Juliana International Airport at Simpson Bay, Sint Maarten.
It was operated by Pan Am World Airways Dominicana, C. x A. of Santo Domingo, Dominican Republic.
The sunbathers on Maho Beach were about to experience an aural assault as the MD-83's Pratt & Whitney JT8Ds let loose a ground shaking roar.
First for me, this is done in TIFF. For anyone interested in exploring the Original Size, I present some pulsating beats and swathing pleasures of the aural kind to accompany you on your journey:
Probably the most photographed waterfall in a park blessed with many.
This lower portion of Christine Falls tumbles 37 feet. It is just one of several impressive falls along Van Trump creek. The creek flows from the Van Trump glacier on it's way down steep terrain to the Nisqually river. One of the special visual and aural treats in Rainier National Park.
A little history:
"The falls were named in honor of Christine Van Trump, the daughter of P. B. Van Trump. In 1889 Christine, then nine years old, accompanied her father on an ascent of Mount Rainier, as far as her strength would allow. She made it to the 10,000-foot (3,000 m) level, even though she had a crippling nervous disorder."
Wikipedia
Thanks for taking a look! Always appreciated.
@Men Only Monthly
Rings : CerberusXing : Skull Ring (Silver, Black)
Poses : Le Poppycock : *Devil's Advocate* Gacha
Devil's advocate, Going to Hell, Looneyville, Insanity is catching
@The Secret Affair
Bracers, Armband : CerberusXing : Mercenary's Set (Silver)
@The Mens Dept
Earrings : CerberusXing : Aural Parasite (Silver )
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· ➠Cloud Nine Couch Set single purchase is available in:
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as an aural accompaniment :-)) ... ,,, ..... ,,,, .... Some animated tunes :-) in a new window
EXPLORE #2 !!!! ... wtf
Via dei Condotti
â Rome was white marble and gilding and heady perfumes; the blare of trumpets and the shrieking of market-women and the eternal, sub-aural hum of more people, speaking more languages than Gaius had ever imagined existed...â
â Marion Zimmer Bradley, The Forest House
i've had a fabulous 15 day trip to
the Eternal City and a long flickr break,
both enjoyed to the max.
i'm off to catch-up with you and your work,
anything new with flickr?
have a fun weekend
HSS! xo
đ§ The Aural Inspiration Lana Del Rey - Gods & Monsters đ§
*Styling Credits*
Corset lingerie Glitzz- Winnie Corset ( Uber)
Stockings - Glitzz - Gabriella Stockings
Pose: Luanes World - Need you tonight
Shoes : Remezza - Ella Heels
Hair: Doux - Cara
In the land of gods and monsters
I was an angel living in the garden of evil
Screwed up, scared, doing anything that I needed
Shining like a fiery beacon
You got that medicine I need
Fame, liquor, love, give it to me slowly
Put your hands on my waist, do it softly
Me and God, we don't get along, so now I sing
No one's gonna take my soul away
I'm living like Jim Morrison
Headed towards a fucked up holiday
Motel sprees, sprees and I'm singing
"Fuck yeah, give it to me, this is Heaven, what I truly want"
It's innocence lost, innocence lost
When you talk, it's like a movie and you're making me crazy
'Cause life imitates art
If I get a little prettier, can I be your baby?
You tell me life isn't that hard
Oh, Belladonna, never knew the pain
Maybe I'm crazy, maybe it'll drive me insane
The open letter just carelessly placed
And your moving silence, the tea so delicately laced
Out of reach, out of touch
How you've learned... to hate so much
* Styling Creds *
Dress- Big Beautiful Doll - Raven Dress Latex
Hair: Doux - Indigo
Choker: Cynful - Diamond Choker
Gloves: Moon Elixr x Muse - Femme Fatale
Rings: Kunst - Heather Rings
Tat: Vegas - Namaste
" Fairy Glen Waterfall, Sefton Park, Liverpool..."
"The Fairy Glen features several water cascades flowing over an existing rock face and into a rock-lined pool to the east of the park. Water is drawn from an adjacent water course through a fabricated strainer pit designed to remove debris...
Water is then circulated by a submersible pump which is located within a newly installed underground pump chamber, water is pumped through pipelines to a valve chamber at the upper level where it is regulated and split into separate feeds to spread the water flow over the cascades...
The display provides a strong visual and aural water feature with minimum maintenance requirements..."
*
*
*
Copyright ©
All Of My Photographic Images Are Subject To Copyright ! Each Of My Photographs Remain My Intellectual Property ! All Rights Are Reserved And As Such, Do Not Use, Modify, Copy, Edit, Distribute Or Publish Any Of My Photographs ! If You Wish To Use Any Of My Photographs For Any Reproductive Purposes, Or Other Uses, My Written Permission Is Specifically Required, Contact Me Via Flickr Mail !
â*: .ïœĄ. Featured Abnormality Items .ïœĄ.:*â
â MARZ â Skully Ears
â /Vae Victis\ â "Pandora" Blood-letting Dagger
*Get these items at the Abnormality Event, opening February 7th!*
â*Other Items*â
â Iggy So1p's â Black Befouled Beast
â .Tardfish. â Slither Tongue
â :[P]: â Aural Orb Skull
â Found Footage â Deca Neckpiece
Please do not make fun of me.
My aural hematoma came back a couple of times, so yesterday my vet drained it again & injected a steroid. Now I have to wear this silly thing for a week or so. I think I look handsome and it doesn't bother me too much. *sigh*
Your friend, Duncan
P.S. See my Vermeer inspiration. đ
Couches sonores (paysages auditifs de diverses rĂ©gions du monde et compositions instrumentales pour guitare Ă©lectrique et percussion) Ă©talĂ©es, dĂ©calĂ©es dans l'espace-temps par des systĂšmes alĂ©atoires, des rythmes cosmiques Ă©volutifs (soleil/lune) et des fonctions signalĂ©tiques (horaires civils et religieux) : l'idĂ©e du monde comme un orchestre, l'Ă©vĂšnement global comme un chant. L'ascenseur devient ici un instrument, une caisse de rĂ©sonance complexe oĂč ses propres sons, ses rythmes ascendants et descendants rĂ©sonnent avec la matiĂšre sonore ajoutĂ©e.
Chant pour Ascenseur est un jeu d'équilibre subtil entre volume, timbre (la complexité de la couleur sonore) et diversité d'archives sonore. Non-spectaculaire, il est un ronronnement au bord du silence.
Sound layers (aural landscapes from various regions of the world and instrumental compositions for electric guitar and percussion) spread out, shifted in space-time by random systems, evolving cosmic rhythms (sun/moon) and signaling functions (civil timetables and religious): the idea of the world as an orchestra, the global event as a song. The elevator here becomes an instrument, a complex resonance box where its own sounds, its ascending and descending rhythms resonate with the added sound material.
Chant pour Elevator is a game of subtle balance between volume, timbre (the complexity of sound color) and diversity of sound archives. Non-spectacular, it is a purr on the edge of silence.
Albatross have unique, complex, and long duration courtship rituals that result in lifetime monogamous pair bonding. The courtship dance includes bill fencing, bobbing, preening, and often synchronized âsky callingâ as a part of the repertoire. Rapid beak clapping, grunts, and whistles provide an aural component. Scent is likely also involved in mĆlÄ« mate recognition. An abridged ritual repeats each breading season reestablishing the pair bond after months of nomadic solitary foraging at sea.
Couches sonores (paysages auditifs de diverses rĂ©gions du monde et compositions instrumentales pour guitare Ă©lectrique et percussion) Ă©talĂ©es, dĂ©calĂ©es dans l'espace-temps par des systĂšmes alĂ©atoires, des rythmes cosmiques Ă©volutifs (soleil/lune) et des fonctions signalĂ©tiques (horaires civils et religieux) : l'idĂ©e du monde comme un orchestre, l'Ă©vĂšnement global comme un chant. L'ascenseur devient ici un instrument, une caisse de rĂ©sonance complexe oĂč ses propres sons, ses rythmes ascendants et descendants rĂ©sonnent avec la matiĂšre sonore ajoutĂ©e.
Chant pour Ascenseur est un jeu d'équilibre subtil entre volume, timbre (la complexité de la couleur sonore) et diversité d'archives sonore. Non-spectaculaire, il est un ronronnement au bord du silence.
Sound layers (aural landscapes from various regions of the world and instrumental compositions for electric guitar and percussion) spread out, shifted in space-time by random systems, evolving cosmic rhythms (sun/moon) and signaling functions (civil timetables and religious): the idea of the world as an orchestra, the global event as a song. The elevator here becomes an instrument, a complex resonance box where its own sounds, its ascending and descending rhythms resonate with the added sound material.
Chant pour Elevator is a game of subtle balance between volume, timbre (the complexity of sound color) and diversity of sound archives. Non-spectacular, it is a purr on the edge of silence.
Tartiste Style Here
and...
Don't miss the KAMERA KLUB on Sat,. Sept 27 1-3pm slt.
Come see what guest model RHOJEN has in store for you.
The place will be dripping with atmosphere,visually
and aurally ,tunes by Dj Dox.
Tart Gallery
Just before late afternoon shadows swallowed the scene, G 513 supplies aural thrills while thrashing up the Goulburn River valley with an empty rail train.
With ongoing droughts having a massive impact on grain movements, this was an unexpected bonus amongst the sea of Hunter Valley coal trains.
South of Sandy Hollow, 1 August 2019, Ulan Line, NSW AU
The 645-powered G class from the mid 80's are effectively a locally produced SD40-2 in a smaller full-width carbody - one of a series of similar JT26C-2SS Australian designs produced for many of the then-State-owned rail systems. Most survive under private operator ownership today.
Heading back to the main road after my first day at Cumbre Pass and this sneaks up on me. A quiet unloaded copper train that has evaded my aural radar.
1 Sept 2019, FCAB 2008 + 2404 on empty copper wagons up Cumbre Pass, Chile
đ§< Aural Inspiration *Cage The Elephant- Neon Pillđ§
It takes one to know one, back at it again
Birds of a feather, until the end
Stitched, patched up and sewed in
I'll probably see you again
Most certain it's likely
Around, no doubt, my friend
The taste of your lip balm, blew me away
Cherry pie chapstick, just like back in the day
I sailed the Atlantic
Bisou fatal le femme
Mon Chéri exactement
Knocked down, not out, let's roll
It's a hit-and-run, oh no
Double-crossed by a neon pill
Like a loaded gun, my love
I lost control of the wheel
Double-crossed by a neon pill
[ null.daten ]
# i uploaded an image recently that was accidentally deleted -- apologies... will upload again 8^)
Designed by architect FRANK GEHRY, Walt Disney Concert Hall, new home of the LOS ANGELES PHILHARMONIC, is designed to be one of the most acoustically sophisticated concert halls in the world, providing both visual and aural intimacy for an unparalleled musical experience.
Through the vision and generosity of Lillian Disney, the Disney family, and many other individual and corporate donors, the city will enjoy one of the finest concert halls in the world, as well as an internationally recognized architectural landmark.
From the stainless steel curves of its striking exterior to the state-of-the-art acoustics of the hardwood-paneled main auditorium, the 3.6-acre complex embodies the unique energy and creative spirit of the city of Los Angeles and its orchestra.
The Walt Disney Concert Hall at 111 South Grand Avenue in Downtown Los Angeles, California, is the fourth hall of the Los Angeles Music Center. Bounded by Hope Street, Grand Avenue, and 1st and 2nd Streets, it seats 2,265 people and serves (among other purposes) as the home of the Los Angeles Philharmonic orchestra and the Los Angeles Master Chorale.
The project was launched in 1992, when Lillian Disney, widow of Walt Disney, donated $50 million. Frank Gehry delivered completed designs in 1991. Construction of the underground parking garage began in 1992 and was completed in 1996. The garage cost had been $110 million, and was paid for by Los Angeles County, which sold bonds to provide the garage under the site of the planned hall.Construction of the concert hall itself stalled from 1994 to 1996 due to lack of fundraising. Additional funds were required since the construction cost of the final project far exceeded the original budget. Plans were revised, and in a cost-saving move the originally designed stone exterior was replaced with a less costly metal skin. The needed fundraising restarted in earnest in 1996âafter the real estate depression passedâheaded up by Eli Broad and then-mayor Richard Riordan and groundbreaking for the hall was held in December 1999. Delay in the project completion caused many financial problems for the county of LA. The city expected to repay the garage debts by revenue coming from the Disney Hall parking users.
Upon completion in 2003, the project cost an estimated $274 million; the parking garage alone cost $110 million. The remainder of the total cost was paid by private donations, of which the Disney family's contribution was estimated to $84.5 million with another $25 million from The Walt Disney Company. By comparison, the three existing halls of the Music Center cost $35 million in the 1960s (about $190 million in today's dollars).
Downtown Los Angeles. California.
What an awesome display! What started out as a vibrant green glow turned into a stunning Aural display, but not with out its challenges, wind, cloud and snow made it challenging to get some good images. Eventually it cleared up nicely.
Sony A7rii
Sigma 20mm 1.4
8s image ISO 800
Albatross have unique, complex, and long duration courtship rituals that result in lifetime monogamous pair bonding. The courtship dance includes bill fencing, bobbing, preening, and often synchronized âsky callingâ as a part of the repertoire. Rapid beak clapping, grunts, and whistles provide an aural component. Scent is likely also involved in mate recognition. The entire ritual repeats each breading season after the pair return from months of nomadic solitary foraging at sea. These two mĆlÄ« were banded and identified as O013 at left, a male banded as an adult in 2004 at Kuaokala, and V830, banded as an adult at Kaâena in 2021.
Rather than evoking a sense of Parisien charm all this evokes for me is a sense of impending aural intrusion followed by a request for cash.
đ§< Aural Inspiration *Cigarettes After Sex - Your- All I Want * đ§
The words you couldn't say
And every word you sang
Wasâ aboutâ you and me
Iâ loved everything you've wrote
And when youâ would sing
I felt that my heart was falling
You're all I want
We fucked so hot it left me faded
For all you are
There is no other love, it's only yours
You're all I want, all the love
**** Credits *****
[Eternus] - Veronica Set
[Sheba] [Sheba] Aidia Heels
@ Mainstore SLURL: http://maps.secondlife.com/secondlife/Coco%20Lagoon/28/159/24
Headdress - Rozoregalia -Alugim
Body- Legacy
Hair- Doux- Tini
Excerpt from the plaque:
Sonic Rescue Ropes by Haegue Yang
Consisting of gleaming cords of bells, Haegue Yangâs Sonic Rescue Ropes stretch from ceilings of different heights all the way down to the floor. Their shiny visual effect and sublime, resonating sounds conjure shamanistic and pagan associations. Yang took inspiration from the traditional Korean folk tale Sister Sun and Brother Moon, which describes how two siblings became celestial bodies by climbing ropes from the heavens to escape danger on the ground. Yangâs multisensory abstract sculptures transform the soaring architecture of the museum into a mystical yet common civilizational space of aural storytelling and cosmic orientation.
We're trying something new.
Live music has been around in Second Life since the early 2000s, but since then overall the live music experience hasn't changed much - someone works hard to secure land and builds a venue, hires a musician, schedules an event - and for an hour they both hope they can capture the time and attention of listeners.
Our virtual world affords us a chance to get to know each other via chat during the live session, but beyond that it's usually time and connections metered by the hour.
We'd like to give friends, fans, and our fellow musicians just a little more time and space to connect both personally and musically. That's why we're opening auralism.
Every other Sunday, auralism will host a featured artist. Together we'll have a live, hosted conversation to learn a little more about the artist: their music, muses and motivations. A special live session will follow, and then for two weeks, that artist will be featured at the auralism venue in world, and on our site.
Our hope is that through this small change musicians and fans will get to know each other a little more, and deepen their shared appreciation of each other, the music, and this special community we share.
We hope you will join us for our opening event with featured artist Skye Galaxy on Sunday, March 17th at 11am.
In music,
Grace McDunnough and Rara Destiny
Emberiza yessoensis
Also called Ochre-rumped Bunting. Decidedly scarce in South Korea in Winter, we were indebted to Nial's extraordinary aural abilities for finding this subtly smart Bunting....
Join us as we relax, unwind, and vibe to the sensual sounds of Aural Fixation: DJ Zarabella Ming's weekly Sunday set. Come play as you are - we'll save you a spot on the dance floor.
The other area where we are recording sounds is Sanaullah Compound, closer to Mahim railway station, where many kinds of recycling units are stacked against each other. Here, the shredding of plastic, the burning of aluminium furnaces and the sacks of scrap being thrown down from trucks are frequently heard. The screeching sounds from rusty shredding machines make one wonder how the labourers can work without the use of earplugs. For these labourers, most of whom are migrants, Sanaullah is work and home. A little shack of a restaurant, paan kiosks, barbers, an ironing man, chai stalls and various other essentials of daily living function side by side. Against this background, the aural predominance is of men talking business (or gossiping) over phones or with each other. Understandably, they donât want their conversations recorded.
Walking around trying to be inconspicuous with a recorder in our hands, we realised that some sounds are bound to perish with time and modern lifestyles, such as the sounds of game machines in a very 90s video parlour or the bell of a kulfi seller. Collecting these sounds could be a way of creating an aural museum and complementing visual archives of Dharavi.
Join us at the stone court where the Queen of the Roses reigns supreme - playing sounds that will seduce you and your senses DJ Zarabella Ming is live for Aural Fixation from 4 to 6 at The Ishtar.
.... ... a track I was listening to ....,Scooby figured it only right to add the Title to his rainy Portrait ...the Alabama 3 do indeed rock.
Treat yourself to some Aural Pleasure ...Change must come from Exile on Main Street
I like that Stellantis even has a Dodge sedan/coupĂ©-like vehicle available on the market. I also like its appearance. And itâs a 2-door design.
Itâs rather impressive that the current Dodge Charger can be had in a version with 670 hp that can attain 60 mph within 3.3 seconds and has a standing start quarter mile ET of 11-1/2 seconds.
Reading about the features though, I find it somewhat comical that the electric vehicles are supplemented by âFratzonic Chambered Exhaustâ that creates an aural sensation similar to that of an internal combustion engine and âForce Generatorsâ that artificially create a tactile ârumbleâ felt through the steering wheel and seats. Really? Why?
Itâs similar in appeal to this:
ZackHerrmann's shows are always a remarkable surround experience of visual and aural vibrance. His newest exhibit, entitled 'Linda Cluster: Entomology,' opened today at The Hannington Arts Foundation.
Zack's art pieces range from surreal, abstract, and representational insect projects to a 60 meter high wall simply dripping with stunning paintings, vivacious colours and ever expanding particles. Zack wove a mesmerizing blend of music and sound effects at the opening: Bulgarian choral music fused with drummy beats, orthodox chants with atonal orchestrations, and he even slid in one of his custom Bjork remixes.
Please visit this month to experience Entomology. Upon arrival at the Hannington Arts Foundation landing zone you'll have the ability to teleport to any of the six locations which feature new exhibits from individual artists.