View allAll Photos Tagged AURALIVING
act 4: visual and aural.
edited by Bill Bissett & Hart Broudy.
4th edition. Saint Catharines, Niagara Artists Centre, for 26 october - 16 november 2o19. [1oo copies?].
4-1/2 x 6-1/2, 8 sheets white chromecoat stapled twice into white glossy card wrappers, all printed black laser, with 4 x 6-3/8 white chromecoat broadsheet printed black laser, concrete is porous act 4 add endum, laid in rear & 2 white bond cover labels, 3/8 x 5/8 on front (adjusting the act number) & 2-5/8 x 1 rear (adjusting the venue & dates).
cover graphic by Bill Bissett over wraparound visual poem by Hart Broudy.
29 contributors:
Jim Andrews, Sacha Archer, Gary Barwin, Karl Bekker, Bill Bissett, Daniel F.Bradley, Hart Broudy, Michael E.Casteels, Judith Copithorne, jwcurry, Michael Dean, Brian Dedora, Paul Dutton, Amanda Earl, Kyle Flemmer, Chad Juriansz, Adeena Karasick, Gilles Lacombe, Mark Laliberte, Peggy Lefler, Gustave Morin, David Tin Mouth, bpNichol, Michèle Provost, Eric Schmaltz, Kate Siklosi, Dani Spinosa, W.Mark Sutherland, Grant Wilkins.
Nichol inclusions:
i) Horizon # 24 (a concrete poem, embroidered version as pillow by Ellie Nichol, photograph by [Hart Broudy])
ii) coral reef one (concrete poem, black & white, very reduced, photograph by [Hart Broudy])
also includes:
iii) an h for beep, by Kate Siklosi (visual poem; photograph by [Hart Broudy])
iv) silence for bpNichol, by Hart Broudy (photograph of book by Barbra Caruso)
v) video (list of recordings on continuous play thougout the exhibition includes
–1. the four horsemen (extract from Ron Mann's Poetry In Motion)
–2. canadian sound poetry in the 6os (audio anthology compiled by & including Nichol)
–3. bp, pushing the boundaries (film by Brian Nash))
___________________________
• act 1
• act 2
• made from a (deliberate?) overrun of act 3 with adjustment labels on covers (though they forgot to change the act number on the contents page)
Volkmar Klien swings St. Florian’s bells producing aural shapes in the sky around the abbey with the assistance of AI-based pattern-recognition and interpolation. The shapes emerge and morph to melt back into homogenous sound fields covering everything within earshot. They then subside, to give way to distinct sonic formations from above.
Credit: vog.photo
"Printmaker Sarah Shebaro’s samples, loops, and remixes, open through Thursday, April 24 at Ewing Gallery, is an impressive visual and aural juxtaposition of found sounds and images with original medium-format photography and manually altered digital shots. She links the evocative imagery from discarded album covers to her own personal narrative; in effect, she samples the highly stylized worlds that album covers often portray and manipulates them into her visual vernacular. Much like artist Christian Marclay, Shebaro is creating a hybrid of visual art and analog culture, and it’s a blissful world filled with sun glints and faded light.
Throughout the gallery, Shebaro disperses mountains of battered records, stacks of used cassette tapes, and wood-paneled stereos and speakers. It seems as if she is concerned more with mining the cover art than examining the actual recording. In “Light Listening” she cleverly places her stamp on an intricate record collage by carefully sanding exotic album covers to exaggerate the effects of wear and tear. “Decidedly Analog” reconfigures a large-scale digital print of an urban landscape into a humorous mosaic by cheekily using clear plastic cassette cases as frames. She playfully leaves watermarks and ink on her photos, and the balance of the imperfect and the idealized is key. Shebaro’s images are striking for their perceived intimacy, and yet it’s difficult to sort out the personal from the appropriated. The result is an unsettling but glamorous collection of stolen moments." - Chris Buckner, Metro Pulse
@ ERTZ#14 festival / HIRUGARREN BELARRIA_Donostia-San Sebastán (Gipuzkoa) 2013/09/12
hirugarrenbelarria.audio-lab.org
Photo: Asier Gogortza
Auralic Vega DAC ($3k), Aeries player ($1.6K), less than $5K latest state of the art digital reproduction. 100% design and made in China, parts from all over the world. We will definitely hear more about them in the coming years. Sorry MSB and dCS, made in USA but $$$$/performance don't come close to Auralic. For those money no object digital, the Auralic is kicking their ass too !! Have to listen to believe ! One complaint, when switching between sampling, it did had a short click interrupt, hope they can fix it with future firmware.
A relentless aural, visual and physical assault by Les Frères Chimiques marked their EDM son et lumière at the O2 Arena. A show so loud your chest cavity reverberates and your ears are "fizzing" hours later. Visually stunning and impossible to do justice in stills on a mobile phone, it is an immersive experience that threatens to drown you.
Dubuque, Iowa's Aural Resuscitation Unit performed live on What's This Called? on Saturday, June 19th, 2010.
For the next few weeks you may listen to or download the program HERE!
act 3: visual and aural.
edited by Bill Bissett & Hart Broudy.
3rd edition, revised. Windsor, Common Ground Art Gallery, for 28 may - 29 june 2o19. [2oo copies?] of which perhaps half were modified to become act 4.
4-1/2 x 6-1/2, 8 sheets white chromecoat stapled twice into white glossy card wrappers, all printed black laser.
cover graphic by Bill Bissett over wraparound visual poem by Hart Broudy.
29 contributors:
Jim Andrews, Sacha Archer, Gary Barwin, Karl Bekker, Bill Bissett, Daniel F.Bradley, Hart Broudy, Michael E.Casteels, Judith Copithorne, jwcurry, Michael Dean, Brian Dedora, Paul Dutton, Amanda Earl, Kyle Flemmer, Chad Juriansz, Adeena Karasick, Gilles Lacombe, Mark Laliberte, Peggy Lefler, Gustave Morin, David Tin Mouth, bpNichol, Michèle Provost, Eric Schmaltz, Kate Siklosi, Dani Spinosa, W.Mark Sutherland, Grant Wilkins.
Nichol inclusions:
i) Horizon # 24 (a concrete poem, embroidered version as pillow by Ellie Nichol, photograph by [Hart Broudy])
ii) coral reef one (concrete poem, black & white, very reduced, photograph by [Hart Broudy])
also includes:
iii) an h for beep, by Kate Siklosi (visual poem; photograph by [Hart Broudy])
iv) silence for bpNichol, by Hart Broudy (photograph of book by Barbra Caruso)
v) video (list of recordings on continuous play thougout the exhibition includes
–1. the four horsemen (extract from Ron Mann's Poetry In Motion)
–2. canadian sound poetry in the 6os (audio anthology compiled by & including Nichol)
–3. bp, pushing the boundaries (film by Brian Nash))
____________________________
• act 1
• act 2
Atop the ABC tower on Mt. Wilson, KABC/7 TV, and KLOS/95.5.
Patrick M O'Gara, in a group to which I belong:
"Wow nice pictures! The very top six bays were the visual antenna and is now the antenna for digital. The center four bays were the aural antenna but that antenna was disabled due to water ingress into the power divider assemblies. The nice thing about separate visual and aural is that you didn’t have the issue of group delay created by the notch diplexor that was normally used to combine the visual and aural carriers.
"The bottom cavity backed cross pol panels are the FM antenna. That whole added top tower section is 2 million pounds and is added to that huge self support tower underneath it at the that top platform area. That self support tower is the bottom half of the original 900 foot tower. The top half is nearby as the tower for KCAL ch9. If you look at those two towers you can see how that would be. That top tower section that is added to that large self support section at KABC. The added tower section on the top of the KABC self support is actually tilted toward the basin as the mechanical beam tilt that adds to the electrical beam tilt of the antenna arrays. This was done to get the needed beam depression into the LA basin while being able to flattening out the tilt in directions pointing away from the basin as you would see if you measured the beam tilt as you circled the tower. There was a debate going on in various documents as to higher or lower gain for the antennas in order to improve coverage and fill into the basin but the trade off was forced toward keeping the visual TPO within the available high power transmitters at the time, which was why they ended up with the six bays for the visual even though they really wanted to have four bays for lower side lobes and smoother coverage.
"Below the top platform are the side mounted antennas. The top one of those is the classic RCA batwing used as the Auxiliary antenna that would be pylon mounted but looks like a side mounted pole sandwiched between two tower leg mounts. That antenna has a fair amount of electrical beam tilt and performs ok. It is also just at its maximum power limit with ATSC1 with its rating of about 75kW peak power with the platinum transmitters running at 12.95kW average power post mask filter. Below that batwing is the FM auxiliary antenna.
"The two Harris Platinum transmitters were modified from their original analog configuration with six amplifier cabinets each to four cabinets each with a average power capability for 15kW post mask filter. Definitely still huge but not enough to meet their new CP that nearly doubles the required average power! So because of the CP it looks like the Platinums will be being retired at some point in the near future, but that issue is going to be for a new group of people to make that happen."
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Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
Lunario
Mexico City
23.May.2013
© Feli Gutiérres
This image is copyrighted, please do not use in any way without consent.
Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
ALL RIGHTS RESERVED
All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission
Model : Val
Mua : Valeria Spiga
Photo, light, editing : Giacomo Macis
strobist info :
250DI II Rear the model on camera right and another 250DI II in front at the model always on camera right.
On the camera left.... the sunlight.
All triggered with cactus wireless system
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Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
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@ ERTZ#14 festival / HIRUGARREN BELARRIA_Donostia-San Sebastán (Gipuzkoa) 2013/09/12
hirugarrenbelarria.audio-lab.org
Photo: Asier Gogortza
Human Feel - Kurt Rosenwinkel, Andrew D'Angelo, Chris Speed & Jim Black - Sunset jazz club, Paris - Feb 5 2007
Photographed during the production of National Geographic Television's Lockdown: Blood on the Border
El Paso, TX, February/March 2011
© David Ross Smith
act 3: visual and aural.
edited by Bill Bissett & Hart Broudy.
3rd edition, revised. Windsor, Common Ground Art Gallery, for 28 may - 29 june 2o19. [2oo copies?] of which perhaps half were modified to become act 4.
4-1/2 x 6-1/2, 8 sheets white chromecoat stapled twice into white glossy card wrappers, all printed black laser.
cover graphic by Bill Bissett over wraparound visual poem by Hart Broudy.
29 contributors:
Jim Andrews, Sacha Archer, Gary Barwin, Karl Bekker, Bill Bissett, Daniel F.Bradley, Hart Broudy, Michael E.Casteels, Judith Copithorne, jwcurry, Michael Dean, Brian Dedora, Paul Dutton, Amanda Earl, Kyle Flemmer, Chad Juriansz, Adeena Karasick, Gilles Lacombe, Mark Laliberte, Peggy Lefler, Gustave Morin, David Tin Mouth, bpNichol, Michèle Provost, Eric Schmaltz, Kate Siklosi, Dani Spinosa, W.Mark Sutherland, Grant Wilkins.
Lefler inclusions:
i) flight (graphic, version 2, reduced)
ii) "word" (concrete poem, reduced)
___________________________
• act 1
• act 2
This photo shot before the realization that the iron horse was not an option...after the shockingly blatant conversation on the difference between oral and aural. Leading to the question...is aural sex really considered sex? HA!
Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
Alva Noto (DE) & Ryuichi Sakamoto (JP) performing live @ Aural Festival 2012
Teatro Metropólitan, Mexico City
16th may 2012
CD & Cover for Aural Rage - Svay Pak CD - Ltd Edition (each CD unique - www.auralrage.com/svaypakpics.htm