View allAll Photos Tagged ARTEMIS
Taken on a remote shoot with Artemis © Craig Lindsay 2024. All rights reserved.
Model: Artemis Fauna
Shot with Canon EOS R5 and 50mm © Craig Lindsay 2025. All rights reserved.
Model: Artemis Fauna
© Austin Sullivan 2010
"The Mistress of Animals; Artemis of the Wilds"
So this isn't what we were thinking when Emma and I took this, but after reviewing the picture the title seemed fitting. I know it doesn't look like it but Emma let me paint her eyes yellow, that is not make up, it's paint. It easily washed off though :) Thanks Emma.
23/100
art001e001873 (Dec. 1, 2022) Orion’s optical navigation camera captured this image of the Moon on flight day 16 of the Artemis I mission. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew.
The Orion spacecraft with integrated European Service Module sit atop the Space Launch System, imaged at sunrise at historic Launchpad 39B at Kennedy Space Center in Florida, USA on 27 August.
The Flight Readiness Review has deemed the trio GO for launch, marking the dawn of a new era in space exploration.
The first in a series of missions that will return humans to the Moon, including taking the first European, Artemis I is scheduled for launch no earlier than Monday 29 August, at 14:33 CEST.
This mission will put NASA’s Orion spacecraft and ESA’s European Service Module to the test during a journey beyond the Moon and back. No crew will be on board Orion this time, and the spacecraft will be controlled by teams on Earth.
The crew module, however, won’t be empty. Two mannequins, named Helga and Zohar, will occupy the passenger seats. Their female-shaped plastic bodies are filled with over 5600 sensors each to measure the radiation load during their trip around the Moon. The specially trained woolly astronaut, Shaun the Sheep, has also been assigned a seat.
The spacecraft will enter lunar orbit using the Moon’s gravity to gain speed and propel itself almost half a million km from Earth – farther than any human-rated spacecraft has ever travelled.
The second Artemis mission will see four astronauts travel around the Moon on a flyby voyage around our natural satellite.
Mission duration depends on the launch date and even time. It will last between 20 to 40 days, depending on how many orbits of the Moon mission designers decide to make.
This flexibility in mission length is necessary to allow the mission to end as intended with a splashdown during daylight hours in the Pacific Ocean, off the coast of California, USA.
Two more dates are available if a launch on 29 August is not possible. The Artemis Moon mission can also be launched on 2 September and 5 September. Check all the possible launch options on ESA’s Orion blog.
Orion is the only spacecraft capable of human spaceflight outside Earth orbit and high-speed reentry from the vicinity of the Moon. More than just a crew module, Orion includes the European Service Module (ESM), the powerhouse that fuels and propels Orion.
ESM provides for all astronauts’ basic needs, such as water, oxygen, nitrogen, temperature control, power and propulsion. Much like a train engine pulls passenger carriages and supplies power, the European Service Module will take the Orion capsule to its destination and back.
Watch launch coverage on ESA Web TV starting at 12:30 CEST here. Follow @esaspaceflight for updates and live Twitter coverage.
Credits: ESA-S. Corvaja
art001e000348 (Nov. 21, 2022) – On the sixth day of the Artemis I mission, Orion’s optical navigation camera captured black-and-white images of craters on the Moon below. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew.
On Nov. 16, Orion’s solar arrays are maneuvered in preparation for the perigee raise maneuver to ensure no loads are imparted on the arrays. They are then maneuvered back to point toward the Sun following the burn by the Integrated Communications Officer, or INCO, flight controller.
This high-resolution image captures the inside of the Orion crew module on flight day one of the Artemis I mission. At left is Commander Moonikin Campos, a purposeful passenger equipped with sensors to collect data that will help scientists and engineers understand the deep-space environment for future Artemis missions. At center is the Callisto payload, a technology demonstration of voice-activated audio and video technology from Lockheed Martin in collaboration with Amazon and Cisco. Callisto could assist future astronauts on deep-space missions. Below and to the right of Callisto is the Artemis I zero-gravity indicator, astronaut Snoopy.
Shot with Canon EOS R5 and 50mm © Craig Lindsay 2025. All rights reserved.
Model: Artemis Fauna
art001e000537 (Nov. 25, 2022)—On flight day 10, NASA’s Orion spacecraft captured imagery of the Moon while in a distant retrograde orbit. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew.
Orion snapped this high-resolution selfie in space with a camera mounted on its solar array wing during a routine external inspection of the spacecraft on the third day into the Artemis I mission.
Shortly after completing the translunar injection burn on Nov. 16, a camera on the tip of Orion’s solar array wing captured this high-resolution video of the Interim Cryogenic Propulsion Stage separating from Orion.
de.wikipedia.org/wiki/Artemis_(Schiff,_1926)
© Copyright 2015, All rights reserved. Do not copy or otherwise reuse my photos.
The large bronze Zeus of Artemision, created around 460–450 BCE, is the crowning glory of the Classical period and one of the highlights in the National Archaeological Museum in Athens, Greece, and of Greek sculpture. This exceptionally rare large bronze sculpture escaped being melted down, the fate of so many other bronzes from antiquity, by being shipwrecked and only being recovered in the 1920s.
This large bronze, standing 2.09 meters (6 feet 9 inches) tall, shows a nude, powerful male with one arm extended forward and the other raised. He is about to hurl a thunderbolt, which would confirm him as Zeus, king of the Olympian gods, or a trident, which would make him Poseidon, the god of the sea.
→ For a more detailed description of the Artemision Zeus (or possibly Poseidon), see Large Bronze Sculptures from Greek Antiquity in the National Archaeological Museum in Athens.
→ The National Archaeological Museum in Athens, Greece, has a wonderful sculpture collection with around a thousand of the museum's 16,000 sculptures on permanent display. Exceptional highlights include the korai and kouroi sculptures from the archaic period and the rare large bronze sculptures from the classical and Hellenistic periods.
On the third day of the Artemis I mission, Orion maneuvered its solar arrays and captured the Moon with a camera mounted on the end of the array. The spacecraft is now halfway to the Moon.
art001e002594 (Dec. 5, 2022): The optical navigation camera mounted on the Orion spacecraft captured these views of the Moon’s surface. On flight day 20 of the Artemis I mission, the spacecraft made its second and final close approach to the Moon before its returned powered flyby burn. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew.
art001e002002 (Dec. 4, 2022) On the 19th day of the Artemis I mission, Orion captures Earth from a camera mounted on one of its solar arrays as the spacecraft prepares for the return powered flyby of the Moon on Dec. 5, when it will pass approximately 79 miles above the lunar surface.
Orion snapped this high-resolution selfie in space with a camera mounted on its solar array wing during a routine external inspection of the spacecraft on the third day into the Artemis I mission.
art001e000667 (Nov. 27, 2022) On flight day 12 of the 25.5-day Artemis I mission, a camera on the tip of one of Orion’s solar arrays captured the Earth as Orion travels in distant retrograde orbit around the Moon.
art001e000346 (Nov. 21, 2022) – On the sixth day of the Artemis I mission, Orion’s optical navigation camera captured black-and-white images of craters on the Moon below. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew.
art001m1203270350 (Nov. 23, 2022) – On the eighth day of the Artemis I mission, a camera mounted on one of Orion’s solar arrays captured the spacecraft and the Moon as it continued toward distant retrograde orbit.
art001e000539 (Nov. 26, 2022)—On flight day 11, NASA’S Orion spacecraft captured imagery looking back at the Earth from a camera mounted on one of its solar arrays. The spacecraft is currently in a distant retrograde orbit around the Moon.
(Dec. 5, 2022) Recovery teams prepare for the splashdown of Orion on Dec. 11, 2022, off the coast of San Diego, California. The spacecraft will complete its 25.5-day mission by splashing down in the Pacific Ocean, where it will be recovered by teams aboard the USS Portland.
art001e001859 (Dec. 1, 2022) Orion’s optical navigation camera captured this image of the Moon on flight day 16 of the Artemis I mission. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew.
Always fun to work with a new model and see what you can create.
With thanks to my friend Lynne who loaned me her quiver of hand-fletched arrows.
Model: artofblue_ on IG
MUA: sussanfossamakup on IG
Studio: Hudson Art Studio
Comments and constructive critique are welcome, publicly or privately.
Smugmug portfolio/prints (fantasy work)
Model Society portfolio/prints (bodyscapes / art nude)
art001m1203200651B (Nov. 16, 2022) The launch abort system was jettisoned approximately three minutes after launch of Artemis I, as captured by a camera inside the Orion crew module. Due to extensive ground testing and the absence of astronauts on Artemis I, the launch abort system was inert except to perform this jettison. During future crewed flights, launch abort system jettison will provide astronauts with their first view outside the capsule.
The Ephesian Artemis, the "great mother goddess" also mentioned in the New Testament was extremely popular in the ancient world, as we might deduce from the fact that copies of her cult statue have been excavated in many parts of the Roman Empire.
art001e002652 (Dec. 5, 2022): The optical navigation camera mounted on the Orion spacecraft captured these views of the Moon’s surface. On flight day 20 of the Artemis I mission, the spacecraft made its second and final close approach to the Moon before its returned powered flyby burn. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew.
On the fifth day of the 25.5-day Artemis I mission, a camera mounted on the tip of one of Orion’s solar array wings captured this footage of the spacecraft and the Moon as it continued to grow nearer to our lunar neighbor.
art001e002057 (Dec. 4, 2022) On flight day 19, Orion’s optical navigation camera captured this image of the full Moon as the spacecraft continued its approach toward the return powered flyby burn. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew.
NASA’s Space Launch System (SLS) rocket with the Orion spacecraft aboard is seen atop the mobile launcher at Launch Pad 39B, Friday, Nov. 11, 2022, at NASA’s Kennedy Space Center in Florida. Teams began walkdowns and inspections at the pad to assess the status of the rocket and spacecraft after the passage of Hurricane Nicole. NASA’s Artemis I flight test is the first integrated test of the agency’s deep space exploration systems: the Orion spacecraft, SLS rocket, and supporting ground systems. Launch of the uncrewed flight test is targeted for no earlier than Nov. 16 at 1:04 a.m. EST. Photo Credit: (NASA/Joel Kowsky)
The Artemis is a long range starfighter built by the Mars Corporation. Its main weapon is a high density laser beam, powered by a powerfull generator. The two thrusters of the Artemis allow it to fly up to the outer atmosphere of Mars and target objectives in low orbit.
Another build in my Mars Corporation building theme. The Artemis was my entry to the Bricklink building contest... I posted renders earlier, but finally took the time to take some pictures of the real thing.
art001e001936 (Dec. 2, 2022) A camera mounted on one of Orion’s four solar arrays captured this image of the Earth on flight day 17 of the 25.5-day Artemis I mission from a distance of more than 222,000 miles. Orion has exited the distant lunar orbit and is heading for a Dec. 11 splashdown in the Pacific Ocean.
The Bark Artemis, originally built in Norway as an election catcher, is today a traditional sailing ship under the Dutch flag. 16 cabins were installed for passengers, seven of them for three people and nine for two people. Kiel, Schleswig-Holstein, Germany. The Bark Artemis, originally built in Norway as an election catcher, is today a traditional sailing ship under the Dutch flag. 16 cabins were installed for passengers, seven of them for three persons and nine cabins for two persons. Kiel, Schleswig-Holstein, Germany
Prompt: An ultra-realistic digital fine art painting of the tall ship Bark Artemis under full sail, captured in a wide-angle horizontal composition. The ship’s towering black masts and crisp white sails billow dramatically in the wind, every rope and line of rigging rendered with meticulous high-resolution detail. The white hull glides gracefully over a rough deep blue sea, rolling with the ocean’s heavy swells, while sunlight illuminates the sails and casts subtle shadows across their textured fabric. The bow sprit extends confidently forward, and a small crowd of passengers is visible on deck, adding a sense of scale. The background features a blue daytime sky with faint storm clouds in the distance, enhancing the feeling of open-sea freedom. The overall mood is majestic and dramatic, conveying the timeless beauty and strength of a historic sailing vessel at sea.
Style: Ultra-realistic digital fine art painting
Mood: Majestic, dramatic, and adventurous
Lighting: Bright daylight with natural highlights and soft shadow play on sails
Resolution: 8K, museum-quality detail
Aspect Ratio: Wide horizontal landscape
Digital fine art was created using chatgpt Sora AI and Photoshop