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This painting, a combination of interior scene and still-life, shows Vuillard's room at Château-Rouge in Amfreville, Normandy. The house was rented for that summer, and those of 1906 and 1907, by his friends Jos and Lucy Hessel. The posy of wild flowers on the marble mantelpiece is accompanied by bottles with art works tucked behind them. Further pictures are hung on the walls and painting rags are hanging up to dry in the background.
The richly-decorated walls compete with the still-life on the mantelpiece. Yet despite this interplay between the two-and the three-dimensional, the foreshortened mantelpiece, jutting almost out of the picture, marks the artist's move to a more naturalistic approach.
On the reverse of this painting there is a rapid sketch of a woman with two dogs and two children on a beach.
Celtic Collection... inspired by the triquetra.
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By James Angus 2006 .
At first appearances this model looks like a regular full scale mock up of a Bugatti racer of the 1930s placed on its side for effect, But on closer inspection it becomes a skillful distorted representation of how a car might look if crashed ,even the rubber tyres have a distortion slew on them .
Certainly a Work of Art .
Art Gallery of NSW . Sydney .
Sculpture of artist Joan Ripollés, Escaldes, Andorra, Pyrenees
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A friend gave me a huge bag of gingham check so I altered it a bit and made a book/journal cover out of some of it.
10.9.13
Students showcase their wearable art to the University in the Great Room!
Photographer: Kara Wright '14