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FOV: 5" wide.
Frozen melted salt containing home made phosphors, baloneystonite in copperlite.
Shown under UVa light.
Key:
WL = White light (halogen + LED)
FL = Fluoresces
PHOS = Phosphorescent
BL = 450nm,
UVa = 368nm (LW), UVb = 311nm (MW), UVc = 254nm (SW)
'>' = "stimulated by:", '!' = "bright", '~' = "dim"
"Fire Serpent"
10Oct2015
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Photostream best viewed in Slideshow or Lightbox mode (in the dark).
18 Watt Triple Output UV lamp from Polman Minerals - Way Too Cool UV lamps
Γιώργος Βούρος - Ευθύμης Δημητρίου - Ερρίκος Λίτσης
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Από την θεατρική παράσταση ART της Yasmina Reza
στο θέατρο Βαφείο - Λάκης Καραλής
P40 Femme Parmi Les Fleurs/Woman Among The Flowers, c.1900.
This image is part of a Mucha-dedicated album here on Flickr. Discover over 100 high quality scans of the same quality by viewing the album this image belongs to!
Finally! I've been trapped under a mountain of rush work the last couple months, but I can finally do a piece of my own design and I'm working on some roughs on the computer. I rather like doign my roughs in photoshop lately as it allows me to move things around more easily than putting pen to paper.
The RSL club in Texas, most certainly a 1930's picture cinema originally, and a fine example. The booking office grill is inside the main doors on the left.
Made from all recycled materials. Someone made it and donated it to the Kent Recycling Center in Carmel, New York!
Vision Art album in 9x12 horizontal size. From a San Francisco wedding at St. Ignatius Catholic Church and the Cliff House restaurant.
In 1863 Degas' sister Thérèse married her first cousin Edmondo Morbilli, who lived in Naples. This majestic portrait was probably painted in 1865 during the couple's visit to Paris after the loss of a child expected in early 1864. Thérèse sits, literally and figuratively, in the shadow of her husband, and Degas contrasted her worried expression with Edmondo's attitude of self-assurance. The artist set off the subtle grays and blacks of their clothing against the simple, ocher-and-gray drapery behind them and the richly embroidered Islamic textile on the table, which recalls portraits from the Italian Renaissance.
This unfinished portrait of Degas' sister and her Neapolitan husband was in his studio at the time of his death. Notice how Thérèse's dress and shawl are undefined masses of colour. There, Degas has scraped and rubbed the paint off the canvas. The dark lines indicate changes he intended but never made. The faces, by contrast, are carefully finished, detailed and expressive. Degas hoped to capture his sitters, he said, in "familiar and typical attitudes."
[Oil on canvas, 116.5 x 88.3 cm]
gandalfsgarden.blogspot.com/2012/02/edgar-degas-edmondo-a...
The art of movement.
Thanks to ever escalating studio space charges
artists are having to use their imaginations yet again.
pen and conte, 16" x 11"
best when squinting or scaled at thumbnail. Or at least watch from various distances.
I have now started to put my photos onto canvas. As you see with the changes to make the canvas art it really brings the photo to life.
This small little town is located at the end of the world, on the southern tip of Argentina. The city center is easily traversed on foot, filled with small hotels, restaurants, shops and travel related businesses. While the air of the city is decidedly catered towards tourists, it's nice to see some local art mixed in.
Reproduction of ancient Minoan art. The ancient Minoan civilization included settlements on the pre-eruption island of Thera. Some think the colapse of the volcanic crater into the sea lead to the myth of the lost continent of Atlantis.
I had a really hard time with this Zendala Dare. The pattern felt very uneven to me and it made it difficult for me to figure out how to fill in the outer sections. Now that it is done, however, I really love it.
To see more about this Zendala Dare, and others, please visit: thebrightowl.blogspot.com/