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The artwork in the Out of Order Exhibit was created in a warehouse for a one day, one time exhibit in Santa Rosa, CA. It is colorful, inspiring, imaginative, provocative. Enjoy, but also beware.
Kiki Kogelnik (Bleiburg, January 22, 1935 - Vienna, February 1, 1997) was an Austrian painter, sculptor and printmaker. Kogelnik is considered Austria’s most important Pop-related artist, although she was known to take issue with being included in Pop art movement. During the early 1960s Kogelnik began to use life-size cutout paper stencils of her friends to produce her paintings. In later works, the human body is depicted in increasingly fragmented and manipulated form, until in the 1990s much of her work portrayed highly abstracted yet expressive faces.
[Colour screen-print, 61 x 81 cm]
gandalfsgalleymodern.blogspot.com/2011/09/kiki-kogelnik-l...
art journal l'école buissonnière sous la houlette de Françoise Melzani (http://www.couleursetmixedmedia.com/)
et Céline Carbonel (http://www.grain-de-voie.com/)
détail dans mon blog
Norman ironwork on the door of All Saints Church. The Church of England parish church of All Saints dates from the 12th century, and the clerestorey and possibly the west end of the nave survive from this period. A Norman doorway survives, although not in its original position, in the baptistery.The chancel and north transept are 13th century and the west chapel is 14th century. The north chapel is a late mediaeval Perpendicular Gothic addition[6] with 15th-century windows.All Saints has a central bell tower, which was reduced in height in 1645 after it was damaged by a cannon-ball in the English Civil War.Faringdon was fought over because it commands the road to the Radcot Bridge over the River Thames.
I found the concept art in the upper right corner on the classic space web site a couple of years ago.I dont know who made it, but it inspired me enough to build 3 lego spaceships out of it. First the VS-015 Hornet Ranger (upper left), then the VS-017 Centaur (bottom right) and finally the VS-020 Minotaur (bottom left). That last one is quite close to the drawing. It allowed me to greatly improve my skills and taught me that at these scale (50+ cm long), careful planning and clear overview of what I want to do is really important.
I say thanks to whoever did that concept art.
Madonna and Child (c.1482-83) by Francesco di Simone Ferrucci at the Virginia Museum of Fine Arts.
a collage to go as one of the backgrounds for my imagery inspired by 'the book thief' by markus zusak. it's a beautiful book.
Sid Smith (born Brooklyn, New York, 1968) is an American artist.
“My intent in creating is to have poetic expression through the physicality of painting and my sculpture. I am very much into the process of building a painting, and lose myself in the creation of my paintings. If pressed for an explanation of why I did a certain piece a certain way I would have to say I was compelled to make it that way. Colour is an integral part of my work and I consider
carefully my combinations and placement, finding inspiration in memories of things I have seen, and mood. Each piece begins as blocks and marks of colour with no concrete direction other than letting my brush and knife and colour find the canvas as they evolve along the way. I may add words, numbers, geometries and paint over them, rework them again, sand and carve through
layers to excavate them to the surface again. I try to bring my memories, emotions and desires into a physical state on the canvas and hope that some of this is conveyed through my craft to the viewer. Bringing to my work those things that we carry with us and memories of what we have left behind. Ultimately my work comes into being for my love of creating and released so that
I may keep evolving and honing my way of creating these pictures.”
[Oil on canvas, 60 x 36 inches]