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Up for grabs. First 2 people to say they want one gets one. ***GONE***I will do this again in a few days...So keep yourself in check and your eyes on my stream...
Apliqué todos los colores en los dibujos con sellos hechos a mano.
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I applied all the colors in the pictures with handmade stamps
Pop Art Hands graphic available for download at http://dryicons.com/free-graphics/preview/pop-art-hands/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
www.asianart.org/exhibitions_index/looking-east
Such a spectacular show,go see it if you can! #LookingEast
Inspired by the prompt at Year in the Life of an Art Journal. I did NOT draw that graphic, came out of a magazine :)
Alamo, also known as the Astor Place Cube or simply The Cube, is an outdoor sculpture by Bernard (Tony) Rosenthal, located on Astor Place, in the East Village, Manhattan, New York City. The cube is made of Cor-Ten steel and weighs about 1,800 pounds. The faces of the cube are not flat but have various indentations, protrusions, and ledges. The sculpture's name, Alamo, is designated on a small plaque on one corner of the base and was selected by the artist's wife because its scale and mass reminded her of the Alamo Mission. Installed in 1967 as part of the "Sculpture and the Environment" organized by the New York City Department of Cultural Affairs, the Cube was one of 25 temporary art installations that were intended to remain for a six-month period, however local residents successfully petitioned the city to keep the Alamo. Although not within its design, the Cube can be spun on its vertical axis. As the heavy Cube takes more than one person to rotate, it has become a way for friends and strangers to bond.
A recent Sunday on the prairies, the daylight East of Lethbridge AB is luminous and inspiring, I sense within my bones October's Halloween weekend will bring that initial frost, yes it's only a week away.
Often during short day trips you don't necessarily want to return back for Monday's office procedures and bland coffee. Recognizing one needs to keep their head about them, not to miss those tiny details and reoccurring thoughts you've done this before, somewhere….the composition and space just feels right, the distracting boxes have been discarded. And you might only have a few hours, or just the afternoon.
I know how quickly the white powder will appear in Alberta, and without protesting because nature has faithfully changed the rules again. Which reminds me, the history lessons our photographic experiences teach us were once hurdles we'd never imagined to jump, yet unraveling mysteries is our visual journey and responsibility.
Happy Halloween for all my Flickr friends, stay warm and cozy.
*Please VIEW large for best rural detail
**Thank You for your generous visits and comments
***Textures courtesy of Lenabem-Anna, CatHairStudios
Born in Norwich on March 31, 1910, Edward Seago, the son of Brian and Mabel, and the younger brother of John, was inextricably linked to the counties of East Anglia by virtue of his life and ancestry. Throughout his life, Seago was consistently plagued by the effects of a rare and mystifying condition of the heart, paroxysmal tachycardia, with which he was first diagnosed as a young boy of eight. Ironically, it was during the extended periods of forced leisure when the boy was rendered house-bound that he was able to realise his great passion and potential for painting. Seago later reflected upon these periods as being ‘spells of sheer delight’ as he was able to practice his precociously sensitive observation of nature and the countryside. Left to his own devices, he learned how to extract from his environment much of the subject matter for his art. After months of illness, he died in London on January 19, 1974.
gandalfsgallery.blogspot.com/2012/01/edward-seago-on-beac...