View allAll Photos Tagged APPLIED
The exhaust of the first stage of the Saturn V rocket. Taken at the Kennedy Space Center. I applied a perspective correction to it.
Made it in Explore, #344 April 28th, 2017.
Applied Dynamic Systems Inc. Model UAP-D2219a 'Sicista'
An unmanned artillery platform that can, upon request, be modified to fit a pilot in a cramped, vulnerable cockpit.
The stock load-out for the frame is a pair of independently articulated, end-effector mounted, high-V, flash capacitor driven rail guns (2Ra+d8/1B/2W).
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Built for Mobile Frame Zero - a tabletop wargame.
Mobile Frame Hangar (MFZ Community Forums).
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Pirated, poorly applied instances of my designs brought to you care of SCAmazon 1 of x (with x being a large number I'm afraid)
Some of these would be laughable if there weren't so many of them - and if they didn't mean so much work by me to issue take down notices - costing time & energy that could be better spent doing other things.
Flickr Spoonflower Discussion Group on the issues here: Copyright Issues on Amazon
And here's yet another designer grappling with the same issue of Spoonflower theft on Amazon: karapeters.design/copyright/
The irony is that Spoonflower - my publisher - hosts its designs on AWS - yet has no business-to-business relationship that could protect its investment. I guess that's the free market for you! Meanwhile Jeff Bezos buys a $114m house! Nice one Jeff!
[Poorly pirated stolen care of SCAmazon_1ofx]
No photoshop effects applied other than autocolors+autolevels...
and I'll be quite honest, I don't have a fucking clue how did this expired roll of Ektachrome turned out like this. Wish I do. It's developed in the same tank with fresh Astia that turned out normal, more or less, yet I got this crazy twist with E100GX from the same batch.
Bronnie + Kodak E100GX + Bowens Esprit
this is one of the photos that could have been featured in the exhibition "applied nostalgia".
unfortunately the commissioners did not choose it in the final editing.
these are gipsys selling stuff near the flea market in novi beograd.
Ponder Stibbon's baize-space technique makes it possible for Archchancellor Mustrum Ridcully to play billiard without cleaning his desk - and also uses 40 % of Unseen University's thinking engine Hex's rune-time.
Scene from Sir Terry Pratchett's book Going Postal - and an entry for Summer Joust 2021's High Fantasy category.
More on Cyclopic Bricks.
Striking blossom of Hippeastrum genus, Amaryllidaceae family, native to tropical and subtropical America, often known by the generic name Amaryllis, applied to bulbs from South Africa.
Applied textured By Kerstin Frank art
www.flickr.com/photos/kerstinfrank-design/7336078476/in/f...
Thank you for your visit!
Color gel effects applied to fashion model photo of the beautiful Lesha captured by Adrian of www.luminouslight.com
HOW IS THIS DONE??
If you would like to learn how to do this color gel effect in Photoshop using just a black and white photo and adding color effects, pre-subscribe to my new YOUTUBE channel called Secrets to Amazing Photos at this location ... @secretstoamazingphotos
New videos coming shortly showing many different effects.
Truck: Renault Range T High 520 Evolution (by Gloover)
Trailer: Ekeri L3 stepframe trailer (by kast)
Moon rock describes rock that is found on the Earth's moon. The term is also loosely applied to other lunar materials collected during the course of human exploration of the Moon.
Rocks collected from the Moon have been measured by radiometric dating techniques. They range in age from about 3.16 billion years old for the basaltic samples derived from the lunar maria, up to about 4.5 billion years old for rocks derived from the highlands. Based on the age dating technique of "crater counting," the youngest basaltic eruptions are believed to have occurred about 1.2 billion years ago, but scientists do not possess samples of these lavas. In contrast, the oldest ages of rocks from the Earth are between 3.8 and 4.28 billion years old.
There are currently three sources of Moon rocks on Earth: 1) those collected by US Apollo missions; 2) samples returned by the Soviet Union Luna missions; and 3) rocks that were ejected naturally from the lunar surface by cratering events and subsequently fell to Earth as lunar meteorites. During the six Apollo surface excursions, 2,415 samples weighing 382 kg (842 lb) were collected, the majority by Apollo 15, 16, and 17. The three Luna spacecraft returned with an additional 0.32 kg (0.7 lb) of samples. Since 1980, over 120 lunar meteorites representing about 60 different meteorite fall events (none witnessed) have been collected on Earth, with a total mass of over 48 kg (105.8 lb). About one third of these were discovered by US and Japanese teams searching for Antarctic meteorites (e.g., ANSMET), with most of the remainder having been discovered by collectors in the desert regions of northern Africa and Oman.
Almost all lunar rocks are depleted in volatiles and are completely lacking in hydrated minerals common in Earth rocks. In some regards, lunar rocks are closely related to Earth's rocks in their isotopic composition of the element oxygen. The Apollo moon rocks were collected using a variety of tools, including hammers, rakes, scoops, tongs, and core tubes. Most were photographed prior to collection to record the condition in which they were found. They were placed inside sample bags and then a Special Environmental Sample Container for return to the Earth to protect them from contamination. In contrast to the Earth, large portions of the lunar crust appear to be composed of rocks with high concentrations of the mineral anorthite. The mare basalts have relatively high iron values. Furthermore, some of the mare basalts have very high levels of titanium (in the form of ilmenite).
Lunar Sample 76015
"Sometimes, when you don't ask questions, it's not because you are afraid that someone will lie to your face. It's because you're afraid they'll tell you the truth."
-Jodi Picoult
At the Christopher Street Day in Frankfurt last july.
Oh, I remember now, this picture was taken with my Pentax MX and SMC pentax 50mm f/2, Fomapan 400 in Rodinal 1+50 for ~12min @ 20°C and digitalized using kit zoom and extension tubes.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
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I make myself a rule of publishing only pictures I honestly think their subjects would like. However, if you'd rather not see yourself here, let me know and I'll remove the image from my stream.
S. Turribi
Graphite on paper
CORSO DI DISEGNO E PITTURA
miminadecorazioni.blogspot.com/
Applied front tilt to get the stones in the foreground and the building in the background in focus. Averaged spot metering gave 2 seconds, so exposed for 5s to account for reciprocity failure.
Intrepid Camera 4x5 Mk 5 | Schneider-Kreuznach 150mm F5.6 Symmar S | Fomapan 100 100
Digitized with Nikon Z7 / 60mm Micro Nikkor / Negative Supply Pro Riser MK3 | Raleno LED Light Panel | Glass Sheets
Home developed in 510 Pyro 1:100 | 7m at 20c | Ilford Standard Agitaion
Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None
www.gooisemereninformatie.nl/naarden-menu/grote-sint-vitu...
In the Grote Kerk in Naarden there are 27 church paintings on the vault of the central nave in large dimensions, which were once applied to the white wood with glue paint.
The images represent the Last Judgment and scenes from the life of Jesus. On the other hand, there are ten representations from the Old Testament. P1310641
The performances are therefore based on scenes from the Old and New Testament and were largely based on woodcuts by Albrecht Dürer and work by Jacob Cornelisz.
The beams, carvings and styles were painted in watercolor, with ornaments, weapons and attributes. The scenes, placed high above the church building, were set in elegantly executed edges with a late Gothic character.
This corresponded to the vault paintings in the St. Laurenskerk in Alkmaar. Most of the performances included the weapons of the guilds or of persons who had originally donated them.
A painting of a church of this size was rare in the Netherlands and the work was, in view of the age and wars it had experienced, even in reasonable condition before the restoration.
Buys van Oostsanen
The 27 ceiling paintings were probably made in the early sixteenth century by a group of artists around Jacob Cornelisz (Buys) van Oostsanen. Monogram of the painter of the vaults
Van Oostsanen (1475-1533), born, as the name already says in Oostzaan, settled in Amsterdam in 1500 and bought there, with an interval of twenty years, two houses in the Kalverstraat.
His workshop included paintings, glass paintings and church vestments. In addition, Van Oostsanen and his employees carried out vault paintings in the large churches of Naarden, Alkmaar and Hoorn. Van Oostsanen died in 1533.
Importance of the paintings
The dating of the paintings in the Grote Kerk in Naarden was derived from the Count's Crown. One of the images featured the coat of arms of Charles the Fifth, who was elected emperor in 1519, so the paintings have to be dated earlier. Part of a vault painting
According to authorities in this field, the paintings were the most complete and intact series on a barrel vault that had been handed down in a church in the Netherlands.
Of the church paintings, the painter J.A. de Rijk, later professor at the R.K. Seminar "Hageveld", made accurate and fairly detailed drawings, which were exhibited at the exhibition of Gooise antiquities in 1882 and which were taken over by the Dutch Society of Liberal Arts and Sciences.
The fact that the sketches were on display was due to the efforts of First Lieutenant Adjutant of Artillery, A.N.J. Fabius.
Presentation of the images (general)
The vault of the choir abbits, in figures of two or three times the size of man, represents the Last Judgment. This is the end of the whole and the end, to which all other ideas lead.
On the north side are scenes from the life of the Saviors:
The fear of the Lord in the Olive Garden - David and the Mount of Olives
The betrayal of Judas - kisses of men
The Flagellation of the Lord - Chastisement
The derision of the soldiers - taunting Elisha
The carrying of the cross - Isaac carrying the wood of sacrifice on his shoulders
The Crucifixion - Copper serpent in the desert
The Entombment - Jonas Devoured by a Sea Monster
The Resurrection - Simon who carried the gate of Gaza on his back
Ascension - Ascension of the prophet Elias to heaven
The Descent of the Holy Spirit - Declaration of the Ten Commandments on Sinai
The Last Judgment is directly in line with this. Opposite these ten scenes, in equal dimensions, on the other, or east side, are ten representations from the Old Testament, pre-depictions of the aforementioned. P1310622
Most of the scenes still included the weapons of the guilds or of special persons who had donated them. Some paintings depicted patron saints: Our Lady, the apostles Peter and Paul, St. George with the dragon, St. Sebastian and St. Hubert.
On one of the beams of the ceiling paintings was the following verse: "If one wrote 1618 sach. In May the 20th day, Do it was written here. God protects this church from any dangier."
It is wrongly thought that the ceiling paintings would not have been completed until 1618, but it is possible that the verse was from a visitor to the church. P1310105
The choir polygon consisted of five subjects. Over the centuries, these have suffered a lot from over- or additional paintings.
The Last Judgment was presented here. In the center sat Christ, flanked by trumpet angels.
The dead came down from their graves below. The northern polygon area was filled by a very beautifully executed angel, the southern one by devils and demons.
Excerpt from www.achives.syr.edu/buildings: Designed by Gaggin and Gaggin, and built in 1902 at at cost of $75,000 in Ohio sandstone, it was named after Lyman C. Smith, typewriter pioneer and president of L.C. Smith & Brothers Typewriter Company; Board of Trustees, 1896-1910.
HILL COUNTRY
"Hill Country" is a vernacular term applied to a region including all or part of twenty-five counties near the geographical center of Texas. In the geomorphological sense, the Hill Country represents in large part a dissected plateau surface. It is bordered on the east and south by the Balcones Escarpment, on the west by the relatively undissected Edwards Plateau, and on the north by rolling plains and prairies. The elevations range from less than 1000 feet in the south and eastern areas of the Hill Country and generally rise toward the north and west to reach more than 2500 feet in Schleicher and Kerr counties, with most areas ranging between 1400 and 2200 feet. Lying in the transition zone between humid and semiarid climates, the Hill Country experiences both wet and dry years; at Fredericksburg eleven inches of precipitation was recorded in 1956 and forty-one inches the next year. The vegetation originally consisted of a parklike, open forest dominated by several types of oak, giving way in places to expanses of shinnery, to prairie, or to dense juniper (colloquially called cedar) brakes. Both mesquites and junipers have expanded as the environment has been disturbed. In the cultural sense the Hill Country has been a meeting ground of Indian, Spaniard, Mexican, hill southern Anglo, and northern European. The Apaches and their successors, the Comanches, left little imprint but did retard Spanish colonial activities in the region. As early as 1860 the partition of the Hill Country between the two groups that were to dominate it—hill southern Anglos and Germans—had been accomplished.
Between 1840 and 1850 significant numbers of settlers, mostly southern mountaineers, had been attracted to the Hill Country, particularly to Williamson, Hays, Comal, and Gillespie counties. Settlers from the mountain states of Tennessee, Arkansas, and Missouri composed the largest nativity groups within the rural, immigrant, Anglo-American population of these counties. The initial settlement of the remaining Hill Country counties occurred in the decade before the outbreak of the Civil War, as migration into the hills continued on a larger scale. According to a count of the 1860 manuscript census the leading states of origin for the Anglo-American population were still Arkansas and Tennessee. In the 1880 census the trend remained the same, supporting the claim that migration from the Ozark, Ouachita, and Appalachian states was largely responsible for the settlement of the Hill Country.
But the southern mountaineers were not solely responsible for the peopling of the Hill Country. Germans, mainly hill Hessians and Lower Saxons, introduced in the middle 1840s by the Society of Nobles (see ADELSVEREIN), occupied a corridor stretching 100 miles northwestward from New Braunfels and San Antonio through Fredericksburg as far as Mason, along the axis of an old Indian route known as the Pinta Trail, later called the Upper Emigrant Road. The towns of Fredericksburg, Comfort, Boerne, and Mason all bear a strong German cultural imprint, as do numerous neighboring hamlets and farms. By 1870 the population of Gillespie County was 86 percent German, Comal 79 percent, Kendall 62 percent, and Mason 56 percent. Each river valley in the German-settled portion of the Hill Country developed its own distinctive subculture, particularly in the religious sense. The Pedernales valley in Gillespie County is a Lutheran-Catholic enclave abounding in dance halls and ethnic clubs; the Llano valley in Mason and western Llano counties is dominated by German Methodists, who avoid dancing, drinking, and card playing; and the Guadalupe valley of Kendall County is the domain of freethinkers who maintain the only rural stronghold of agnosticism in Texas. Other European groups in the Hill Country include Silesian Poles, who settled at Bandera in the 1850s; Alsatians, who spread up from the Castroville area, following streams such as Hondo Creek; and Britishers, who came as sheepraisers to Kerr and Kendall counties. Blacks are largely absent in the Hill Country, though a few tiny freedmen colonies, such as Payton Colony in Blanco County, occur. Hispanics form a relatively small minority throughout the Hill Country.
In the late 1970s a study was made to determine the extent and intensity of the Hill Country as a perceptual region. Almost three-quarters of the people in the region so designated identified "Hill Country" as the popular name for the area
I applied for the photography club at school today. The club is supposed to be somewhat exclusive, so it's just a waiting game to see if I will be accepted!
I will miss my dog, Bebe, and the others when I leave. Only a few more days to go until summer vacation comes to a close.
Applied the in-camera upscaling feature of R1.
R1のカメラ内アップスケーリング機能を適用しました。
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✈️RWY34R↗ - N876AL🇺🇸 - Boeing 787-8 Dreamliner - American Airlines - AA170(HND-LAX)
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✨Taken at Haneda airport terminal 2 on Jan. 1st, 2025, 13:22
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📷Canon EOS R1
🔭EF500mm F4L IS II USM + EF1.4×III (700mm)
⚙️MANUAL・F5.6・1/1250th・-0.67EV・ISO100(AUTO)
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Having had the outstanding vinyls applied in the morning at Northfleet Garage onto its recently applied 1970s London Country Bus Services green, Arriva Kent Thameside 4301 GN15 CWX was pushed into service during the afternoon and made a rare single round trip on former LCBS route 423 from Dartford to New Ash Green.
Seen here in some nice evening sunlight, 4301 waits to pull out of Hill Rise into Green Street Green Road, Lane End whilst working route 423. Monday 14th September 2020.
Due to this being a Fastrack dedicated vehicle it does not have the full selection of routes installed so unfortunately had to display "Special Service".
Wrightbus Micro Hybrid StreetLite DF 11.5m MAX
Bruno applied to be part of the polar bear impersonator club. They said he just needed to work on his ears.
And yes, he is wearing a collar, it's just hidden behind his developing adult coat.
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Part of my studio 26 DOF set, using shallow aperture to melt the details on the snow behind him.
One of My Favorite HairStyles BIGBLEACHEDBLONDE Of course i Applied Lots of SuperHold Hairspray. The fragrance of the Hairspray was intoxicating mmmm.
Applied the Orton effect to a cloud shot from my archives. Passing clouds at sunset following a storm.
Wearing the 'Thank You NHS' branding applied to a few ROG duffs, ex-Riviera 47848 is een leading London Overground unit 710277 (between T4 translator vehicles 6378 & 6379) with DRS hire-in 57301 'Goliath' on the rear. They worked the 5Q58 Derby Litchurch Lane C&W (Bombardier works) to Old Dalby, seen at Raynesway to the east of Derby on 05/05/20 during today's bike ride.
Metra 405 pauses at Lake Forest in its recently-applied Milwaukee Road paint on January 10, 2019. Shot with two off camera SB-800's on my way to a hockey game; there's room for improvement, especially with a little more pre-planning. Of course, he had to stop in front of the most visible part of the fence, and a couple more lights mounted on stands would have helped.
Applied Dynamic Systems Inc. Model CEP-D410 'Fredo’
Channeling Fredoichi’s MEJ-H80 ‘Sniper Droid’ (flic.kr/p/5dSoJs) and Tēsatsu - Recon Runner (flic.kr/p/7JHRiF) with the addition of big shouty guns in keeping with the traditional MFZ aesthetic.
Aeres University of Applied Sciences (Food, Nature & Urban Green) Almere
At the start of the 21/22 academic year, the new building of the green education and knowledge institution Aeres Hogeschool Almere was taken into use on one of the main roads to Floriade Expo 2022. A healthy, inspiring working and learning environment in an energy-neutral, climate-adaptive and circular building. The design reflects both the sustainable identity of the education of the faculty in Almere and the central theme of the upcoming world horticultural exhibition: 'Growing Green Cities'. 'Green' is therefore an important building block for the new building with different types of green walls, plants and trees, moves through the building like a landscape, from entrance to roof. The greenery stimulates the senses and, as part of the living lab, also has an educational value; students in Almere conduct research into urban food supplies and healthy living in the green city and into the way in which greenery in the school contributes to learning performance.
Aeres is the first school in the Netherlands to go for the Platinum WELL certificate. The abundant living greenery itself has many positive effects on the indoor climate. In addition, other relevant factors such as daylight, ventilation, thermal comfort, acoustics, movement and the use of non-toxic materials have also been optimized. Users can control their own lighting, climate and sun protection for each room. Building performance is continuously monitored and controlled by an intelligent building management system. The inspiring interior is also a translation of the educational vision and sustainability ambitions. The functional and varied mix of learning, working and consultation spaces facilitates activity-oriented education, research and project-based and individual work.
The new Aeres University of Applied Sciences is a smart energetic building with smart skin; Depending on the position and orientation, the facades have different properties. For example, PV panels on the west side also provide solar shading in addition to generating energy. The east side, oriented towards the tree garden of the Floriade site, is completely green and changes color with the seasons. The lively nature-inclusive green roof is both a pleasant living space and an inspiring learning and experimental area. A shaded roof of semi-transparent PV panels protects the students from the sun and reduces the heat in the school. Collected rainwater also serves as a heat/cooling buffer and provides watering for the greenery on and around the building. This saves 50% tap water. In keeping with the sustainable ambitions for the new university of applied sciences, we have incorporated various circular materials into the building, such as biocomposite facade cladding, concrete granulate, recycled wood for the grandstand stairs, decking and outdoor furniture and recycled metal studs for the inner walls. In turn, the demountable design itself enables future reuse of materials registered with Madaster.
client: Aeres Group; design: BDG Architects; advisors: HEVO (project management); DGMR (building physics/acoustics and fire); JVZ Engineers (constructions); Innax (installations); The Royal Ginkel Group (green) realization: 2021