View allAll Photos Tagged ALBUMS!
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By the time I encountered the Raritan River RR it had been absorbed by Conrail. The train has just crossed the Raritan River and is passing Essay tower.
La Polygonia C-album o Vanessa C-bianco, deve il suo nome al curioso disegno bianco, a forma di C, nella pagina inferiore delle ali che si presentano con bordi fortemente frastagliati.
La pagina superiore è invece più vistosa: il fondo è di colore arancione acceso con chiazze bruno-nerastre e fascia marginale più scura.
L' apertura alare si aggira intorno ai 4-5 centimetri.
Ad ali chiuse assomiglia ad una foglia secca e in questo modo la farfalla si mimetizza facilmente tra la vegetazione difendendosi dai predatori.
{Fantasy World} - Album "My Love"
silver - blue gems
Delight a close friend with a gift . We offer you to plunge into a wonderful fairy tale. A book with animated glitter . A voluminous heart on the background of an oak tree. Decorate the book with your photo and write your wishes to make it personalized.
2 Land Impact
This set includes :
◊ Book
◊ Free space on the card to write your words
◊ 3 textures ( with options , if you don't want to write , you can choose )
◊ A shadow map for your photo
◊ Instruction Manual
The album is designed with a picture of a rabbit (in case you don't want to put the picture yourself). Sold in two versions copy and transfer
maps.secondlife.com/secondlife/Plush%20Tau/94/201/22
Be sure to purchase at the discounted sale!
A commuter train was headed for San Jose with SP's Bicentennial GP40P on the point. The view is from Bayshore Boulevard.
I brought along my plastic fantastic FPP Debonair camera for my recent shoot with my niece. This is a photo of her and her friend, taken on expired (2009) Kodak Plus-X. Developed in D-76 1:1, mixed 09/21.
The concept was a quirky pop duo album cover where neither was smiling or looking directly at the camera. I tried to explain it by invoking She & Him, but neither 14 year old knew who I was talking about. It's OK, though, because I was able to create something more or less like I'd envisioned, and they were happy to play along.
Was a huge Neil Diamond fan as a teenager. I couldn't resist using this for August.
1. Hot August Night
Ihr dürft natürlich gerne Teilen, kommentieren, konstruktiv kritisieren und Folgen.
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Le Gui, Viscum album, est une espèce de plantes parasites, qui ne possède pas de racines mais se fixe sur un arbre hôte dont elle absorbe la sève à travers un ou des suçoirs. Il s'agit d’un sous-arbrisseau de la famille des Santalaceae.
Add me as a friend for an invite to my group Robertas Gurlfriends Lobby. Over 20,000 members, all welcome. See profile for more info. By all means invite photo to your groups.
Da ich mittlerweile zu viele Alben offen habe, mach ich an der Stelle dieses Album einfach mal zu. Da ich aber die Fotos Euch nicht vorenthalten möchte, werden die noch eben fix ohne viel Liebe veröffentlich.
Ihr dürft natürlich gerne Teilen, kommentieren, konstruktiv kritisieren und Folgen.
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#Manoir à la #Verrière #Château #Lumiere #Castle #France #Marode #UrbanExploration #Urbex #urbandecay #Urban #Lost #Place #lostplaces #decaying
#decay #derelict #discarded #oblivion #Old #Abandoned #aufgegeben #Alt #Forgotten #Vergessen #verlassen #BastART #VandalenSindIdioten
Ruth's Album
Album created by my Grandfather Carl for his daughter, Ruth.
This picture is inscribed "Whirligig Ruth" - to which I can only say: "That she was." She was my Mother.
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"Listen in the wind to the sighing of the bush:
This is the ancestors breathing.
Those who are dead are never gone;
The dead are not down in the earth:
They are in the trembling of the trees,
In the groaning of the woods,
In the water that runs, in the water that sleeps."
-traditional saying from Senegal
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“We plan our lives according to a dream that came to us in our childhood, and we find that life alters our plans. And yet, at the end, from a rare height, we also see that our dream was our fate. It's just that providence had other ideas as to how we would get there. Destiny plans a different route, or turns the dream around, as if it were a riddle, and fulfills the dream in ways we couldn't have expected.”
Ben Okri
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I am rereading Carl Jung's "Memories Dreams and Reflections" which had a profound influence on me as a 20-something year old and continues to illuminate.
"When I was working on the stone tablets, I became aware of the fateful links between me and my ancestors. I feel very strongly that I am under the influence of things or questions which were left incomplete and unanswered by my parents and grandparents and more distant ancestors. It often seems as if there were an impersonal karma within a family, which is passed on from parents to children. It has always seemed to me that I had to answer questions which fate had posed to my forefathers, and which had not yet been answered, or as if I had to complete, or perhaps continue, things which previous ages had left unfinished. It is difficult to determine whether these questions are more of a personal or more of a general (collective) nature. It seems to me that the latter is the case. A collective problem, if not recognized as such, always appears as a personal problem, and in individual cases may give the impression that something is out of order in the realm of the personal psyche. The personal sphere is indeed disturbed, but such disturbances need not be primary; they may well be secondary, the consequence of an insupportable change in the social atmosphere. The cause of disturbance is, therefore, not to be sought in the personal surroundings, but rather in the collective situation. Psychotherapy has hitherto taken this matter far too little into account.
Our souls as well as our bodies are composed of individual elements which were all already present in the ranks of our ancestors. The “newness” in the individual psyche is an endlessly varied recombination of age-old components. Body and soul therefore have an intensely historical character and find no proper place in what is new, in things that have just come into being. That is to say, our ancestral components are only partly at home in such things. We are very far from having finished completely with the Middle Ages, classical antiquity, and primitivity, as our modern psyches pretend. Nevertheless, we have plunged down a cataract of progress which sweeps us on into the future with ever wilder violence the farther it takes us from our roots. Once the past has been breached, it is usually annihilated, and there is no stopping the forward motion. But it is precisely the loss of connection with the past, our uprootedness, which has given rise to the “discontents” of civilization and to such a flurry and haste that we live more in the future and its chimerical promises of a golden age than in the present, with which our whole evolutionary background has not yet caught up. We rush impetuously into novelty, driven by a mounting sense of insufficiency, dissatisfaction, and restlessness. We no longer live on what we have, but on promises, no longer in the light of the present day, but in the darkness of the future, which, we expect, will at last bring the proper sunrise. We refuse to recognize that everything better is purchased at the price of something worse; that, for example, the hope of greater freedom is canceled out by increased enslavement to the state, not to speak of the terrible perils to which the most brilliant discoveries of science expose us. The less we understand of what our fathers and forefathers sought, the less we understand ourselves, and thus we help with all our might to rob the individual of his roots and his guiding instincts, so that he becomes a particle in the mass, ruled only by what Nietzsche called the spirit of gravity."
[Alive On All Channels archive]
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