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Allows personnel, material and equipment to move safely inside your kiln
1.5M (5 feet) of portable protection designed & certified by a professional engineer.
Rated for 114kg (250lbs) dropped from 60 cm (24 in) with a 3:1 safety
factor.
Used for small patch work
There are two standard sizes; custom sizes can also be supplied
The frames have legs which are easily adjusted for varying or uneven terrain (adjusts 24" / 61 cm)
A lightweight, easily assembled Safety Inspection Cage
Designed to be carried along while measuring, removing, and installing refractory
Easily carried by 2 people using flip-up handles attached to a safety gate.
Shoulder harness is standard for increased stability.
Access ladder to bridge pier, Clark Memorial Bridge, U.S. 60, Tennesee River, Ledbetter, Kentucky. Downstream side of bridge at Livingston County portal.
This is a photograph from the 5th annual Craughwell 10 Mile Road Race which took place in Craughwell Village, Co. Galway, Ireland on Sunday 23rd March 2014 at 13:00. The 'Craughwell 10' has grown quickly to become not just one of Connaught's best known and attended road races but one of Ireland's best road races. Rather uniquely for road races in Ireland today the Craughwell 10 Mile road race offers a fully traffic free route for participants. The fast primarily flat course brings participants on the network of rural country roads to the west of Craughwell village. This year's event attracted a record number of over 650 participants building on the 600+ finishers from last year's race (results available below).
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
Results are available on RedTagTiming's website www.redtagtiming.com who provided the chip timing for the event.
Our photographs from the Craughwell 10 2014 are available on our Flickr photostream at: www.flickr.com/photos/peterm7/sets/72157642744431035/
You are also likely to find photographs from the race from edenhill77 at www.flickr.com/photos/edenhill77/sets/
The organisation team of Craughwell AC and a huge team of volunteers from the local community deserve great praise and congratulations on the excellent work that they put into making the Craughwell 10 such an outstanding success. A race of this size is a mammoth undertaking and it's flawless organisation is a tribute to the volunteer work behind the scenes.
Route Description
The race starts in Craughwell Village and then heads west on country roads. The route takes a right turn after 1KM and heads north towards Caheradine. The route then takes a left and heads west again towards the N18. After 4 miles the race takes another left (goo.gl/maps/khTi4) heading south. Just before 6 miles another left turn brings the race back towards Craughwell village. This leaves the runners with a straight run to the finish area from here and the finish in the Primary School. There was a stiff cold breeze at different parts of the course but for the most part there was good stretches of tail winds also. There were water stations at two points in the course.
The AAI County Galway 10 mile Road Race Championships took place in conjunction with the race today which ensured that there was great competition amongst Co. Galway based clubs at all categories.
The spread of refreshments after the race was incredible. Every taste was catered for. The organisers were thoughtful enough to include a wide range of gluten free goodies for participants after the race.
Useful Web Links
Where is Craughwell? (OpenStreetMap): www.openstreetmap.org/?mlat=53.2261&mlon=-8.7331&...
Where is Craughwell? (Google Maps): goo.gl/maps/vfIia
Craughwell 10 Mile - Race Headquarters at the National School (Google StreetView) goo.gl/maps/nTr5F
Craughwell 10 Mile Route on MapMyRun: www.mapmyrun.com/sc/victoria-english-river/craughwell-10-...
Craughwell 10 Mile Route on Garmin Connect: connect.garmin.com/jsPlayer/27008273
Craughwell 10 Mile Facebook Event Page www.facebook.com/events/1426933890856519/?ref=22 (requires Facebook logon and access)
Craughwell 10 Mile 2014: Results www.redtagtiming.com/results/Craughwell10_2014.pdf
Results from previous years.
2013: Results: www.redtagtiming.com/results/Craughwell10_2013.pdf
2012: www.redtagtiming.com/results/Craughwell_10Mile_2012.pdf
Photographs from previous years by edenhill77
2012: www.flickr.com/photos/edenhill77/sets/72157629283834474/
2012: www.flickr.com/photos/edenhill77/sets/72157629267117098/
2011 www.flickr.com/photos/edenhill77/sets/72157626365451542/
2011: www.flickr.com/photos/edenhill77/sets/72157626387107196/
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Photo credit: Katrina Charles/REACH
If you use one of our photos, please credit it accordingly and let us know. You can reach us via Flickr or at reach@water.ox.ac.uk
Participants during the session "Achieving Energy Access" at the World Economic Forum - AMNC 17, Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Ciaran McCrickard
How to integrate Google Calendar in Linux desktop
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
Alec Finlay
Monday 4 - Thursday 7 November, 10:00am - 4:00pm
Various Locations
Across Dundee
NEoN is bringing the Travelling Gallery to town, Day of Access exhibition will pop up in various locations across the city.
Travelling Gallery is delighted to be working with Alec Finlay to support Day of Access, a powerful campaign which encourages estates to open their land to allow access for people affected by disability. By using hill tracks and four-wheel drives, people who have never been able to immerse themselves in wild nature are driven into the heart Scotland’s beautiful wild landscape.
The Day of Access campaign passionately believes that everyone should have the opportunity to experience wild nature. Travelling Gallery will act as the campaign bus touring Day of Access across Scotland; presenting information and artworks and allowing a space for discussions. Documentation from the pilot Day of Access, including work by young photographer Sam McDiarmid, will be exhibited in an art installation created by Finlay.
The themes of disability, access and ecological remediation are explored in Finlay’s poems and artwork. Pages from books exploring illness, pain, walking and healing, including A View from the Front Line by Maggie Keswick Jencks, are used as paper for thoughtful drawings and commanding words “THERE CAN NEVER BE AN EXCESS OF ACCESS”.
Alongside his own work Alec has invited other artists and poets to exhibit including Hannah Devereaux, Alison Lloyd, Ken Cockburn and Mhairi Law; each bringing their own creativity and experience to the project. The work is collaboratively displayed like a scrap book or diary pinned on a garden trellis, alongside other domestic apparatus and soft furnishings, such as blankets, a clothes horse, and hankies.
About the Artist:
Alec Finlay (Scotland, 1966) is an internationally-recognised artist and poet whose work crosses over a range of media and forms. Much of Finlay’s work considers how we as a culture, or cultures, relate to landscape and ecology. Through permanent and temporary interventions, integrative web-based projects, and publications, Finlay weaves together generous experiential works, often collaborative, sometimes mapped directly onto the landscape, embedded socially or accessed online. Recently Finlay’s work has focussed on place-awareness and ecopoetics.
Tour dates in Dundee:
Monday 4 November, 10:00am-4:00pm
Boomerang Community Centre, 10 Kemback St, Dundee DD4 6ET
Tuesday 5 November, 10:00am-4:00pm
Morrisons, 1 Afton Way, Dundee,DD4 8BR
Wednesday 6 November, 10:00am-4:00pm, please note the gallery will be closed to the public on this day.
Baldragon Academy, 69 Harestane Rd, Dundee DD3 0LF
Thursday 7 November, 11:00am-9:00pm
Wellgate Centre Main Entrance on Panmure Street
Access for visitors:
A maximum of 20 people can visit at one time
The doors are at the front left-hand side of the vehicle
An inbuilt manual ramp is available to aid access for wheelchair users* and pushchairs
Handrails are available at the doorway and by the short internal gradient at the entrance to the gallery (1:9)
The interior of the gallery is level
* Wheelchairs up to 120cm long and 70cm wide
Photography Kathryn Rattray
Beyond Access Member teams representing twelve countries in Asia and Europe gathered in Indonesia to share their successes, challenges, and visions about the role of modern libraries in their communities. Participants came from vastly different countries in terms of culture, level of development, and political environment. Yet they shared many of the same challenges, and more importantly, they shared a commitment to the role libraries play in their communities.
Rope Access - Fan Installation for Transfield Service in Lane Cove Tunnel. For more information go to www.rigcomaccess.com/ropeaccess.html
Throughout Africa, public libraries are promoting social and economic development in their communities through financial literacy workshops, ICT training for women, health classes, programs for children, and more.
Representatives from some of those libraries — from nine countries throughout Africa and Europe — came to the Beyond Access event in Cape Town, South Africa to build partnerships and exchange ideas on how libraries can drive development.
Bert Barriga, a member of the Philippines team, shares his experience from the Beyond Access 2012 with officials from the Davao City government.
Access Iowa City with Access 2 Independence discussing Disability Employment Awareness Month with guest, Ross Taylor.
To watch the video visit: www.patv.tv
Another building at that place on the hill I'm not supposed to talk about.
Night, full moon, 2 minutes@f5.6, natural flashlight, red-gelled strobe flash, sodium vapor light.
Reprocessed and replaced, May 2023.
Von On demand bis Open Access?
Science Content Digital
Podiumsdiskussion
Dr. Sven Fund (De Gruyter)
Dr. Angelika Lex (Elsevier)
Dr. Dirk Palm (Moderator)
Dr. Ulrich Hermann (Wolters Kluwer)
Dr. Christine Autenrieth (Akademie Verlag)
Bibliotheksdatenbanken, Netzwerklösungen und andere Contentplattformen - Einfacher und schneller Zugriff auf digitale Inhalte ist das A und O für die Kunden von Wissenschaftsverlagen.
Wie können Verlage Bibliotheken und Universitäten mit Contentplattformen echten Mehrwert bieten?
Wie können solche Lösungen aussehen?
Und welche Geschäftsmodelle funktionieren?
Moderation: Dr. Dirk Palm
Frankfurter Buchmesse 2011
Mind's Eye: Art-Making Workshop with Jessica Jones
Wednesday, August 14, 2013
5th Ave at 89th St
New York City
Visitors with low vision and blindness experimented with paper and collaborated to make group sculptures. This special workshop was led by Jessica Jones, artist and teacher at the Lavelle School for the Blind and leading figure in Joe Lovett’s groundbreaking film, Going Blind.
Photo: Filip Wolak
Learn more about Guggenheim Mind's Eye Programs at www.guggenheim.org/mindseye
On Wednesday, July 15, 2015 NYC DOT Commissioner Polly Trottenberg and NYC MOPD Commissioner Victor Calise hosted the 3rd Annual Access to Independence Transportation Expo in NYC! Joined by Commissioner Meera Joshi of the NYC Taxi & Limousine Commission, Council Member Ydanis Rodriguez, the event celebrated the 25th anniversary of the Americans with Disabilities Act.
Learn more here on.nyc.gov/1Jis3hx
✨ ACCESS MAY 12-JUNE 8 ✨
HAIR : .NONNATIVE - KARLEE HAIRSTYLE
Outfit : MASOOM: Spoiled Cutie
The round of ACCESS is now officially open - and we’re excited to welcome you!
MAIN EVENT LOCATION:
maps.secondlife.com/secondlife/ACCESS/23/125/1001
This photo edited by PS & AI
This is the moment that Fox will lie about. Rioters breaking windows, doors and gaining access to a closed capitol.
I arrived at the capitol at about 6:50pm. You could hear the protesters 2 blocks away yelling "Shame" and "Let us in!" I make my way up to the King St entrance and I'm there all of about 2 minutes when it falls silent instantly. Everybody is listening intently to something and it's soon made known that some republicans are trying to leave the building, so people start going to many different exits to block them and I head over to the main MLK street entrance that I believe is the governors office, but I could be wrong on that, along with a huge flow of other people. There's a stream of people milling around and chanting so I make my way up the steps to the second floor entrance where there's a large crowd shouting "Shame!" I push closer and closer and there's a wall of police blocking the doors. We keep thinking they're about to escort someone out, but it never happens. Finally some police form a single file line and march out, but the doors are still locked with police on the inside looking out.
Meanwhile, I've pushed up to about 2 people behind the doors when all of a sudden, a window to the left of me beside the doors opens up and there's a woman waving people to come in quickly. The window leads into a bathroom. People look around in amazement and wonder what this is all about. The woman again motions for people to get in here. So the most amazing thing happens. A bunch of people press up against the main doors and use their signs to block the view of the open window that people are now filing into. I start firing off pictures, which is what you see above. About 10 seconds pass and I'm wondering if I have a chance of getting in. All sorts of complications are running through my head. A: it's been made illegal as of last week to enter after 6. B: is it a trick? C: The cops have gotta see this and are probably right inside there where I can't see. D: But what is inside? This is the start! GO!
I decide I might not have another chance. I hop through. No sooner than I make it to the door of the bathroom that I am met with police. Oh crap is all I can think. However, it immediately reminds me of a college beer party bust. They weren't even looking at me. They were trying desperately to push past me to get to the window while I was trying to push past them to get in through the door. In the moment of confusion I realized I wasn't going to be in any danger since it was clear all they wanted was to shut the window and stop the flow of people coming in. So I just flattened against the door frame to let the 3 get past me and then I proceeded to get into the hallway.
I can a lot of cheering inside and it turns out there were a couple hundred inside still from before the capitol closed for the night that hadn't left. And this, of course, is when it got interesting. A couple more times huge roars would erupt as a dozen or so people come running in from different hallways. There must be more sneaking in. After about 10 minutes chants of "Let Them In!" began. After only a minute or so, it fell silent and a handful of people ran to the west exit. Another moment of silence followed by huge eruptions of cheering as what seemed like hundreds after hundreds came flowing in from all directions. They gave up and opened the doors!
Once you've pulled the flap forward, you have easy access to the seat heater grid itself. The bar that was loosened in the previous step is circled, and the seat heater grid is labeled and has a big box around it. There are a few small grippers on the bottom of the grid to keep it in location on the foam, so you'll have to run a hand underneath and lift it up slightly as you wiggle it out from under the cover. Also make sure to unplug the heater grid from the console switch - the connector is located below the seat. If you open the rear passenger door (assuming you're not working on a 242) and reach below the seat, you'll easily find the wires that run up to the heater grid. Feel along them and find the plastic plug where you can disconnect it. Once you've got the heater grid out, you can resolder the bad connection(s), which are likely near the round thermostat that is on the grid. The thermostat is what shuts the seat heater off once it reaches a set temperature. Alternately, you could also just remove the thermostat all together and leave the seat heater operation to be purely controlled by the main on-off switch.
Once you've resoldered any bad connections and set the wires back into a nice grid (mine were all jumbled when I fixed my grid - this shot is 2+ years after the fix), simply run the plug back down through the seat, lift the cover up and reposition the seat heater grid underneath where your bum would sit. Plug it back in below the seat and give it a test. Those cold winter mornings, evenings, and any other time will soon be a memory.
Mind's Eye: Art-Making Workshop with Jessica Jones
Wednesday, August 14, 2013
5th Ave at 89th St
New York City
Visitors with low vision and blindness experimented with paper and collaborated to make group sculptures. This special workshop was led by Jessica Jones, artist and teacher at the Lavelle School for the Blind and leading figure in Joe Lovett’s groundbreaking film, Going Blind.
Photo: Filip Wolak
Learn more about Guggenheim Mind's Eye Programs at www.guggenheim.org/mindseye
Quinte Access TR44 is a Champion LF Transport bodied bus on a Ford E-450 chassis, operating on route A.
Photo taken on Front St near Ford St in Trenton, ON.
This contraflow cycle lane leads up a plank ramp in to a skip.
Update (2009). As discussed under another photo of mine, this probably is not a contraflow cycle lane so much as a false one-way street with a segregated entrance. Hope that clarifies.
Alec Finlay
Monday 4 - Thursday 7 November, 10:00am - 4:00pm
Various Locations
Across Dundee
NEoN is bringing the Travelling Gallery to town, Day of Access exhibition will pop up in various locations across the city.
Travelling Gallery is delighted to be working with Alec Finlay to support Day of Access, a powerful campaign which encourages estates to open their land to allow access for people affected by disability. By using hill tracks and four-wheel drives, people who have never been able to immerse themselves in wild nature are driven into the heart Scotland’s beautiful wild landscape.
The Day of Access campaign passionately believes that everyone should have the opportunity to experience wild nature. Travelling Gallery will act as the campaign bus touring Day of Access across Scotland; presenting information and artworks and allowing a space for discussions. Documentation from the pilot Day of Access, including work by young photographer Sam McDiarmid, will be exhibited in an art installation created by Finlay.
The themes of disability, access and ecological remediation are explored in Finlay’s poems and artwork. Pages from books exploring illness, pain, walking and healing, including A View from the Front Line by Maggie Keswick Jencks, are used as paper for thoughtful drawings and commanding words “THERE CAN NEVER BE AN EXCESS OF ACCESS”.
Alongside his own work Alec has invited other artists and poets to exhibit including Hannah Devereaux, Alison Lloyd, Ken Cockburn and Mhairi Law; each bringing their own creativity and experience to the project. The work is collaboratively displayed like a scrap book or diary pinned on a garden trellis, alongside other domestic apparatus and soft furnishings, such as blankets, a clothes horse, and hankies.
About the Artist:
Alec Finlay (Scotland, 1966) is an internationally-recognised artist and poet whose work crosses over a range of media and forms. Much of Finlay’s work considers how we as a culture, or cultures, relate to landscape and ecology. Through permanent and temporary interventions, integrative web-based projects, and publications, Finlay weaves together generous experiential works, often collaborative, sometimes mapped directly onto the landscape, embedded socially or accessed online. Recently Finlay’s work has focussed on place-awareness and ecopoetics.
Tour dates in Dundee:
Monday 4 November, 10:00am-4:00pm
Boomerang Community Centre, 10 Kemback St, Dundee DD4 6ET
Tuesday 5 November, 10:00am-4:00pm
Morrisons, 1 Afton Way, Dundee,DD4 8BR
Wednesday 6 November, 10:00am-4:00pm, please note the gallery will be closed to the public on this day.
Baldragon Academy, 69 Harestane Rd, Dundee DD3 0LF
Thursday 7 November, 11:00am-9:00pm
Wellgate Centre Main Entrance on Panmure Street
Access for visitors:
A maximum of 20 people can visit at one time
The doors are at the front left-hand side of the vehicle
An inbuilt manual ramp is available to aid access for wheelchair users* and pushchairs
Handrails are available at the doorway and by the short internal gradient at the entrance to the gallery (1:9)
The interior of the gallery is level
* Wheelchairs up to 120cm long and 70cm wide
Photography Kathryn Rattray
Sign: $8 Bridge River Access. Port Orford cedar technical committee meeting at the Biscuit Fire. Rogue River-Siskiyou National Forest, Oregon.
Photo by: Richard Sniezko
Date: October 19, 2006
Credit: USDA Forest Service, Region 6, Umpqua National Forest, Dorena Genetic Resource Center.
Source: DRGC digital photo collection; courtesy Richard Sniezko, Cottage Grove, Oregon.
Dorena Genetic Resource Center (DGRC) is the USDA Forest Service's regional service center for genetics in the Pacific Northwest Region. Dorena houses disease resistance breeding programs for five-needled pines and Port-Orford-cedar, a native plant development program, and the National Tree Climbing Program. For additional photos of the DGRC program, see: www.fs.usda.gov/detail/r6/landmanagement/resourcemanageme...
Image provided by USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection: www.fs.usda.gov/main/r6/forest-grasslandhealth