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the women went to his tomb and saw that the stone had been removed. They saw strips of linen there. His tomb was empty.
“Why are you crying? Who is it that you are looking for? Mary!”
“Teacher! I have seen the Lord! He has risen! He has risen indeed!
When has the word empty meant so much?
Death has been swallowed in victory!
But thanks be to God he gives us the victory through our Lord Jesus Christ.
Now the Lord is the Spirit and where the Spirit of the Lord is there is freedom.
No, in all these things we are more than conquerors thorough Him who loved us.
Having disarmed the powers and authorities He made a public spectacle of them, triumphing over them by the cross.
To what depth should this affect us? How deeply should we rejoice?
Has it hit you? Has it touched you to the core?
The God of the universe came for us… died for us…came back to life…promises us life!
Take time to reflect, praise and thank Jesus.
[kt –labyrinth “light”]
from the airplane window
1977
over the rocky mountains, flying denver to aspen
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Domingo 4 de Abril, Domingo de resurrección, Pascua, Semana Santa, Aberri eguna y por si fuera poco partido importantisimo para la Real en Anoeta. Y yo, haciendo fotos bajo la lluvia protegido por mi paraguas, empapandome en la primera mitad, para despues secarme al sol en la segunda mitad. Todo perfecto. Aurten bai!. La Real gana su partido y me encanta descubrir entre el publico a un niño con una ikurriña entre las gradas de Anoeta. Que mejor dia que hoy.
Last Friday I got a chance to reshoot the Pier 94 site I had visited week or so ago. In that original session I had struggled a bit with cloudy skies, inconsistent and turbulent winds, and a couple of suboptimal camera settings (e.g., lens wide open and thus soft in the corners).
This session found sunny skies, a lower tide, and a breeze that was still problematically variable but not to the extent of the 4 August session. The photo yield was much improved.
Subject description from the previous set:
Up until the late 19th Century the Islais Creek basin on San Francisco’s southern coast was an impressive tidal marsh. Then the exuberant application of explosives, steam, and later diesel power filled the marsh to create district of industrial works.
In the current day there is little to recognize of the former wetlands. The Islais Creek channel is still there in a formal, channelized way. Here and there you can find small patches of long neglected shoreline where nature has managed to soften the industrial vocabulary of the landscape. One example is Heron’s Head Park, which we documented earlier in the Hidden Ecologies project. On Saturday I visited another bit of the shore right at the outlet of Islais Creek. This is a site called Pier 94 where the Golden Gate Audubon Society is managing a small plot of land to provide habitat for wildlife and waterfront access for humans.
The AN-94, used by many different special forces of the former soviet countries. Fires the 5.45x39mm, holds 30 rounds, and has the oddest compensator i've ever seen.
aspen, colorado
1977
aspen mountain
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
aspen, colorado
1977
aspen mountain
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
aspen, colorado
1977
peter ott
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Item Number: 6389-94
Document Title: Mr. Robert W. Atkins/ Belmont, Mass./ Pool for Rose Garden/; Scale 3/4"= 1' & F.S.D. [r]
Project: 06389; Greenough, Chester N. Mrs.; Churchill, L., see --Atkins, R.W. --Churchill, Laurence --The Cedars; Belmont; MA; 07 Private Estate & Homesteads; 249;
Artist/Creator: OBLA / OLMSTED BROTHERS ||FBS
Location:FREDERICK LAW OLMSTED NHS, BROOKLINE, MA
Category:PLAN
Purpose:A&E (Architectural & Engineering)
Physical Characteristics: 0000071728 31 1/2" x 29" graphite draft cloth
Dates: 08-MAR-1924 [r]
Notes: Plan & Section [r]/ F.S. D. Plan & Section of Overflow [r]/ F.S.D. of Wall, Curb & Blue Stone Curb [r]
Please credit: Courtesy of the United States Department of the Interior, National Park Service, Frederick Law Olmsted National Historic Site.
94/365 - Bokeh Love (Experimental)
0.6sec f1.8 ISO100
50mm 1.8
Was an experimental night trying out some stuff with bokeh. Experimenting with shapes, the heart isnt shopped for example. Hope to lead on to some other bokeh based shots, few ideas running. Really wasnt happy with this photo when I first took it, but had to go out and fix a friends pc so figured Id run with it. 2am...bed time...work tomorrow.
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