View allAll Photos Tagged 6.25:
thank goodness for the library... we retreated there for air conditioning and quiet. they sat like this for more than an hour and continued reading when we got home. thank goodness.
They were on to my tricks instantly but went along with a very very short walk. They harmony in the car was so unlike us we all commented but kept laughing. I let them buy whatever they wanted at the grocery store and we got ice cream on the way home. It was a great summer day.
Launch of a SpaceX Falcon 9 rocket on the 6-25 Starlink mission, launched from Launch Complex 40 at Cape Canaveral Space Force Station at 7:20 p.m. EDT on Monday October 30th.
Siemens ALC-42 #300 leading the northbound Coast Starlight through Penoyar, CA on the UP Black Butte Subdivision 6/25/23
Five members of a middle-class family and their dog posing with a Brennabor automobile in the countryside. The car is registered in the city of Leipzig (III = Kreishauptmannschaft Leipzig).
Country of origin: Germany
It's in his nature to be wet. He stood on the edge of the dock patiently waiting for someone to throw something. When that didn't happen, he jumped in anyway.
Passing the Grain Elevator at at the Stronghold siding and no opposing traffic coming north a southbound BNSF manifest revives a track warrant from Klamath Falls to Bieber on BNSF's Gateway Subdivison 6/25/23 Stronghold, California
THE HAZZARD RANGE HERALD
Sunday 3:50 PM 6/25/2023
Hazzard Range County sheriff’s office Sergeant Shawn Ridge assisted County volunteer Fire Station 5 ( Sparta 2 ) with an air conditioning unit fire at 6th ST and Utah Ave in Sparta .
BNSF 8099 leading a southbound manifest passed the Test Mile sign making it's way towards the Bend Depot.
Maker: David Octavius Hill (1802-1870) and Robert Adamson (1821-1848)
Born: Scotland
Active: Scotland
Medium: photogravure from original calotype negative
Size: 6.25" x 8.25"
Location: Scotland
Object No. 2016.371
Shelf: B-30
Publication: Camera Work issue Number 28, Oct. 1909
Heinrich Schwarz, David Octavius Hill, Der Meister Der Photographer, Insel-Verlag, Leipzig, 1931, pl 27
Stevenson, Sarah, The Personal Art of David Octavius Hill, 2002, Yale University Press, New Haven, pl 29
Stevenson, Sara, David Octavius Hill and Robert Adamson, Catalogue of their Calotypes taken between 1843 and 1847 in he Collection of the Scottish National Portrait Gallery, pg 205
Bruce, David, Sun Pictures, the Hill-Adamson Calotypes, 1973, New York Graphic Society, Greenwich, CT, pg 169
An Early Victorian Album, Alfred A Knopf, New York, 1976, pg 320
Sara Stevenson, Facing The Light, Scottish National Portrait Gallery, Edinburgh, 2002, pg 69
Katherine Michaelson, David Octavius Hill and Robert Adamson, The Scottish Arts Council, Edinburgh, 1970, Pl 22
Roddy Simpson, The Photography of Victorian Scotland, Edinburgh University Press, Edinburgh, 2012, fig. 2.21
Camera Work, The Complete Illustrations 1903-1917, Taschen, 1997 pg 479
Camera Work, A Pictorial Guide, Dover, 1978, pg
Tom Normand, Scottish Photography, A History, Luath Press Ltd, Edinburgh, 2007, fig 86
Other Collections: Scottish National Portrait Gallery, National Gallery of Canada, Museum of Photographic Art
Notes: Camera Work 28 contains 10 hand-pulled photogravures. James Craig Annan supplied seven of the plates. Annan, possibly the finest photographer ever to work in photogravure, is credited with reviving interest in the work of Hill and Adamson. Annan’s connection to D.O. Hill is substantial. When Annan was a child, his father Thomas was a friend of Hill’s. The Annan’s even lived in Hill’s home for a short period. Thomas Annan, a skilled photographer himself, made his living photographically reproducing paintings and worked closely with Hill in the reproduction of his monumental and important painting, The First General Assembly of the Free Church of Scotland. In fact it was this work that initially inspired Hill to explore portrait photography as art. And Hill’s portraits inspired James Craig Annan’s pursuit of photography.
In this issue of Camera Work six of the photogravures made by Annan are from Hill and Adamson’s original calotype negatives. These prints can and should be considered the best representations available of Hill and Adamson’s work. A talented craftsman intimately related to the original prints made them. In fact, in some way, these images are more accurate a representation than the original calotype. Over time Hill and Adamson’s calotypes have faded – subject to the same fate as the prints in Fox Talbot’s, Pencil of Nature (which consequently motivated Talbot to invent the photogravure process.) (source: www.photogravure.com)
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For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Matthew 6:25-27
Therefore I say to you, do not worry about your life, what you will eat or what you will drink; nor about your body, what you will put on. Is not life more than food and the body more than clothing? Look at the birds of the air, for they neither sow nor reap nor gather into barns; yet your heavenly Father feeds them. Are you not of more value than they? Which of you by worrying can add one cubit to his stature?
Photo Credit: P. Plew