View allAll Photos Tagged 4x5

4x5" Tintype, 2019

The year I start with Wet plates.

metéora, greece

1959

 

slumbering monk

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

photo montage

1959

 

foreground:

monk

metéora, greece

 

background:

monastery

metéora, greece

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

Statute Chatham National Park

Actually this is the 2nd 4X5. I failed to properly seat the film holder in the camera so the 1st 4X5 didn’t come out. But we will say this is the first. I realized this at the time and took a 2nd picture of the same thing. Taken hand held using sports viewer.

 

Film: 4X5 ASA 200 Arista.EDU Ultra (generic Foma)

Exposed: F16 1/200 sec

Filter: None

Camera: Busch Pressman Model D

Developed Caffenol –C-L – Patterson Tank and Mod54 film holder www.mod54.com/@

Scanned Epson V600 two images and stitched together in Cannon PhotoStitch Edited in Adobe Elements 10

Crown Graphic, Kodachrome

metéora, greece

1959

 

monastery

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

A Spot of pinhole macro 4x5 xray film, macro ring 5 second exposure about 3 inches from the subject at 55mm focal length f230

cape cod, massachusetts

1959

 

ropes, pulley, and fishing net

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

This is the finished 4x5 pinhole camera hand built from scratch.

Design around the 4x5 double dark slide cartridge.

Adox CHS 25 (4x5) - Exposed at 25 ISO

Developed in Rodinal 1+50 - 20°C - 7mn

Chamonix 45-N2 - Schneider Kreuznach Super Symmar XL 110/5.6 - Linhof 4x5 Cut Film Holder's

1/8s - f22

metéora, greece

1959

 

monastery

(positive)

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

photo montage

1959

 

foreground:

men hauling bananas

montego bay, jamaica

 

background:

unidentified

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

4x5 Anniversary Speed Graphic

Kodak Ektar f4.5 101mm

 

I bought this guy off an auction site last November, and didn't think I would be able to shoot with it for a while, as I didn't know when the funds would come along for the rest of the pieces. After deciding that our beloved Polaroid definitely has a shelf-life, I decided to hurry around, makeover the camera, and get buying the rest of the parts.

 

I ripped off the leather, sanded the brass hardware, refinished the wood, fixed (but have not yet timed) the internal shutter, fabricated a lensboard, bought ground glass holder and Polaroid 405 film holder.

 

I know the lens is small for a 4x5 camera, but I only plan on shooting Polaroid 6-series pack films and the equivalent Fuji films. It works great for these films.

 

I also know that it isn't beautiful , and the remodel isn't completely finished, but I had to tell myself it was more important to start shooting through a working camera, rather than wait until the camera was perfectly refinished and my Polaroid film was all dead to start shooting (and based on my current schedule, would have been years).

Well, almost never. In this case I think I did alright. I got back my first batch of 4x5 negs and I don't have a 4x5 capable scanner yet, so being the impatient guy that am I, I scanned them as reflective media rather than as negs, and inverted them in MS Paint.

 

The Orton effect here is an artifact of this bootlegging process. I'm picking up a 16"x20" darkroom print of this next week, can't wait!

photo montage

1959

 

foreground:

men hauling bananas

montego bay, jamaica

 

background:

unidentified

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

4x5 Polaroid

Polaroid Land camera

>what Jim said

My first cyanotype. Crown Graphic, Delta100, printed on Saunders Waterford paper.

unidentified

1958

 

snow-covered house

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

4x5 Pinhole Camera with 6x7 Rollfilm Back

Delta 100 hc-110, nikkor 180 f8

Negative scanned as a positive, then inverted in PS. Colors need less correction than when an image is inverted by the scanner.

Water, 4x5" fomapan, tele-xenar 240mm f16 about 10minutes

Graflex Speed Graphic Pacemaker.

Ektar 127 mm.

Fuji Provia 100 asa.

Speed Graphic 127mm f/4.7 kodak ektar. kokak plus-x film 7+ years expired.

4x5 R.B Tele Graflex, 5x7 Bausch and Lomb Tessar Series Ic, 4x5 Adox CHS 100 ART, Rodinal 1+50 10min

GV-II 4x5 view camera, collapsible viewing hood, and a lens board with a Wollensak 127mm f/4.5 lens in Graphex shutter

 

Attached to a Gitzo R. No.4 3-way tripod head

photo montage

1959

 

foreground:

elderly woman, southern france

 

background:

borgonovo, switzerland

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

chicago, illinois

1959

 

tugboats, port of chicago

(positive)

 

(intermediate step in the creation of a "black and white inversion" - nick's home-brewed process ~sl)

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

photo montage

1959

 

foreground:

elderly woman, southern france

 

background:

borgonovo, switzerland

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

cape cod, massachusetts

1959

 

ropes, pulley, and fishing net

(positive)

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

Wet Plate collodion image on 4x5 Glass plate. This is one of my first 3 plates that I have made. Awesome process. Graphic View II with Aero Ektar 178mm.

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