View allAll Photos Tagged 4x5
I'm not sure what I did wrong - hardly any of my links are showing up properly. I'll try to put a note on each photo with a link back to the original.
Anyway, these photos are for color reference. I hope they help some! Colors are blue & green with hints of red if you want to go there, with any shade of grey or white as the neutral.
Edit: I don't know how much direction we're supposed to give the people in our hive as far as preference, but I'm just going to throw this out there. I'm not a huge fan of patchwork blocks that look like things. You know, flower baskets, tea cups, houses, etc.
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8Banners 4x5 pinhole with 28-70mm focal length (28mm in the centre and 70mm at the edges).
Mystery 4x5 film from Eastern Europe, processed and shot as if it was FP4
my new 4x5 red wood camera with petzval lens . camera almost finished. temprorary front plate i cannot fint red wood veneer similar as body.
i also made special tripod mount camera is very stable and after shooting i may remove camera from holder.
right now i am finishing ground glass plate and glass holder.
www.flickr.com/photos/damiandzialoszynski/5960399134/ - picture taken with this camera
my first large format camera...a calumet scout in good working order...however the lens appears shot as the shutter is waaay slow...so I'll have to get a new lens for it
boston, massachusetts
1959
fire escapes, beacon hill
(intermediate step in the creation of a "black and white inversion" - nick's home-brewed process ~sl)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
4x5 polaroid from September.
I think I might want to start possibly shooting medium format and just make c-prints rather then use the dark room. Hmm...
ready to run.
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Graflex Anniversary Speed Graphic
Raptar 135mm f4.7
Ektachrome Duplicating Film 6121 (expired in 1993)
Cross Processed in C-41
Softbox to the left, triggered using an open flash sync technique
boston, massachusetts
1957
snow removal, logan airport
(positive, damaged)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Cambo 45 monorail camera, Rodenstock Sironar N 180mm/5.6 at F22, 1/60s
Kodak Ektachrome E100G, expired 2006
Scanned with the Epson V700, downsampled from a 100 megapixel scan.
boston, massachusetts
1959
fire escapes, beacon hill
(intermediate step in the creation of a "black and white inversion" - nick's home-brewed process ~sl)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Testing a new Fujinon-A 180mm/f9.0
Sinar f with above lens at f=45, 16 sec, using Fuji Acros.
Developed with 100ml Rodinal 1:25 12min in tray.
Contact printed on Fuji Variograde Paper
milot, haiti
1958
among the ruins at citadelle laferrière
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Just to plug film a little...see what can be done with a Razzle 900 4x5, an old chipped lens, a 10 year old scanner and no added Photoshop....Razzle was hand held using two radio triggered flash heads, ERA 100 ISO film in HC for 6 minutes. Neg scanned using my old tweaked Arcus 1200. Don is indeed an 'Artist of Montsalvat'....I left the pumpkins in shot to add a little depth.
cape cod, massachusetts
1959
ropes and fishing nets
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Spring back. Finish applied to part of it so I could install light seals around perimeter of the well where the film holder sits. I designed this back to fit regular 4x5 film holders as well as roll film and Polaroid pack film holders (thus the bail and really long spring ends). The little shackles that connect the ground glass holder to the leaf springs took a lot of trial and error to make! I devised a way to bend brass strips into the correct shape and then soldered brass rod into them. Works fairly well!