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This is a Safavid illuminated and illustrated collection of the Ḫamse (quintet), written in Çaġatāy (eastern Turkic), composed by the celebrated ʿAlī Šīr Nevāʾī (d. 906 AH / 1501 CE), and inspired by the Persian Khamse of Niẓāmī and Amīr Khusraw Dihlavī. This copy dates to the tenth century AH / sixteenth CE and has five double-page illustrations in the early Safavid court style. Each double-page illustration introduces the following individual poems: Kitāb-i ḫeyrāt ül-ebrār (fols. 1b-2a), Kitāb-i Ferhād va Şīrīn (fols. 45b-46a), Kitāb-i Mecnūn va Leylā (fols. 108b-109a), Kitāb-i Heşt bihişt (fols. 147b-148a), and Kitāb-i Iskendernāme (fols. 199b-200a). Each poem is also introduced by an illuminated incipit (fols. 2b, 46b, 109b, 148b, and 200b). The brown goatskin binding has a central lobed oval with pendants and cornerpieces brushed with gold. It is possibly attributable to the tenth century AH / sixteenth CE.
Mecnūn in the company of wild animals.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Source: Scan of an OS RP Photograph.
Grid: SU1387.
Date: April 1953.
Copyright: Ordnance Survey.
Used by their very kind permission.
Repository: Local Studies at Swindon Central Library.
PLEASE DONATE TO FUND THE LAUNCHING OF MY GROUND OPERATION
Printing service , hamradios, emitters, PC , firearms, Office, Vehicule and MONEY ARE welcome
Benjamin SIMON ruelle burton 27 5340 Gesves Belgique
BANK ING BE32 6311 1248 7302
Their SIGINT in the low frequencies is infused throughout the network and also outside. Everything going on the same frequency and is Like this, they pierce networks, draw a map and geo-referencing relative at the place where the criminals and controls. (I think bastards are emitting the entire subvocal band)
The effects are devastating and overall distruptifs
So far local cops put me in a miserable situation protecting criminals, hidding proofs, participating in crimes (false flag operations).
All my things were destroyed and perpetrators are destroying my family, I have no more money
I gave the assassins almost two years to the cops of Ciney who blocked me. My means of communication are always taken. The evidence was not take in account and others are hidden. Damages are irreversibles with worldwide impacts because criminals are using WebOps and track profiles and websites of self-defensers exposing this hightly virulent, free, and deadly crime.
ces-jeunes-devenus-criminels-belgique
Stalkers target me 24/7 with directed energy weapons and make an ordurious game of harassment in the subvocal band under the form o a triangle relay. (maybe the hidden devil scripts – cfr M.Rich)
They speak permanently (with data minored patterns on a subvocal soundwave locked on my body or near me). They target also with other weapons (low frequencies pulsed/scalar waves) who make serious body pains (genitals, head, foots, theets,…).
My electronics devices, electric tools, electric installations, car are systematicly targeted and saboted. My web is saboted, communications filtered and hacked since four years.
We are lots of victims aware, and certainly more unaware targeted by murderers. Local cops cover the crime and therefore hinders an encounter between victims and between victims and potential helpers
Could you encourage Belgium to give me the means for the emergencie. A few help/money/recommendations will be use to destruct this “stay behind an intelligence-device and computers network”
Please help me to find contacts with poeple aware/ accepting to be. With journalists or reporters interested by the publication of an ordurious ECHELON. (I have the intellectual means to take frequencies of criminals and also a team if a ground operation is needed)
I Need a good RADIO - SCANNER
Sincerely,
Benjamin Simon Corbion 46B 5590 CINEY BELGIUM bensimcorbion@gmail.com
www.linkedin.com/pub/simon-benjamin/50/337/5a1
Benjamin Simon
Dilplome Gradué : Eaux et Forêts et Environnement La Reid (2000) Avec Distinction Mémoire avec Grande Distinction (Ecologie)
Employeurs AVES, Maison Liégeoise de l’Environnement (J-P. Jacob, T. Kinet) UCL, Unité des Eaux et Forêts (F. Devillers, C. Vinck, L. Misson) UCL, Gestion des Ressources en Eaux (E. Persoons, M. Vanclooster, C. Bielders, M. Javaux, B Delvaux) INDEPENDANT, chauffage industriel, énergies renouvelables (100 % statisfaction clientelle) AUTO-DIDACTISME permanent. (langues, techniques, théorie)
ACTIVITEES AUXQUELLES JE SUIS FORME OFFICIELLEMENT
OFFICIAL PROFESSIONAL COMPETENCIES
Nederlands
kbopub.economie.fgov.be/kbopub/toonvestigingps.html?lang=...
Francais
kbopub.economie.fgov.be/kbopub/toonvestigingps.html?onder...
C. saluenensis.x C. reticulata)
Non-extinct
New Zealand Camellia Bulletin, 1978, vol.X, No.6, p.11, Reg. No.139: A chance seedling originated by Mrs Ida Berg, Whakatane. New Zealand from an unregistered seedling C.saluenensis x C.reticulata 'Crimson Robe' (Dataohong). It first flowered 1975. The plant has upright growth and flowers mid-season. The leaves are mid-green. reticulate, 9 cm long x 5 cm wide. The flower is formal double with 48-50 petals, no stamens and measures 16 cm across x 6 cm deep. The colour is clear, bright red (Red Group RHS.CC.46B-47A), See colour photo, New Zealand Camellia Bulletin, 1982, vol.XII, No.7, p.25. Sport: Warwick Berg Variegated. Chinese synonym 'Walike'.
Source: Scan of an OS RP photograph.
Grid: SU1683.
Date: January 1953.
Copyright: Ordnance Survey.
Used here by their very kind permission.
Repository: Local Studies at Swindon Central Library.
Renault R312 n°386 Ex-RATP n°5915 du réseau CTP Cluj-Napoca sur la ligne 46B vers Cart. Zorilor sur le Calea Turzii. Pour le moins insolite, cet R312 a reçu un badge Irisbus à l'avant.
This is a Safavid illuminated and illustrated collection of the Ḫamse (quintet), written in Çaġatāy (eastern Turkic), composed by the celebrated ʿAlī Šīr Nevāʾī (d. 906 AH / 1501 CE), and inspired by the Persian Khamse of Niẓāmī and Amīr Khusraw Dihlavī. This copy dates to the tenth century AH / sixteenth CE and has five double-page illustrations in the early Safavid court style. Each double-page illustration introduces the following individual poems: Kitāb-i ḫeyrāt ül-ebrār (fols. 1b-2a), Kitāb-i Ferhād va Şīrīn (fols. 45b-46a), Kitāb-i Mecnūn va Leylā (fols. 108b-109a), Kitāb-i Heşt bihişt (fols. 147b-148a), and Kitāb-i Iskendernāme (fols. 199b-200a). Each poem is also introduced by an illuminated incipit (fols. 2b, 46b, 109b, 148b, and 200b). The brown goatskin binding has a central lobed oval with pendants and cornerpieces brushed with gold. It is possibly attributable to the tenth century AH / sixteenth CE.
Leylā in her pavilion with her attendants.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This is a Safavid illuminated and illustrated collection of the Ḫamse (quintet), written in Çaġatāy (eastern Turkic), composed by the celebrated ʿAlī Šīr Nevāʾī (d. 906 AH / 1501 CE), and inspired by the Persian Khamse of Niẓāmī and Amīr Khusraw Dihlavī. This copy dates to the tenth century AH / sixteenth CE and has five double-page illustrations in the early Safavid court style. Each double-page illustration introduces the following individual poems: Kitāb-i ḫeyrāt ül-ebrār (fols. 1b-2a), Kitāb-i Ferhād va Şīrīn (fols. 45b-46a), Kitāb-i Mecnūn va Leylā (fols. 108b-109a), Kitāb-i Heşt bihişt (fols. 147b-148a), and Kitāb-i Iskendernāme (fols. 199b-200a). Each poem is also introduced by an illuminated incipit (fols. 2b, 46b, 109b, 148b, and 200b). The brown goatskin binding has a central lobed oval with pendants and cornerpieces brushed with gold. It is possibly attributable to the tenth century AH / sixteenth CE.
Incipit page with illuminated titlepiece.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Mercedes-Benz Conecto NG G n°913 du réseau CTP Cluj-Napoca sur la ligne 46B vers Cart. Zorilor sur la Piața Mărăști.
Mehrangarh Fort (Hindi: मेहरानगढ़ का किला) (Sindhi: مهراڻ ڳڙهه), located in Jodhpur, Rajasthan, is one of the largest forts in India. Built around 1460 by Rao Jodha, the fort is situated 125 m above the city and is enclosed by imposing thick walls. Inside its boundaries there are several palaces known for their intricate carvings and expansive courtyards. A winding road leads to and from the city below. The imprints of cannonball hits by attacking armies of Jaipur can still be seen on the second gate. To the left of the fort is the chhatri of Kirat Singh Soda, a soldier who fell on the spot defending the Mehrangarh fort.
There are seven gates, which include Jayapol (meaning 'victory'), built by Maharaja Man Singh to commemorate his victories over Jaipur and Bikaner armies. Fattehpol (also meaning 'victory') gate was built by Maharaja Ajit Singh to mark the defeat of the Mughals. The palm imprints upon these still attract much attention it is very proudes for rao rajputs.
Rao is brahmbhatt jagirdar clan of rao jodha. Rao is rajputs and in gujarat they calls "barot" and rao saheb.
The museum in the Mehrangarh fort is one of the most well-stocked museums in Rajasthan. In one section of the fort museum there is a selection of old royal palanquins, including the elaborate domed gilt Mahadol palanquin which was won in a battle from the Governor of Gujarat in 1730. The museum exhibits the heritage of the Rathores in arms, costumes, paintings and decorated period rooms.
HISTORY OF MEHRANGARH
Rao Jodha, the chief of the Rathore clan, is credited with the origin of Jodhpur in India. He founded Jodhpur in 1459 (Jodhpur was previously known as Marwar). He was one of Ranmal's 24 sons became the fifteenth Rathore ruler. One year after his accession to the throne, Jodha decided to move his capital to the safer location of Jodhpur, as the one thousand years old Mandore fort was no longer considered to provide sufficient security.
With the trusted aid of Rao Nara (son of Rao Samra), the Mewar forces were subdued at Mandore. With that, Rao Jodha gave Rao Nara the title of Diwan. With the help of Rao Nara, the foundation of the fort was laid on 1/ May 1459 by Jodha on a rocky hill 9 kilometres to the south of Mandore. This hill was known as Bhaurcheeria, the mountain of birds. According to legend to build the fort he had to displace the hill's sole human occupant, a hermit called Cheeria Nathji, the lord of birds. Upset at being forced to move Cheeria Nathji cursed Rao Jodha with "Jodha! May your citadel ever suffer a scarcity of water!". Rao Jodha managed to appease the hermit by building a house and a temple in the fort very near the cave the hermit had used for meditation, though only to the extent that even today the area is plagued by a drought every 3 to 4 years. Jodha then took an extreme measure to ensure that the new site proved propitious; he buried a man called "Raja Ram Meghwal" alive in the foundations. "Raja Ram Meghwal" was promised that in return his family would be looked after by the Rathores. To this day his descendants still live in Raj Bagh, "Raja Ram Meghwal's" Garden, an estate bequeathed them by Jodha.
Mehrangarh (etymology: 'Mihir' (Sanskrit) -sun or Sun-deity; 'garh' (Sanskrit)-fort; i.e.'Sun-fort'); according to Rajasthani language pronunciation conventions,'Mihirgarh' has changed to 'Mehrangarh'; the Sun-deity has been the chief deity of the Rathore dynasty. Though the fortress was originally started in 1459 by Rao Jodha, founder of Jodhpur, most of the fort which stands today dates from the period of Jaswant Singh of Marwar (1638–78). The fort is located at the centre of the city spreading over 5 kilometres on top of a high hill. Its walls, which are up to 36 metres high and 21 metres wide, protect some of the most beautiful and historic palaces in Rajasthan.
Entry to the fort is gained though a series of seven gates. The most famous of the gates are:
- Jai Pol ("Gate of Victory"), built by Maharaja Man Singh in 1806 to celebrate his victory in a war with Jaipur and Bikaner.
- Fateh Pol, built to celebrate a victory over the Mughals in 1707;
- Dedh Kamgra Pol, which still bears the scars of bombardment by cannonballs;
- Loha Pol, which is the final gate into the main part of the fort complex. Immediately to the left are the handprints (sati marks) of the ranis who in 1843 immolated themselves on the funeral pyre of their husband, Maharaja Man Singh.
Within the fort are several brilliantly crafted and decorated palaces. These include, Moti Mahal (Pearl Palace), Phool Mahal (Flower Palace), Sheesha Mahal (Mirror Palace), Sileh Khana and Daulat Khana. The museum houses a collection of palanquins, howdahs, royal cradles, miniatures, musical instruments, costumes and furniture. The ramparts of the fort house preserved old cannon (including the famous Kilkila), and provided a breath-taking view of the city.
GALLERIES IN MEHRANGARH MUSEUM
ELEPHANT´S HOWDAHS
The howdahs were a kind of two-compartment wooden seat (mostly covered with gold and silver embossed sheets), which were fastened onto the elephant's back. The front compartment, with more leg space and a raised protective metal sheet, was meant for kings or royalty, and the rear smaller one for a reliable bodyguard disguised as a fly-whisk attendant.
PALANQUINS
Palanquins were a popular means of travel and circumambulation for the ladies of the nobility up to the second quarter of the 20th century. They were also used by male nobility and royals on special occasions.
DAULAT KHANA - TREASURES OF MEHRANGARH MUSEUM
This gallery displays one of the most important and best preserved collections of fine and applied arts of the Mughal period of Indian history, during which the Rathore rulers of Jodhpur maintained close links with the Mughal emperors. It also has the remains of Emperor Akbar.
ARMOURY
This gallery displays a rare collection of armour from every period in Jodhpur. On display are sword hilts in jade, silver, rhino horn, ivory, shields studded with rubies, emeralds and pearls and guns with gold and silver work on the barrels. The gallery also has on display the personal swords of many emperors, among them outstanding historical piece like the Khaanda of Rao Jodha, weighing over 3 kg, the sword of Akbar the Great and the sword of Timur.
PAINTINGS
This Gallery displays colours of Marwar-Jodhpur, the finest example of Marwar paintings.
THE TURBAN GALLERY
The Turban Gallery in the Mehrangarh Museum seeks to preserve, document and display the many different types of turbans once prevalent in Rajasthan; every community, region and festival having had its own head-gear.
TOURIST ATTRACTIONS IN MEHRANGARH
NATIONAL GEOLOGICAL MONUMENT
The Jodhpur Group - Malani Igneous Suite Contact on which the Mehrangarh Fort has been built has been declared a National Geological Monument by the Geological Survey of India to encourage Geotourism in the country. This unique geological feature is part of the Malani Igenus Suite seen in the Thar desert region, spread over an area of 43,500 km2. This unique geological feature represents the last phase of igneous activity of Precambrian age in the Indian Subcontinent.
THE CHAMUNDA MATAJI TEMPLE
The Chamunda Mataji was Rao Jodha's favorite goddess, he brought her idol from the old capital of Mandore in 1460 and installed her in Mehrangarh (Maa Chamunda was the kul devi of Parihar rulers of Mandore). She remains the Maharaja's and the Royal Family's Isht Devi or adopted goddess and is worshipped by most of Jodhpur's citizens as well. Crowds throng Mehrangarh during the Dussehra celebrations.
2008 STAMPEDE
A human stampede occurred on 30 September 2008, at the Chamunda Devi temple inside of the Mehrangarh Fort, in which 249 people were killed and more than 400 injured.
CULTURE
The fort has musicians performing folk music at the entrance and houses museum, restaurants, exhibitions, and craft bazaars. The fort was one of the filming locations for the 2012 movie The Dark Knight Rises. Principal photography commenced on 6 May 2011.
In 2015, the fort was used to record a collaborative album by musicians including Israeli composer Shye Ben Tzur, English composer and Radiohead guitarist Jonny Greenwood, and Radiohead producer Nigel Godrich. The recording was the subject of a documentary, Junun, by the American directory Paul Thomas Anderson.
WIKIPEDIA
This is a Safavid illuminated and illustrated collection of the Ḫamse (quintet), written in Çaġatāy (eastern Turkic), composed by the celebrated ʿAlī Šīr Nevāʾī (d. 906 AH / 1501 CE), and inspired by the Persian Khamse of Niẓāmī and Amīr Khusraw Dihlavī. This copy dates to the tenth century AH / sixteenth CE and has five double-page illustrations in the early Safavid court style. Each double-page illustration introduces the following individual poems: Kitāb-i ḫeyrāt ül-ebrār (fols. 1b-2a), Kitāb-i Ferhād va Şīrīn (fols. 45b-46a), Kitāb-i Mecnūn va Leylā (fols. 108b-109a), Kitāb-i Heşt bihişt (fols. 147b-148a), and Kitāb-i Iskendernāme (fols. 199b-200a). Each poem is also introduced by an illuminated incipit (fols. 2b, 46b, 109b, 148b, and 200b). The brown goatskin binding has a central lobed oval with pendants and cornerpieces brushed with gold. It is possibly attributable to the tenth century AH / sixteenth CE.
Incipit page with illuminated titlepiece.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Dublin Bus (Donnybrook) Volvo B7TL / Alexander ALX400 AV 197 (01-D-10197) on O' Connell Street, Dublin 21st February 2004.
Noted with Leonards of Donabate in 2018.
The Agra Fort is a UNESCO World Heritage site located in Agra, Uttar Pradesh, India. It is about 2.5 km northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city.
HISTORY
The present-day structure was built by the Mughals, though a fort had stood there since at least the 11th century. Agra Fort was originally a brick fort known as Badalgarh, held by Raja Badal Singh Hindu Sikarwar Rajput king (c. 1475). It was mentioned for the first time in 1080 AD when a Ghaznavide force captured it. Sikandar Lodi (1488–1517) was the first Sultan of Delhi who shifted to Agra and lived in the fort. He governed the country from here and Agra assumed the importance of the second capital. He died in the fort at 1517 and his son, Ibrahim Lodi, held it for nine years until he was defeated and killed at Panipat in 1526. Several palaces, wells and a mosque were built by him in the fort during his period.
After the First Battle of Panipat in 1526, Mughals captured the fort and seized a vast treasure, including the diamond later known as the Koh-i-Noor. The victorious Babur stayed in the fort in the palace of Ibrahim and built a baoli (step well) in it. The emperor Humayun was crowned here in 1530. Humayun was defeated at Bilgram in 1540 by Sher Shah. The fort remained with Suris till 1555, when Humanyun recaptured it. The Hindu king Hem Chandra Vikramaditya, also called 'Hemu', defeated Humanyun's army, led by Iskandar Khan Uzbek, and won Agra. Hemu got a huge booty from this fort and went on to capture Delhi from the Mughals. The Mughals under Akbar defeated King Hemu finally at the Second Battle of Panipat in 1556.
Realizing the importance of its central situation, Akbar made it his capital and arrived in Agra in 1558. His historian, Abdul Fazal, recorded that this was a brick fort known as 'Badalgarh'. It was in a ruined condition and Akbar had it rebuilt with red sandstone from Barauli area in Rajasthan. Architects laid the foundation and it was built with bricks in the inner core with sandstone on external surfaces. Some 4,000 builders worked on it daily for eight years, completing it in 1573.
It was only during the reign of Akbar's grandson, Shah Jahan, that the site took on its current state. Legend has it that Shah Jahan built the beautiful Taj Mahal for his wife, Mumtaz Mahal. Unlike his grandfather, Shah Jahan tended to have buildings made from white marble, often inlaid with gold or semi-precious gems. He destroyed some of the earlier buildings inside the fort to make his own.
At the end of his life, Shah Jahan was deposed and restrained by his son, Aurangzeb, in the fort. It is rumoured that Shah Jahan died in Muasamman Burj, a tower with a marble balcony with a view of the Taj Mahal.
The fort was invaded by the Maratha Empire during the mid 18th century. Thereafter, it changed hands between the Marathas and their foes many times. After their catastrophic defeat at Third Battle of Panipat by Ahmad Shah Abdali in 1761, Marathas remained out of the region for the next decade. Finally Mahadji Shinde took the fort in 1785. It was lost by the Marathas to the British during the Second Anglo-Maratha War, in 1803.
The fort was the site of a battle during the Indian rebellion of 1857, which caused the end of the British East India Company's rule in India, and led to a century of direct rule of India by Britain.
LAYOUT
The 380,000 m2 (94-acre) fort has a semicircular plan, its chord lies parallel to the river and its walls are seventy feet high. Double ramparts have massive circular bastions at intervals, with battlements, embrasures, machicolations and string courses. Four gates were provided on its four sides, one Khizri gate opening on to the river.
Two of the fort's gates are notable: the "Delhi Gate" and the "Lahore Gate." The Lahore Gate is also popularly also known as the "Amar Singh Gate," for Amar Singh Rathore.
The monumental Delhi Gate, which faces the city on the western side of the fort, is considered the grandest of the four gates and a masterpiece of Akbar's time. It was built circa 1568 both to enhance security and as the king's formal gate, and includes features related to both. It is embellished with inlay work in white marble. A wooden drawbridge was used to cross the moat and reach the gate from the mainland; inside, an inner gateway called Hathi Pol ("Elephant Gate") – guarded by two life-sized stone elephants with their riders – added another layer of security. The drawbridge, slight ascent, and 90-degree turn between the outer and inner gates make the entrance impregnable. During a siege, attackers would employ elephants to crush a fort's gates. Without a level, straight run-up to gather speed, however, something prevented by this layout, elephants are ineffective.
Because the Indian military (the Parachute Brigade in particular) is still using the northern portion of the Agra Fort, the Delhi Gate cannot be used by the public. Tourists enter via the Amar Singh Gate.
The site is very important in terms of architectural history. Abul Fazal recorded that five hundred buildings in the beautiful designs of Bengal and Gujarat were built in the fort. Some of them were demolished by Shahjahan to make way for his white marble palaces. Most of the others were destroyed by the British between 1803 and 1862 for raising barracks. Hardly thirty Mughal buildings have survived on the south-eastern side, facing the river. Of these, the Delhi Gate and Akbar Gate and one palace – "Bengali Mahal" – are representative Akbari buildings.
Akbar Darwazza (Akbar Gate) was renamed Amar Singh Gate by the British.
POPULAR CULTURE
- The Agra Fort won the Aga Khan Award for Architecture in 2004. India Post issued a stamp to commemorate this event.
- The Agra Fort plays a key role in the Sherlock Holmes mystery The Sign of the Four, by Sir Arthur Conan Doyle.
- The Agra Fort was featured in the music video for Habibi Da, a hit song of Egyptian pop star Hisham Abbas.
- Shivaji came to Agra in 1666 as per the "Purandar Treaty" entered into with Mirza Raje Jaisingh to met Aurangzeb in the Diwan-i-Khas. In the audience he was deliberately placed behind men of lower rank. Insulted, he stormed out of the imperial audience and was confined to Jai Sing's quarters on 12 May 1666.
- In the second expansion pack for the videogame Age of Empires 3, the Asian Dynasties, Agra fort is one of five wonders for the Indian civilisation.
WIKIPEDIA
OSTROGOTHS. Theoderic. 493-526. AR Half Siliqua (11mm, 0.73 g, 7h). In the name of Byzantine Emperor Anastasius I (491-518). Milan mint. Struck circa 491-501. D N ANAS–T[ASIVS P AVC], diademed, draped, and cuirassed bust right / [IN–VI]CTA ИO[MA] (sic), Victory advancing right, holding trophy and wreath. Metlich 46b/3 = Hunter 10 (same dies); BMC 73; MEC 1, –. Good VF, toned. Very rare.
CNGTritonXIX, 705
To mark the end of crew operations (driver and conductor) at Catford garage, the powers that be very generously let this RM and preserved RT1702 out on a variety of routes for the final few days. RM2046 and RT1702 were both used in service on Route 75 (9th), 47 (10th), 185 (11th), 54 (12th) and the 36B on the 13th March - the final day of crew operations.
Here is a rear view of RM2046 (ALM 46B) parked up in Tooley Street near London Bridge. The photographer took the return ride back to Lewisham.
RML2046 (ALM 46B) new: 2/5RM9, AEC AV690
10/64 new to Aldenham
11/64 N into service
65-6 N
11/67 N to Aldenham repaint, and return
1968 N
from last bodyswap with B2008
PD w/d from service
1980s-90s TL allocated?
6/94 exported to Argentina
And more on Route 47 here: www.londonbuses.co.uk/_routes/current/047.html
As an aside, Catford garage (TL) was one of the original garages operated by Thomas Tilling:
TL - Tilling Lewisham, TC - Tilling Croydon, TB - Tilling Bromley survived into London Transport days.
Catford garage was opened on 11th May 1914 and was not very old when requisitioned for the war effort. It did not re-open until 1920 when Thomas Tilling's Lewisham operation moved there due to space constraints at his other garage.
Thomas Tilling gained an agreement in 1923 to double the size of Catford and in addition the roof has been raised twice, first in 1930 to enable double deck buses to use the garage and again in 1948 to accommodate AEC Regent III RTs. The garage was modernised again in 1970.
Taken with a Nikon F-501 SLR and 75-200mm zoom lens [Scanned from the original negative with no digital restoration]
You can see a random selection of my bus photographs here on Flickriver: www.flickriver.com/photos/southallroutemaster/random/
Rodeo Drive Concours
Father's Day, June 17, 2012
Although we're not fathers, the Beverly Hills Rodeo Drive Concourse d'Elegance has become a tradition for Greg and me. It's an opportunity to see some of the rarest of the rare, the best of the best, without shelling out $250 (or more) for the Pebble Beach Concourse d'Elegance or the Concourso de Italiano. (Which are great auto shows, but are rediculously expensive. I guess they have to keep out the middle-class riff-raff.)
At this show we get to see and photograph cars we'll probably only see once in either of our lifetimes -- like the first production Shelby Cobra (1962 CSX 2001) or the one-off, French-bodied, 1956 Jaguar Aerodyne, or the 1910 Daimler Limousine used by His Majesty King George V of England.
It truly is an awesome show.
A little disturbing this year (besides the heat) was the in-fill of resto-mods. There were far too many for our taste, but the crowds didn't seem to mind them. In fact, they appeared to be some of the most popular cars. Maybe were just traditionalists, but we prefer our cars stock. Also disturbing this year were the number of cars with less than show-quality restorations. At a show of this quality you don't expect to see orange peel, bondo, or rust, but there they were.
Among the most impressive and interesting cars, aside from those already mentioned, were a 1938 Teardrop Talbot, 1930 Minerva AL, 1956 Continental Mark II (Which the show had mislabled as a Lincoln. For shame!), and the Best-of-Show, a 1929 Auburn 8-90 Boattail Speedster.
If you're ever in Southern California over Father's Day, I highly recommend the show. BTW, I almost forgot to mention it's FREE!
Museo Nicolus, Villafranca (2013) - All uploads from Italy
Lockheed T-33A, MM51-9145/3-145 Italy Air Force
Photo selection
F-104G, MM6514 Italy Air Force
T-33A, MM51-9145/3-145 Italy Air Force
Fiat G.46B Unknown ID