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This scene was created using Autodesk Maya a 3d modeling program and rendered with Mental Ray. The characters are based on Minimate version of the X-men.
This handsome folded paper lampshade by Ecogami is just one of many templates that are available. Along with paper lighting, categories include cats, dogs, trophy animals, holidays, and more. Enter to win three templates - your choice of designs: www.allthingspaper.net/2020/08/make-ecogamis-amazing-low-... Ends August 23, 2020.
These 3D printed Eiffel Tower prototypes were created on a Z Corporation ZPrinter 650 in full color and texture. C'est magnifique! www.zcorp.com
Dr. Janice Lee, the clinical director at the NIH National Institute of Dental and Craniofacial Research, holds an old stone model of the mouth while showcasing the new 3-D model of the mouth on screen, used to better prepare for surgery. clinicalcenter.nih.gov/about/news/newsletter/2019/spring/...
See Fullimage: Creative and Realistic 3D Character Design Rafael Benedicto
For More Information visit : Dezart Inspire | 3D Model
I actually started this 3D model 5 years ago!
Finally I have decided to finish it off. It's a modular residential tower for the Simcity 4 mod Simmars.
My Linux wallpaper
I make model on blender, 3d modeling, rigging and animated
Gimp to add some effect
I did it at the first movie
Model didn't finish
Make folded paper pumpkins to use as autumn decor or treat boxes. Designed by Abigail McMurray, they're featured on All Things Paper along with more of her easy-to-assemble paper crafts.
www.allthingspaper.net/2019/09/terrific-custom-paper-art-...
This model of the Confederate casemate ironclad Wilmington is based on reconstruction plans drawn in the 1960s by W. E. Geoghagen, a maritime specialist at the Smithsonian Institution. Geoghagen’s drawings, in turn, are based on original plans prepared up by the Confederate Navy’s Chief Constructor, John L. Porter.
Wilmington was the last of three ironclads built at her namesake city during the Civil War. Neither of the first two had accomplished much during its service. The first, North Carolina, was structurally unsound and, like many of her type, was woefully underpowered. North Carolina was used in the brackish Cape Fear River as a floating battery until she sank at her moorings in September 1864, her bottom eaten through by teredo. The second ironclad, Raleigh, had been completed in the spring of 1864 and sortied to attack the Union blockading fleet off Fort Fisher. Raleigh managed to drive off several blockaders but upon her return upriver grounded on a sandbar and broke her keel, effectively making her a total loss.
Construction on the new ironclad began soon after Raliegh’s loss, in the late spring of 1864. In designing the vessel, Porter sought to remedy two serious flaws exposed by Raleigh’s brief sortie against the Union fleet: first, that she lacked sufficient speed to close the range and force a fight, and second, that she drew too much water to safely operate in the Cape Fear estuary.
Porter’s design is almost unique among Confederate ironclads, with an extremely long length-to-beam ration of more than 6.5-to-1, perhaps in imitation of the long, fast blockade runners that operated between Wilmington, Bermuda and Nassau. Wilmington was unusual above deck, too – while almost all Confederate ironclads built or planned for construction in the Confederacy during the war followed the pattern set in 1863 by the famous C.S.S. Virginia (ex-U.S.S. Merrimack), by using a single, large armored casemate to house the ship’s battery, the vessel being built at Wilmington would have two small, low, casemates, each with a single, heavy gun working on a pivot on the inside. Each miniature casemate was fitted with seven ports, 45 degrees apart, giving the guns a wide (if narrowly segmented) field of fire. While the Confederacy lacked the resources to construct a revolving turret like those fitted on the Union Navy’s monitors, Porter’s design was a serious attempt to replicate the monitors’ greatest tactical advantages: all-around fire by a few, very heavy guns, and presenting the enemy’s gunners with a very small target.
Unfortunately, Wilmington never saw action, and was never formally commissioned. (Nor was the vessel ever officially named Wilmington; that is the name locals gave her.) She was still on the stocks, nearing completion, when the city of Wilmington was evacuated. This vessel, representing perhaps the most advanced design of ironclad built in the Confederacy during the war, was put to the torch to keep her from falling into the hands of Union troops.
Because Wilmington was never completed, we cannot know exactly how she would have appeared in service. Bob Holcombe, in his masters thesis “The Evolution of Confederate Ironclad Design” (East Carolina University 1993), notes that 150 tons of one-inch plate taken from the decrepit old North Carolina might have been intended for Wilmington’s open deck. In recreating the ship, I’ve left the deck unarmored, but put plating over the timbers knuckle that extends outboard on either side of the ship. This model represents a "what if" depiction of the ship as she might have looked if completed and fully commissioned, sometime in the summer of 1865.
Special thanks to Kazimierz Zygadlo for his assistance in compiling material on this remarkable warship that almost was.
See Full Post: Realistic 3D Portrait Model Abdelrahman Kubisi
For More Information visit : Dezart Inspire | 3D Model
There's nothing like a good wine, and neither ish this. You might not know thish but I don't taksh many picksuresh of alcomahol but when I do I likes to thinksh that... I would takesh shome more but I... I thinksh... what wus it that I wash saying?.. anyway you're my besht friend you are.
Actually, I'm really pleased with how this one came out.
Based off the original 1996 ILM practical model, the 1998 Santa Barbara Studios digital files, and design updates from John Eaves in 2002.
The Enterprise E was a awesome Team build at Digital Domain for Star Trek: Nemesis. I was responsible for the modeling warp nacelles, dry dock, and the massive collision damage that matches the oversized miniature. I designed five decks of damaged interiors based off set survey data.
I grew up on Star Trek, and contributing to this franchise was a dream come true.
HiRISE / NASA / UoA Digital Terrain Map : DTEEC_036305_2025_035804_2025_L01
Image(s):
ESP_036305_2025_MIRB
ESP_036305_2025_RED_A_01_ORTHO
Acquisition date
17 March 2014
Local Mars time
15:28
Latitude (centered)
22.224°
Longitude (East)
341.585°
Spacecraft altitude
284.7 km (176.9 miles)
Original image scale range
31.6 cm/pixel (with 1 x 1 binning) so objects ~95 cm across are resolved
Scalloped Surface in Utopia Region (Infra Red Blue Image / Not RGB)
NASA / UoA Data used to create this scene - From Mars
Mesh created in Blender 2.79
Orthographic B/W image combined with IRB swathe in Photoshop CC
Final rendering in 3ds Max 2018 (Auto Desk)
Acquisition date
06 September 2012
Local Mars time
15:19
Latitude (centered)
45.959°
Longitude (East)
90.669°
Spacecraft altitude
302.2 km (187.8 miles)
Original image scale range
from 30.6 cm/pixel (with 1 x 1 binning) to 61.2 cm/pixel (with 2 x 2 binning)
Mwarth Vallis View - Rendered from the NASA DTM data in 3ds Max - Nothing serious, just a "testing things out" image
Light-Toned Layering on Plains Next to Ganges Chasma
Acquisition date
02 September 2007
Local Mars time
14:17
Latitude (centered)
-8.143°
Longitude (East)
307.288°
Spacecraft altitude
267.0 km (166.0 miles)
Original image scale range
26.4 cm/pixel (with 1 x 1 binning) so objects ~79 cm across are resolved
Source: www.uahirise.org/PSP_005161_1720
See More Image: Delightful Caricature of 3D Model Character Gabriel Soares
For More Information visit : Dezart Inspire | 3D Model