View allAll Photos Tagged 2B
Focus and a lightroom layout...thanks to Kim's Round Trip class I was able to figure out how to do a layout in lightroom! ;-)
I am far more active on Instagram. If you like my work, and are on IG, please follow me at @s1price_lightworks. Thanks!
My Leica inspired FED 2b and it's offspring, the lesser known Zarya.
FED 2b
35mm (24x36mm) Rangefinder Camera
Industar 26M 50/f2.8-22 Single-coated lens
Adjustable diopter
B, 1/25-1/500 sec. horizontal cloth focal plane shutter
Flash-sync, Cold shoe, & Self-timer
Made in USSR (1958-59)
FED Zarya
35mm (24x36mm) Viewfinder Camera
Industar 26M /f2.8-22 Single-coated lens
Scale-focusing
B, 1/30-1/500 sec. horizontal cloth focal plane shutter
Flash-sync & Cold shoe
Made in USSR (1959-61)
"Zarya was a simplified economy version of FED-2b. It was restyled and simplified top housing without rangefinder, self timer and slow shutter speeds. Intended for the Soviet domestic market. It was normally supplied with an Industar-26m 52mm f2.8 lens, but accepts any Zorki/Fed/Leica M39 lenses."
Sometimes we lose context in our critiques and judge these vintage cameras like they are new models on the shelf. It shouldn’t matter now what the comparisons were between them 50 to 100 years ago, or how they may compare to cameras made today. Now they are all beautiful collector items and an important part of history!
WASE-2B switching at Kingston N.Y.on Conrail's Riverline 09-13-1978.This is only half of the consist that would leave town north for Selkirk.Pictured is ex PC U33B 2892,ex PRR GP35 2361,ex NYC U25B 2547, and ex PC GP40 3261.Four more locos that would lead the train were ex PC GP40 3190,ex PC GP38-2 8121,ex PRR SD45 6203,and ex PRR SD45 6360.Howard Kent Jr.photo.
Stagecoach Manchester: 22213 (T213 TND) an Alexander ALX300 bodied MAN 18.220, seen here attending the 2008 Trans Lancs Rally at Manchester's Heaton Park when it had just been repainted into Magic Bus livery when allocated to the now closed Princess Road Garage.
© Christopher Lowe.
Date: 7th September 2008.
Ref No. 0017984/CL.
me as 2B from Nier Automata.
photo by Captured (www.facebook.com/JoCaptured/)
THIS PHOTO IS UNDER COPYRIGHT!
DO NOT USE WITHOUT PERMISSION!
Sharing just with FULL credit of cosplayer's and photographer's name and website link !!!!
cancún, mexico
october 1978
spectators
windsurfer world championships
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
EXPLORE 138
i'm so uninspired and i can't wait til next week!!
i sent this image to my lovely friend zseike and she came up with this! that's why she gets paid to be creative =)
i'm up way too early today but i'm going shopping today for holiday supplies ... memory cards, maybe a new lens ... ooh the fun!
Cosplayer: linktr.ee/shiroiaisu
Character & Series: 2b from Nier Automata
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© Niew Photography
2B Caster, NeiR Automata, Original Order Impact Photographer: A.Z.Production Cosplay Photography (instagram.com/azproductioncosp) Cosplayer: Mirana (instagram.com/mirana_cos/); Design: Dishwasher (www.instagram.com/dishwasher1910/)
⎾cos⏌ ⎾2B⏌: Trembling Bambi Cosplay
⎾cos⏌ ⎾9S⏌: Akiryu Yomu
⎾pc⏌: JFINITY - www.facebook.com/jfinity-photo
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Finding some light
As usual I procrastinated so I spent the late afternoon taking photos at nearly every window in my house. This photo was taken in a light walled room with a south window and a east skylight. At this time of day it was my favorite light. I think I need to turn this room into my office:) I added more light and softness using Kim's Sybil texture trick with two layers in soft light and one layer in color burn as well as a layer of Gradient fill in screen.
cancún, mexico
october 1978
windsurfer world championships
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Replacing the sky for Beyond Beyond...I had so much fun with this challenge! I may try putting lots of different skies behind this climber:)
Picture taken by astrayn. (@astroghost001)
Follow astrayn on
www.instagram.com/astroghost001/
Linktree: linktr.ee/astrayn
cancún, mexico
october 1978
windsurfer world championships
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
cancún, mexico
october 1978
spectators
windsurfer world championships
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
cancún, mexico
october 1978
spectators
windsurfer world championships
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
cancún, mexico
october 1978
young women
windsurfer world championships
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Perched on the steep, wind-scoured slopes above Longyearbyen, Mine 2B looms as a skeletal testament to the ambitions and hardships of Arctic coal mining in the 20th century. These photographs trace the eerie remains of the site, where time and weather have worn the timbered catwalks and buildings into a precarious choreography of collapse. Originally constructed in the early 20th century, Mine 2B was a central cog in Svalbard’s coal economy, operated by Store Norske Spitsbergen Kulkompani.
In the first images, we follow a splintered wooden boardwalk clinging to the mountainside, leading past derelict cabins and towards the shattered skeletons of loading platforms and cableway pylons that once ferried coal down to the valley. A light snow caps the distant peaks, while the vibrant structures of modern Longyearbyen dot the tundra far below — a stark juxtaposition of decay and renewal.
Deeper into the fogbound heart of the site, the main coal sorting facility emerges: vast, multistoried, and ribbed with aging beams. Inside, shafts of cold light fall across dusty floors and rusting machinery. Abandoned workbenches still bear the scattered documents and helmets of miners long gone — as if the workers might return at any moment. The final images, taken inside the coal sorting structure, reveal a poignant still life: a rust-pocked helmet resting on faded papers, under the slanting light of a cracked window. The silence here is not empty — it is dense with memory.
This mine, decommissioned decades ago and now preserved in semi-ruin, embodies the stark isolation, danger, and endurance of life in the high Arctic. It’s a place where architecture, geology, and history blur — a ghostly sentinel above the fjord, watching over a town and world transformed.