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SÜDAFRIKA (South-Africa), Blyde-Canyon - am Blyderiverpoort (StaDer Blyde River Canyon ist ein 26 Kilometer langer, bis zu 800 Meter tiefer und hauptsächlich aus rotem Sandstein bestehender Canyon. Er befindet sich an der Panorama Route nordöstlich von Johannesburg und gilt als eines der großen Naturwunder Afrikas.
Durch den Blyde River Canyon, der an den Bourke’s Luck Potholes genannten Strudellöchern beginnt, fließt der Fluss Blyde River, der bei dem Thaba Chweu entspringt und in den Olifantsriver fließt.
The Blyde River Canyon is a 26km long Canyon located in Mpumalanga, South Africa. It is the one of the larger canyons on Earth but much smaller than those of Asia, the Grand Canyon and the Fish River Canyon. Unlike the Grand and Fish River Canyon, the Blyde River Canyon is a "green canyon" which is dominated by subtropical vegetation. The canyon forms part of the Blyde River Canyon Nature Reserve.usee)
Réalisé le 21 novembre 2014 au Parc National de Bundala, Sri Lanka.
Cliquez sur la photo pour l'agrandir / click on the photograph to enlarge it.
Taken on November, 21rst / 2014 at the Bundala NP, Sri Lanka.
Will Marlow is a digital advertising and marketing consultant who holds multiple certifications from Google, Inc.
Visit Will Marlow, LLC's website or follow him on Twitter here
Or email him.
If you want to see it in person, the address of the Air Force Memorial is: 1 Air Force Memorial Drive
Arlington, VA 22204.
Will Marlow is a digital advertising and marketing consultant who holds multiple certifications from Google, Inc.
Visit Will Marlow, LLC's website or follow him on Twitter here
Or email him.
This is the view from the Air Force Memorial near the Pentagon. There are four soldiers in a row, and the one closest to the camera is a female soldier, but you can only tell that by the bun in her.
If you want to see it in person, the address of the Air Force Memorial is: 1 Air Force Memorial Drive
Arlington, VA 22204.
Explore Position: 316.
Bij Killiney heb je als treinreiziger een fantastisch uitzicht. De treinen rijden hier gelijk langs het strand (wat echter 60 meter lager ligt) en bij heel helder weer kan je zelfs de bergen van Wales zien (die toch 110 kilometer verwijderd zijn).
Bei Killiney hat man als Zugreisender eine absolut großartige Aussicht. 60 Meter tiefer liegt der Strand, an manchen Tagen - wo es extrem klar ist - kann man sogar die Snowdonia Bergen in Wales auf 110 Kilometer Entfernung sehen.
"the view is absolutely spectacular".. That is what I was told before I took the DART from Booterstown to Bray. Upon asking what exactly was spectacular, I got "you'll see" as an answer. Well, the person who told me that was absolutely right. I will never forget the first time, riding the DART and passing Killiney beach, the word "spectacular" doesn't do it justice enough.
Pictured here is railcar 22204 - on its way from Connolly to Rosslare. I'm sure the people on the train are all enjoying the magnificent view... wouldn't you?
click on "all sizes" above picture to see larger view
the adventure of living and traveling the world is reflected in the mail art series. the "mail" used is actual mail i received while living abroad.
mixed media:on wood, acrylic paint, needlepoint hoops, watercolor paper, stamps, collaged paper
14" x 18" x 1"
2009 august
this art piece will be in my newest art show. it is sponsored by two art groups that i belong to.
The ZIP Code Show - Art Outlet & artdc.org
The past, the present, entrapment, enthrallment, nomadism, nowhere and everywhere, drinking beer, making out, secret rooms, contentment, living hell, paint cans, and of course numbers all factor into The ZIP Code Show, happening August 29 (opening night) - September 5, 2009.
The show, an artdc.org and Art Outlet collaborative event, is being held in partnership with Halstead Arlington and the Columbia Pike Revitalization Organization.
The ZIP Code Show will open and close with Saturday night receptions that will include art, artists, performers (see below), a cash bar, and hors d' oeuvres courtesy of Rincome Thai Cuisine. The work will be on display during the receptions and Tuesday, September 1 through Friday, September 4.
The ZIP Code exhibition is located at Halstead Arlington at 1028 South Walter Reed Drive in Arlington, VA 22204.
Gallery Hours: Sat Aug 29, 5-midnight; Tue - Fri, 5:00 pm - 7:30 pm; Sat Sept 5, 5-10 pm
exhibited at:
zip code show
1028 walter reed drive
arlington, virginia
29 august-5 september 2009
Artomatic 2008
Washington, DC
9 May– 15 June 2008
jenniferbeinhacker.com
art outside the edge
Photo André Knoerr, Genève. Reproduction autorisée avec mention de la source.
Utilisation commerciale soumise à autorisation spéciale préalable.
La motrice 91 du streetcar "Lynx" roule en direction du centre ville.
On remarque les avis de maintien de la distance de 200 pieds, placardés bien avant l'apparition du coronavirus COVID-19.
22204
4th locomotive of WAP4 class manufactured by CLW for Indian Railways; (Ex-JHS) #22204 fitted with mid-level headlamps now homed at BSL (BHUSAWAL) still sporting the classic Rajdhani livery powers bi-weekly 12294 Allahabad-LTT ICF Duronto Express through Diva-Mumbra-Kalva on slow Up line as consequence of weekly megablock taken on Sundays.
Watch Full HD video here at :- www.youtube.com/watch?v=0WHCYhkd_9s
click on "all sizes" above picture to see larger view
Find Art is a publication that is sent across the US to artists with information about "calls for entry", jobs, and other information for artists.
the man that publishes it asked me if i would be the featured artist in his "anatomy of an artist" series.
this is the interview.
it was published today.
very exciting for me!
the publication is sent to over 25, 000.00 nationwide, with a level of subscribers in europe.
here it the interview:
The Anatomy of an Artist
Artist: Jennifer Beinhacker
My art has redefined the classic painting statement. This is a constant source of delight, opening up depth, range and texture. I express myself using materials as a total gestalt, creating images from the turmoil of my mind.
As a self taught artist I find myself struggling with “how to”. Not having formal art training allows me to create, not just through “trial and error”, but without any preconceived notions of “how it must be done”. Using my own techniques affords me the advantage of creating in innovative ways.
Medium/Specialty:
I work in many media: acrylic, watercolor, collage, and pastel. I use objects and materials not just as a tool but often as the end result itself. I am a devotee of found objects and street trash. Found objects, bones, teeth, blood, concrete, glass, as well as other pieces of street trash find homes in my art. There is no object I can resist and bring to my studio, where it waits...a silent muse...for my next art piece.
I work dimensionally, on wood, often box-based.
I begin each piece with no preconception of what will occur. Sometimes I start with a "color" (I feel like working in "red" and "blood" adorns my piece.). Sometimes the piece begins with a particular "found object" or the shape of the wood or size of a box. I never know, from beginning to end, what I will give birth to and am often astounded at what my mind has produced.
I could call my art outsider, visionary, raw, collagist, folk, emerging ……but the word that best defines me and what I do is…….artist.
Inspiration & Influences:
My initial influence was my mother. When I was 10 years old she gave me her old tubes of oil paint and discarded canvases to use. Other influences are: the artists Gregory Gillespie, Renee Stout, Joseph Cornell, Edvard Munch and all outsider/visionary artists.
Noted Experience/Bio:
Jennifer has been exhibiting for the past 20 years. When returning to the United States after living in Europe for 12 years Jennifer began to seriously exhibit her art in shows in the tri-state area. Jennifer now works as a full time artist in her newly renovated studio (her former attic). Jennifer says that this new space has allowed her more room and more freedom to continue creating.
At her first show, after returning from Europe, Jennifer, who had three pieces in the show, was so nervous she threw up in the ladies room. Since then Jennifer has “relaxed” and greatly enjoys each show.
The arc of Jennifer’s work: Jennifer began her career as an oil painter, working on canvas, then she switched to acrylic. While living in Europe Jennifer began working three dimensionally in fruit and vegetable boxes that she got from the farmers market. Jennifer’s assemblages continued after her first camping trip to the American southwest. This was the beginning of her totem series. After traveling to Mexico she began her shrine series. This was further influenced by her travels in South East Asia and Central America. Her most recent trip to West Africa in 2008, started Jennifer in her most recent work with water soluble pastels on cardboard. Jennifer admits to being quite eclectic in her style and different media. She works in many media, often simultaneously.
FA: Pricing ones artwork has always been somewhat of a dilemma for most artists. What method do you use for pricing your artwork?
JB: When I began making art this was not an issue for me as I did not want to sell my art pieces. I felt “if I sell a piece all I will get is money, but I would lose my art”. I was quite attached to my art pieces and also I think, it was a way of avoiding the thought “who would buy my art anyway!”. When I decided that I wanted to take myself seriously as an artist and “put myself out there” in the world for all to see (a risky business) I was not sure how to price my art. Initially, still unsure of my “worth as an artist” I most likely under priced my work. however as I began to sell, I looked at how other artist priced their work and also relied on the judgment of the gallery managers/curators in the venues I was showing. Eventually I got a sense of the “fair market value” for my art and now have no problem deterring what to ask for a particular art piece.
FA: What are some of the difficulties/challenges or mistakes that you have experienced being a fine artist?
JB: There have not been any that I can think of, except perhaps, as stated above, under pricing my art in the beginning stages of selling my art work.
FA: Aside from the quality of your artwork, what do you feel has attributed to your level of success thus far?
JB: Hard work! I try to work every day in my studio, often from dawn to dusk. Also, I try to explore a variety of media. I am always open to trying new and different techniques, media, etc. to stretch myself as an artist. Each art piece I create is unique unto itself. I do not create “mass produced” art, this way I am always challenging myself to see what my mind can produce.
Networking….it is important to maintain contact with other artists, to see what is going on out there in the art world, to talk art/technique/style, to ask questions…I am always learning. And to network with as many art loving patrons, gallery owners, museum folks, curators, etc., as possible. Attend as many art shows as possible, go to museums, read read read what is going on in the art world globally. One way to get world wide exposure is to join various on-line groups, such as flickr. Also having a website is very important, and don’t forget to blog about your art…you are your own best promoter!
And most important for me, I have the love, support and encouragement of my husband and son and daughter-in-law. I also have a 4 1/2 year old granddaughter who tells me “I love your art nana” and who not only enjoys going to all my art shows but also wants me to make art with her.
FA: What advise would you give to artist tying to make a career in fine art?
JB: I am a self taught artist. I do not find it a handicap to me that I have no formal art training, but then it depends on what style of art one creates. For some artists perhaps attending university/art school or at least as many workshops as possible might be helpful.
Also, as mentioned previously, network, get to know other artists. Look at as much art as you can.
Enter as many art shows as possible. You will not get in to all of them, but the exposure is good, the experience enhances learning and…one day…you will get into your first show!
Work at your art all the time. Try different media. Allow yourself to grow as an artist.
Although Jennifer has shown primarily in the tri-state area she will be in her first show in New York in April. You can see Jennifer next at: Pen and Brush Gallery, 16 east 10th street, New York, New York. 2-26 April, 2009.
Flux: 3213 Columbia Pike, Arlington, VA. 22204. 18 April, 2009
Artomatic: 55 M Street, SE, Washington, DC. 29 May to 5 July, 2009
Jennifer calls her art “art outside the edge”. Once you view it I know you will agree that this highly talented artist is not just “outside the edge” but also on the “cutting edge” of what is happening in the art scene today. Jennifer’s art can be viewed on her website: www.jenniferbeinhacker.com.
You can read her art blog at: artdc.org/forum/index.php?topic=10054.0
See her interviewed live in her studio: thecreativestream.com/index.php?option=com_content&vi...
See her on flickr.com: www.flickr.com/photos/30462932@N07/
Freshly poh'ed BSL's Red Beauty WAP-4 #22204 thrashing through MISROD @ MPS taking charge of 12:47 hrs late running 12410 NZM-RIG Gondwana S.F. Express.
Stagecoach Teesside MAN 18.220/Alexander ALX300 22204 (T204TND) is pictured on Stockton High Street while operating the 61.
© All rights reserved. Images are copyrighted to myself. Photographs lifted from my photostream and being reused elsewhere without my permission or being credited, will not be tolerated. Links to the image on Flickr may be posted.
Amsterdam 15-10-1983. Just another Caetano I must have thought in 1983 but while researcing this coach I found that is also quite rare, being a (short) Bedford YRQ / Caetano Cascais II that was new in 1976 as an executive coach for Texaco, London SW1. I cannot say who the operator was here.
Operator: REGA (Swiss Air Ambulance)
Aircraft: AgustaWestland AW109SP GrandNew
Registration: HB-ZRZ
C/n: 22204
Location: Mollis Airport (LSZM)
Date: 18-9-2021
Previously: I-PTFD
Legendary 12534 CSTM-LJN Pushpak SF Express accelerates out of Khandwa Jn behind BSL monster WAP-4 #22204 in charge
The make up of Stagecoach North East's Stockton on Tees fleet has changed considerably since this September 2014 photograph was taken at their depot open day. On this occasion the depot was wall to wall MAN 18.220's with Alexander ALX300 bodywork as illustrated by this shot.
This selection of buses new to Cleveland Transit, Busways and Greater Manchester South have now mainly been replaced by new ADL Enviro 300 bodied ADL E30D's as shown in the next few photo's in my photstream taken in June 2015.
Amongst those above are 22474, 22469, 22674, 22488, 22667, 22204 & 22208. Of these only 22204, 22469 & 22674 were still seen to be in service in Stockton on the day of my visit.
Expreso maule (Serv.22204) dejando atrás el pequeño poblado de "Itahue". Tren procedente de Linares Destino Santiago.
Itahue ,Chile.
KM 207
22/ Mar / 2015
Operator: REGA (Swiss Air Ambulance)
Aircraft: AgustaWestland AW109SP GrandNew
Registration: HB-ZRZ
C/n: 22204
Location: Mollis Airport (LSZM)
Date: 17-8-2019
Previously: I-PTFD
Route diverted GKP LTT Kushinagar express hauled by 22204 BSL WAP4 slowly moves out of Vasai road ... It was running more than 10 hrs late
An unoccupied house burned at 4613 S 6th Street in Arlington Virginia’s Barcroft neighborhood this morning. The owners had just this month moved to a new house down the street. www.zillow.com/homedetails/4613-6th-St-S-Arlington-VA-222...