View allAll Photos Tagged 110format
Rollei A110 subminiature, test roll.
Lomography Orca 110 b&w, developed in Rodinal, 1:100,
25 minute stand.
Diptych//"Becoming Human" robot, and "Green Coyote" sculptures at Meow Wolf.
Agfa Agfamatic 4008 Tele Pocket Sensor camera for 110 format with Lomography Orca 100 ISO black and white film, exposed at the camera's high speed setting by modifying the cassette's tab. Developed in Adox Adonal diluted 1+25 for 14 minutes at 20ºC.
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Gloriously grainy blossom burst
Kodak Gold 400 shot at EI 400
Color negative film in 110 format
Gloriously grainy blossom burstShot on Kodak Gold 400 at EI 400. Color negative film in 110 format.
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A few mundane shots of the front garden in the spring, taken with a Diana 110 and Lomography Tiger.
Developed by The Darkrooom in San Clemente.
"Introduced in late 1982, the Super was identical in basic shape and size to the previous model and accepted the same lenses. Many improvements and changes were included to make this model arguably a better camera than the previous Auto 110. Film winding was improved with a single-stroke film advance lever that advanced the film and cocked the shutter in one winding (the Auto 110 took two strokes to advance the film). A switch around the shutter release button enabled a new ten-second self-timer mode and a shutter lock; the self-timer activated a red light on the pentaprism housing, which flashed during the 10-second shutter release count-down. A button on the front on the user's left hand side gave a +1.5 EV (exposure value) backlit scene exposure compensation.
More subtle changes include a revised top shutter speed of 1/400.[citation needed] The optional winder offered an improved battery cover, a well-known weak component in the first generation form. The shutter button is protected from accidental tripping by an altered casing around the button. The flash synchronization socket cover on the Super was permanently attached to the camera in an attempt to prevent loss, though many still go missing when the plastic tether breaks.
The viewfinder screen has a split image rangefinder center, surrounded by a microprism collar, whereas the Auto 110 had the split image rangefinder center only. The low light warning activated at 1/45 second (the Auto 110 activated at 1/30 second)." -- Wikipedia
Burnt
Lomography Color Tiger film shot at EI 200
Color negative in 110 format
Burnt Lomography Color Tiger film shot at EI 200 Color negative in 110 format
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... or something. From my first test roll through the Minolta Auto 110 Zoom. I almost called this one "What The F***?" If anyone has an explanation for this phenom, I would love to hear it.
just procured on old compact (as in tiny!) SLR film camera, first purchased in 1979 (photo taken in my kitchen)
Between July 1979 and July 1981 I was a conscript serving with the 7th SA Infantry Battalion. After my first operational tour of duty I returned from Ondangwa in the South West African "Operational Area" on June 28, and was posted to 7 SAI's base camp in Phalaborwa before returning to "The Border".
This photograph - taken on Saturday, September 20, 1980 at 7 SAI in Phalaborwa - captures (from left to right) Paul Kwant, Mark Pautz and Ingo Eggers engaged in a serious military exercise, known as "Ballasbak"! A direct translation is "Ball Baking" - lying in the sun, taking it easy and doing nothing!
Ahhh, I remember those "Sektor 10 - Ek Was Daar" blue lycra shorts. Scary. Hahaha...
Gloriously grainy blossom burst
Kodak Gold 400 shot at ISO400
Color negative film in 110 format
Gloriously grainy blossom burst – Kodak Gold 400 shot at ISO400.
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Pentax Auto 110 with single perforated 16mm Kodak Surveillance film 2210. Developed in R09 One Shot, 1+25 for around 10 minutes at 18ºC.
somethoughtsonrailwaystations.blogspot.co.uk/2015/04/hamb...
On January 21, 2013 The Lomographic Society introduces a new color slide film in the 110 format.
There is nothing like 110 film. It's authentic 1970s-look make it awesome and original! Who would have guessed that 2013 would be the year of 110 film? We did!! Michael Raso of The Film Photography Podcast has been urging you to search your parents' attic, look under the bed, open the drawers and shoot with a 110 film camera!
The time in NOW to shoot 110!
Support The FPP and pick up a roll of Peacock 110 ! (plus our new radio show twice a month!)
Included are the following:
Pentax Auto 110 Body
3 Lenses: 18mm, 24mm, 50mm all 1:2.8
Pentax Travel Case
Pentax Auto Winder
Pentax Flash
3 Lens Hoods
Tripod Adapter
Wrist Strap
9 Filters
Pentax Leather Bag (for body)
Pentax Leather Bag (for Flash)
Everything is in mint condition, tested, and works properly. All items are made by Pentax.
Film can be purchased from Lomography.
Here are some shots I've taken with this camera using really cheap expired film.
Sony Cyber-shot DSC-U20. Announced September 2002.
"Sony has engineered a sub-miniature model without sacrificing image quality or functionality."
"Packed with an impressive 2-megapixel resolution and features like auto focus and auto macro functions to capture crisp shots."
My Dad sent this to me. Just a tad smaller than the Rollei A110. It seems a digital camera has joined my 'vintage' camera collection. This one actually performs quite well... Thanks Dad!
Halina 110 Auto-Flip camera with 110 cartridge reloaded with 16mm Kodak Photo Instrumentation Film SO-078. Developed in R09 One Shot 1+25 for 6m30s at 20ºC.
photo-analogue.blogspot.co.uk/2017/10/world-toy-camera-da...
May 2013 shoot model K Y O K O (MM#2992527) in Deep Ellum. Shot on expired (ca 1986) Kodak color negative film using a Vivitar TELE 805 Point 'n Shoot 110 format camera. Tele lens setting.
Rollei A110 subminiature, test roll,
With Lomography Orca 110 b&w, developed in Rodinal, 1:100, 25 minute stand.
New Mexico Museum of Art, Santa Fe.
The ultimate point-and-shoot film camera. Taken in a restaurant by the Musée d'Orsay, Paris, with a Canon EOS500N film camera.
Sí, es el muñeco articulado Action Man pero incorporaba una cámara que permitía que los niños pudiesen hacer fotos reales.
Action Man fue la versión europea del G.I. Joe, fabricado en Europa por la británica Palitoy mediando una concesión de derechos de la multinacional americana del juguete Hasbro. El juguete, lanzado al mercado en 1968, tuvo un muy importante éxito, alrededor del cual se crearon toda una gama de accesorios y funciones, dando lugar a una serie televisiva de dibujos animados e incluso alguna producción cinematográfica basada en el personaje. Tras el cierre de Palitoy, la Hasbro Inc. (NASDAQ: HAS), la segunda mayor empresa juguetera del mundo compró todos sus derechos y patentes, relanzando el muñeco en 1993 para mantenerlo hasta 2006 aunque, posteriormente, hubo producciones limitadas y exclusivas para la cadena Tesco.
El muñeco plástico tiene una altura de 12” (30,5 cm) y cuenta con una cámara de foco fijo (1 a 8 metros) que empleaba los chasis de película 110, formato que introdujo la Kodak por primera vez en 1972 con la cámara Pocket Instamatic.
La cámara de video que parece operar el muñeco es falsa si bien hace las veces de rudimentario visor de enfoque. El disparador es un botón situado en las proximidades del hombro izquierdo cuya presión accionaba la lámina del obturador. Al habitáculo de la película se accede levantando una placa que se esconde en el torso del muñeco. Para hacer avanzar la película dispone de una rueda que sobresale en el entorno del cinturón.
London WC1, May 2017. Taken with Halina Autoflip 110 format camera using expired Fuji Superia 200 film.
Agfa Agfamatic 4008 Tele Pocket Sensor camera for 110 format with Lomography Orca 100 ISO black and white film, exposed at the camera's high speed setting by modifying the cassette's tab. Developed in Adox Adonal diluted 1+25 for 14 minutes at 20ºC.
photo-analogue.blogspot.com/2022/03/agfa-agfamatic-4008-t...
OurDailyChallenge "Look What I Found"
Here is a camera I found amongst some used eyeglasses donated to the Lions Clibs' Eyeglasses Recycling Program. The name on the camera is BerkyKeystone and the model is XR306 with a 2x tele Lens. On the front of the camera it says Everflash and in the back there is "EMG Made in USA"
This is a company I had never heard of before, I remember Keystone for their 8mm movie cameras and projectors. I Googled the company but very little shows up although it seems that Berky seems to have partnered with a number of other brand names to produced their products under licence.
Can anyone out there shed any light on this 110 camera?
Here is some additional information I found:
Berkey Photo Inc. Versus Eastman Kodak Company
This action, one of the largest and most significant private antitrust suits in history, was brought by Berkey Photo, Inc., a far smaller but still prominent participant in the industry. Berkey competes with Kodak in providing photofinishing services-the conversion of exposed film into finished prints, slides, or movies. Until 1978, Berkey sold cameras as well. It does not manufacture film, but it does purchase Kodak film for resale to its customers, and it also buys photofinishing equipment and supplies, including color print paper, from Kodak.
The two firms thus stand in a complex, multifaceted relationship, for Kodak has been Berkey's competitor in some markets and its supplier in others. In this action, Berkey claims that every aspect of the association has been infected by Kodak's monopoly power in the film, color print paper, and camera markets, willfully acquired, maintained, and exercised in violation of § 2 of the Sherman Act, 15 U.S.C. 5 2. . . . Berkey alleges that these violations caused it to lose sales in the camera and photofinishing markets and to pay excessive prices to Kodak for film, color print paper, and photofinishing equipment.
[The jury found for Berkey on virtually every point, awarding damages totaling $37,620,130. judge Frankel upheld verdicts aggregating $27,154,700 for lost camera and photofinishing sales and for excessive prices on film and photofinishing equipment. . . . Trebled and supplemented by attorneys' fees and costs pursuant to 5 4 of the Clayton Act, 15 U.S.C. 5 15, Berkey's judgment reached a grand total of $87,091,309.47, with interest, of course, continuing to accrue.
Berkey has been a camera manufacturer since its 1966 acquisition of the Keystone Camera Company, a producer of movie cameras and equipment. In 1968 Berkey began to sell amateur still cameras made by other firms, and the following year the Keystone Division commenced manufacturing such cameras itself. From 1970 to 1977, Berkey accounted for 8.2% of the sales in the camera market in the United States, reaching a peak of 10.2% in 1976. In 1978, Berkey sold its camera division and thus abandoned this market.
February 2013 shoot with Lexy Quinn (MM#2844268) in Deep Ellum. Shot on expired (ca 1986) Kodak color negative film using a Vivitar TELE 805 Point 'n Shoot 110 format camera.
On Thursday, August 28, 1980 (while nursing a blend of conjunctivitis and flu) I had a major motor accident. At the time I was a conscript serving with the 7th SA Infantry Battalion, had returned from Ondangwa in the South West African "Operational Area" on June 28, and was posted to 7 SAI's base camp in Phalaborwa before returning to "The Border". A very pleasant chap by the name of Johann Grove had just returned to Namibia, and asked me whether I would drive his car home to Johannesburg for him. I agreed and was joined by Ingo Eggers and Jan Viljoen who shared the fuel costs with me. On that fateful Thursday we left Phalaborwa, heading for Pretoria, and my diary picks up the story on the R101:
Pass. On a detour road between Nylstroom and Warmbaths I got blinded by a truck's headlights, misjudged a right-hand corner, drifed, corrected, drifted across the road, hit an irrigation ditch and rolled the Mazda 323, 1300cc four times. Landed on the roof. Three of us OK. Car a total write-off. Lucky to be alive. Hiked home (accident at 06:10 pm).
Incredibly, we hitchhiked back to Pretoria in full military "step out" uniform, covered from head to toe in petrol, squashed banannas, mashed avocado pears, lager beer and red Transvaal dust. My neck has never been the same since, and I apologise to Ingo and Jan if they have had any long term side effects. Sadly for me, this was not to be my last accident for the weekend. Two days later, on the night of Saturday, August 30, 1980 I was a passenger in another rolling car on the corner of Crown Avenue and Lawley Street in Waterkloof, Pretoria. But that's another story...
I took this photograph on Thursday, September 25, 1980 at the scene of the accident on the R101 between Nylstroom and Warmbaths. I was on my way back to Pretoria for a weekend pass.
Also take a look at my blog.
This was just after taking my first set of photos on a cartridge of Lomography Colour Tiger. I'll be adding the best results to this album.
On Thursday, August 28, 1980 (while nursing a blend of conjunctivitis and flu) I had a major motor accident. At the time I was a conscript serving with the 7th SA Infantry Battalion, had returned from Ondangwa in the South West African "Operational Area" on June 28, and was posted to 7 SAI's base camp in Phalaborwa before returning to "The Border". A very pleasant chap by the name of Johann Grove had just returned to Namibia, and asked me whether I would drive his car home to Johannesburg for him. I agreed and was joined by Ingo Eggers and Jan Viljoen who shared the fuel costs with me. On that fateful Thursday we left Phalaborwa, heading for Pretoria, and my diary picks up the story on the R101:
Pass. On a detour road between Nylstroom and Warmbaths I got blinded by a truck's headlights, misjudged a right-hand corner, drifed, corrected, drifted across the road, hit an irrigation ditch and rolled the Mazda 323, 1300cc four times. Landed on the roof. Three of us OK. Car a total write-off. Lucky to be alive. Hiked home (accident at 06:10 pm).
Incredibly, we hitchhiked back to Pretoria in full military "step out" uniform, covered from head to toe in petrol, squashed banannas, mashed avocado pears, lager beer and red Transvaal dust. My neck has never been the same since, and I apologise to Ingo and Jan if they have had any long term side effects. Sadly for me, this was not to be my last accident for the weekend. Two days later, on the night of Saturday, August 30, 1980 I was a passenger in another rolling car on the corner of Crown Avenue and Lawley Street in Waterkloof, Pretoria. But that's another story...
I took this photograph on Monday, September 1, 1980 at the Warmbad Scrap Yard at 1 Industria Road in Warmbaths on my way back to base after an insane weekend. FYI, here's the route of the R101 between Nylstroom and Warmbaths.
Also take a look at my blog.