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Beautiful Grey Wolves Portraits! West Yellowstone Gray Wolves Sony A1 Fine Art Wolf Photography Montana Winter Wolfpack! Sony Alpha 1 Canis Lupus Apex Predator & Sony FE Telephoto Zoom 70-200mm f/2.8 GM OSS E-Mount Lens SEL70200G West Yellowstone Snow! Elliot McGucken Fine Art Wildlife Alpha1 ILCE-1
I had great fun photographing wolves, bears, and eagles with the awesome Sony Alpha 1 and two of my favorite Sony Gmaster lenses -- the 70-200mm f/2.8 GM OSS E-Mount Lens SEL70200G and the Sony Alpha 1 & Sony FE 200-600mm f/5.6-6.3 G OSS E-Mount Lens SEL200600G ! The Sony A1 is the best wildlife I have ever used!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Director, artist, & author JOHN WATERS signed his book 'CARSICK' at the GREEN APPLE BOOKS ON THE PARK in SAN FRANCISCO. Over 1,500 people fought for the 150 tickets. ADDA DADA scored one, as well as won a special edition poster which John Waters happily signed. Probably one of the best , if not the wittiest, speaker that I ever had the pleasure of meeting.
Here is a selection of some of the fun attendees who were overjoyed to meet John Waters.
Thank you Green Apple Books on the Park for making the event so wonderful.
=======
ADDA DADA's VIEW COUNT is EIGHTY MILLION (80,000,000+ ) and with over 5,700 FOLLOWERS !
THANK YOU for visiting this virtual gallery! Enjoy my social documentary photos of the various events in San Francisco! !
NOTE: The JOHN WATERS book signing was a fun event held in San Francisco with many different people attending. These photos do NOT imply the person's sexual orientation in any way.
Photos are properly marked SAFE or RESTRICTED which is for 18+ only nudity. There is NO porn on my site!.
NOTE: MY photos are NOT to be reproduced, COPIED, BLOGGED, USED in any way shape or form. Use of them by anyone is an infringement of copyright ! © All rights reserved. Use without permission is illegal.
Do NOT post them elsewhere!
NOTE: Viewers should be aware that these photos are viewed by a wide variety of folks and inappropriate RUDE, 'X' or 'R' rated comments shall be removed forthwith.
Check out ADDA DADA's other photo albums.
++++++++++++++++++++++++++++
"John Waters has a machine gun repertoire of witty original quips. There is no way anyone can keep up with his constant stream of bon mots. But, I tried."-Adda Dada
"Sure I'd be up for a new title. Saint John Waters has a nice ring to it."-JW on ADDA DADA's comment that the SISTERS OF PERPETUAL INDULGENCE should grant him sainthood!!!!!!!!
''Divine was a combination of Godzilla and Jane Mansfield. Her sole purpose in life was to scare people."-JW
"We'd terrorize hippies by putting white sugar and meat on their door steps!"-JW
" As a boy, I was on the Howdy Doody Show and I quickly realized that TV was all a lie. Then and there, I decided, 'Now, this is what I want to do!'" -JW
"Advice for life? Be witty. Telling jokes suck."-JW
"I now have a new moniker, 'The People's Pervert'!"-JW
"The only reason I read 'Hard Choices' by Hillary Clinton was because the title sounded like a porn book."-JW
"Contemporary art should be disturbing." -JW
"I'd be a horrible father, but a good uncle. I'm the one who would get you out of jail, get you an abortion, and buy you alcohol!"-JW
"The most unusual request? A gal who pulled out her tampon and asked me to autograph it. ...Well, of course, I signed it."-JW
"What is up with this? Parents bring their angry children to me to bond."-JW
"I'm for gay marriage. But know the person you are gay marrying. Don't just pick up someone in a bar and marry them the next day because you can. " JW
"I.m not a good commenter for the Baltimore Riots. I was filming 'Alvin and the Chipmunks 3' when that all went down."-JW
and the heart tugger:
'All our pals purchased grave plots near Divine. We will all be buried next to each other. We really should call it 'Disgraceland'." -JW
Pretty Icelandic Horses Long Hair Flowing Manes Reyjavik Iceland Sony A1 ILCE-1 Fine Art Photography! Pretty Equus Photos Sony Alpha 1 & Sony FE Lens Elliot McGucken Fine Art Animal Photography Sony Alpha1
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Big Waves Cape Disappointment Lighthouse King Tide Washington Coast PNW Storm Fine Art Landscape Seascape Ocean Art Photography! Sony A1 ILCE-1 Fine Art Wave Photography Sony Alpha 1 & Sony FE Telephoto Zoom 70-200mm f/2.8 GM OSS E-Mount Lens SEL70200G Pacific Northwest! Elliot McGucken Nature Photography Alpha1
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Coastal Brown Bears Lake Clark National Park and Preserve Alaska Silver Salmon Creek Lodge Fine Art Wildlife Photography! Alaskan Grizzly Bear Sony Alpha 1 A1 200-600mm Zoom Lens Elliot McGucken Master Fine Art Landscapes Wildlife Photographer AK
Dr. Elliot McGucken Fine Art Spacetime Sculpture dx4//dt=ic:
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
Follow me on Instagram!
Facebook:
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
KIMBOLTON Castle Books.
BOOKS
LOT
248Fergusson (J.), Tree and Serpent Worship in India, London, 1868, cloth (1); Enfield (W.), History of Philosophy, London, 1791, tooled calf (2); Dibdin (Rev. T.), Bibliographical Decameron, London, 1817, tooled calf (3); Kinglake (A.), Invasion of Crimea,cloth (6) 12
249Carr, Dialogues of Lucian, London, 1774, calf (5); various, old calf (23)
28
250Journal of Microscopical Science, 1860-1868 (9); Monthly Microscopical Journal, 1869-1877 (17), tooled calf 26
251Prescott (W.), Ferninand and Isabella, London, 1842, cloth (3); Prescott (W.), History and Conquest of Mexico, London, 1844, cloth (3); Tytler (P.), History of Scotland, Edinburgh, 1845, cloth (5); Heeran, Historical Researches, cloth (3); others, cloth (8) 22
252Various, cloth 22
253Various, cloth 30
254Biographical Dictionary, London, 1761, half calf (11); Gibbons’ Roman Empire, London, 1838, half cloth (8) 19
255Samuelson (J.), Popular Science, London, 1862, half calf 15
256Dyce (Rev. A.), Shakespeare, London, 1864, cloth (8); Carlyle (T.), History of Frederick the Great, 1858, cloth (16); Dennistoun (J.), Memoirs, Dukes of Urbino, 1851, cloth (3) 27
257Ross, Cornwallis Correspondence, cloth (3), Life of Peel (2), Life of Wilberforce (3), Life of Castlereagh (3), Life of George IV. (2), Life of Cellini (2), various (10), cloth 25
258Woodstock or The Cavalier, Edinburgh, 1826 (3); various, old calf and half calf (27) 30
259Hallam (H.), Literature of Europe, London, 1847, calf (3); various in old calf (21) 24
260Various, cloth 30
261Bancroft (H.), Native Races of the Pacific, 1875, cloth 5
262Livius (T.), History of Rome, London, 1797, calf (6); Langhorne’s Plutarch’s Lives, 1770, calf (6); Melmoths, Cicero, etc., London, 1785 (7)
19
263Journal of the Agricultural Society, 1842-1876, half calf 37
264Riverius (L.), Practice of Phyfick, London, 1678 (1); History of Edward II., 2-colour title and engraved frontispiece, London, 1680 (1); Pyne (W.), Microcosm, litho plates, London, 1803 (1); various, old calf (13) 22
265Smith (A.), Wealth of Nations, London, 1791, calf (3); Sheridan, Works, 1821, half calf (2); Moliere, Works, Paris, 1804, calf (6); various, old calf (13) 24
266Theatre de Corneille, 1795, calf (of 12) (11); Contes Moreaux, calf (3); various (18) 32
267Various, mostly old calf 34
269Fabriche di Venezia, Venice, 1815, half calf, folio (2); Wilkins’ Magna Graicia, Cambridge, 1807, folio (1); and others, folio (4) 7
270Punch, cloth, 1860, etc. 37
271Various, old calf, and odd volumes 30
272Duke of Wellington’s Dispatches, cloth (8); various (40) 48
273Thoyras (De R.), History of England, 1728, calf (6); Ulster Journal of Archaeology, half calf (9); others (15) 30
274Monumenti Etruschi, half calf (9); various (21) 30
275Lodge’s Portraits, 1823, cloth (7); Riddell (R.), History of Mountains, 1807, calf (3); Newton (T.) — Milton (2) 12
276Scriptorum Veterum, Romae, about 1850, half calf 10
277Jackson (J.), Antiquities, London, 17522, calf (3); various (27) 30
278Lavater (J.), Physiognomy, 1810, calf (5); Rural Economy (7) 12
279Histoire Naturelle, Paris, 1760, calf (16); Ditto, de Pline, Paris, 1771, calf (6) 22
280Ptolémée, Works in Greek and French, Paris, 1813, calf (7); various, tooled calf (35) 42
281O’Donovan (J.), Annals of Ireland, cloth, 1848 (5); Dyce (Rev. A.), Shakespeare, 1857, cloth (6); Froude, History of England, cloth (12) 23
282A Victorian album containing large number of scrapwork pictures, photographs and water-colours, with enamel crest, "Louise M" 1
283The Book of Knowledge, cloth (20); Cassell’s History of the British People (7) 27
284Various in French, half morocco 21
285Novels, etc., various 50
286A similar lot 50
287Würtz, Constantinople, Paris, 1819, engraved plates (1); Priolo (P.), Illustrations from Ossian’s Poems, 1873 (1); Pine (J.), Processions and Ceremonies of Knights, in French and English, two-colour title, London, 1730 (1); Histoire Pittoresque L’Equitation, Paris, N.D., folio (1) 4
288Lievre (E.), Works of Art in England, folio, engraved plates (of 500 copies), half calf (1); Waring (J.), Ceramic Art, 1874 (1); Picart (B.), Collection of Prints of celebrated painters, in sepia (1); Alhambra, coloured plates, folio (1); Halicarnassus, ditto (1) 5
289Two portfolios of Vanity Fair Cartoons; a portfolio of etchings, Musée National D’Amsterdam 3
290Simpson (W.), India, Ancient and Modern, with many chromolithographs, London, 1867, folio 2
291Tableaux, Statues de Galerie de Florence, with many engraved plates, Paris, 1789, folio, half morocco 4
292Somerard, Arts au Moyen Age, with many plates illuminated and in colour, folio, half morocco 2
293The Deserted Village of Oliver Goldsmith, illustrated by the Etching Club, London, 1841 (1); ditto, Shakespeare, 1853 (1); Dawson (A.), Life of Henry Dawson, with photogravure plates, London, 1891 (1); Stoddard (G.), Madeira, litho plates (1) 4
294Turner (D.), Antiquities of Normandy, London, 1822 (1); Tavoli e Prospetti, sul Bonificamento, Firenze, 1838 (1); Raffaelle Gallery, with 22 autotype plates, London, 1871 (1); Atlas with coloured maps, 1861 (22); Oeuvre de Holbein, engraved plates, Basle, 1780 (1) 6
295Hon. W. Hamilton, Collection of Etruscan, Greek and Roman Antiquities, with many engravings and plates in colour, Naples, 1766 (1); Campagnes de Napoleon, engraved plates, Paris, 1806, folio (1) 2
296Ruins of Balbee, engraved plates, folio, London, 1757 (1); Lebrun (J.), Galerie des Peintres Flamand, Paris, 1792 (2); and others (2) 5
297A portfolio of engravings, photographs of sculpture, etc., various 1
298Plates to Siborne’s Waterloo Campaign, with coloured maps, folio (1); and a portfolio of etchings, after Bonnington, Linnell, etc. (1) 2
300C. Julii Caesaris, "Quae Extant, Tabulis," engraved plates, folio, calf, Londini, 1710 (1); Polymetis, Ancient Artists, engraved plates, calf, London, 1747 (1); various (26) 28
301A portfolio containing Victorian water-colour drawings and sketches of Seville, Cadiz, figures etc. (about 60)
302Engravings by A. Carden, after cartoons of Raphael, folio 2
303A large portfolio of engravings, after Rubens, Snyders, Murillo, etc., including old maps of France, etc., partly in colour, describing the campaigns of 1813, etc. 1
304A roller map on linen, Cambridgeshire and district, a similar map, South Pacific coast, a similar map of Canada, and a similar map of Canadian railroads
305Eight old maps, unmounted, including mail roads of Cumberland, Fortifications at Long Island, Quebec, etc.
306
Bison Buffalo Yellowstone National Park Lamar Valley Winter Wildlife Snow Sony A1 ILCE-1 Fine Art Photography! Sony Alpha 1 & Sony FE 200–600 mm F5.6–6.3 G OSS Emount Zoom Lens SEL200600G Yellowstone NP Montana! McGucken Fine Art Wildlife Photography Sony Alpha1 !
Epic Luxury Fine Art Landscape Nature Prints:
Follow me on Instagram:
Follow me on Facebook:
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Although "Lost Horizon" published in 1939 is identified as Pocket Books No. 1, it isn't the first paperback that Pocket Books published. The first paperback is the 1938 edition of "The Good Earth" that Pocket Books test marketed in New York City. That paperback is extremely rare and commands a hefty price because it was actually the first paperback book in the United States.
Who remembers the 80s?
When I was a pre-teen and in my early teens, I used to read (still do, actually) the Twin Connection, and Not Quite Human books
The Twin Connection series is a detective/adventure series (but different than the Hardy Boys) about two 13 yr old boys from Kansas (a lot happens in the sleepy, small town in Kansas!). I remember #1 & #2 & #9especially scaring me to death! (The suspense was great for a 13-year old like me!) They came out in 1988
The Not Quite Human series is a bit better known (since Disney made a trilogy of TV-movies on it, even though they got more and more inaccurate with each film!). This series is about an android built by a super-smart science teacher, and how he and his "real" daughter are the only ones that known he isn't human. The android (who is supposed to be 13 in the books, and 17 in the films) goes to junior high (in the books), and the books have humour, adventure and mystery. The humour is usually from the way literal-minded Chip (the android) reacts to things (or the way people react to his innocent statements), the adventure and mystery are from events (a lot happens in the sleepy small town they live in-I used to think all US small towns had such excitement!) The first book has Dr. Carson and his 12 year old daughter Becky moving to the town after Chip is built (his wife died a couple years back, and since they just moved, no one knows that he only had a daughter and no son) in this one there is a vandal in the school, and Chip is blamed. In #2 Becky is in the school rock band, and so is Chip (oh, by the way, there is a cute redhead named Erin who has a crush on Chip, and the Carsons worry that she may discover that he is an android), #3 involves computer bank theft where Erin's mum, and Chip & Becky's dad are blamed, #4 has an outsider controlling Chip, #5 Becky & Chip are in a school play, and #6 has a hurricane or tornado (I forget which) that has everyone shut-in the school, and a huge robot is malfunctioning (not Chip) and loose (not pictured-I need to repost this) They came out in 1985. Unintentional funny bits, Dr. Carson saying he added a whole Megabyte to Chip's memory! Read these books if you can-they ARE rare, but not "valuable" (I rebought the Not Quite Human set (so I had a double) on ebay for $4.50)
Not Quite Human books are by Seth McEvoy
Twin Connection books are by Adam Mills (a pseudonym)
Bixby Bridge Sunset Dusk Highway 1 PCH Big Sur Scenic Coast Fuji GFX 100 Fine Art California Landscape Nature Photography! Master Medium Format California Coastline Monterey County Elliot McGucken Fine Art Fujifilm GFX100 Photography !
Dr. Elliot McGucken Fine Art Spacetime Sculpture dx4//dt=ic:
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
Follow me on Instagram!
Facebook:
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
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The Ajanta Caves (Ajiṇṭhā leni; Marathi: अजिंठा लेणी) in Aurangabad district of Maharashtra, India are about 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 or 650 CE. The caves include paintings and sculptures described by the government Archaeological Survey of India as "the finest surviving examples of Indian art, particularly painting", which are masterpieces of Buddhist religious art, with figures of the Buddha and depictions of the Jataka tales. The caves were built in two phases starting around the 2nd century BCE, with the second group of caves built around 400–650 CE according to older accounts, or all in a brief period of 460 to 480 according to the recent proposals of Walter M. Spink. The site is a protected monument in the care of the Archaeological Survey of India, and since 1983, the Ajanta Caves have been a UNESCO World Heritage Site.
The caves are located in the Indian state of Maharashtra, near Jalgaon and just outside the village of Ajinṭhā 20°31′56″N 75°44′44″E), about 59 kilometres from Jalgaon railway station on the Delhi – Mumbai line and Howrah-Nagpur-Mumbai line of the Central Railway zone, and 104 kilometres from the city of Aurangabad. They are 100 kilometres from the Ellora Caves, which contain Hindu and Jain temples as well as Buddhist caves, the last dating from a period similar to Ajanta. The Ajanta caves are cut into the side of a cliff that is on the south side of a U-shaped gorge on the small river Waghur, and although they are now along and above a modern pathway running across the cliff they were originally reached by individual stairs or ladders from the side of the river 35 to 110 feet below.
The area was previously heavily forested, and after the site ceased to be used the caves were covered by jungle until accidentally rediscovered in 1819 by a British officer on a hunting party. They are Buddhist monastic buildings, apparently representing a number of distinct "monasteries" or colleges. The caves are numbered 1 to 28 according to their place along the path, beginning at the entrance. Several are unfinished and some barely begun and others are small shrines, included in the traditional numbering as e.g. "9A"; "Cave 15A" was still hidden under rubble when the numbering was done. Further round the gorge are a number of waterfalls, which when the river is high are audible from outside the caves.
The caves form the largest corpus of early Indian wall-painting; other survivals from the area of modern India are very few, though they are related to 5th-century paintings at Sigiriya in Sri Lanka. The elaborate architectural carving in many caves is also very rare, and the style of the many figure sculptures is highly local, found only at a few nearby contemporary sites, although the Ajanta tradition can be related to the later Hindu Ellora Caves and other sites.
HISTORY
Like the other ancient Buddhist monasteries, Ajanta had a large emphasis on teaching, and was divided into several different caves for living, education and worship, under a central direction. Monks were probably assigned to specific caves for living. The layout reflects this organizational structure, with most of the caves only connected through the exterior. The 7th-century travelling Chinese scholar Xuanzang informs us that Dignaga, a celebrated Buddhist philosopher and controversialist, author of well-known books on logic, lived at Ajanta in the 5th century. In its prime the settlement would have accommodated several hundred teachers and pupils. Many monks who had finished their first training may have returned to Ajanta during the monsoon season from an itinerant lifestyle.
The caves are generally agreed to have been made in two distinct periods, separated by several centuries.
CAVES OF THE FIRST (SATAVAHANA) PERIOD
The earliest group of caves consists of caves 9, 10, 12, 13 and 15A. According to Walter Spink, they were made during the period 100 BCE to 100 CE, probably under the patronage of the Satavahana dynasty (230 BCE – c. 220 CE) who ruled the region. Other datings prefer the period 300 BCE to 100 BCE, though the grouping of the earlier caves is generally agreed. More early caves may have vanished through later excavations. Of these, caves 9 and 10 are stupa halls of chaitya-griha form, and caves 12, 13, and 15A are vihāras (see the architecture section below for descriptions of these types). The first phase is still often called the Hinayāna phase, as it originated when, using traditional terminology, the Hinayāna or Lesser Vehicle tradition of Buddhism was dominant, when the Buddha was revered symbolically. However the use of the term Hinayana for this period of Buddhism is now deprecated by historians; equally the caves of the second period are now mostly dated too early to be properly called Mahayana, and do not yet show the full expanded cast of supernatural beings characteristic of that phase of Buddhist art. The first Satavahana period caves lacked figurative sculpture, emphasizing the stupa instead, and in the caves of the second period the overwhelming majority of images represent the Buddha alone, or narrative scenes of his lives.
Spink believes that some time after the Satavahana period caves were made the site was abandoned for a considerable period until the mid-5th century, probably because the region had turned mainly Hindu
CAVES OF THE LATER OR VAKATAKA PERIOD
The second phase began in the 5th century. For a long time it was thought that the later caves were made over a long period from the 4th to the 7th centuries CE, but in recent decades a series of studies by the leading expert on the caves, Walter M. Spink, have argued that most of the work took place over the very brief period from 460 to 480 CE, during the reign of Emperor Harishena of the Vakataka dynasty. This view has been criticized by some scholars, but is now broadly accepted by most authors of general books on Indian art, for example Huntington and Harle.
The second phase is still often called the Mahāyāna or Greater Vehicle phase, but scholars now tend to avoid this nomenclature because of the problems that have surfaced regarding our understanding of Mahāyāna.
Some 20 cave temples were simultaneously created, for the most part viharas with a sanctuary at the back. The most elaborate caves were produced in this period, which included some "modernization" of earlier caves. Spink claims that it is possible to establish dating for this period with a very high level of precision; a fuller account of his chronology is given below. Although debate continues, Spink's ideas are increasingly widely accepted, at least in their broad conclusions. The Archaeological Survey of India website still presents the traditional dating: "The second phase of paintings started around 5th – 6th centuries A.D. and continued for the next two centuries". Caves of the second period are 1–8, 11, 14–29, some possibly extensions of earlier caves. Caves 19, 26, and 29 are chaitya-grihas, the rest viharas.
According to Spink, the Ajanta Caves appear to have been abandoned by wealthy patrons shortly after the fall of Harishena, in about 480 CE. They were then gradually abandoned and forgotten. During the intervening centuries, the jungle grew back and the caves were hidden, unvisited and undisturbed, although the local population were aware of at least some of them.
REDISCOVERY
On 28 April 1819, a British officer for the Madras Presidency, John Smith, of the 28th Cavalry, while hunting tiger, accidentally discovered the entrance to Cave No. 10 deep within the tangled undergrowth. There were local people already using the caves for prayers with a small fire, when he arrived. Exploring that first cave, long since a home to nothing more than birds and bats and a lair for other larger animals, Captain Smith vandalized the wall by scratching his name and the date, April 1819. Since he stood on a five-foot high pile of rubble collected over the years, the inscription is well above the eye-level gaze of an adult today. A paper on the caves by William Erskine was read to the Bombay Literary Society in 1822. Within a few decades, the caves became famous for their exotic setting, impressive architecture, and above all their exceptional, all but unique paintings. A number of large projects to copy the paintings were made in the century after rediscovery, covered below. In 1848 the Royal Asiatic Society established the "Bombay Cave Temple Commission" to clear, tidy and record the most important rock-cut sites in the Bombay Presidency, with John Wilson, as president. In 1861 this became the nucleus of the new Archaeological Survey of India. Until the Nizam of Hyderabad built the modern path between the caves, among other efforts to make the site easy to visit, a trip to Ajanta was a considerable adventure, and contemporary accounts dwell with relish on the dangers from falls off narrow ledges, animals and the Bhil people, who were armed with bows and arrows and had a fearsome reputation.
Today, fairly easily combined with Ellora in a single trip, the caves are the most popular tourist destination in Mahrashtra, and are often crowded at holiday times, increasing the threat to the caves, especially the paintings. In 2012, the Maharashtra Tourism Development Corporation announced plans to add to the ASI visitor centre at the entrance complete replicas of caves 1, 2, 16 & 17 to reduce crowding in the originals, and enable visitors to receive a better visual idea of the paintings, which are dimly-lit and hard to read in the caves. Figures for the year to March 2010 showed a total of 390,000 visitors to the site, divided into 362,000 domestic and 27,000 foreign. The trends over the previous few years show a considerable growth in domestic visitors, but a decline in foreign ones; the year to 2010 was the first in which foreign visitors to Ellora exceeded those to Ajanta.
PAINTINGS
Mural paintings survive from both the earlier and later groups of caves. Several fragments of murals preserved from the earlier caves (Caves 9 and 11) are effectively unique survivals of court-led painting in India from this period, and "show that by Sātavāhana times, if not earlier, the Indian painter had mastered an easy and fluent naturalistic style, dealing with large groups of people in a manner comparable to the reliefs of the Sāñcī toraņa crossbars".
Four of the later caves have large and relatively well-preserved mural paintings which "have come to represent Indian mural painting to the non-specialist", and fall into two stylistic groups, with the most famous in Caves 16 and 17, and apparently later paintings in Caves 1 and 2. The latter group were thought to be a century or more later than the others, but the revised chronology proposed by Spink would place them much closer to the earlier group, perhaps contemporary with it in a more progressive style, or one reflecting a team from a different region. The paintings are in "dry fresco", painted on top of a dry plaster surface rather than into wet plaster.
All the paintings appear to be the work of painters at least as used to decorating palaces as temples, and show a familiarity with and interest in details of the life of a wealthy court. We know from literary sources that painting was widely practised and appreciated in the courts of the Gupta period. Unlike much Indian painting, compositions are not laid out in horizontal compartments like a frieze, but show large scenes spreading in all directions from a single figure or group at the centre. The ceilings are also painted with sophisticated and elaborate decorative motifs, many derived from sculpture. The paintings in cave 1, which according to Spink was commissioned by Harisena himself, concentrate on those Jataka tales which show previous lives of the Buddha as a king, rather than as an animal or human commoner, and so show settings from contemporary palace life.
In general the later caves seem to have been painted on finished areas as excavating work continued elsewhere in the cave, as shown in caves 2 and 16 in particular. According to Spink's account of the chronology of the caves, the abandonment of work in 478 after a brief busy period accounts for the absence of painting in caves such as 4 and 17, the later being plastered in preparation for paintings that were never done.
COPIES
The paintings have deteriorated significantly since they were rediscovered, and a number of 19th-century copies and drawings are important for a complete understanding of the works. However, the earliest projects to copy the paintings were plagued by bad fortune. In 1846, Major Robert Gill, an Army officer from Madras presidency and a painter, was appointed by the Royal Asiatic Society to replicate the frescoes on the cave walls to exhibit these paintings in England. Gill worked on his painting at the site from 1844 to 1863 (though he continued to be based there until his death in 1875, writing books and photographing) and made 27 copies of large sections of murals, but all but four were destroyed in a fire at the Crystal Palace in London in 1866, where they were on display.
Another attempt was made in 1872 when the Bombay Presidency commissioned John Griffiths, then principal of the Bombay School of Art, to work with his students to make new copies, again for shipping to England. They worked on this for thirteen years and some 300 canvases were produced, many of which were displayed at the Imperial Institute on Exhibition Road in London, one of the forerunners of the Victoria and Albert Museum. But in 1885 another fire destroyed over a hundred paintings that were in storage. The V&A still has 166 paintings surviving from both sets, though none have been on permanent display since 1955. The largest are some 3 × 6 metres. A conservation project was undertaken on about half of them in 2006, also involving the University of Northumbria. Griffith and his students had unfortunately painted many of the paintings with "cheap varnish" in order to make them easier to see, which has added to the deterioration of the originals, as has, according to Spink and others, recent cleaning by the ASI.
A further set of copies were made between 1909 and 1911 by Christiana Herringham (Lady Herringham) and a group of students from the Calcutta School of Art that included the future Indian Modernist painter Nandalal Bose. The copies were published in full colour as the first publication of London's fledgling India Society. More than the earlier copies, these aimed to fill in holes and damage to recreate the original condition rather than record the state of the paintings as she was seeing them. According to one writer, unlike the paintings created by her predecessors Griffiths and Gill, whose copies were influenced by British Victorian styles of painting, those of the Herringham expedition preferred an 'Indian Renascence' aesthetic of the type pioneered by Abanindranath Tagore.
Early photographic surveys were made by Robert Gill, who learnt to use a camera from about 1856, and whose photos, including some using stereoscopy, were used in books by him and Fergusson (many are available online from the British Library), then Victor Goloubew in 1911 and E.L. Vassey, who took the photos in the four volume study of the caves by Ghulam Yazdani (published 1930–1955).
ARCHITECTURE
The monasteries mostly consist of vihara halls for prayer and living, which are typically rectangular with small square dormitory cells cut into the walls, and by the second period a shrine or sanctuary at the rear centred on a large statue of the Buddha, also carved from the living rock. This change reflects the movement from Hinayana to Mahāyāna Buddhism. The other type of main hall is the narrower and higher chaitya hall with a stupa as the focus at the far end, and a narrow aisle around the walls, behind a range of pillars placed close together. Other plainer rooms were for sleeping and other activities. Some of the caves have elaborate carved entrances, some with large windows over the door to admit light. There is often a colonnaded porch or verandah, with another space inside the doors running the width of the cave.
The central square space of the interior of the viharas is defined by square columns forming a more or less square open area. Outside this are long rectangular aisles on each side, forming a kind of cloister. Along the side and rear walls are a number of small cells entered by a narrow doorway; these are roughly square, and have small niches on their back walls. Originally they had wooden doors. The centre of the rear wall has a larger shrine-room behind, containing a large Buddha statue. The viharas of the earlier period are much simpler, and lack shrines. Spink in fact places the change to a design with a shrine to the middle of the second period, with many caves being adapted to add a shrine in mid-excavation, or after the original phase.
The plan of Cave 1 shows one of the largest viharas, but is fairly typical of the later group. Many others, such as Cave 16, lack the vestibule to the shrine, which leads straight off the main hall. Cave 6 is two viharas, one above the other, connected by internal stairs, with sanctuaries on both levels.
The four completed chaitya halls are caves 9 and 10 from the early period, and caves 19 and 26 from the later period of construction. All follow the typical form found elsewhere, with high ceilings and a central "nave" leading to the stupa, which is near the back, but allows walking behind it, as walking around stupas was (and remains) a common element of Buddhist worship (pradakshina). The later two have high ribbed roofs, which reflect timber forms, and the earlier two are thought to have used actual timber ribs, which have now perished. The two later halls have a rather unusual arrangement (also found in Cave 10 at Ellora) where the stupa is fronted by a large relief sculpture of the Buddha, standing in Cave 19 and seated in Cave 26. Cave 29 is a late and very incomplete chaitya hall.
The form of columns in the work of the first period is very plain and un-embellished, with both chaitya halls using simple octagonal columns, which were painted with figures. In the second period columns were far more varied and inventive, often changing profile over their height, and with elaborate carved capitals, often spreading wide. Many columns are carved over all their surface, some fluted and others carved with decoration all over, as in cave 1.
The flood basalt rock of the cliff, part of the Deccan Traps formed by successive volcanic eruptions at the end of the Cretaceous, is layered horizontally, and somewhat variable in quality, so the excavators had to amend their plans in places, and in places there have been collapses in the intervening centuries, as with the lost portico to cave 1. Excavation began by cutting a narrow tunnel at roof level, which was expanded downwards and outwards; the half-built vihara cave 24 shows the method. Spink believes that for the first caves of the second period the excavators had to relearn skills and techniques that had been lost in the centuries since the first period, which were then transmitted to be used at later rock-cut sites in the region, such as Ellora, and the Elephanta, Bagh, Badami and Aurangabad Caves.
The caves from the first period seem to have been paid for by a number of different patrons, with several inscriptions recording the donation of particular portions of a single cave, but according to Spink the later caves were each commissioned as a complete unit by a single patron from the local rulers or their court elites. After the death of Harisena smaller donors got their chance to add small "shrinelets" between the caves or add statues to existing caves, and some two hundred of these "intrusive" additions were made in sculpture, with a further number of intrusive paintings, up to three hundred in cave 10 alone.
A grand gateway to the site, at the apex of the gorge's horsehoe between caves 15 and 16, was approached from the river, and is decorated with elephants on either side and a nāga, or protective snake deity.
ICONOGRAPHY OF THE CAVES
In the pre-Christian era, the Buddha was represented symbolically, in the form of the stupa. Thus, halls were made with stupas to venerate the Buddha. In later periods the images of the Buddha started to be made in coins, relic caskets, relief or loose sculptural forms, etc. However, it took a while for the human representation of the Buddha to appear in Buddhist art. One of the earliest evidences of the Buddha's human representations are found at Buddhist archaeological sites, such as Goli, Nagarjunakonda, and Amaravati. The monasteries of those sites were built in less durable media, such as wood, brick, and stone. As far as the genre of rock-cut architecture is concerned it took many centuries for the Buddha image to be depicted. Nobody knows for sure at which rock-cut cave site the first image of the Buddha was depicted. Current research indicates that Buddha images in a portable form, made of wood or stone, were introduced, for the first time, at Kanheri, to be followed soon at Ajanta Cave 8 (Dhavalikar, Jadhav, Spink, Singh). While the Kanheri example dates to 4th or 5th century CE, the Ajanta example has been dated to c. 462–478 CE (Spink). None of the rock-cut monasteries prior to these dates, and other than these examples, show any Buddha image although hundreds of rock-cut caves were made throughout India during the first few centuries CE. And, in those caves, it is the stupa that is the object of veneration, not the image. Images of the Buddha are not found in Buddhist sailagrhas (rock-cut complexes) until the times of the Kanheri (4th–5th century CE) and Ajanta examples (c. 462–478 CE).
The caves of the second period, now all dated to the 5th century, were typically described as "Mahayana", but do not show the features associated with later Mahayana Buddhism. Although the beginnings of Mahāyāna teachings go back to the 1st century there is little art and archaeological evidence to suggest that it became a mainstream cult for several centuries. In Mahayana it is not Gautama Buddha but the Bodhisattva who is important, including "deity" Bodhisattva like Manjushri and Tara, as well as aspects of the Buddha such as Aksobhya, and Amitabha. Except for a few Bodhisattva, these are not depicted at Ajanta, where the Buddha remains the dominant figure. Even the Bodhisattva images of Ajanta are never central objects of worship, but are always shown as attendants of the Buddha in the shrine. If a Bodhisattva is shown in isolation, as in the Astabhaya scenes, these were done in the very last years of activities at Ajanta, and are mostly 'intrusive' in nature, meaning that they were not planned by the original patrons, and were added by new donors after the original patrons had suddenly abandoned the region in the wake of Emperor Harisena's death.
The contrast between iconic and aniconic representations, that is, the stupa on one hand and the image of the Buddha on the other, is now being seen as a construct of the modern scholar rather than a reality of the past. The second phase of Ajanta shows that the stupa and image coincided together. If the entire corpus of the art of Ajanta including sculpture, iconography, architecture, epigraphy, and painting are analysed afresh it will become clear that there was no duality between the symbolic and human forms of the Buddha, as far as the 5th-century phase of Ajanta is concerned. That is why most current scholars tend to avoid the terms 'Hinayana' and 'Mahayana' in the context of Ajanta. They now prefer to call the second phase by the ruling dynasty, as the Vākāţaka phase.
CAVES
CAVE 1
Cave 1 was built on the eastern end of the horse-shoe shaped scarp, and is now the first cave the visitor encounters. This would when first made have been a less prominent position, right at the end of the row. According to Spink, it is one of the latest caves to have been excavated, when the best sites had been taken, and was never fully inaugurated for worship by the dedication of the Buddha image in the central shrine. This is shown by the absence of sooty deposits from butter lamps on the base of the shrine image, and the lack of damage to the paintings that would have been happened if the garland-hooks around the shrine had been in use for any period of time. Although there is no epigraphic evidence, Spink believes that the Vākāţaka Emperor Harishena was the benefactor of the work, and this is reflected in the emphasis on imagery of royalty in the cave, with those Jakata tales being selected that tell of those previous lives of the Buddha in which he was royal.
The cliff has a more steep slope here than at other caves, so to achieve a tall grand facade it was necessary to cut far back into the slope, giving a large courtyard in front of the facade. There was originally a columned portico in front of the present facade, which can be seen "half-intact in the 1880s" in pictures of the site, but this fell down completely and the remains, despite containing fine carving, were carelessly thrown down the slope into the river, from where they have been lost, presumably carried away in monsoon torrents.
This cave has one of the most elaborate carved façades, with relief sculptures on entablature and ridges, and most surfaces embellished with decorative carving. There are scenes carved from the life of the Buddha as well as a number of decorative motifs. A two pillared portico, visible in the 19th-century photographs, has since perished. The cave has a front-court with cells fronted by pillared vestibules on either side. These have a high plinth level. The cave has a porch with simple cells on both ends. The absence of pillared vestibules on the ends suggest that the porch was not excavated in the latest phase of Ajanta when pillared vestibules had become a necessity and norm. Most areas of the porch were once covered with murals, of which many fragments remain, especially on the ceiling. There are three doorways: a central doorway and two side doorways. Two square windows were carved between the doorways to brighten the interiors.
Each wall of the hall inside is nearly 12 m long and 6.1 m high. Twelve pillars make a square colonnade inside supporting the ceiling, and creating spacious aisles along the walls. There is a shrine carved on the rear wall to house an impressive seated image of the Buddha, his hands being in the dharmachakrapravartana mudra. There are four cells on each of the left, rear, and the right walls, though due to rock fault there are none at the ends of the rear aisle. The walls are covered with paintings in a fair state of preservation, though the full scheme was never completed. The scenes depicted are mostly didactic, devotional, and ornamental, with scenes from the Jataka stories of the Buddha's former existences as a bodhisattva), the life of the Gautama Buddha, and those of his veneration. The two most famous individual painted images at Ajanta are the two over-life size figures of the protective bodhisattvas Padmapani and Vajrapani on either side of the entrance to the Buddha shrine on the wall of the rear aisle (see illustrations above). According to Spink, the original dating of the paintings to about 625 arose largely or entirely because James Fegusson, a 19th-century architectural historian, had decided that a scene showing an ambassador being received, with figures in Persian dress, represented a recorded embassy to Persia (from a Hindu monarch at that) around that date.
CAVE 2
Cave 2, adjacent to Cave 1, is known for the paintings that have been preserved on its walls, ceilings, and pillars. It looks similar to Cave 1 and is in a better state of preservation.
Cave 2 has a porch quite different from Cave one. Even the façade carvings seem to be different. The cave is supported by robust pillars, ornamented with designs. The front porch consists of cells supported by pillared vestibules on both ends. The cells on the previously "wasted areas" were needed to meet the greater housing requirements in later years. Porch-end cells became a trend in all later Vakataka excavations. The simple single cells on porch-ends were converted into CPVs or were planned to provide more room, symmetry, and beauty.
The paintings on the ceilings and walls of this porch have been widely published. They depict the Jataka tales that are stories of the Buddha's life in former existences as Bodhisattva. Just as the stories illustrated in cave 1 emphasize kingship, those in cave 2 show many "noble and powerful" women in prominent roles, leading to suggestions that the patron was an unknown woman. The porch's rear wall has a doorway in the center, which allows entrance to the hall. On either side of the door is a square-shaped window to brighten the interior.
The hall has four colonnades which are supporting the ceiling and surrounding a square in the center of the hall. Each arm or colonnade of the square is parallel to the respective walls of the hall, making an aisle in between. The colonnades have rock-beams above and below them. The capitals are carved and painted with various decorative themes that include ornamental, human, animal, vegetative, and semi-divine forms.
Paintings appear on almost every surface of the cave except for the floor. At various places the art work has become eroded due to decay and human interference. Therefore, many areas of the painted walls, ceilings, and pillars are fragmentary. The painted narratives of the Jataka tales are depicted only on the walls, which demanded the special attention of the devotee. They are didactic in nature, meant to inform the community about the Buddha's teachings and life through successive rebirths. Their placement on the walls required the devotee to walk through the aisles and 'read' the narratives depicted in various episodes. The narrative episodes are depicted one after another although not in a linear order. Their identification has been a core area of research since the site's rediscovery in 1819. Dieter Schlingloff's identifications have updated our knowledge on the subject.
CAVE 4
The Archeological Survey of India board outside the caves gives the following detail about cave 4: "This is the largest monastery planned on a grandiose scale but was never finished. An inscription on the pedestal of the buddha's image mentions that it was a gift from a person named Mathura and paleographically belongs to 6th century A.D. It consists of a verandah, a hypostylar hall, sanctum with an antechamber and a series of unfinished cells. The rear wall of the verandah contains the panel of Litany of Avalokiteśvara".
The sanctuary houses a colossal image of the Buddha in preaching pose flanked by bodhisattvas and celestial nymphs hovering above.
CAVES 9-10
Caves 9 and 10 are the two chaitya halls from the first period of construction, though both were also undergoing an uncompleted reworking at the end of the second period. Cave 10 was perhaps originally of the 1st century BCE, and cave 9 about a hundred years later. The small "shrinelets" called caves 9A to 9D and 10A also date from the second period, and were commissioned by individuals.
The paintings in cave 10 include some surviving from the early period, many from an incomplete programme of modernization in the second period, and a very large number of smaller late intrusive images, nearly all Buddhas and many with donor inscriptions from individuals. These mostly avoided over-painting the "official" programme and after the best positions were used up are tucked away in less prominent positions not yet painted; the total of these (including those now lost) was probably over 300, and the hands of many different artists are visible.
OTHER CAVES
Cave 3 is merely a start of an excavation; according to Spink it was begun right at the end of the final period of work and soon abandoned. Caves 5 and 6 are viharas, the latter on two floors, that were late works of which only the lower floor of cave 6 was ever finished. The upper floor of cave 6 has many private votive sculptures, and a shrine Buddha, but is otherwise unfinished. Cave 7 has a grand facade with two porticos but, perhaps because of faults in the rock, which posed problems in many caves, was never taken very deep into the cliff, and consists only of the two porticos and a shrine room with antechamber, with no central hall. Some cells were fitted in.
Cave 8 was long thought to date to the first period of construction, but Spink sees it as perhaps the earliest cave from the second period, its shrine an "afterthought". The statue may have been loose rather than carved from the living rock, as it has now vanished. The cave was painted, but only traces remain.
SPINK´S DETAILED CHRONOLOGY
Walter M. Spink has over recent decades developed a very precise and circumstantial chronology for the second period of work on the site, which unlike earlier scholars, he places entirely in the 5th century. This is based on evidence such as the inscriptions and artistic style, combined with the many uncompleted elements of the caves. He believes the earlier group of caves, which like other scholars he dates only approximately, to the period "between 100 BCE – 100 CE", were at some later point completely abandoned and remained so "for over three centuries", as the local population had turned mainly Hindu. This changed with the accession of the Emperor Harishena of the Vakataka Dynasty, who reigned from 460 to his death in 477. Harisena extended the Central Indian Vakataka Empire to include a stretch of the east coast of India; the Gupta Empire ruled northern India at the same period, and the Pallava dynasty much of the south.
According to Spink, Harisena encouraged a group of associates, including his prime minister Varahadeva and Upendragupta, the sub-king in whose territory Ajanta was, to dig out new caves, which were individually commissioned, some containing inscriptions recording the donation. This activity began in 462 but was mostly suspended in 468 because of threats from the neighbouring Asmaka kings. Work continued on only caves 1, Harisena's own commission, and 17–20, commissioned by Upendragupta. In 472 the situation was such that work was suspended completely, in a period that Spink calls "the Hiatus", which lasted until about 475, by which time the Asmakas had replaced Upendragupta as the local rulers.
Work was then resumed, but again disrupted by Harisena's death in 477, soon after which major excavation ceased, except at cave 26, which the Asmakas were sponsoring themselves. The Asmakas launched a revolt against Harisena's son, which brought about the end of the Vakataka Dynasty. In the years 478–480 major excavation by important patrons was replaced by a rash of "intrusions" – statues added to existing caves, and small shrines dotted about where there was space between them. These were commissioned by less powerful individuals, some monks, who had not previously been able to make additions to the large excavations of the rulers and courtiers. They were added to the facades, the return sides of the entrances, and to walls inside the caves. According to Spink, "After 480, not a single image was ever made again at the site", and as Hinduism again dominated the region, the site was again abandoned, this time for over a millennium.
Spink does not use "circa" in his dates, but says that "one should allow a margin of error of one year or perhaps even two in all cases".
IMPACT ON MODERN INDIAN PAINTINGS
The Ajanta paintings, or more likely the general style they come from, influenced painting in Tibet and Sri Lanka.
The rediscovery of ancient Indian paintings at Ajanta provided Indian artists examples from ancient India to follow. Nandlal Bose experimented with techniques to follow the ancient style which allowed him to develop his unique style. Abanindranath Tagore also used the Ajanta paintings for inspiration.
WIKIPEDIA
Shown here is an image of Case 1 of the "Lost & Found" Exhibit located in the Read & Relax area of Swem Library at the College of William & Mary, on display from February 19th 2013 to August 23rd 2013
The following is a transcription of the labels in this case:
Wine Bottle, circa 1870
This 19th century bottle was discovered in the pedestal of Lord Botetourt's statue in November of 1958. When the statue was being removed from outside the Wren Building in order to protect it from the elements, the bottle was found in the upper portion of the pedestal. How it got there and who its former owner was are still unknown.
The statue of Lord Botetourt has lived in a number of locations in Williamsburg. It was originally standing on the piazza of the Capitol, until 1797, when William & Mary purchased the statue for $100 and placed it front of the Wren Building in 1801. Near the end of the Civil War, the statue was moved for safekeeping to the grounds of Eastern State Hospital. After the war, it was returned to its place in front of the Wren Building where it stayed until 1958. After spending a few years in storage, the statue found its current home on the ground floor of Swem Library’s Botetourt Gallery, where it has resided since the library was constructed in 1966.
The Works of Washington Irving, Vol. 14:
Conquest of Granada, 1860
This volume was stolen from William & Mary’s library in 1862 by a Union soldier, possibly William Hazlett, Robert Clark, or John Fulton. After being passed through several hands, it was found on a tree stump by Union assistant surgeon Sherman Morse of the 14th New York Heavy Artillery and returned to the College many years later by Morse's nephew. The book's cover vanished and notations from a number of sources grace its pages added during the time it spent away from the library. Included in the notations are a few statements of discharge directed at Hazlitt. One of these assuredly fictitious entries cites his general debility due to the overuse of whiskey.
The Flat Hat, 18 January1938
Knife, 1950s
This knife was taken from the student dining hall in the 1950s and returned anonymously three decades later in 1981.
Wampo (William and Mary Pony)
In 1937, days before the Thanksgiving football game between the University of Richmond and William & Mary, Richmond students decided to take their rival's beloved mascot, Wampo. However, the stolen pony was a decoy. The following year Richmond students struck again and this time nabbed the real Wampo from his stable. A search party was immediately formed, and a number of bonfires were burnt on the Richmond campus by angry William & Mary students. Two students, caught burning one of the bonfires, were given unwanted razor haircuts by their Richmond rivals. After being held captive for three days and showcased in a Richmond parade, Wampo was returned to the College at the football game.
The Flat Hat, 22 November 1938
Diálogos ingléses, y españöles
Spanish and English Dialogues, 1719
In 1758, Virginia Lieutenant Governor Robert Dinwiddie donated a collection of books to William & Mary before his return to England. Among those books was Felix Anthony de Alvarao’s Spanish and English Dialogues, a text used for learning both languages. While the book bears Robert Dinwiddie’s original bookplate, Louis Hue Girardin, professor of modern languages, geography, and civil history in 1803, pasted an additional bookplate bearing his name over Dinwiddie’s prior to its return to the college library.
From the Special Collections Research Center, Earl Gregg Swem Library at the College of William and Mary. See swem.wm.edu/research/special-collections for further information and assistance.
Devotional Books. My parents gave me a day planner on the Christmas that I was going through my divorce, a period when I started to really get back into the church. Though it was a foot in the door of religion, God really moved in me in that period of my life. These books are very well crafted, and inside each month has a theme. Each day has a verse of scripture and then a quote by a famous author, theologian or religious icon. All of the daily quotes and scriptures relate to the theme of the month so they are all tied together. It is one of the few “religious” ties that I keep, for I do gain some though provoking feelings when I go through them. It’s one of those things that my parents get me every year- and it has really opened my eyes at times.
Cute Grizzly Bear Sitting in Snow Montana Winter! Sony A1 ILCE-1 Fine Art Wildlife Grizzly Bears Photography! Sony Alpha 1 & Sony FE 600 mm F4 GM OSS Full-frame Super-Prime G Master Lens Optical SteadyShot! West Yellowstone Montana Elliot McGucken Fine Art Photography Sony Alpha1 !
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
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Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
West Yellowstone Grey Wolves Montana Winter Wolfpack Sony A1 ILCE-1 Fine Art Wolf Apex Predator Photography! Canis Lupus Sony Alpha 1 & Sony FE Telephoto Zoom 70-200mm f/2.8 GM OSS E-Mount Lens SEL70200G West Yellowstone Snow! Elliot McGucken Fine Art Wildlife Alpha1
I had great fun photographing wolves, bears, and eagles with the awesome Sony Alpha 1 and two of my favorite Sony Gmaster lenses -- the 70-200mm f/2.8 GM OSS E-Mount Lens SEL70200G and the Sony Alpha 1 & Sony FE 200-600mm f/5.6-6.3 G OSS E-Mount Lens SEL200600G ! The Sony A1 is the best wildlife I have ever used!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
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Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
The impact of coal fly ash (CFA) exposure to the ecosystem and human health has not gone unnoticed. Is quiet very obvious that CFA disposal will continue unabated and will continue to constitute a menace to the ecosystem as the demands for energy soured-up. This is expected as the utilization and exploration of dormant coal deposits will take a comeback into the energy master-plan of most developing economies. As a fallout of these demands, the health risk associated with CFA, particularly as regards the Nigerian bituminous CFA were reported in this study. Albino rats were separately administered coal fly ash sample burned at a temperatures of 500°C and 900°C. The assumption is to get more insight whether coal burning temperature participated in defining the underlying susceptibility of CFA toxicity. The in vivo study shows the CFA at both ashing temperature exerted similar effect on both the biochemical indices and the histological section of the rats, suggesting the effects to be independent of the temperature at which samples were burned. Even though, the CFA were observed to trigger toxic induced effects, the chapter picture the CFA generated from coal combustion processes as an integral components of a productive cycles than a menace. A resources for other applications and a sink that may act to absorb or detoxify waste. This chapter attempt to establish an ecological symbiosis between the CFA generated as a waste to environmental sustainability by closing material cycle in concert with the ecosystem based on the concept of industrial ecology. The expectations are that the impact of the chapter will influences changing post-processing materials from coal combustion processes from waste to resources. The Nigerian bituminous CFA sample collected at two different ashing temperatures of 500°C and 900°C produced similar biochemical and histological effects. The analyses showed that the effects were not dose and ashing temperatures dependent. Attributed, more probably to the combustion efficiency rather than coal type and fly ash sampling temperature. And more probably to the ability of both the organic and inorganic constituents of the CFA to initiate and induce the formation of free radicals, particularly activated reactive oxygen species, by Fenton-like reaction. To ameliorate the environmental-related concerns of CFA on the ecosystem, the concept of industrial ecology were discussed in line with natural concept of ecology. Placing emphasis on CFA utilization in soil amendment and reclamations, in agriculture, as adsorbents materials, in catalysis, in ceramics and in concretes. The assumption is that changing post-processing materials from waste to resources will reduce economic cost and environmental impact of effluent like CFA.
Biography of author(s)
Dr. Ibrahim Birma Bwatanglang
Department of Pure & Applied Chemistry, Faculty of Science, Adamawa State University Mubi, Nigeria.
Dr. Samuel Tinema Magili
Department of Pure & Applied Chemistry, Faculty of Science, Adamawa State University Mubi, Nigeria.
Mr. Yakubu Musa
Department of Pure & Applied Chemistry, Faculty of Science, Adamawa State University Mubi, Nigeria.
Read full article: bp.bookpi.org/index.php/bpi/catalog/view/27/85/179-1
View More: www.youtube.com/watch?v=odCBSE_Xry0
Dogwood Blooms Dogwood Tree Blossoms & Sequoia! Yosemite National Park Spring Wildflowers! 45EPIC McGucken Fuji GFX100 Fine Art Landscape Nature Photography! Fujifilm GFX 100 & FUJIFILM GF 250mm f/4 R LM OIS WR Lens + FUJIFILM XF 1.4x TC WR Teleconverter
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
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Iceland Live Volcano Eruption Lava Litli-Hrútur 2023 Reykjanes Peninsula Sony A1 Fine Art Helicopter Aerial Landscape Photography Reykjavik IS! Elliot McGucken Master Fine Art Nature Photographer Fujifilm Sony Alpha 1 & Sony FE 70-200mm f/2.8 GM OSS II Lens
"Beauty will save the world." --Dostoevsky
Dr. Elliot McGucken Fine Art Spacetime Sculpture dx4//dt=ic:
Epic Fine Art Photography Prints & Luxury Wall Art:
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
The Baroness 1: The Ecstasy Connection
By Paul Kenyon
Pocket Books, February 1974
Purchased at Pegasus Book Exchange, West Seattle, 2008.
Grey Wolf Winter Snow Sony A1 ILCE-1 Fine Art Montan Gray Wolves Wildlife Photography! Sony Alpha 1 & Sony FE Telephoto Zoom 70-200mm f/2.8 GM OSS! West Yellowstone Elliot McGucken Fine Art Wildlife Photography Sony Alpha1 !
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Killer Whale Pod Monterey California! Pod of Orcas Marine Wildlife Landscape Seascape Ocean Art Photography! Sony Alpha 1 & Sony FE Telephoto Zoom 70-200mm f/2.8 GM OSS E-Mount Lens SEL70200G ! 45EPIC Elliot McGucken Sony A1 ILCE-1 Killer Whales!
Dr. Elliot McGucken Fine Art Spacetime Sculpture dx4//dt=ic:
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
Follow me on Instagram!
Facebook:
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
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by George Grinnell.
2nd edition, revised. North Ferrisburg (USA), Heron Dance Press, 2oo5.
196 pp/194 printed, offset. 6-1/4 x 9, perfectbound wrappers.
nonfiction, with no less than 5o watercolour illuss.by Roderick MacIver & 8 photographs (most from Sports Illustrated 1959). an account of the first unguided expedition to follow Samuel Hearne's 1772 route along the Dubawnt River through The Barrens, this 1955 canoe trip ended in tragedy. massively revised from its 1996 publication by Northern Books in Toronto (which initial publication is barely acknowledged).
3o.oo
The bio-insecticidal and grain protectant activities of mixed powder of Ocimum gratissimum and Vernonia amygdalina upon Callosobruchus maculatus was carried out. The mortality rate of cowpea weevil treated V. amygdalina: O. gratissimum at 100: 0 concentrations were 17.0%, 27.0%, and 47.0% for a period of 24 hrs, 48 hrs and 72 hrs, respectively. Concentrations 0:100 gave a percentage mortality of 47.0%, 67.0% and 73.0% at 24 hrs, 48 hrs and 72hrs, respectively. 80: 20 and 20: 80 concentrations gave 33.3% and 47.0% at 24hrs and 48hrs, but 80:20 gave 47.0% while 20:80 gave 57.0% mortality rate at 72hrs. 50: 50 concentrations gave 73.0%, 77.0%, and 80.0% mortality rate at 24 hrs, 48 hrs and 72 hrs, respectively. The 0: 0 concentrations gave 0.0%, 3.3%, and 7.0% mortality rate at 24 hrs, 48 hrs and 72 hrs, respectively. The effect on the oviposition of cowpea weevil revealed that the mean value of eggs laid on seeds were 5.0, 2.3, 3.3, 2.8, 1.0 and 7.0 for 100:0; 0:100; 80:20; 20:80; 50:50 and 0:0 concentrations, respectively. The effects of mixture of V. amygdalina: O. gratissimum powder on the emergence of cowpea weevil gave a mean value of adult weevil emergence as 5.3, 3.0, 5.0, 3.3, 1.3 and 8.0 for 100:0, 0:100, 80:20, 20:80, 50:50 and 0:0 concentrations respectively. Mixed powder of V. amygdalina: O. grattisimun with 50:50% concentrations conferred the highest bio-insecticidal potency against C. macullatus during the experimental investigation. This was evident from the fact that treatment with V. amygdalina: O. grattisimum (50:50%) concentration attained 80.0% mortality at 72hrs of exposure, which was followed by V. amygdalina: O. grattisimum (0: 100%) concentration with 73.0% mortality. The results showed that 50:50 and 0:100 ratio compounded V. amygalina and O. gratissimum had 85% and 76% effect on the insects. The two treatments had similar effect with a significant difference at P<0.5 mortality. The highest percentage inhibition of reproduction/adult emergence was recorded at Va50:Og50 treatment. When compared with the control, all plant material were effective in increasing insect mortality and reducing oviposition, development and adult emergence thus reducing the overall population of C. maculatus at 31 days after treatment. The potency of the combined concentrations of V. amygdalina: O. gratissimum (50:50%) of these plant substances was due to the odour they produce, which may have exerted a toxic effect by disrupting normal respiratory activities of the cowpea weevil, thereby resulting in asphyxiation and subsequent dead; it may also have acted as contact poison on the weevil. It equally may have ovicidal and larvacidal properties. It is recommended that similar studies be conducted using separately other parts of the test plant like the stem and bark of V. amygdalina and O. gratissimum to further evaluate their bio-insecticidal potency against stored grain pests.
Biography of author(s)
Dr. (Mrs.) Abo Iso Nta
Department of Zoology and Environmental Biology, University of Calabar, Calabar, Nigeria.
Dr. Bassey Etta Agbo
Department of Microbiology, University of Calabar, Calabar, Nigeria.
Dr. (Mrs.) Nsikan Samuel Udoekong
Department of Science and Technology, Akwa Ibom State Polytechnic, Ikot Osurua, Ikot Ekpene, Akwa Ibom State, Nigeria.
Read full article: bp.bookpi.org/index.php/bpi/catalog/view/27/90/475-1
View More: www.youtube.com/watch?v=G1PN0P5xhhY
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Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
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gallica.bnf.fr/ark:/12148/btv1b8447303m/
Titre : Guillaume de Saint-Pathus,Vie et Miracles de saint Louis .
Date d'édition : 1330-1350
Type : manuscrit
Langue : latin
Langue : français
Format : Paris. - Illustré de 90 miniatures par Mahiet, un disciple de Pucelle. Il est identifiable avec Mathieu le Vavasseur, originaire du diocèse de Bayeux libraire-juré de l’Université de Paris, tenant boutique rue Neuve-Notre-dame, à Paris (= 1352).F. 2 : Jean d’Antioche devant Martin IVF. 10 : Procès de canonisation de saint LouisF. 16 : Louis IX apprenant à lireF. 24 : Louis IX assistant à l’officeF. 27 : Louis IX maladeF. 40 : arrivée de Louis IX à NicosieF. 44 : Louis IX enseignantF. 47 : Louis IX assistant à la messeF. 48 : Louis IX priant en voyageF. 62 : Communion de Louis IXF. 63 : Louis IX baisant le crucifixF. 67 : Louis IX adorant les reliquesF. 86 : Louis IX lisant la Bible ; Louis IX parlant de DieuF. 90 : Isabelle de Navarre et un messager de Louis IX ; Louis IX priant ; un messager de Louis IX et des CisterciensF. 99 : Louis IX envoyant des cadeaux; Isabelle de Navarre recevant des cadeauxF. 128 : Assassinat de Tûran Shâh ; Louis IX prisonnierF. 137 : Louis IX et des pauvresF. 187 : Louis IX et des pauvresF. 199 : la bataille de Mansûra en 1250 ; Louis IX et Ysembart le queuF. 213 : Louis IX et des pauvresF. 222 : Louis IX et Simon du ValF. 232 : Mariage de Louis IX et de Marguerite de Provence ; Lpouis IX pratiquant l’abstinence ; Louis IX et Pierre de Laon ; Louis IX priantF. 246 : Exécutions ordonnées par Enguerrand IV de Coucy ; Louis IX rendant la justiceF. 275 : Croisés épargnant les enfants des SarrasinsF. 277 : mort de saint Louis. - Parchemin. - 665 ff. - 225 x 150 mm
Description : Appartient à l'ensemble documentaire : RegiaCharlesV
Description : Composé pour Blanche de France, fille de saint Louis, morte en 1320 au couvent des cordelières de Lourcine, fondé par elle au faubourg Saint-Marcel, le texte est la traduction française d’un original latin qui servit au procès de canonisation de Louis IX. Le présent exemplaire date des années 1330-1340.F. 1-283, Guillaume de Saint-Pathus, Vie de saint Louis.1 -9, Prologue: « Ci commence le Prologue de la vie monseigneur saint Looys, jadis roys de France » (rubr.). « Gloire louenge et honneur soient randues en humble reverence et ententive devocion… -… ou selon ce que les choses faites en divers temps sembloient couvenir a une meismes matire »F.9-17, Noms des témoins et Table des chapitres : « Le commencement de la vie de ce beneoit saint Looyz, le moien et la fin sont devisés en .XX. chapitres qui sont ci…-….Et du trespas beneureuf dont il ala de ci es cielx ». « Ci fenissent les chapitres » (rubr.)F. 17-283: « Et commance la Vie monseigneur saint Looyz, dont le premier chapitres est de sa saincte norreture qui fu des son enfance » (rubr.). « Rubr. I. » (rubr.). « Li trez glorieus saint Looyz jadiz roy de France out pere qui fu tres bons crestiens et royz de France … - …en l’an de grace mil et .II. cenz serante (sic) et dix, entour l’eure de nonne en laquele le filz Dieu JhesuCrist morut en la croiz pour la vie du monde, auquel toute loenge et honneur et gloire par les siecles pardurables. Amen ».F. 285-665v, Guillaume de Saint-Pathus, Miracles de saint LouisF. 285-287v, Prologue : « Ci commance le Prologue qui parle des Miracles monseigneur saint Looyz jadiz royz de France » (rubr.). « R » (rubr.). « Comme le trez beneurés saint Looys, jadis nobles royz de France en usant des petiz cours de ceste vie… - … desquielx miracles l’ordenance est escripte ici et aprez et mise loiaument et pourveuement ». « Ci fine le Prologue » (rubr.).F. 287v-665v : « Et commancent Les Miracles saint Looyz, desquielx le premier ets : Comment il resuscita une fille qui s’estoit noiee en la vile de Saint Denis en France » (rubr.). « Marote la fille Fressent d’Arraz, fame Symon Flandrin bourgois de Saint Denis en France … - … a l’essaucement du benoyt saint et a la loenge de Dieu tout puissant a qui soit honneur et gloire ou siecle des siecles. Amen ».
Description : Il est possible que le manuscrit ait été commandé par Jeanne de Navarre, fille de Louis X le Hutin, en même temps que celui de la Vie de saint Louis de Joinville. Le manuscrit est régulièrement décrit dans les inventaires de la Librairie de Charles V et Charles VI.:1) Inventaire de Gilles Mallet établi en 1373 et récolé en 1380 par Jean Blanchet, BnF, fr. 2700 [inv. A], f. 8v, n° 130: «La Vie saint Loys et ses Miracles, couvert de drap d’or marramas a fermoers d’argent, et emprose » ; BnF, Baluze 397 [inv. B],f.4, n° 131 : «La Vie saint Loys et ses miraclez, couverte de drap d’or marramaz, et fermouoirs d’argent, et en prose».2) Inventaire de 1411, Bnf., fr. 2700 [Inv. D], f. 59v, n° 80 : «la Vie saint Loys et ses miracles, couvert de drap d’or marramas, a deux fermouers d’argent dorez, emprose et en françois, escript de lettre formee, commençant ou .II.e foillet ne sont a recorder, et ou derrenier et par discucion». 3) Inventaire de 1413, BnF, fr. 9430 [Inv. E], f., n° 79 : «la Vie saint Loys et ses miracles, couvert de drap d’or marramas, a .II. fermouers d’argent dorez, en prose et en françois, escripte de lettre formee, commençant ou .II.me foillet ne sont a recorder, et ou derrenier et par discussion». 4) Inventaire de 1424, Paris, Bibliothèque Sainte-Geneviève, ms. 964 [Inv. F], f.10, n° 66: « laVie d saint Loys et ses miracles, couverte de drap d’or marmaras, à deux fermouers d’argent dorez, en prose, en françois, escript de lettre de forme. 24 s.p.»On perd la trace du manuscrit après sa vente au duc de Bedford, régent de France.On retrouve le manuscrit au XVIIIe siècle dans la collection de Châtre de Cangé. Celle-ci entra à la Bibliothèque royale en 1733.
Droits : domaine public
Identifiant : ark:/12148/btv1b8447303m
Source : Bibliothèque nationale de France, Département des Manuscrits, Français 5716
Provenance : Bibliothèque nationale de France
Date de mise en ligne : 07/11/2011
Quesenbery, Whitney; Brooks, Kevin. 2010. Storytelling for User Experience. New York: Rosenfeld Media. http://www.rosenfeldmedia.com/books/storytelling/
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Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
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Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Old books of bound research reports gathering dust on a bookshelf. Research needs to be online and accessible
My Project365 photo for 1 March 2011
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
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Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
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Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
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Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
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been away for a while! school starts in 2 days, which isn't good news to me cause im going to have a friendly (not so friendly at all) duel with my arch enemy, Second Semester exams. (end of the year exams) the exams are getting near and it sends shivers down my spine cause i am basically not ready yet. even so, wish me luck! >:)
1. a photo of my beautiful mom when she's seventeen.
2. october issue of ViVi( Kiko Mizuhara) and all kinds of other mags underneath.
3. multi-purpose cream tin.
4. fat cat mug.
5. my pencil case.
6. nail file.
have a nice day/ night everyone! x
Groningen, 26-01-2008.
Philip Roth, I Married a Communist. London, Vintage Books, 2005. 1998 (1)
Van de achterflap:
I Married a Communist is the story of the rise and fall of Ira Ringold, a big American roughneck who begins life as a teenage ditch digger in 1930s Newark, becomes a big-time 1940s radio star, and is destroyed, both as a performer and a man, in the McCarthy witch-hunt of the 1950s.
Is his heyday as a star - and as a zealous, bullying supporter of 'progressive' political causes - Ira marries Hollywood's beloved silent-film star, Eve Frame. Their glamorous honeymoon in her Manhattan townhouse is short-lived, however, and it is the publication of Eve's scandalous beststelling exposé that identifies him as 'an American taking him orders from Moscow'.
In this story of cruelty, betrayal, and revenge spilling over into the public arena from their origins in Ira's turbulent personal life, Philip Roth has written a brilliant fictional portrayal of that treacherous post-war epoch when anti-Communist fever not only infected national politics, but traumatised the intimate, innermost lives of friends and families, husbands and wives, parents and children.
Mijn mening vind je op Dit is Suzanne leest.
Philip Roth | Het plot tegen Amerika
Grizzly Bear Portraits Montana Winter Snow Sony A1 ILCE-1 Fine Art Wildlife Grizzly Bears Photography! Sony Alpha 1 & Sony FE 600 mm F4 GM OSS Full-frame Super-Prime G Master Lens Optical SteadyShot! West Yellowstone Montana Elliot McGucken Fine Art Photography Sony Alpha1 !
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Two Coyotes Raven Deer Carcass Yellowstone National Park Lamar Valley Winter Wildlife Snow Sony A1 ILCE-1 Fine Art Photography! Sony Alpha 1 & Sony FE 200–600 mm F5.6–6.3 G OSS Emount Zoom Lens SEL200600G Yellowstone NP Montana! McGucken Fine Art Wildlife Photography Sony Alpha1 !
The deer had been brought down the night before by a pack of wolves. After they had their fill, the wolfpack moved on.
Epic Luxury Fine Art Landscape Nature Prints:
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Grizzly Bear Portraits Montana Winter Snow Sony A1 ILCE-1 Fine Art Wildlife Grizzly Bears Photography! Sony Alpha 1 & Sony FE 600 mm F4 GM OSS Full-frame Super-Prime G Master Lens Optical SteadyShot! West Yellowstone Montana Elliot McGucken Fine Art Photography Sony Alpha1 !
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Fighting Bears Coastal Brown Bears Lake Clark National Park and Preserve Alaska Silver Salmon Creek Lodge Fine Art Wildlife Photography! Alaskan Grizzly Bear Sony Alpha 1 A1 200-600mm Zoom Lens Elliot McGucken Master Fine Art Landscapes Wildlife Photographer AK
Dr. Elliot McGucken Fine Art Spacetime Sculpture dx4//dt=ic:
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
Follow me on Instagram!
Facebook:
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
American Bald Eagle Olympic National Park Sony A1 ILCE-1 Fine Art Bald Eagle Bird Photography! Sony Alpha 1 Sony FE 200-600mm f/5.6-6.3 G OSS E-Mount Lens SEL200600G Washington Olympic Peninsula Coast! Elliot McGucken Fine Art Wildlife Eagle Alpha1
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!'