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©Andreas Dlugosch
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Info hier:
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
No private group or multiple group invites please!
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
No private group or multiple group invites please!
===================================================
Artwork by Michele DA FIRENZE, Master of the Pellegrini Chapel, Florence, ca. 1455
Museum of Fine Arts, Budapest
The daffodils are blooming. The gardens are awakening. The days are getting longer. And all just in the nick of time to welcome back Spring!
Just a few more hours and it will officially be Spring, but like these daffodils I just couldn't wait until then.
Vintage publicity still. Warner. Helmut Berger and Ingrid Thulin in The Damned/ La caduta degli dei/ Götterdämmerung (Luchino Visconti, 1969).
Austrian film and television actor Helmut Berger (1944) is most famous for his work with Italian director Luchino Visconti. For his performance as King Ludwig II of Bavaria in the modern classic Ludwig (1972), he received a special David di Donatello award, while he had a Golden Globe nomination for his part in The Damned (1969).
Helmut Berger was born Helmut Steinberger in Bad Ischl, Austria in 1944. His parents ran a humble pub after the War. His father was held a prisoner of war by the Russians and didn’t return until three years after the war was over. Young Helmut’s wish to be an actor caused much argument with his parents who wanted him to go into the hotel business. He had to help serve beer and to study for a hotel diploma. At age eighteen, he moved to London, England, where he worked as a waiter to pay his way through drama school, and also joined a small theatre. With the aim of becoming an international actor, he joined Perugia university to learn Italian, English, and French. He spent some time in France, where his acting career began in commercials and a bit role in La Ronde (Roger Vadim, 1964) with Anna Karina. Berger then moved to Rome, at that time the film capital of Europe. He was noticed by Luchino Visconti during the shooting of Vaghe stelle dell'Orsa/Sandra (Luchino Visconti, 1964) featuring Claudia Cardinale. Berger was shivering in the cold and Visconti told an assistant to offer a cashmere muffler. The next day Luchino Visconti invited Helmut Berger for lunch, and so began their relationship. They stayed ‘longtime companions’ till Visconti’s death, twelve years later. Berger got his first real role opposite Silvana Mangano in the episode La Strega Bruciata Viva/The Witch Burned Alive (Luchino Visconti, 1967) of the anthology film Le streghe/The Witches (1967). He had his international breakthrough as the young heir Martin von Essenbeck in La caduta degli dei/Götterdämmmerung/The Damned (Luchino Visconti, 1969) starring Dirk Bogarde and Ingrid Thulin. This drama tells about the collapse of a wealthy, industrialist family during the reign of the Third Reich. In what is perhaps his best-known scene, Berger mimics Marlene Dietrich as Lola Lola in The Blue Angel (Josef von Sternberg, 1930). Berger was nominated for a Golden Globe Award for his role. In Ludwig (Luchino Visconti, 1972), Berger portrays Ludwig II of Bavaria from his blooming youth, to his dissolute final years. In 1973, he won a David di Donatello – the Italian equivalent of an Academy Award – for this amazing performance. Berger also starred with Burt Lancaster in Gruppo di famiglia in un interno/Conversation Piece (Luchino Visconti, 1974). Visconti is said to view Berger as the very image of his idea of a "demonic, insane, and sexually perverted" man. As a matter of fact, Berger often portrayed anguished souls and sinister villains.
On his 30th birthday, Helmut Berger was the most sought-after young actor of his time, and not only was he young and extraordinarily beautiful, but he was also a uniquely gifted actor. Although his private and professional relationships with Visconti had brought him to the attention of the press and had made him a star, his career counted other highlights and continued after the maestro’s death in 1976. In between the Visconti films he had also starred in the horror-thriller Dorian Gray (Massimo Dallamano, 1970) with Richard Todd, Un beau monstre/A Strange Love Affair (Sergio Gobbi, 1971) opposite Virna Lisi, and Ash Wednesday (Larry Peerce, 1973) starring Elizabeth Taylor. He also worked with such noted directors as Vittorio De Sica at the Academy Award-winning Il giardino dei Finzi Contini/The garden of the Finzi-Continis (1970) playing the consumptive brother of Dominique Sanda, Duccio Tessari at the thriller Una farfalla con le ali insanguinate/The Bloodstained Butterfly (1971), and Joseph Losey at The Romantic Englishwoman (1975) with Glenda Jackson and Michael Caine. After Visconti’s death, he appeared throughout the 1970s in films as Salon Kitty (Tinto Brass, 1975) with Ingrid Thulin, the action drama Victory at Entebbe (Marvin J. Chomsky, 1976) and Das fünfte Gebot/The Fifth Commandment (Duccio Tessari, 1978). His film career was temporarily broken up in the early 1980’s when he battled an alcohol problem.
Berger has also worked in television, most notably in the role of Peter De Vilbis in the 1983-1984 season of the soap opera Dynasty, opposite Joan Collins. He confessed he did it only for the money: "crying on the way to the set but laughing on the way to the bank". This was not his last appearance in a television series, as English Wikipedia claims. Later, he appeared in the TV mini-series I promessi sposi/The Betrothed (Salvatore Nocita, 1989) and had a supporting part in The Godfather: Part III (Francis Coppola, 1990). He returned as King Ludwig II in Ludwig 1881 (Donatello Dubini, Fosco Dubini, 1993). According to IMDb reviewer dmk2, Berger added “subtlety and experience to the role he played in the original film Ludwig (1972). It's not often that an actor gets to play the same role in a different film. Helmut Berger's portrayal of Ludwig was good in Ludwig (1972). In Ludwig 1881, he plays Ludwig again with all the experience he has gathered since the original film. Donatello Dubini and Fosco Dubini have produced a wonderful script, managing to tempt Helmut Berger back to play Ludwig again. The result is a King Ludwig II of more depth and subtlety and a poignant film with beautiful scenes of the Swiss lake.” In 1999 Berger acted opposite Sheri Hagen, Udo Kier, Willem Nijholt, and Thom Hoffman in the drama Unter den Palmen/ Under the Palms by Dutch filmmaker Miriam Kruishoop. The cinematography by Rogier Stoffers won him a Golden Calf at the Netherlands Film Festival.
Numerous French, Italian, German films, but few directors used his gifts with the same skill as Visconti. Berger had affairs with both men and women. In 1994 he married Francesca Guidato, but they live separated nowadays. His autobiography Ich (Me) was published in 1998. In this memoir, he referred to his relationships with Visconti as a ‘marriage’ and wrote he was the director's widow. He also very modestly attributed his acting achievements to Visconti's directing. In 2004, he returned to his hometown Salzburg. Three years later, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements, and in 2011, he received a Kristián Award at the Czech film festival Febiofest ‘for Contributions to World Cinema’. In the British thriller Iron Cross (Joshua Newton, 2009) starring Roy Scheider, he played Shrager, an aging character believed to be an old SS commander responsible for murdering Jews during World War II. Berger also starred in two films directed by Peter Kern – Blutsfreundschaft/ Initiation (2009), and Mörderschwestern/ Killer Sisters (2011).
In 2014, Berger appeared in Saint Laurent as old Yves Saint Laurent for which he was "celebrated" at Cannes Film Festival.[10] The short film Art!, in which Berger had a starring role, had its world premiere at Paris Independent Film Festival 2015. He starred in the role of Professor Martin in the 2016 film Timeless directed by Alexander Tuschinski. In 2015, Austrian filmmaker Andreas Horvath released a feature-length documentary about Helmut Berger called Helmut Berger, Actor. The film premiered at the Venice Film Festival. In the magazine Artforum American film director John Waters chose Helmut Berger, Actor as the Best Motion Picture of the year 2015. Berger later filed a lawsuit against Horvath. On February 22, 2018, the premiere of Albert Serra's play, Liberté, starring Helmut Berger and Ingrid Caven was performed at the Volksbühne theatre in Berlin. It was the first stage role in Berger's career. In 2019, another documentary film Helmut Berger, meine Mutter und ich was released, dealing with his personality and an attempted comeback
After suffering several bouts of pneumonia, Berger announced his retirement from acting in November 2019 and stated that he wanted to spend his remaining years away from the public. Helmut Berger died on May 18, 2023, at the age of 78.
Sources: Alexander von Schönburg (032c), Mike Petrovaz (IMDb), Circa-club.com, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Sofraneme, Levallois Perret, no. CF 335. Photo: Helmut Berger in La caduta degli dei/Götterdämmmerung/The Damned (Luchino Visconti, 1969).
Austrian film and television actor Helmut Berger (1944) is most famous for his work with Italian director Luchino Visconti. For his performance as King Ludwig II of Bavaria in the modern classic Ludwig (1972), he received a special David di Donatello award.
Helmut Berger was born Helmut Steinberger in Bad Ischl, Austria in 1944. His parents ran a humble pub after the War. His father was held a prisoner of war by the Russians and didn’t return until three years after the war was over. Young Helmut’s wish to be an actor caused much argument with his parents who wanted him to go into the hotel business. He had to help serve beer and to study for a hotel diploma. At age eighteen, he moved to London, England, where he worked as a waiter to pay his way through drama school, and also joined a small theatre. With the aim of becoming an international actor, he joined Perugia university to learn Italian, English, and French. He spent some time in France, where his acting career began in commercials and a bit role in La Ronde (Roger Vadim, 1964) with Anna Karina. Berger then moved to Rome, at that time the film capital of Europe. He was noticed by Luchino Visconti during the shooting of Vaghe stelle dell'Orsa/Sandra (Luchino Visconti, 1964) featuring Claudia Cardinale. Berger was shivering in the cold and Visconti told an assistant to offer a cashmere muffler. The next day Luchino Visconti invited Helmut Berger for lunch, and so began their relationship. They stayed ‘longtime companions’ till Visconti’s death, twelve years later. Berger got his first real role opposite Silvana Mangano in the episode La Strega Bruciata Viva/The Witch Burned Alive (Luchino Visconti, 1967) of the anthology film Le streghe/The Witches (1967). He had his international breakthrough as the young heir Martin von Essenbeck in La caduta degli dei/Götterdämmmerung/The Damned (Luchino Visconti, 1969) starring Dirk Bogarde and Ingrid Thulin. This drama tells about the collapse of a wealthy, industrialist family during the reign of the Third Reich. In what is perhaps his best-known scene, Berger mimics Marlene Dietrich as Lola Lola in The Blue Angel (Josef von Sternberg, 1930). Berger was nominated for a Golden Globe Award for his role. In Ludwig (Luchino Visconti, 1972), Berger portrays Ludwig II of Bavaria from his blooming youth, to his dissolute final years. In 1973, he won a David di Donatello – the Italian equivalent of an Academy Award – for this amazing performance. Berger also starred with Burt Lancaster in Gruppo di famiglia in un interno/Conversation Piece (Luchino Visconti, 1974). Visconti is said to view Berger as the very image of his idea of a "demonic, insane, and sexually perverted" man. As a matter of fact, Berger often portrayed anguished souls and sinister villains.
On his 30th birthday, Helmut Berger was the most sought-after young actor of his time, and not only was he young and extraordinarily beautiful, but he was also a uniquely gifted actor. Although his private and professional relationships with Visconti had brought him to the attention of the press and had made him a star, his career counted other highlights and continued after the maestro’s death in 1976. In between the Visconti films he had also starred in the horror-thriller Dorian Gray (Massimo Dallamano, 1970) with Richard Todd, Un beau monstre/A Strange Love Affair (Sergio Gobbi, 1971) opposite Virna Lisi, and Ash Wednesday (Larry Peerce, 1973) starring Elizabeth Taylor. He also worked with such noted directors as Vittorio De Sica at the Academy Award-winning Il giardino dei Finzi Contini/The garden of the Finzi-Continis (1970) playing the consumptive brother of Dominique Sanda, Duccio Tessari at the thriller Una farfalla con le ali insanguinate/The Bloodstained Butterfly (1971), and Joseph Losey at The Romantic Englishwoman (1975) with Glenda Jackson and Michael Caine. After Visconti’s death, he appeared throughout the 1970s in films as Salon Kitty (Tinto Brass, 1975) with Ingrid Thulin, the action drama Victory at Entebbe (Marvin J. Chomsky, 1976) and Das fünfte Gebot/The Fifth Commandment (Duccio Tessari, 1978). His film career was temporarily broken up in the early 1980’s when he battled an alcohol problem.
Berger has also worked in television, most notably in the role of Peter De Vilbis in the 1983-1984 season of the soap opera Dynasty, opposite Joan Collins. He confessed he did it only for the money: "crying on the way to the set but laughing on the way to the bank". This was not his last appearance in a television series, as English Wikipedia claims. Later, he appeared in the TV mini-series I promessi sposi/The Betrothed (Salvatore Nocita, 1989) and had a supporting part in The Godfather: Part III (Francis Coppola, 1990). He returned as King Ludwig II in Ludwig 1881 (Donatello Dubini, Fosco Dubini, 1993). According to IMDb reviewer dmk2, Berger added “subtlety and experience to the role he played in the original film Ludwig (1972). It's not often that an actor gets to play the same role in a different film. Helmut Berger's portrayal of Ludwig was good in Ludwig (1972). In Ludwig 1881, he plays Ludwig again with all the experience he has gathered since the original film. Donatello Dubini and Fosco Dubini have produced a wonderful script, managing to tempt Helmut Berger back to play Ludwig again. The result is a King Ludwig II of more depth and subtlety and a poignant film with beautiful scenes of the Swiss lake.” In 1999 Berger acted opposite Sheri Hagen, Udo Kier, Willem Nijholt, and Thom Hoffman in the drama Unter den Palmen/ Under the Palms by Dutch filmmaker Miriam Kruishoop. The cinematography by Rogier Stoffers won him a Golden Calf at the Netherlands Film Festival.
Numerous French, Italian, German films, but few directors used his gifts with the same skill as Visconti. Berger had affairs with both men and women. In 1994 he married Francesca Guidato, but they live separated nowadays. His autobiography Ich (Me) was published in 1998. In this memoir, he referred to his relationships with Visconti as a ‘marriage’ and wrote he was the director's widow. He also very modestly attributed his acting achievements to Visconti's directing. In 2004, he returned to his hometown Salzburg. Three years later, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements, and in 2011, he received a Kristián Award at the Czech film festival Febiofest ‘for Contributions to World Cinema’. Helmut Berger is still appearing in films and TV series regularly. In the British thriller Iron Cross (Joshua Newton, 2009) starring Roy Scheider, he played Shrager, an aging character believed to be an old SS commander responsible for murdering Jews during World War II. Berger also starred in two films directed by Peter Kern – Blutsfreundschaft/ Initiation (2009), and Mörderschwestern/ Killer Sisters (2011).
Sources: Alexander von Schönburg (032c), Mike Petrovaz (IMDb), Circa-club.com, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Our 1934 Ford Beast Project
Street Outlaw Body & Fenders
Total Custom Tuxedo Black 2 stage Paint.
Custom Black Leather & Gator Interior.
Electric Trunk. Dakota Digital dash.
Custom Hidden stereo system.
Custom 18 Gallon Fuel cell.
350 Cubic inch ZZ-4 Motor, High Performance,
Street & Performance Fuel Injection System.
Aluminum Heads.
TH 400 Transmission, B&M shifter
Custom Aluminum Radiator.
TCI Chassis, IFS Front Suspension, ( Heidt ).
Four Wheel Custom Billet Disc Brakes.
TPI Quick change rear end. Highway Geared.
French postcard. Photo: Helmut Berger in the TV film Fantomas: l'échafaud magique/Fantomas - The magic scaffold (Claude Chabrol, 1979). This is the first episode in a four-part series originally broadcast on French TV in 1979; two episodes directed by Claude Chabrol (this is one), the other two directed by Juan Luis Bunuel.
Austrian film and television actor Helmut Berger (1944) is most famous for his work with Italian director Luchino Visconti. For his performance as King Ludwig II of Bavaria in the modern classic Ludwig (1972), he received a special David di Donatello award.
Helmut Berger was born Helmut Steinberger in Bad Ischl, Austria in 1944. His parents ran a humble pub after the War. His father was held a prisoner of war by the Russians and didn’t return until three years after the war was over. Young Helmut’s wish to be an actor caused much argument with his parents who wanted him to go into the hotel business. He had to help serve beer and to study for a hotel diploma. At age eighteen, he moved to London, England, where he worked as a waiter to pay his way through drama school, and also joined a small theatre. With the aim of becoming an international actor, he joined Perugia university to learn Italian, English, and French. He spent some time in France, where his acting career began in commercials and a bit role in La Ronde (Roger Vadim, 1964) with Anna Karina. Berger then moved to Rome, at that time the film capital of Europe. He was noticed by Luchino Visconti during the shooting of Vaghe stelle dell'Orsa/Sandra (Luchino Visconti, 1964) featuring Claudia Cardinale. Berger was shivering in the cold and Visconti told an assistant to offer a cashmere muffler. The next day Luchino Visconti invited Helmut Berger for lunch, and so began their relationship. They stayed ‘longtime companions’ till Visconti’s death, twelve years later. Berger got his first real role opposite Silvana Mangano in the episode La Strega Bruciata Viva/The Witch Burned Alive (Luchino Visconti, 1967) of the anthology film Le streghe/The Witches (1967). He had his international breakthrough as the young heir Martin von Essenbeck in La caduta degli dei/Götterdämmmerung/The Damned (Luchino Visconti, 1969) starring Dirk Bogarde and Ingrid Thulin. This drama tells about the collapse of a wealthy, industrialist family during the reign of the Third Reich. In what is perhaps his best-known scene, Berger mimics Marlene Dietrich as Lola Lola in The Blue Angel (Josef von Sternberg, 1930). Berger was nominated for a Golden Globe Award for his role. In Ludwig (Luchino Visconti, 1972), Berger portrays Ludwig II of Bavaria from his blooming youth, to his dissolute final years. In 1973, he won a David di Donatello – the Italian equivalent of an Academy Award – for this amazing performance. Berger also starred with Burt Lancaster in Gruppo di famiglia in un interno/Conversation Piece (Luchino Visconti, 1974). Visconti is said to view Berger as the very image of his idea of a "demonic, insane, and sexually perverted" man. As a matter of fact, Berger often portrayed anguished souls and sinister villains.
On his 30th birthday, Helmut Berger was the most sought-after young actor of his time, and not only was he young and extraordinarily beautiful, but he was also a uniquely gifted actor. Although his private and professional relationships with Visconti had brought him to the attention of the press and had made him a star, his career counted other highlights and continued after the maestro’s death in 1976. In between the Visconti films he had also starred in the horror-thriller Dorian Gray (Massimo Dallamano, 1970) with Richard Todd, Un beau monstre/A Strange Love Affair (Sergio Gobbi, 1971) opposite Virna Lisi, and Ash Wednesday (Larry Peerce, 1973) starring Elizabeth Taylor. He also worked with such noted directors as Vittorio De Sica at the Academy Award-winning Il giardino dei Finzi Contini/The garden of the Finzi-Continis (1970) playing the consumptive brother of Dominique Sanda, Duccio Tessari at the thriller Una farfalla con le ali insanguinate/The Bloodstained Butterfly (1971), and Joseph Losey at The Romantic Englishwoman (1975) with Glenda Jackson and Michael Caine. After Visconti’s death, he appeared throughout the 1970s in films as Salon Kitty (Tinto Brass, 1975) with Ingrid Thulin, the action drama Victory at Entebbe (Marvin J. Chomsky, 1976) and Das fünfte Gebot/The Fifth Commandment (Duccio Tessari, 1978). His film career was temporarily broken up in the early 1980s when he battled an alcohol problem.
Berger has also worked in television, most notably in the role of Peter De Vilbis in the 1983-1984 season of the soap opera Dynasty, opposite Joan Collins. He confessed he did it only for the money: "crying on the way to the set but laughing on the way to the bank". This was not his last appearance in a television series, as English Wikipedia claims. Later, he appeared in the TV mini-series I promessi sposi/The Betrothed (Salvatore Nocita, 1989) and had a supporting part in The Godfather: Part III (Francis Coppola, 1990). He returned as King Ludwig II in Ludwig 1881 (Donatello Dubini, Fosco Dubini, 1993). According to IMDb reviewer dmk2, Berger added “subtlety and experience to the role he played in the original film Ludwig (1972). It's not often that an actor gets to play the same role in a different film. Helmut Berger's portrayal of Ludwig was good in Ludwig (1972). In Ludwig 1881, he plays Ludwig again with all the experience he has gathered since the original film. Donatello Dubini and Fosco Dubini have produced a wonderful script, managing to tempt Helmut Berger back to play Ludwig again. The result is a King Ludwig II of more depth and subtlety and a poignant film with beautiful scenes of the Swiss lake.” In 1999 Berger acted opposite Sheri Hagen, Udo Kier, Willem Nijholt, and Thom Hoffman in the drama Unter den Palmen/ Under the Palms by Dutch filmmaker Miriam Kruishoop. The cinematography by Rogier Stoffers won him a Golden Calf at the Netherlands Film Festival.
Numerous French, Italian, German films, but few directors used his gifts with the same skill as Visconti. Berger had affairs with both men and women. In 1994 he married Francesca Guidato, but they live separated nowadays. His autobiography Ich (Me) was published in 1998. In this memoir, he referred to his relationships with Visconti as a ‘marriage’ and wrote he was the director's widow. He also very modestly attributed his acting achievements to Visconti's directing. In 2004, he returned to his hometown Salzburg. Three years later, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements, and in 2011, he received a Kristián Award at the Czech film festival Febiofest ‘for Contributions to World Cinema’. Helmut Berger is still appearing in films and TV series regularly. In the British thriller Iron Cross (Joshua Newton, 2009) starring Roy Scheider, he played Shrager, an aging character believed to be an old SS commander responsible for murdering Jews during World War II. Berger also starred in two films directed by Peter Kern – Blutsfreundschaft/ Initiation (2009), and Mörderschwestern/ Killer Sisters (2011).
Sources: Alexander von Schönburg (032c), Mike Petrovaz (IMDb), Circa-club.com, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
We will be part of this event with some friends.
‘De Zines’, tries to reflect what is happening in the contemporary editorial creation on the level of independent publications, how this area relates to the artistic production and social, cultural and current political environment.
Around 400 international publications have been gathered from most established magazines in the market until handmade zines and a selection of experimental magazines.
In times of constant technological revolution and immediate access to information through the network, paper, as a media for the dissemination of culture and information seems destined to disappear. However, the number of independent publications do not stop growing. In fact, different forms of communication, digital and analogue can coexist. It’s about different ways, uses and times ranging between the immediacy of digital and the traditional way of disseminating and consuming cultural creation and art. Its contents tend to be more timeless and
invite paused reflection. Beautiful design and text written with loving care in a continuous search for seamless integration between content and form. In general, they are still spaces for dissemination, review and reflection on cultural production. Objects themselves, everlasting, pages of printed paper that can be touched with the fingers,
means of underground cultural expression. In the case of experimental magazines involves a different way to approach to these publications, full of visual impact, subject to different interpretations, inexhaustible source
of emotions and feelings. They already have a notable presence in art fairs, specialized bookstores and museum shops.
These editorial projects, heirs of the phenomenon do it yourself culture derived from punk and art movements such as Dadaism, Surrealism and Fluxus, are living a resurgence. Some have remained fairly true to those principles, others have grown in distribution, budget and number of prints. They all share an independent spirit
in addressing issues like music, film, fashion, design, art, philosophy, economics, literature, photography ... or closer personal projects to more people. In fact, they are a response to dominant culture, with a clear activist
attitude, trying to spread other ways to understand their relations with society and even with oneself.
Independent publications may be the future of print media. In fact they get a significant speed in the dissemination
of current culture with a democratic way to create and share images, ideas and information. Pages filled with an impeccable editorial design, a media for freedom of expression of the obsessions and passions their creators want to communicate, have a voice.
’De Zines’, articulated as a consultation room, a space that does not only creates traffic but a place to stay, increasing the desire to know, trying to help the audience to find a those issues so that a sense of recognition.
In short, create networks among people with a similar vision in a global and plural world.
_
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Curators: Roberto Vidal (www.robertovidal.com) and Óscar Martín (www.byoscarmartin.com)
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Inéditos 2010
La Casa Encendida ( www.lacasaencendida.es/en)
29 June to 29 August 2010 / Room A
Ronda Valencia, 2
28012 Madrid - Spain
T +34 902 43 03 22 / T +34 91 602 46 41 / F +34 91 506 38 76
With all of these Goldfinches in a feeding frenzy because of the cold weather we've been having, I just had to laugh when this Brown-headed Nuthatch sneaked in for a quick bite to eat as soon as there was an opening. And none of the Goldfinches seemed the wiser.
Well, maybe that one on the far right noticed.
一踏進P+EN內裏，便可明顯感受到我先前所說的開放性。挑高的木造天井，保留了老屋本身的原有結構，完全融入現代和風的裝潢裡，數盞沿樑垂吊的紙籠提燈，則是來自岐阜傳統老舗「鈴木茂兵衛商店」的職人精作。不管是空間物具、或是陳設配置都很到位，沒有任何多餘之處，也難怪中日新聞朝刊，會以「円頓寺商店街的新風」為標題來大幅介紹P+EN的出場。
一旁白色矮凳散放，腳架展開，長排狀的木桌上堆滿了這次的展覽主角「MAGAZINE」，供人自由翻閱，我的視線也不免隨之逐漸熱燙了起來。「032c」、「MONU」、「PALAIS」、「GUP」、「INVENTORY」大部份都是前幾回特展中出現的固定班底，只有少數像是「SOME／THINGS MAGAZINE」、「The Art Book」這類的逸品為今次首見，另外有一些開本較大，展示不易的雜誌這回則被排除於外。若是以表參道、或是東京設計師週的規模數量來論，P+EN顯然是難以比擬，但純粹就展覽品質而言，我認為P+EN的表現反而略勝一籌。
繞逛展場一圈後，登上樓梯，通往二樓的階段夾層，有一專門擺放與雜誌相關的DM區，牆上貼滿了各式海報，每一款都忍不住讓人想蒐取珍藏。二樓為一處小型的雜貨舖，展售的是藝廊主人永井千里設計代理的手作時裝、以及策展人David Guarino個人開發的一些周邊商品。原來永井千里本身從事的是服裝工作室，成立了將近十年之久，開設P+EN算是她的理想兼副業，我告訴她自己非常喜歡這樣概念性的經營模式，這次「MAGAZINE LIBRARY 名古屋」的實驗意味雖然較為濃厚，不過卻非常值得當做「MAGAZINE LIBRARY 台北」的借鏡參考。
Hungarian collector's card by A képes film Híradó, 1975. Photo: Atheneum.
Austrian film and television actor Helmut Berger (1944) is most famous for his work with Italian director Luchino Visconti. For his performance as King Ludwig II of Bavaria in the modern classic Ludwig (1972), he received a special David di Donatello award.
Helmut Berger was born Helmut Steinberger in Bad Ischl, Austria in 1944. His parents ran a humble pub after the War. His father was held a prisoner of war by the Russians and didn’t return until three years after the War was over. Young Helmut’s wish to be an actor caused much argument with his parents who wanted him to go into the hotel business. He had to help serve beer and to study for a hotel diploma. At age eighteen, he moved to London, England, where he worked as a waiter to pay his way through drama school, and also joined a small theatre. With the aim of becoming an international actor he joined Perugia university to learn Italian, English, and French. He spent some time in France, where his acting career began in commercials and a bit role in La Ronde (1964, Roger Vadim) with Anna Karina. Berger then moved to Rome, at that time the film capital of Europe. He was noticed by Luchino Visconti during the shooting of Vaghe stelle dell'Orsa/Sandra (1964, Luchino Visconti) featuring Claudia Cardinale. Berger was shivering in the cold and Visconti told an assistant to offer a cashmere muffler. The next day Luchino Visconti invited Helmut Berger for lunch, and so began their relationship. They stayed ‘longtime companions’ till Visconti’s death, twelve years later. Berger got his first real role opposite Silvana Mangano in the episode La Strega Bruciata Viva/The Witch Burned Alive (1967, Luchino Visconti) of the anthology film Le streghe/The Witches (1967). He had his international breakthrough as the young heir Martin von Essenbeck in La caduta degli dei/Götterdämmmerung/The Damned (1969, Luchino Visconti) starring Dirk Bogarde and Ingrid Thulin. This drama tells about the collapse of a wealthy, industrialist family during the reign of the Third Reich. In what is perhaps his best-known scene, Berger mimics Marlene Dietrich as Lola Lola in The Blue Angel (1930, Josef von Sternberg). Berger was nominated for a Golden Globe Award for his role. In Ludwig (1972, Luchino Visconti), Berger portrays Ludwig II of Bavaria from his blooming youth, to his dissolute final years. In 1973, he won a David di Donatello – the Italian equivalent of an Academy Award – for this amazing performance. Berger also starred with Burt Lancaster in Gruppo di famiglia in un interno/ Conversation Piece (1974, Luchino Visconti). Visconti is said to view Berger as the very image of his idea of a "demonic, insane and sexually perverted" man. As a matter of fact Berger often portrayed anguished souls and sinister villains.
On his 30th birthday, Helmut Berger was the most sought-after young actor of his time, and not only was he young and extraordinarily beautiful, he was also a uniquely gifted actor. Although his private and professional relationships with Visconti had brought him to the attention of press and had made him a star, his career counted other highlights and continued after the maestro’s death in 1976. In between the Visconti films he had also starred in the horror thriller Dorian Gray (1970, Massimo Dallamano) with Richard Todd, Un beau monstre/A Strange Love Affair (1971, Sergio Gobbi) opposite Virna Lisi, and Ash Wednesday (1973, Larry Peerce) starring Elizabeth Taylor. He also worked with such noted directors as Vittorio De Sica at the Academy Award winning Il giardino dei Finzi Contini/The garden of the Finzi-Continis (1970) playing the consumptive brother of Dominique Sanda, Duccio Tessari at the thriller Una farfalla con le ali insanguinate/The Bloodstained Butterfly (1971), and Joseph Losey at The Romantic Englishwoman (1975) with Glenda Jackson and Michael Caine. After Visconti’s death, he appeared throughout the 1970’s in films as Salon Kitty (1975, Tinto Brass) with Ingrid Thulin, the action drama Victory at Entebbe (1976, Marvin J. Chomsky) and Das fünfte Gebot/The Fifth Commandment (1978, Duccio Tessari). His film career was temporarily broken up in the early 1980’s when he battled an alcohol problem. Berger has also worked in television, most notably in the role of Peter De Vilbis in the 1983-1984 season of the soap opera Dynasty, opposite Joan Collins. He confessed he did it only for the money: "crying on the way to the set but laughing on the way to the bank". This was not his last appearance in a television series, as English Wikipedia claims. Later, he appeared in the TV mini-series I promessi sposi/The Betrothed (1989, Salvatore Nocita) and had a supporting part in The Godfather: Part III (1990, Francis Coppola). He returned as King Ludwig II in Ludwig 1881 (1993, Donatello Dubini, Fosco Dubini). According to IMDb reviewer dmk2, Berger added “subtlety and experience to the role he played in the original film Ludwig (1972). It's not often an actor gets to play the same role in a different film. Helmut Berger's portrayal of Ludwig was good in Ludwig (1972). In Ludwig 1881, he plays Ludwig again with all the experience he has gathered since the original film. Donatello Dubini and Fosco Dubini have produced a wonderful script, managing to tempt Helmut Berger back to play Ludwig again. The result is a King Ludwig II of more depth and subtlety and a poignant film with beautiful scenes of the Swiss lake.” Numerous French, Italian, German films, but few directors used his gifts with the same skill as Visconti. Berger had affairs with both men and women. In 1994 he married Francesca Guidato, but they live separated nowadays. His autobiography Ich (Me) was published in 1998. In this memoir he referred to his relationships with Visconti as a ‘marriage’ and wrote he was the director's widow. He also very modestly attributed his acting achievements to Visconti's directing. In 2004, he returned to his hometown Salzburg. Three years later, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements, and in 2011, he received a Kristián Award at the Czech film festival Febiofest ‘for Contributions to World Cinema’. Helmut Berger is still appearing in films and TV series regularly. In the British thriller Iron Cross (2009, Joshua Newton) starring Roy Scheider, he played Shrager, an aging character believed to be an old SS commander responsible for murdering Jews during World War II. Berger also starred in two films directed by Peter Kern – Blutsfreundschaft/Initiation (2009), and Mörderschwestern/Killer Sisters (2011).
Sources: Alexander von Schönburg (032c), Mike Petrovaz (IMDb), Circa-club.com, Wikipedia, and IMDb.