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©Andreas Dlugosch
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Info hier:
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
No private group or multiple group invites please!
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Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Das Nutzungsrecht meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
===================================================
No private group or multiple group invites please!
===================================================
Artwork by Michele DA FIRENZE, Master of the Pellegrini Chapel, Florence, ca. 1455
Museum of Fine Arts, Budapest
The daffodils are blooming. The gardens are awakening. The days are getting longer. And all just in the nick of time to welcome back Spring!
Just a few more hours and it will officially be Spring, but like these daffodils I just couldn't wait until then.
Vintage publicity still. Warner. Helmut Berger and Ingrid Thulin in The Damned/ La caduta degli dei/ Götterdämmerung (Luchino Visconti, 1969).
Austrian film and television actor Helmut Berger (1944) is most famous for his work with Italian director Luchino Visconti. For his performance as King Ludwig II of Bavaria in the modern classic Ludwig (1972), he received a special David di Donatello award, while he had a Golden Globe nomination for his part in The Damned (1969).
Helmut Berger was born Helmut Steinberger in Bad Ischl, Austria in 1944. His parents ran a humble pub after the War. His father was held a prisoner of war by the Russians and didn’t return until three years after the war was over. Young Helmut’s wish to be an actor caused much argument with his parents who wanted him to go into the hotel business. He had to help serve beer and to study for a hotel diploma. At age eighteen, he moved to London, England, where he worked as a waiter to pay his way through drama school, and also joined a small theatre. With the aim of becoming an international actor, he joined Perugia university to learn Italian, English, and French. He spent some time in France, where his acting career began in commercials and a bit role in La Ronde (Roger Vadim, 1964) with Anna Karina. Berger then moved to Rome, at that time the film capital of Europe. He was noticed by Luchino Visconti during the shooting of Vaghe stelle dell'Orsa/Sandra (Luchino Visconti, 1964) featuring Claudia Cardinale. Berger was shivering in the cold and Visconti told an assistant to offer a cashmere muffler. The next day Luchino Visconti invited Helmut Berger for lunch, and so began their relationship. They stayed ‘longtime companions’ till Visconti’s death, twelve years later. Berger got his first real role opposite Silvana Mangano in the episode La Strega Bruciata Viva/The Witch Burned Alive (Luchino Visconti, 1967) of the anthology film Le streghe/The Witches (1967). He had his international breakthrough as the young heir Martin von Essenbeck in La caduta degli dei/Götterdämmmerung/The Damned (Luchino Visconti, 1969) starring Dirk Bogarde and Ingrid Thulin. This drama tells about the collapse of a wealthy, industrialist family during the reign of the Third Reich. In what is perhaps his best-known scene, Berger mimics Marlene Dietrich as Lola Lola in The Blue Angel (Josef von Sternberg, 1930). Berger was nominated for a Golden Globe Award for his role. In Ludwig (Luchino Visconti, 1972), Berger portrays Ludwig II of Bavaria from his blooming youth, to his dissolute final years. In 1973, he won a David di Donatello – the Italian equivalent of an Academy Award – for this amazing performance. Berger also starred with Burt Lancaster in Gruppo di famiglia in un interno/Conversation Piece (Luchino Visconti, 1974). Visconti is said to view Berger as the very image of his idea of a "demonic, insane, and sexually perverted" man. As a matter of fact, Berger often portrayed anguished souls and sinister villains.
On his 30th birthday, Helmut Berger was the most sought-after young actor of his time, and not only was he young and extraordinarily beautiful, but he was also a uniquely gifted actor. Although his private and professional relationships with Visconti had brought him to the attention of the press and had made him a star, his career counted other highlights and continued after the maestro’s death in 1976. In between the Visconti films he had also starred in the horror-thriller Dorian Gray (Massimo Dallamano, 1970) with Richard Todd, Un beau monstre/A Strange Love Affair (Sergio Gobbi, 1971) opposite Virna Lisi, and Ash Wednesday (Larry Peerce, 1973) starring Elizabeth Taylor. He also worked with such noted directors as Vittorio De Sica at the Academy Award-winning Il giardino dei Finzi Contini/The garden of the Finzi-Continis (1970) playing the consumptive brother of Dominique Sanda, Duccio Tessari at the thriller Una farfalla con le ali insanguinate/The Bloodstained Butterfly (1971), and Joseph Losey at The Romantic Englishwoman (1975) with Glenda Jackson and Michael Caine. After Visconti’s death, he appeared throughout the 1970s in films as Salon Kitty (Tinto Brass, 1975) with Ingrid Thulin, the action drama Victory at Entebbe (Marvin J. Chomsky, 1976) and Das fünfte Gebot/The Fifth Commandment (Duccio Tessari, 1978). His film career was temporarily broken up in the early 1980’s when he battled an alcohol problem.
Berger has also worked in television, most notably in the role of Peter De Vilbis in the 1983-1984 season of the soap opera Dynasty, opposite Joan Collins. He confessed he did it only for the money: "crying on the way to the set but laughing on the way to the bank". This was not his last appearance in a television series, as English Wikipedia claims. Later, he appeared in the TV mini-series I promessi sposi/The Betrothed (Salvatore Nocita, 1989) and had a supporting part in The Godfather: Part III (Francis Coppola, 1990). He returned as King Ludwig II in Ludwig 1881 (Donatello Dubini, Fosco Dubini, 1993). According to IMDb reviewer dmk2, Berger added “subtlety and experience to the role he played in the original film Ludwig (1972). It's not often that an actor gets to play the same role in a different film. Helmut Berger's portrayal of Ludwig was good in Ludwig (1972). In Ludwig 1881, he plays Ludwig again with all the experience he has gathered since the original film. Donatello Dubini and Fosco Dubini have produced a wonderful script, managing to tempt Helmut Berger back to play Ludwig again. The result is a King Ludwig II of more depth and subtlety and a poignant film with beautiful scenes of the Swiss lake.” In 1999 Berger acted opposite Sheri Hagen, Udo Kier, Willem Nijholt, and Thom Hoffman in the drama Unter den Palmen/ Under the Palms by Dutch filmmaker Miriam Kruishoop. The cinematography by Rogier Stoffers won him a Golden Calf at the Netherlands Film Festival.
Numerous French, Italian, German films, but few directors used his gifts with the same skill as Visconti. Berger had affairs with both men and women. In 1994 he married Francesca Guidato, but they live separated nowadays. His autobiography Ich (Me) was published in 1998. In this memoir, he referred to his relationships with Visconti as a ‘marriage’ and wrote he was the director's widow. He also very modestly attributed his acting achievements to Visconti's directing. In 2004, he returned to his hometown Salzburg. Three years later, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements, and in 2011, he received a Kristián Award at the Czech film festival Febiofest ‘for Contributions to World Cinema’. In the British thriller Iron Cross (Joshua Newton, 2009) starring Roy Scheider, he played Shrager, an aging character believed to be an old SS commander responsible for murdering Jews during World War II. Berger also starred in two films directed by Peter Kern – Blutsfreundschaft/ Initiation (2009), and Mörderschwestern/ Killer Sisters (2011).
In 2014, Berger appeared in Saint Laurent as old Yves Saint Laurent for which he was "celebrated" at Cannes Film Festival.[10] The short film Art!, in which Berger had a starring role, had its world premiere at Paris Independent Film Festival 2015. He starred in the role of Professor Martin in the 2016 film Timeless directed by Alexander Tuschinski. In 2015, Austrian filmmaker Andreas Horvath released a feature-length documentary about Helmut Berger called Helmut Berger, Actor. The film premiered at the Venice Film Festival. In the magazine Artforum American film director John Waters chose Helmut Berger, Actor as the Best Motion Picture of the year 2015. Berger later filed a lawsuit against Horvath. On February 22, 2018, the premiere of Albert Serra's play, Liberté, starring Helmut Berger and Ingrid Caven was performed at the Volksbühne theatre in Berlin. It was the first stage role in Berger's career. In 2019, another documentary film Helmut Berger, meine Mutter und ich was released, dealing with his personality and an attempted comeback
After suffering several bouts of pneumonia, Berger announced his retirement from acting in November 2019 and stated that he wanted to spend his remaining years away from the public. Helmut Berger died on May 18, 2023, at the age of 78.
Sources: Alexander von Schönburg (032c), Mike Petrovaz (IMDb), Circa-club.com, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Sofraneme, Levallois Perret, no. CF 335. Photo: Helmut Berger in La caduta degli dei/Götterdämmmerung/The Damned (Luchino Visconti, 1969).
Austrian film and television actor Helmut Berger (1944) is most famous for his work with Italian director Luchino Visconti. For his performance as King Ludwig II of Bavaria in the modern classic Ludwig (1972), he received a special David di Donatello award.
Helmut Berger was born Helmut Steinberger in Bad Ischl, Austria in 1944. His parents ran a humble pub after the War. His father was held a prisoner of war by the Russians and didn’t return until three years after the war was over. Young Helmut’s wish to be an actor caused much argument with his parents who wanted him to go into the hotel business. He had to help serve beer and to study for a hotel diploma. At age eighteen, he moved to London, England, where he worked as a waiter to pay his way through drama school, and also joined a small theatre. With the aim of becoming an international actor, he joined Perugia university to learn Italian, English, and French. He spent some time in France, where his acting career began in commercials and a bit role in La Ronde (Roger Vadim, 1964) with Anna Karina. Berger then moved to Rome, at that time the film capital of Europe. He was noticed by Luchino Visconti during the shooting of Vaghe stelle dell'Orsa/Sandra (Luchino Visconti, 1964) featuring Claudia Cardinale. Berger was shivering in the cold and Visconti told an assistant to offer a cashmere muffler. The next day Luchino Visconti invited Helmut Berger for lunch, and so began their relationship. They stayed ‘longtime companions’ till Visconti’s death, twelve years later. Berger got his first real role opposite Silvana Mangano in the episode La Strega Bruciata Viva/The Witch Burned Alive (Luchino Visconti, 1967) of the anthology film Le streghe/The Witches (1967). He had his international breakthrough as the young heir Martin von Essenbeck in La caduta degli dei/Götterdämmmerung/The Damned (Luchino Visconti, 1969) starring Dirk Bogarde and Ingrid Thulin. This drama tells about the collapse of a wealthy, industrialist family during the reign of the Third Reich. In what is perhaps his best-known scene, Berger mimics Marlene Dietrich as Lola Lola in The Blue Angel (Josef von Sternberg, 1930). Berger was nominated for a Golden Globe Award for his role. In Ludwig (Luchino Visconti, 1972), Berger portrays Ludwig II of Bavaria from his blooming youth, to his dissolute final years. In 1973, he won a David di Donatello – the Italian equivalent of an Academy Award – for this amazing performance. Berger also starred with Burt Lancaster in Gruppo di famiglia in un interno/Conversation Piece (Luchino Visconti, 1974). Visconti is said to view Berger as the very image of his idea of a "demonic, insane, and sexually perverted" man. As a matter of fact, Berger often portrayed anguished souls and sinister villains.
On his 30th birthday, Helmut Berger was the most sought-after young actor of his time, and not only was he young and extraordinarily beautiful, but he was also a uniquely gifted actor. Although his private and professional relationships with Visconti had brought him to the attention of the press and had made him a star, his career counted other highlights and continued after the maestro’s death in 1976. In between the Visconti films he had also starred in the horror-thriller Dorian Gray (Massimo Dallamano, 1970) with Richard Todd, Un beau monstre/A Strange Love Affair (Sergio Gobbi, 1971) opposite Virna Lisi, and Ash Wednesday (Larry Peerce, 1973) starring Elizabeth Taylor. He also worked with such noted directors as Vittorio De Sica at the Academy Award-winning Il giardino dei Finzi Contini/The garden of the Finzi-Continis (1970) playing the consumptive brother of Dominique Sanda, Duccio Tessari at the thriller Una farfalla con le ali insanguinate/The Bloodstained Butterfly (1971), and Joseph Losey at The Romantic Englishwoman (1975) with Glenda Jackson and Michael Caine. After Visconti’s death, he appeared throughout the 1970s in films as Salon Kitty (Tinto Brass, 1975) with Ingrid Thulin, the action drama Victory at Entebbe (Marvin J. Chomsky, 1976) and Das fünfte Gebot/The Fifth Commandment (Duccio Tessari, 1978). His film career was temporarily broken up in the early 1980’s when he battled an alcohol problem.
Berger has also worked in television, most notably in the role of Peter De Vilbis in the 1983-1984 season of the soap opera Dynasty, opposite Joan Collins. He confessed he did it only for the money: "crying on the way to the set but laughing on the way to the bank". This was not his last appearance in a television series, as English Wikipedia claims. Later, he appeared in the TV mini-series I promessi sposi/The Betrothed (Salvatore Nocita, 1989) and had a supporting part in The Godfather: Part III (Francis Coppola, 1990). He returned as King Ludwig II in Ludwig 1881 (Donatello Dubini, Fosco Dubini, 1993). According to IMDb reviewer dmk2, Berger added “subtlety and experience to the role he played in the original film Ludwig (1972). It's not often that an actor gets to play the same role in a different film. Helmut Berger's portrayal of Ludwig was good in Ludwig (1972). In Ludwig 1881, he plays Ludwig again with all the experience he has gathered since the original film. Donatello Dubini and Fosco Dubini have produced a wonderful script, managing to tempt Helmut Berger back to play Ludwig again. The result is a King Ludwig II of more depth and subtlety and a poignant film with beautiful scenes of the Swiss lake.” In 1999 Berger acted opposite Sheri Hagen, Udo Kier, Willem Nijholt, and Thom Hoffman in the drama Unter den Palmen/ Under the Palms by Dutch filmmaker Miriam Kruishoop. The cinematography by Rogier Stoffers won him a Golden Calf at the Netherlands Film Festival.
Numerous French, Italian, German films, but few directors used his gifts with the same skill as Visconti. Berger had affairs with both men and women. In 1994 he married Francesca Guidato, but they live separated nowadays. His autobiography Ich (Me) was published in 1998. In this memoir, he referred to his relationships with Visconti as a ‘marriage’ and wrote he was the director's widow. He also very modestly attributed his acting achievements to Visconti's directing. In 2004, he returned to his hometown Salzburg. Three years later, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements, and in 2011, he received a Kristián Award at the Czech film festival Febiofest ‘for Contributions to World Cinema’. Helmut Berger is still appearing in films and TV series regularly. In the British thriller Iron Cross (Joshua Newton, 2009) starring Roy Scheider, he played Shrager, an aging character believed to be an old SS commander responsible for murdering Jews during World War II. Berger also starred in two films directed by Peter Kern – Blutsfreundschaft/ Initiation (2009), and Mörderschwestern/ Killer Sisters (2011).
Sources: Alexander von Schönburg (032c), Mike Petrovaz (IMDb), Circa-club.com, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Our 1934 Ford Beast Project
Street Outlaw Body & Fenders
Total Custom Tuxedo Black 2 stage Paint.
Custom Black Leather & Gator Interior.
Electric Trunk. Dakota Digital dash.
Custom Hidden stereo system.
Custom 18 Gallon Fuel cell.
350 Cubic inch ZZ-4 Motor, High Performance,
Street & Performance Fuel Injection System.
Aluminum Heads.
TH 400 Transmission, B&M shifter
Custom Aluminum Radiator.
TCI Chassis, IFS Front Suspension, ( Heidt ).
Four Wheel Custom Billet Disc Brakes.
TPI Quick change rear end. Highway Geared.
French postcard. Photo: Helmut Berger in the TV film Fantomas: l'échafaud magique/Fantomas - The magic scaffold (Claude Chabrol, 1979). This is the first episode in a four-part series originally broadcast on French TV in 1979; two episodes directed by Claude Chabrol (this is one), the other two directed by Juan Luis Bunuel.
Austrian film and television actor Helmut Berger (1944) is most famous for his work with Italian director Luchino Visconti. For his performance as King Ludwig II of Bavaria in the modern classic Ludwig (1972), he received a special David di Donatello award.
Helmut Berger was born Helmut Steinberger in Bad Ischl, Austria in 1944. His parents ran a humble pub after the War. His father was held a prisoner of war by the Russians and didn’t return until three years after the war was over. Young Helmut’s wish to be an actor caused much argument with his parents who wanted him to go into the hotel business. He had to help serve beer and to study for a hotel diploma. At age eighteen, he moved to London, England, where he worked as a waiter to pay his way through drama school, and also joined a small theatre. With the aim of becoming an international actor, he joined Perugia university to learn Italian, English, and French. He spent some time in France, where his acting career began in commercials and a bit role in La Ronde (Roger Vadim, 1964) with Anna Karina. Berger then moved to Rome, at that time the film capital of Europe. He was noticed by Luchino Visconti during the shooting of Vaghe stelle dell'Orsa/Sandra (Luchino Visconti, 1964) featuring Claudia Cardinale. Berger was shivering in the cold and Visconti told an assistant to offer a cashmere muffler. The next day Luchino Visconti invited Helmut Berger for lunch, and so began their relationship. They stayed ‘longtime companions’ till Visconti’s death, twelve years later. Berger got his first real role opposite Silvana Mangano in the episode La Strega Bruciata Viva/The Witch Burned Alive (Luchino Visconti, 1967) of the anthology film Le streghe/The Witches (1967). He had his international breakthrough as the young heir Martin von Essenbeck in La caduta degli dei/Götterdämmmerung/The Damned (Luchino Visconti, 1969) starring Dirk Bogarde and Ingrid Thulin. This drama tells about the collapse of a wealthy, industrialist family during the reign of the Third Reich. In what is perhaps his best-known scene, Berger mimics Marlene Dietrich as Lola Lola in The Blue Angel (Josef von Sternberg, 1930). Berger was nominated for a Golden Globe Award for his role. In Ludwig (Luchino Visconti, 1972), Berger portrays Ludwig II of Bavaria from his blooming youth, to his dissolute final years. In 1973, he won a David di Donatello – the Italian equivalent of an Academy Award – for this amazing performance. Berger also starred with Burt Lancaster in Gruppo di famiglia in un interno/Conversation Piece (Luchino Visconti, 1974). Visconti is said to view Berger as the very image of his idea of a "demonic, insane, and sexually perverted" man. As a matter of fact, Berger often portrayed anguished souls and sinister villains.
On his 30th birthday, Helmut Berger was the most sought-after young actor of his time, and not only was he young and extraordinarily beautiful, but he was also a uniquely gifted actor. Although his private and professional relationships with Visconti had brought him to the attention of the press and had made him a star, his career counted other highlights and continued after the maestro’s death in 1976. In between the Visconti films he had also starred in the horror-thriller Dorian Gray (Massimo Dallamano, 1970) with Richard Todd, Un beau monstre/A Strange Love Affair (Sergio Gobbi, 1971) opposite Virna Lisi, and Ash Wednesday (Larry Peerce, 1973) starring Elizabeth Taylor. He also worked with such noted directors as Vittorio De Sica at the Academy Award-winning Il giardino dei Finzi Contini/The garden of the Finzi-Continis (1970) playing the consumptive brother of Dominique Sanda, Duccio Tessari at the thriller Una farfalla con le ali insanguinate/The Bloodstained Butterfly (1971), and Joseph Losey at The Romantic Englishwoman (1975) with Glenda Jackson and Michael Caine. After Visconti’s death, he appeared throughout the 1970s in films as Salon Kitty (Tinto Brass, 1975) with Ingrid Thulin, the action drama Victory at Entebbe (Marvin J. Chomsky, 1976) and Das fünfte Gebot/The Fifth Commandment (Duccio Tessari, 1978). His film career was temporarily broken up in the early 1980s when he battled an alcohol problem.
Berger has also worked in television, most notably in the role of Peter De Vilbis in the 1983-1984 season of the soap opera Dynasty, opposite Joan Collins. He confessed he did it only for the money: "crying on the way to the set but laughing on the way to the bank". This was not his last appearance in a television series, as English Wikipedia claims. Later, he appeared in the TV mini-series I promessi sposi/The Betrothed (Salvatore Nocita, 1989) and had a supporting part in The Godfather: Part III (Francis Coppola, 1990). He returned as King Ludwig II in Ludwig 1881 (Donatello Dubini, Fosco Dubini, 1993). According to IMDb reviewer dmk2, Berger added “subtlety and experience to the role he played in the original film Ludwig (1972). It's not often that an actor gets to play the same role in a different film. Helmut Berger's portrayal of Ludwig was good in Ludwig (1972). In Ludwig 1881, he plays Ludwig again with all the experience he has gathered since the original film. Donatello Dubini and Fosco Dubini have produced a wonderful script, managing to tempt Helmut Berger back to play Ludwig again. The result is a King Ludwig II of more depth and subtlety and a poignant film with beautiful scenes of the Swiss lake.” In 1999 Berger acted opposite Sheri Hagen, Udo Kier, Willem Nijholt, and Thom Hoffman in the drama Unter den Palmen/ Under the Palms by Dutch filmmaker Miriam Kruishoop. The cinematography by Rogier Stoffers won him a Golden Calf at the Netherlands Film Festival.
Numerous French, Italian, German films, but few directors used his gifts with the same skill as Visconti. Berger had affairs with both men and women. In 1994 he married Francesca Guidato, but they live separated nowadays. His autobiography Ich (Me) was published in 1998. In this memoir, he referred to his relationships with Visconti as a ‘marriage’ and wrote he was the director's widow. He also very modestly attributed his acting achievements to Visconti's directing. In 2004, he returned to his hometown Salzburg. Three years later, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements, and in 2011, he received a Kristián Award at the Czech film festival Febiofest ‘for Contributions to World Cinema’. Helmut Berger is still appearing in films and TV series regularly. In the British thriller Iron Cross (Joshua Newton, 2009) starring Roy Scheider, he played Shrager, an aging character believed to be an old SS commander responsible for murdering Jews during World War II. Berger also starred in two films directed by Peter Kern – Blutsfreundschaft/ Initiation (2009), and Mörderschwestern/ Killer Sisters (2011).
Sources: Alexander von Schönburg (032c), Mike Petrovaz (IMDb), Circa-club.com, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
We will be part of this event with some friends.
‘De Zines’, tries to reflect what is happening in the contemporary editorial creation on the level of independent publications, how this area relates to the artistic production and social, cultural and current political environment.
Around 400 international publications have been gathered from most established magazines in the market until handmade zines and a selection of experimental magazines.
In times of constant technological revolution and immediate access to information through the network, paper, as a media for the dissemination of culture and information seems destined to disappear. However, the number of independent publications do not stop growing. In fact, different forms of communication, digital and analogue can coexist. It’s about different ways, uses and times ranging between the immediacy of digital and the traditional way of disseminating and consuming cultural creation and art. Its contents tend to be more timeless and
invite paused reflection. Beautiful design and text written with loving care in a continuous search for seamless integration between content and form. In general, they are still spaces for dissemination, review and reflection on cultural production. Objects themselves, everlasting, pages of printed paper that can be touched with the fingers,
means of underground cultural expression. In the case of experimental magazines involves a different way to approach to these publications, full of visual impact, subject to different interpretations, inexhaustible source
of emotions and feelings. They already have a notable presence in art fairs, specialized bookstores and museum shops.
These editorial projects, heirs of the phenomenon do it yourself culture derived from punk and art movements such as Dadaism, Surrealism and Fluxus, are living a resurgence. Some have remained fairly true to those principles, others have grown in distribution, budget and number of prints. They all share an independent spirit
in addressing issues like music, film, fashion, design, art, philosophy, economics, literature, photography ... or closer personal projects to more people. In fact, they are a response to dominant culture, with a clear activist
attitude, trying to spread other ways to understand their relations with society and even with oneself.
Independent publications may be the future of print media. In fact they get a significant speed in the dissemination
of current culture with a democratic way to create and share images, ideas and information. Pages filled with an impeccable editorial design, a media for freedom of expression of the obsessions and passions their creators want to communicate, have a voice.
’De Zines’, articulated as a consultation room, a space that does not only creates traffic but a place to stay, increasing the desire to know, trying to help the audience to find a those issues so that a sense of recognition.
In short, create networks among people with a similar vision in a global and plural world.
_
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Maps, Mln/Zrch/Mdrd/Brln magazine, Monday Morning Says, Monika, Monocle, Montaña Sagrada, Monu, Monument, Mouse, Museum Paper, n+1, Nani-ka, Nazi Knife, Nazine, Neo2, Neu! Magazine, Neue Probleme, New Work Magazine, New Papers, Nico, Nieves Books, Nigel Peake, No.Zine, Nobrow, Now, Nude Paper,
Nuke, OK Periodicals, One Page Magazine, Onomatopee , Open Manifiesto, Orient Press, Otaku, Pages Magazine, Palais, Pandora Complexa, Paper Monument, Paper Planes, Paperback, Papermind, Paradise, Paris, LA,
Pasajes de Diseño, Pau Wau Publications, Pavilion, Peep Hole Sheet, Perfect Magazine, Piccolo Volume II, Picnic, Piczine, Pie Paper, Piktogram, Pin Up, Píntalo de Verde, Piston, Plazm, Poetry is dead, Point d’ironie, Point Never, Poli, Ponytail, Popshot, Postr, Process Journal, Profile Zine, Publicaciones Columpio, Purple, PWR paper,
Qompendium Print Publication, Quotation, Rang&Namen, Realisations of Grandeur, Recession / Recessione, Remendar es Antisocial, Reveu 2.0.1, Reveu Tisú, Rojo Magazine, Roland, Rollo Press, Rosebud, Roven, RRR Project, Salamandria, Sang Blue, Save As Publications, ScreenShots, Script, Sede, Seem, Self Service, Semaine,
Serp Zines, Shake your tree, Site, Slanted , Soju Tanaka, Spin Paper, Spunk, SSE Zine, Standpunkte, Stupendous, Sum, Supernormal, Task Newsletter, Tasting Notes, Tateetc, Teeluxe, Tell Mum Everything is OK, Temporary Services, The Believer, The Chain / Berlin, The Coelacanth Press, The Draw Bridge, The Exhibitionist, The Gentlewoman, The Glossy Zine, The Gutenbergs, The Hell Passport Project , The Institute of Social Hypocrisy, The Journal, The Lab, The Mock, The National Grid, The Room, The Selection, The Session, The Type Gazzete, The Word Magazine, This is a magazine, Thumb Projects, To Happy Hypocrite, To Have and To Hold, Truce, Trunk,
Turbo Magazine, Turbochainsaw Magazine, Twin, Ultraviolet Magazine, Umělec, Uncode, Under the Influence, UnderScore Magazine, Underscore Quarterly, Uovo, Useless, USEPAPER, Vague Paper, Varón, Veneer Magazine, Veneno, Vestoj, Vice, Vier, Viewer´s Digest, Visionaire, Void, Volt, Volume, Vorn, Waterfall, White Fungus,
WhiteBall, Wooooo, Wooden Toy , Word:Mag, Worn, Yummy, Zine.
_
Curators: Roberto Vidal (www.robertovidal.com) and Óscar Martín (www.byoscarmartin.com)
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Inéditos 2010
La Casa Encendida ( www.lacasaencendida.es/en)
29 June to 29 August 2010 / Room A
Ronda Valencia, 2
28012 Madrid - Spain
T +34 902 43 03 22 / T +34 91 602 46 41 / F +34 91 506 38 76
With all of these Goldfinches in a feeding frenzy because of the cold weather we've been having, I just had to laugh when this Brown-headed Nuthatch sneaked in for a quick bite to eat as soon as there was an opening. And none of the Goldfinches seemed the wiser.
Well, maybe that one on the far right noticed.
一踏進P+EN內裏,便可明顯感受到我先前所說的開放性。挑高的木造天井,保留了老屋本身的原有結構,完全融入現代和風的裝潢裡,數盞沿樑垂吊的紙籠提燈,則是來自岐阜傳統老舗「鈴木茂兵衛商店」的職人精作。不管是空間物具、或是陳設配置都很到位,沒有任何多餘之處,也難怪中日新聞朝刊,會以「円頓寺商店街的新風」為標題來大幅介紹P+EN的出場。
一旁白色矮凳散放,腳架展開,長排狀的木桌上堆滿了這次的展覽主角「MAGAZINE」,供人自由翻閱,我的視線也不免隨之逐漸熱燙了起來。「032c」、「MONU」、「PALAIS」、「GUP」、「INVENTORY」大部份都是前幾回特展中出現的固定班底,只有少數像是「SOME/THINGS MAGAZINE」、「The Art Book」這類的逸品為今次首見,另外有一些開本較大,展示不易的雜誌這回則被排除於外。若是以表參道、或是東京設計師週的規模數量來論,P+EN顯然是難以比擬,但純粹就展覽品質而言,我認為P+EN的表現反而略勝一籌。
繞逛展場一圈後,登上樓梯,通往二樓的階段夾層,有一專門擺放與雜誌相關的DM區,牆上貼滿了各式海報,每一款都忍不住讓人想蒐取珍藏。二樓為一處小型的雜貨舖,展售的是藝廊主人永井千里設計代理的手作時裝、以及策展人David Guarino個人開發的一些周邊商品。原來永井千里本身從事的是服裝工作室,成立了將近十年之久,開設P+EN算是她的理想兼副業,我告訴她自己非常喜歡這樣概念性的經營模式,這次「MAGAZINE LIBRARY 名古屋」的實驗意味雖然較為濃厚,不過卻非常值得當做「MAGAZINE LIBRARY 台北」的借鏡參考。
FROM WIKIPEDIA
+++++++++++++++++++++++
Isabella Khair Hadid (/həˈdiːd/; born October 9, 1996)[4] is an American fashion model, signed to IMG Models in 2014. In December 2016, the Industry voted her "Model of the Year" for Model.com's Model of the Year 2016 Awards.[5]
Early life
Isabella Khair Hadid was born and raised in Los Angeles, California[6] to real-estate developer Mohamed Hadid[7][8] and former model Yolanda Hadid. Her mother is a Dutch-born American, and her father is Palestinian American.[9] Hadid has two siblings, an older sister named Gigi, who is also a model, and a younger brother, Anwar. She has two older half-sisters, Marielle and Alana, on her father's side.[10]
Hadid and her siblings were originally raised on a ranch in Santa Barbara, California for ten years.[11] As a teenager, Hadid was an equestrian and had dreams of attending the 2016 Olympics in Rio de Janeiro but had to give up competing in 2013 due to her suffering from chronic Lyme disease.[12][13][14] It was not announced that she suffered from chronic Lyme until October 2015.[15] She was diagnosed, along with her mother and brother, with the chronic illness in 2012.[16]
In Fall of 2014, Hadid moved to New York City and began studying photography at the Parsons School of Design, signing to IMG shortly before. She has since dropped out of school due to the success of her modeling career, but has expressed interest in returning to school to take on Fashion Photography as a career once she is done modeling.[17] Hadid has also expressed interest in acting.[18]
Career
2012–2014: Early work
Hadid began modeling at age 16 with a Flynn Skye commercial project. Hadid also starred in the "Swan Sittings" by Lesa Amoore, alongside actor Ben Barnes, and "Smoking Hot" by Holly Copeland, modeled for Hannah Hayes F/W 2013 collection, various other commercial projects, and had done campaign work for Chrome Hearts in summer 2013 and 2014.[19][20]
2014–2015: Professional rise
Bella Hadid starring as "Black Widow" in Love Advent, Day 14 2015
Hadid signed to IMG Models on August 21, 2014.[21]
She made her New York Fashion Week debut in the fall of 2014, walking for Desigual. In the spring fashion weeks of 2015, Hadid walked for Tom Ford in Los Angeles, and walked in the amfAR 22nd Cinema Against AIDs Gala fashion show in May. In the fall 2015 New York Fashion Week, she walked for Diane von Fürstenberg, Tommy Hilfiger, Jeremy Scott (she closed his show), and Marc Jacobs. At London Fashion Week, walked for Topshop Unique and Giles, and at Milan Fashion Week for Philipp Plein, Moschino, Missoni, and Bottega Veneta. While at Paris Fashion Week she walked for Balmain. In December 2015 she made her Chanel debut, walking for the first time in the luxury brand's Métiers d'Art show in Rome.[22][23]
In December 2014, Hadid made her first cover appearance on Jalouse Magazine and was featured on Day 27 of Love Magazine's Love Advent that same year.[24][25] Hadid appeared on the November 2015 cover of Seventeen and has shot editorials for magazines, including Vogue Australia and Elle.[26] She was also on the cover of Unconditional Magazine, Grey Magazine, Jalouse Magazine, V Magazine (with sister, Gigi), Editorialist, Wonderlands 10th Birthday Issue, S Moda, Evening Standard, Teen Vogue, and Twin Magazine F/W Issue.[27][28][29]
Hadid also featured in numerous editorials for various magazines, including Vogue Girl Japan, Harper's Bazaar, GQ, W magazine, Town and Country, Pop magazine, three for Glamour magazine, and two for Love magazine. She was also featured again in Love magazine's Love Advent Day 14 and 15 in 2015. Hadid also made an appearance in two CR Fashion Book's – "Body Book" and "Fantasy Campaigns".[30][31]
Hadid was one of eight young models to land Topshop's Holiday campaign and appeared in Balmain's Fall 2015 ad campaign (alongside sister Gigi), as well as starring in the Holiday campaign for Victoria's Secret's younger line, PINK, alongside spokesmodel Rachel Hilbert and Devon Windsor.[32] Hadid was also featured in the Spring 2015 ad campaign for Botkier Bags and the Fall 2015 ad campaign for Ralph Lauren Denim & Supply, as well as the campaign for Boghossian Jewels. She was also a co-star in Samsung's Fall/Winter Look Book, alongside Xiao Wen Ju, which incorporated both technology and fashion.[33]
At the end of 2015, she was awarded Model.com's Break Out Star: Women for Reader's Choice Category.
2016: Model of the Year
In January, Hadid made her Chanel Couture debut during Paris Haute Couture S/S Fashion Week.[34] She walked exclusively for Givenchy and walked for Chanel and Miu Miu at their shows in Paris Fashion Week in March 2016, as well as walking for FentyxPuma in New York Fashion Week in February 2016.[35] She also made her first Mercedes-Benz Fashion Week Australia appearance in May 2016, exclusively opening and closing the Misha Resort 2017 show.[36] Hadid walked for the amfAR 23rd Cinema Against AIDs fashion show and Dior Cruise 2017 show in London in May.[37][38] In June, she walked in the Haute Couture segment of Givenchy's Menswear S/S 2017 show during Men's Paris Fashion Week. During Paris Haute Couture F/W Fashion week she walked for both Versace, Dior, and Alexandre Vauthier, where she closed the show. Hadid also closed the show for Fendi Haute Couture in Rome later that week.[39] Hadid started off the S/S 2017 season during NYFW, opening for DKNY and walking for Michael Kors, Anna Sui, Ralph Lauren, and Marc Jacobs.[40][41] During London Fashion Week Hadid walked exclusviely for Versus Versace, opening the show. The next week, in Milan, she opened for Alberta Ferretti and Fendi; as well as walking for Max Mara, Moschino, Versace, Bottega Veneta, and closing for Philosophy di Lorenzo Serafini.[42][43] On November 30, Hadid walked in the Victoria's Secret Fashion Show, wearing two looks, one from their Bright Night Angels segment and one from Secret Angels. Her Bright Night Angels look also featured a pair of wings.[44]
During 2016, she appeared on the covers of Seventeen Magazine Mexico, Self Service Magazine, CR Fashion Book's #CRGirs, V Magazine, Harper's Bazaar Spain, Japan, Australia, and Russia; Elle Brasil, US, UK, Thailand, Indonesia and Malaysia; Allure, Double Magazine, Glamour Germany, US, Russia, Hungary, Romania, Bulgaria, Turkey, and Iceland; Exit magazine, W magazine Korea, L'Officiel Russia, Sunday Times Style, British GQ, Flare, and Paper Magazine.[45][46][47][48][49] In May, Hadid spotlighted on her first Vogue cover for Vogue Turkey, a Vogue Me cover with Korean rapper G-Dragon in August, and received another three Vogue covers for Japan, Italia, and Paris, alongside model Taylor Hill, in September.[50][51] She had editorials in these magazines, as well as in; Glamour UK, British GQ, LOVE Club, Dazed, W Magazine, Vogue US and Paris, as well as an online editorial in Vogue for Valentine's Day. In May, Hadid made her first short film appearance of the year, starring in Tyer Ford's film, Private.[52] Hadid was also the star of LOVE Advent's calendar for Day 1 in a segment entitled "Aerobics".[53]
Hadid was also featured in the "My America" campaign by Marc Jacobs, TopShop's Denim Campaign for Summer 2016, starred in Joe's Jeans 2016 campaign, and Misha Collection's Resort and Misha Gold campaign.[36][54][55] Alongside Frank Ocean, Kate Moss, and others, she was featured in the Calvin Klein F/W 2016 global campaign. She starred in J.W Anderson's Fall/Winter campaign.[56] Hadid was also featured in Givenchy F/W 2016 campaign and in the brands' Resort 2017 line.[57]
On May 31, it was announced that Hadid is the new ambassador of Dior Makeup and would be starring in a new web series from the fashion house called Dior Makeup Live with Bella Hadid starting in June, and did a tutorial using their makeup for Vogue US's YouTube channel in August.[38] Hadid's first collaboration was announced on December 13. She partnered up with her best friend's, Jesse Jo Stark, family's brand, Chrome Hearts.[58] Hadid also shot her first campaign with the brand, just after turning 16 years old, and recently played the role of photographer for the Stark family for W Magazine back in August.[59][60] The date the collection she co-designed will be coming out is yet to be announced.
In March 2016, Hadid won Model of the Year at the Daily Front Row's Fashion Los Angeles Awards.[61] In June 2016, Hadid was ranked among Models.com's Top 50 Models list. In September 2016, she won Model of the Year at the GQ Men of the Year Awards in London.[62] In December, Models.com nominated Hadid for their Reader's Choice awards; for both Model of the Year and Social Media Star of the Year. She won Model of the Year Women from the Industry's vote.[63]
2017
Bella Hadid, alongside sister Gigi, backstage at Anna Sui F/W 2017.
In January 2017, Hadid walked in Givenchy's S/S 2017 Haute Couture segment during their F/W Menswear Fashion Show in Paris.[64] During Haute Couture S/S week, she also walked for Chanel and opened Alexandre Vauthier. In February, she walked in her sister, Gigi's, Tommy Hilfiger collaboration "TommyxGigi" in Los Angeles and in Paris she closed the H&M Studio show, both last minute additions to the S/S 2017 season.[65] To start off the F/W 2017 season, Hadid walked for Alexander Wang, Sies Marjan, Carolina Herrera, Brandom Maxwell, Michael Kors, Anna Sue, Ralph Lauren; and opened for Prabal Gurung and Zadig et Voltaire; and closed for Oscar de la Renta, during NYFW.[66][67][68] During London Fashion Week, she was exclusive at Versace Versus, where she opened the show.[69] In Milan she walked for Albertta Feretti, Fendi, Moschino, and Versace. To close out the F/W 2017 RTW season, in Paris, she walked for Lanvin, Chanel, and opened Off-White. Hadid also starred in Alexandre Vauthier's F/W 2017 look book, in place of a runway show. While in Cannes, France for the 70th Annual Film Festival, she walked for Naomi Campbell's Fashion for Relief and the amfAR Gala's charity walks.[70][71] For the F/W 2017 Haute Coutre week, she walked for Miu Miu Resort, Maison Margiela, Fendi, and opened for Alexandre Vauthier.[72]
Hadid's first cover of the year was for the January issue of W Magazine Korea, a reprint of her W editorial from the US editions "Royals Issue".[73] Her first new cover of the year was for the recently rebranded Teen Vogue, Hadid starred on one of the Volume 1 covers with best friend, Jesse Jo Stark. Her first standard issue vogue cover was for the year was for Vogue China in April, appearing on their cover again in September, and another in June for Vogue Italia.[74][75][76][77] Hadid also appeared on the cover of CR Fashion Book, Grazia Italia, Sunday Times Style, Porter Magazine; ELLE US, Russia, and France; InStyle, 032c, and was one of the covers for the first issue of Super ELLE China.[78] In 2017, she also had editorials in Vogue Paris, LOVE Magazine, V Magazine, and Dazed Magazine.[79]
Hadid and her sister, Gigi, started off the S/S campaign season together - starring alongside one another in both that seasons Fendi and Moschino campaigns.[80] Along with shooting a campaign with her sister, Hadid also shot a campaign for Zadig & Voltaire with her younger brother, Anwar. Hadid also starred solo in the DKNY, TAG Heuer, and Boghossian Jewels Les Merveilles S/S 2017 campaigns.[81][82][83] Hadid also starred in both Ochirly's Spring and Summer campaigns and in the ZaynxVersus capsule collection campaign. She starred in her first beauty campaign in S/S 2017 for Dior Makeup's "Pump N' Volume" mascara.[84] After being declared one of their Nike: NY Made ambassadors in 2016, Hadid starred in her first campaign with Nike for their OG Cortez sneaker.[85] As ambassador of the brand's accessorie's line, Hadid starred as the face of Bulari's Goldea Roman Night fragrence and F/W 2017 Serpiniti collection campaign.[86][87] Hadid starred in a second accessories campaign for Max Mara.[88] Also in the F/W 2017 season, Hadid starred alongside Miles McMillan in Giuseppe Zanotti, Justin Grossman in NARS Cosmetics, and Kendall Jenner in Ochirly's Fall campaign.[89][90]
As ambassador of Dior Beauty, Hadid also starred in a series of videos entitled "Dior Makeup with Bella Hadid" throughout the year; these videos had begun in December 2016. On February 8, Hadid was announced the new ambassador for Bulgari's accessory lines and, on February 13, she was announced the new face and ambassador of TAG Heuer.[91][92]
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Hungarian collector's card by A képes film Híradó, 1975. Photo: Atheneum.
Austrian film and television actor Helmut Berger (1944) is most famous for his work with Italian director Luchino Visconti. For his performance as King Ludwig II of Bavaria in the modern classic Ludwig (1972), he received a special David di Donatello award.
Helmut Berger was born Helmut Steinberger in Bad Ischl, Austria in 1944. His parents ran a humble pub after the War. His father was held a prisoner of war by the Russians and didn’t return until three years after the War was over. Young Helmut’s wish to be an actor caused much argument with his parents who wanted him to go into the hotel business. He had to help serve beer and to study for a hotel diploma. At age eighteen, he moved to London, England, where he worked as a waiter to pay his way through drama school, and also joined a small theatre. With the aim of becoming an international actor he joined Perugia university to learn Italian, English, and French. He spent some time in France, where his acting career began in commercials and a bit role in La Ronde (1964, Roger Vadim) with Anna Karina. Berger then moved to Rome, at that time the film capital of Europe. He was noticed by Luchino Visconti during the shooting of Vaghe stelle dell'Orsa/Sandra (1964, Luchino Visconti) featuring Claudia Cardinale. Berger was shivering in the cold and Visconti told an assistant to offer a cashmere muffler. The next day Luchino Visconti invited Helmut Berger for lunch, and so began their relationship. They stayed ‘longtime companions’ till Visconti’s death, twelve years later. Berger got his first real role opposite Silvana Mangano in the episode La Strega Bruciata Viva/The Witch Burned Alive (1967, Luchino Visconti) of the anthology film Le streghe/The Witches (1967). He had his international breakthrough as the young heir Martin von Essenbeck in La caduta degli dei/Götterdämmmerung/The Damned (1969, Luchino Visconti) starring Dirk Bogarde and Ingrid Thulin. This drama tells about the collapse of a wealthy, industrialist family during the reign of the Third Reich. In what is perhaps his best-known scene, Berger mimics Marlene Dietrich as Lola Lola in The Blue Angel (1930, Josef von Sternberg). Berger was nominated for a Golden Globe Award for his role. In Ludwig (1972, Luchino Visconti), Berger portrays Ludwig II of Bavaria from his blooming youth, to his dissolute final years. In 1973, he won a David di Donatello – the Italian equivalent of an Academy Award – for this amazing performance. Berger also starred with Burt Lancaster in Gruppo di famiglia in un interno/ Conversation Piece (1974, Luchino Visconti). Visconti is said to view Berger as the very image of his idea of a "demonic, insane and sexually perverted" man. As a matter of fact Berger often portrayed anguished souls and sinister villains.
On his 30th birthday, Helmut Berger was the most sought-after young actor of his time, and not only was he young and extraordinarily beautiful, he was also a uniquely gifted actor. Although his private and professional relationships with Visconti had brought him to the attention of press and had made him a star, his career counted other highlights and continued after the maestro’s death in 1976. In between the Visconti films he had also starred in the horror thriller Dorian Gray (1970, Massimo Dallamano) with Richard Todd, Un beau monstre/A Strange Love Affair (1971, Sergio Gobbi) opposite Virna Lisi, and Ash Wednesday (1973, Larry Peerce) starring Elizabeth Taylor. He also worked with such noted directors as Vittorio De Sica at the Academy Award winning Il giardino dei Finzi Contini/The garden of the Finzi-Continis (1970) playing the consumptive brother of Dominique Sanda, Duccio Tessari at the thriller Una farfalla con le ali insanguinate/The Bloodstained Butterfly (1971), and Joseph Losey at The Romantic Englishwoman (1975) with Glenda Jackson and Michael Caine. After Visconti’s death, he appeared throughout the 1970’s in films as Salon Kitty (1975, Tinto Brass) with Ingrid Thulin, the action drama Victory at Entebbe (1976, Marvin J. Chomsky) and Das fünfte Gebot/The Fifth Commandment (1978, Duccio Tessari). His film career was temporarily broken up in the early 1980’s when he battled an alcohol problem. Berger has also worked in television, most notably in the role of Peter De Vilbis in the 1983-1984 season of the soap opera Dynasty, opposite Joan Collins. He confessed he did it only for the money: "crying on the way to the set but laughing on the way to the bank". This was not his last appearance in a television series, as English Wikipedia claims. Later, he appeared in the TV mini-series I promessi sposi/The Betrothed (1989, Salvatore Nocita) and had a supporting part in The Godfather: Part III (1990, Francis Coppola). He returned as King Ludwig II in Ludwig 1881 (1993, Donatello Dubini, Fosco Dubini). According to IMDb reviewer dmk2, Berger added “subtlety and experience to the role he played in the original film Ludwig (1972). It's not often an actor gets to play the same role in a different film. Helmut Berger's portrayal of Ludwig was good in Ludwig (1972). In Ludwig 1881, he plays Ludwig again with all the experience he has gathered since the original film. Donatello Dubini and Fosco Dubini have produced a wonderful script, managing to tempt Helmut Berger back to play Ludwig again. The result is a King Ludwig II of more depth and subtlety and a poignant film with beautiful scenes of the Swiss lake.” Numerous French, Italian, German films, but few directors used his gifts with the same skill as Visconti. Berger had affairs with both men and women. In 1994 he married Francesca Guidato, but they live separated nowadays. His autobiography Ich (Me) was published in 1998. In this memoir he referred to his relationships with Visconti as a ‘marriage’ and wrote he was the director's widow. He also very modestly attributed his acting achievements to Visconti's directing. In 2004, he returned to his hometown Salzburg. Three years later, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements, and in 2011, he received a Kristián Award at the Czech film festival Febiofest ‘for Contributions to World Cinema’. Helmut Berger is still appearing in films and TV series regularly. In the British thriller Iron Cross (2009, Joshua Newton) starring Roy Scheider, he played Shrager, an aging character believed to be an old SS commander responsible for murdering Jews during World War II. Berger also starred in two films directed by Peter Kern – Blutsfreundschaft/Initiation (2009), and Mörderschwestern/Killer Sisters (2011).
Sources: Alexander von Schönburg (032c), Mike Petrovaz (IMDb), Circa-club.com, Wikipedia, and IMDb.