Alster I
Scanned lith print.
The first of three consecutive lith prints on different lithable papers treated exactly in the same way except for order in the lith developer and snatch point.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8.
Feb 2013.
Adox CMS 20 in Adotech II (from the good old days when this extremely high resolution MF film still existed).
Lith printed on Foma Retrobrom Sp 151 (still lithable, emulsion batch nr 022948-01, you'd better hurry up and order some as I don't know when/if this paper will meet the same destiny as Fomatone which is dead as a lith paper from recent emulsion batches...).
Exposure time 80 sec. Developed as print #1 in Moersch Easy Lith (20A+20B+760H2O, 25-30°C), snatched after 6,5 min. Fixed in Moersch ATS alkaline fixer 1+9, 2,5 min.
Untoned.
I will probably also post this print after a short time in highly concentrated Se toner, which will get rid of the greenish tint in the shadows.
Alster I
Scanned lith print.
The first of three consecutive lith prints on different lithable papers treated exactly in the same way except for order in the lith developer and snatch point.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8.
Feb 2013.
Adox CMS 20 in Adotech II (from the good old days when this extremely high resolution MF film still existed).
Lith printed on Foma Retrobrom Sp 151 (still lithable, emulsion batch nr 022948-01, you'd better hurry up and order some as I don't know when/if this paper will meet the same destiny as Fomatone which is dead as a lith paper from recent emulsion batches...).
Exposure time 80 sec. Developed as print #1 in Moersch Easy Lith (20A+20B+760H2O, 25-30°C), snatched after 6,5 min. Fixed in Moersch ATS alkaline fixer 1+9, 2,5 min.
Untoned.
I will probably also post this print after a short time in highly concentrated Se toner, which will get rid of the greenish tint in the shadows.