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♪ ♫ ■ ♪ Torno al Sud (Vuelvo al Sur) - F. Mannoia
torno al Sud
come si torna sempre all'amore
torno da te
con desiderio e con timore
porto il Sud
come un destino dentro al cuor
sono del Sud
come il respiro del bandoneon
sogno il Sud
immensa luna, primo dolore
io cerco il Sud
in ogni sguardo, in ogni colore
amo il Sud
con la sua gente, la sua dignità
sento il Sud
come il tuo corpo nell'intimità
ti amo Sud
ti amo Sud
ti amo Sud
Firefighters' demonstration in Paris.
Right before the Pont d'Austerlitz, some of the firefighters clashed with the riot police, which defended themselves with tear gases. No zoom for this, and no crop (just B&W conversion) ;-)
Part of "Au feu, les pompiers !" (please watch in the order of the set, to better understand the chronology of events)
To view more of my images, of Orford, in Suffolk, please click "here"!
I would be most grateful if you would refrain from inserting images, and/or group invites; thank you
Orford is a small town in Suffolk, England, within the Suffolk Coast and Heaths AONB. Like many Suffolk coastal towns it was of some importance as a port and fishing village in the Middle Ages. It still has a fine mediaeval castle, built to dominate the River Ore. The main geographical feature of the area is Orford Ness, a long, wide shingle spit at the mouth of the Ore. Orford Ness has in the past been used as an airstrip testing facility and in the early 1970s it was the site of a powerful radar station as part of the Cold War defences against low flying attacking aircraft; today it is a nature reserve run by the National Trust. Orford provides the only point of access to the nature reserves of Orford Ness and Havergate Island. Both sites can only be accessed via ferry boat from Orford quay. The Orford Ness ferry runs on selected days between April and October and the Havergate Island ferry on selected Saturdays. The population of Orford greatly increases during the summer months due to its flourishing sailing club. As well as the Castle, Orford's attractions include river cruises, three pubs, a traditional post office which sells fresh bread, a traditional bakery, a smokehouse and a restaurant; the Butley-Orford Oysterage.
From Wikipedia, the free encyclopedia
Dettifoss is a great waterfall in the North of Iceland, except the weather was absolutely terrible (cold and windy with heavy rain !). Couldn't make much of it, just playing with the shutter spped: this is the fast version, and there is the slow one ;-)
Part of Iceland
"Inspiration" is what our little rescue Annie brought to our senior dog, Boo. Her effervescence brought out the puppy in our old girl and she learned how to really play with a doggie friend for the first time in her life. Boo is 14 and can still run like the wind, and although she might pull a few tricks out of her natural herding bag like cutting corners, she can keep up with her little youngster friend (who's a fast little bullet herself for being so low to the ground!). Thanks, Annie!! You've changed all our lives for the better.
Inspiration texture by temari09
phoebe texture by kim klassen
all that glitters by thebline.amy bethune
glitter II brushes by obsidiandawn
jeanmarieboyer.book-folio.fr/galeries/
© Jean Marie Boyer-Toute reproduction sans autorisation est interdite
© "Copyright Jean Marie Boyer " All rights reserved
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Salida con kike y Víctor al seminario de San Luis, resto de las fotos en mi blog: misfotosdecantabria.blogspot.com.es/2015/11/seminario-men...
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Technical info :
Camera : Pentax K-7
Lens : Sigma 50mm f/1.4 EX DG HSM
Exposure : 0.006s (1/160)
Aperture : f/8.0
Focal Length : 50 mm
Sensibility : ISO 100
Filter : None
Software :
Lightroom 3.0 | Photoshop CS5
Luc Planson, a friend of mine, and I are making a 50|50 in the same time !!!
Please, take a look to his 50|50 Set
________________________________________________________________________
[Explore / 22 Jan 2011]
Explore highest position : 165 on Sunday, January 23, 2011 ! Thanks everybody !!!
________________________________________________________________________
Point of View for this Image "Nyhavn" [?]
Nyhavn
Nyhavn is at one and the same time the most vibrant meeting place of present-day Copenhagen and an attraction of historical significance. In the olden days ships from around the world came alongside the quay and sailors, pubs, prostitutes and party left their mark on harbour life. The new harbour became Nyhavn and the old and crooked houses, which once housed merchants and brothels, were beautifully restored and are today crammed with cozy restaurants, which offer indoor and outdoor seating.
On the sunny side
Nyhavn has a certain Danish charm to it. The harbour was digged out by Swedish prisoners in the 17th century as one of the first extensions of the Copenhagen borders. Ever since then the artificial canal has provided the setting for a pulsating yet folksy city life. On the quay in Nyhavn you will often run into lively folk music or jazz performances and as soon as the sun shines every day in Nyhavn becomes a party. What's more, you can investigate the old, wooden vessels and the medieval architecture alongside the quay. All through summer an international crowd makes the sunny side of the old harbour buzz with high spirited singing and cheering and there is nothing like having a chilled draft beer while watching the crowds pass by. Nyhavn is also the starting point for the popular canal tour boats.
72/365 - In The Colors - Ben Harper
Tough start of a new week. Bad results in several stupid tests at school lately and a lot of work to finish before intense days of practice tests next week. You see what I'm talking about ?
So after courses me and Loic had to made a new shot for the school project we've been working on all the weekend. The theme is "Do it as..." a (famous or not so) photographer.
The original feelings we had with this work were very great, we found we had to understand the style of a photographer and shot new pictures with this particular style. We also have to redact about this photographer, define his style and explain his pictures.
In fact, that's basically less interesting, we have to purely copy two pictures of a photographer like a xerox and describe "technically" the original pictures.
Whatever, it's been several weeks that I wanted to make a tribute to Dustin Diaz with this theme, cause he has been inspiring for me. But in the end, I was really unmotivated to just copy his work.
Don't think that's the better way to learn something...
I've been working on learning how Dustin does his pictures for few months to inspire my own ones and be able to shoot something decent for this theme.
Finally I decided to change and try some new things, I wanted to make fashion pictures outdoor with the spring feeling, I found great fashion pictures by Ted Grambeau, but that was not really what I wanted to do. I've shot some pics as Ted Grambeau this Sunday with Emmeline, but finally we ended with the Dustin like picture in the subway that I really liked.
With no fashion photographer name found, I decided to get back on my first idea, that's why we had to shot another one this Monday with Loic.
First we went to a lake outside Toulouse with Melissa and Florent where Loic wanted to shoot his theme picture. Found the place interesting and decided to go for a fashion shoot with Melissa for today's shot. After that, we went back to my place to pack the rest of the things we needed for my DD shot and we went to the center to find the right spot.
A lot of hard work. Hope you'll enjoy it cause we don't have that much sleep theese days...
Love to read your comments. Take care, see ya tomorrow.
Link to In The Colors - Ben Harper live music video.
Light :
- 1 flash Canon speedlite 540EZ through 24" square softbox 35mm on the left of Melissa
- 1 flash Canon speedlite 540EZ backlighting
Fired by Cactus V4.
Canon EOS 7D - EF 50mm f/1.4 USM
Sébastien Huruguen
ALL MY PHOTOS ARE NOW ON SALE!
I've been hanging out with folks in the Polaroid scene, past six months or so. Some of 'em have YouTube pages, or podcasts, followings. They've been at it for five years, or seven years, some folks are new to it, some folks are older, some are younger.
I'll be talking to them, worker among workers, that's how I like to describe it, how I try to think about myself when I'm hanging out with other artists.
Then I'll pull this image out of the archives to talk about here and realize it was fifteen fucking years ago...and at that point I'd already been taking photos seriously for five years? That I've been at this a long goddamn time! And I'm not tired of it!
Lot's changed, so much. At the time of this photo, I was living in a tiny apartment (albeit in a great neighborhood, with some fun neighbors), I was driving an old old car that had over 300,000 miles on it, I probably had a month's worth of rent in the bank, if that.
But I'd met so many people online, I had friends coming out my ears.
I didn't have all I wanted, but I had what I needed. I was very lucky. Maybe that's one of the biggest lessons of my twenty year journey: Make as many friends as possible. Meet people as much as you're able. Put yourself out there, no matter how shy you feel you are.
Everyone involved in this photo was someone I met because I was crazy online. Messaging people, texting people, IMing people, talking to people, commenting on other people's photos, talking to people, that was really my main hobby. Photography was a side benefit to all the people I've gotten to hang out with.
This photo, much as I like it (why did I wait 15 years to post it????), this is nothing compared to the great time we had, that day. The good times are waiting for us all...
PARIS PHOTO 2024 - GRAND PALAIS
Publié sur issuu : Paris Photo 2024, Grand Palais, samedi 09 novembre 2024
et puis, pour les fans, il y a toujours JJ_BT, l'intégrale
le tout , powered by issuu.
Petronas Twin Tower or Petronas KLCC - An exclusive invitation call upon by the Malysia Tourism n the Co host Authority, Suria KLCC Kuala Lumpur, is a great exposure to be part of the event networking with all concern authority fellow and special arrangement recieved .thank you !
Taken by single exposure thanks to the heavy thick haze contributed by Sumatra heading from Selangor affecting almost entire KL from 01 Day arrival till 03 departure. This should not be my best shot as I was literary reccee for possiblilty of fresh composit portraying Petrona's Twin Tower Majestic appearance other photographers might not fullfill with achievement. For my visit, is rather a dissapointment of the yearly burning crops practice of Indonesians farmer at this particular season that I eventually affect the health n uncomfortable photo shot lover with terrible gloomy weather that remain only available hope to seize the blue hour as key timing to grab it or loss it!.
Here,for ur ultimate viewing pleasure, just click EASY VIEW OF MY SLIDE SHOW or View in Black to enjoy my photostream
Please also consider reading "My Most Interesting Facts" below:-
|[ How I met Photography ] | [ Me & My Prospect Profile ]|
Don't use this image on Websites/Blog or any other media without my explicit permission. © All rights reserved . . ..
Due to copyright issue, I cannot afford to offer any free image when request. Pls kindly consult my sole permission to purchase n use any of my images.You can email me at : men4r@yahoo.com.
Technical Details:
Non HDR, simple blending techniques process by CS5 software.
Basic Standard Gears I rely for Landscape
Canon EOS 5D Mark2 (a full frame ideal for interpolating landscape image).
Tokina 16-28 F2.8 ultra wide lens.
Tripod (keep possible sharpness n ability to focus for most idealistic desire composition)
Release cable (reduce hand contact n fully manage desire exposure timing)
Please also note that all the contents in this photostream is copyrighted and protected under the Digital Millennium Copyright Act and the Copyright Act of Singapore. Any illegal usage of my sole images without permission will face monetary prosecution for liability with infringement legal Act!
Last time tourists came in this wonderful point of view, a bomb exploded and killed 4 south koreans people... They climbed the hill to see the sunset. Hard to believe that in this so peaceful and welcoming country, bombs can be let in a such a touristic place...
© Eric Lafforgue
Bård Breivik's 'Cube' is temporarily placed at Festplassen in Bergen, Norway.
This sculpture is commissioned by "Art in Public Places" (Norwegian: Kunst i offentlige rom - KORO) and will be used as wall relief on the outer walls of the new building for the Institute of Informatics (IFI) at the University of Oslo (IFI2). The sculpture consists of four walls representing the following mathematical equations: Orion's Belt, High C, Doppler Chamber Tone A, and Fractals. Here a detail of the "Fractals" wall.
Handheld HDR from three exposures. Polarization filter. Processed in Photoshop CS5.
Taken during Scott Kelby's third Worldwide photowalk on July 24, 2010 in Bergen, Norway.
Made it #49 on Explore (see history).
Turkey's Hybrid War against Greece and Cyprus and the
turkish paranoia of the so called blue homeland (mavi vatan) claiming several big & small Greek islands of internationally recognized Greek sovereignty while also inhabited by native for millennia Greek people ....
Turkey's Major Genocides, Ethnic Cleansings
and Persecutions, in ottoman & modern times
Massacres against the Kurds 1930-today
Military Invasion & Occupation of Cyprus' north part 1974-today
Military Invasion, along with proxy Jihadists, of Syria 2019
...... typical barbarism & islamization processes of the ottoman and neo-ottoman Turkey alike .... with the usual apathy, if not collaboration, of the big powers & world organizations, i.e. the USA, Russia, the UK, Germany, as well as the UN, NATO & the EU .....
Related tweets
2022 JUN 13 :: Realities M.Cavusoglu "forgets"
2022 JUN 11 :: Turkey's Nazist background exposed
Model: Bùi Hoa
Photographer: Đăng Thiện (Dolphin Li)
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myhealingmoments.blogspot.com/2012/02/day-103.html
112 pictures in 2012 - Nº 5: bottom half
Annotation: I´m developing a 365 project which includes not only a daily photo, but also a daily post in my blog. This is the number 103. If you want to see all the photos: www.flickr.com/photos/healingmoments/sets/72157627759889118/</a
The Jaipur Foot: $28.
Rotary Jaipur Foot Project in Rwanda--Clinic and Fitting Center
Kinombe, Rwanda. Central Africa.
August 30, 2006
Special thanks to Peter (technologist) for his insight and willingness to collaborate with the Oregon-based Rotary LN-4 Prosthetic Hand Project.
For more information on the international success of the Jaipur Foot visit:
www.landminesurvivors.org/news_article.php?id=577
www.time.com/time/reports/heroes/foot.html
www.jaipurfoot.org/01_org_awards.asp
Statistics on land mines in Africa:
Quoting Smithsonian National Air and Space Museum | Lockheed Martin X-35B STOVL:
This aircraft is the first X-35 ever built. It was originally the X-35A and was modified to include the lift-fan engine for testing of the STOVL concept. Among its many test records, this aircraft was the first in history to achieve a short takeoff, level supersonic dash, and vertical landing in a single flight. It is also the first aircraft to fly using a shaft-driven lift-fan propulsion system. The X-35B flight test program was one of the shortest, most effective in history, lasting from June 23, 2001 to August 6, 2001.
The lift-fan propulsion system is now displayed next to the X-35B at the Steven F. Udvar-Hazy Center near Dulles Airport.
On July 7, 2006, the production model F-35 was officially named F-35 Lightning II by T. Michael Moseley, Chief of Staff USAF.
Transferred from the United States Air Force.
Date:
2001
Dimensions:
Wing span: 10.05 m (33 ft 0 in)
Length: 15.47 m (50 ft 9 in)
Height: approximately 5 m (15 ft 0 in)
Weight: approximately 35,000 lb.
Materials:
Composite material aircraft skin, alternating steel and titanium spars. Single-engine, single-seat configuration includes lift-fan and steering bars for vertical flight.
Physical Description:
Short takeoff/vertical landing variant to be used by U.S. Air Force, U.S. Marines and the United Kingdom, equipped with a shaft-driven lift fan propulsion system which enables the aircraft to take off from a short runway or small aircraft carrier and to land vertically.
Engine: Pratt & Whitney JSF 119-PW-611 turbofan deflects thrust downward for short takeoff/vertical landing capability. The Air Force and Navy versions use a thrust-vectoring exhaust nozzle. The Marine Corps and Royal Air Force/Navy version has a swivel-duct nozzle; an engine-driven fan behind the cockpit and air-reaction control valves in the wings to provide stability at low speeds.
Other major subcontractors are Rolls Royce and BAE.
• • • • •
Quoting Smithsonian National Air and Space Museum | Grumman A-6E Intruder:
The Navy's experience in the Korean War showed the need for a new long-range strike aircraft with high subsonic performance at very low altitude--an aircraft that could penetrate enemy defenses and find and destroy small targets in any weather. The Grumman A-6 Intruder was designed with these needs in mind. The Intruder first flew in 1960 and was delivered to the Navy in 1963 and the Marine Corps in 1964.
The Navy accepted this airplane as an "A" model in 1968. It served under harsh combat conditions in the skies over Vietnam and is a veteran of the 1991 Desert Storm campaign, when it flew missions during the first 72 hours of the war. It has accumulated more than 7,500 flying hours, over 6,500 landings, 767 carrier landings, and 712 catapult launches.
Transferred from the United States Navy, Office of the Secretary
Date:
1960
Country of Origin:
United States of America
Dimensions:
Overall: 16ft 2in. x 52ft 12in. x 54ft 9in., 26745.8lb. (4.928m x 16.154m x 16.688m, 12131.8kg)
Materials:
Conventional all-metal, graphite/epoxy wing (retrofit), aluminium control surfaces, titanium high-strength fittings (wing-fold).
Physical Description:
Dual place (side by side), twin-engine, all-weather attack aircraft; multiple variants.
• • • • •
Quoting Smithsonian National Air and Space Museum | McDonnell F-4S Phantom II:
The U.S. Air Force, Navy, and Marine Corps and the air forces of 12 other nations have flown the multi-role Phantom II. In this aircraft, then a Navy F-4J, on June 21, 1972, Cmdr. S. C. Flynn and his radar intercept officer, Lt. W. H. John, spotted three enemy MiG fighters off the coast of Vietnam and shot down one MiG-21 with a Sidewinder air-to-air missile. This Phantom also flew combat air patrols and bombing missions during the Linebacker II bombing campaign that same year.
Later assigned to the Marine Corps, this F-4J was extensively modernized and designated an F-4S. Changes included improving the engines (smokeless), hydraulics, electronics, and wiring; modifying the wings to increase maneuverability; and adding a radar homing and warning antenna, as well as formation tape lights on the fuselage and vertical tail.
Transferred from the United States Navy.
Manufacturer:
Date:
1958
Country of Origin:
United States of America
Dimensions:
Overall: 16ft 3in. x 38ft 5in. x 58ft 3in., 39999.6lb. (4.953m x 11.709m x 17.755m, 18143.7kg)
Other: 58ft 3in. x 16ft 3in. x 38ft 5in. (17.755m x 4.953m x 11.709m)
Materials:
All metal, semi-monocoque structure
Physical Description:
Twin-turbojet (J79-GE-8), two-seat (tandem) fighter / bomber. All metal, semi-monocoque structure. Cantilever, low-wing, monoplane. Dog-toothed leading edge of wing (12 degrees), anhedral tail (23 degrees).
• • • • •
Quoting Smithsonian National Air and Space Museum | Republic F-105D Thunderchief :
The F-105 was designed as a supersonic, single-seat, fighter-bomber capable of carrying nuclear weapons or heavy bomb loads at supersonic speeds. The F-105D variant was an all-weather fighter-bomber version, fitted with mono-pulse and Doppler radar for night or bad weather operations. The original weapons bay, designed for nuclear stores, was sealed and fitted with additional fuel tanks. Bombs were carried on multiple weapons racks on the centerline of the fuselage, and on wing pylons. The aircraft was fitted with a retractable in-flight refueling probe. The first F-105D flew on 9 June 1959 and 610 F-105Ds were eventually built.
This aircraft has served in several F-105 units around the world and is restored to its 1967 Vietnam-era 388th Tactical Fighter Wing, 421st Tactical Fighter Squadron camouflage as it flew during its assignment to Korat RTAB, Thailand. This jet also was briefly assigned to the 355 TFW located at Takhli RTAB in 1968. After this "Thud" finished its combat tour-which certainly included missions supporting Operation "Rolling Thunder," "Steel Tiger," and "Barrel Roll"-it returned stateside and began more than a decade assigned to the District of Columbia Air National Guard and was transferred to the Air and Space Museum in late 1981.
Transferred from the United States Air Force.
Manufacturer:
Date:
1961
Country of Origin:
United States of America
Dimensions:
Overall: 19ft 8in., 26854.8lb. (5.994m, 12181.2kg)
Other: 19ft 8in. x 64ft 5in. x 34ft 11in. (5.994m x 19.634m x 10.642m)
Materials:
All metal monoplane, supersonic single-engine jet fighter.
Physical Description:
Single-seat, single-engine, jet, fighter/bomber; USAF.
• • • • •
Beginning in 1962, the H-34 served as the primary Marine Corps assault helicopter of the Vietnam War until its replacement by the turbine-powered CH-46. It began in 1952 as a Navy anti-submarine warfare helicopter evolved from the Sikorsky S-55 series. Initially designated as the HSS-1, it would also go on to see significant service in the combat assault and utility roles with the Army and Marine Corps. Great Britain and France also deployed versions in some of the first helicopter combat assault operations.
A large payload capacity and generous center-of-gravity range made the H-34 series an effective transport helicopter for the1950s. Its weaknesses were a reciprocating engine that struggled in the heat and humidity of Southeast Asia and maintenance intensive mechanical components. This Marine Corps UH-34D never served overseas, but wears the markings of Marine Medium Helicopter Squadron 163 that did see extensive combat in Vietnam.
Transferred from the United States Marine Corps
Manufacturer:
Country of Origin:
United States of America
Physical Description:
All equipment that came with the helicopter that is not attached to it is contained in box A19750823002 with the exception of two items. The VIP steps that attach to the side of the aircraft and the long-handled tool to assist with main rotor blade deployment are stored inside the helicopter's cabin.
• • • • •
Quoting Smithsonian National Air and Space Museum | Bell UH-1H Iroquois "Huey" Smokey III:
In 1956, the Iroquois, commonly known as the Huey, first flew as an Army replacement for the H-13 medevac helicopter of Korean War fame. By the end of the 20th century, Bell had produced more Hueys than any other American military aircraft, except for the Consolidated B-24. Superbly suited to the air mobility and medical evacuation missions in Vietnam, the Huey became an indelible symbol of that conflict.
This UH-1 compiled a distinguished combat record in Vietnam from 1966 to 1970 with four units, including the 229th Assault Helicopter Battalion of the 1st Cavalry and the 118th and 128th Assault Helicopter Companies. Numerous patches on its skin attest to the ferocity of missions flown while operating as a "Smoke Ship," laying down smokescreens for air assault operations with the 11th Combat Aviation Battalion.
Transferred from the United States Army Aviation Museum
Manufacturer:
Date:
1966
Country of Origin:
United States of America
Dimensions:
Rotor Diameter: 14.7 m (48 ft 3 in)
Length: 12.6 m (41 ft 5 in)
Height: 4.2 m (13 ft 7 in)
Weight, empty: 2,580 kg (5,687 lb)
Weight, gross: 4,309 kg (9,500 lb)
Materials:
Overall: Metal airframe, plexiglass windows.
Physical Description:
Utility helicopter, two-blade main and tail rotors, powered by a single GE T-53L13BA turbo-shaft engine. There are oil stains on the lower aft fuselage and beneath the tail rotor gear box. The horizontal stabilizer was removed.
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© All rights reserved to Anoud AlHabib .
Light Painting at Ed's Mobile Home Park near Columbia in Boone County Missouri by Notley Hawkins Photography. Shot with a Canon EOS 5D Mark III camera with a EF16-35mm f/4L IS USM lens at f.8.0 with a 32 second exposure. Processed with Adobe Lightroom 5.7.
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©Notley Hawkins
©dragonflydreams88
www.fluidr.com/photos/dragonflydreams88
Lyrics:
These mist covered mountains
Are a home now for me
But my home is the lowlands
And always will be
Some day youll return to
Your valleys and your farms
And youll no longer burn
To be brothers in arms
Through these fields of destruction
Baptisms of fire
Ive witnessed all your suffering
As the battles raged higher
And though they did hurt me so bad
In the fear and alarm
You did not desert me
My brothers in arms
Theres so many different worlds
So many differents suns
And we have just one world
But we live in different ones
Now the suns gone to hell
And the moons riding high
Let me bid you farewell
Every man has to die
But its written in the starlight
And every line on your palm
Were fools to make war
On our brothers in arms
I Deviantart I Facebook I 500px I Panoramio I WhyTake
Nikon d90, tamron 70 200 f 2,8.
sec:1/6
ƒ/20
ISO 100
lens: 86 mm
No Photoshop, I have obtained this effect directly on camera
800px version
I love the contrast between the red/yellow of the autumn and the white of the winter.
Place : Parco Regionale dei Monti Aurunci.
Hope You Like It :-)
© All rights reserved - Please don't use this image without my permission.
NEW BLOG!
Hoodlem - Klaus Tattoo
Out @ The Grand!!
Hoodlem Social Links
Fackebook: www.facebook.com/HoodlemSecondlife
Flickr: www.flickr.com/photos/141767711@N03/
Instagram: www.instagram.com/sl.syre/
Inworld Store: maps.secondlife.com/secondlife/Bloom/186/169/1502
Marketplace: marketplace.secondlife.com/stores/160231
OATMILK // 420 Bellyring
Out @ Mainstore!!
Oatmilk Social Links
Flickr: www.flickr.com/photos/146319217@N05/with/52981733731/
Instagram: www.instagram.com/oatmilk.roseraie/
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Details & Blog: sakurasamael.wordpress.com/2023/11/13/come-closer-146/
Flickr: www.flickr.com/photos/chelzm/
Instagram: www.instagram.com/chelly.uk
Completely re-built to what I think would be suitable for an "official set" standard.
Everything is now legit in terms of parts, connections,strength and above all an enjoyable building experience :)
The short cut 3mm rod on the front wheel arches will be replaced with black t-bars when I can get some.
I've had to dumb down the detail in this version, compared to my previous renditions and honestly I think "IF" this idea ever got through review, etc, it would have to be dumbed down even more, but I went with this one with everything I could do.
This is one legal option, I will do another with fixed steering as I think realistcically that is the route TLG would go with if this ever "made it".
Huge thanks to all who have voted so far, please keep them coming in and also spreading the word, lets see if we can make this happen :)
Twitter feed for project updates: twitter.com/Bricktrix_Carl
Main original models:
www.flickr.com/photos/bricktrix/sets/72157645005982832/
I should appologise for some of the photos, I'm still trying to get to grips with my new camera and ahem, obviously I'm still not yet with it ;)
Edit: "Get Surrey" just posted this article to help the project along :) www.getsurrey.co.uk/lifestyle/caterham-seven-replica-gets...
-> Like & follow me: Google+ | Facebook | Twitter | My Blog
The pressure to come up with something every single day (without any breaks!) is intense... Sometimes it's enough to make your head explode! I'm trying to challenge myself every day (though admittedly a few times I've uploaded something crap because I'm having an off day).
Sometimes when the pressure gets too much I tell myself, "This is just a 365 - my photography can keep going once the 365 days are up. This 365 isn't the only photography I'm ever going to do, so it doesn't have to be 100% perfect; I'm still learning."
But then I wonder if that's just giving myself permission to be complacent and slack off...
Library of Congress Blanche Satchel
I claim no rights other than colorizing this image if you wish to use let me know
Title
Blanche Satchel
Contributor Names
Bain News Service, publisher
Created / Published
[no date recorded on caption card]
Format Headings
Glass negatives.
Notes
- Title from unverified data provided by the Bain News Service on the negatives or caption cards.
- Forms part of: George Grantham Bain Collection (Library of Congress).
- General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Medium
1 negative : glass ; 5 x 7 in. or smaller.
Call Number/Physical Location
LC-B2- 6431-5 [P&P]
Repository
Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA hdl.loc.gov/loc.pnp/pp.print
Digital Id
ggbain 38624 //hdl.loc.gov/loc.pnp/ggbain.38624
Control Number
ggb2006014029
Reproduction Number
LC-DIG-ggbain-38624 (digital file from original negative)
Rights Advisory
No known restrictions on publication.
Online Format
image
Description
1 negative : glass ; 5 x 7 in. or smaller.
Posted via email to ☛ HoloChromaCinePhotoRamaScope‽: cdevers.posterous.com/banksy-no-loitrin.
• • • • • • • • • •
Interestingly, both of the Boston area Banksy pieces are on Essex St:
• F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
• NO LOITRIN in Central Square, Cambridge.
Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.
Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.
But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:
I can only surmise that he's having a 'dig' at Essex UK, especially with the misspelling of 'Loitering'. Here, the general view of the urban districts in Essex: working class but with right wing views; that they're not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the 'chit chat', and swagger around showing off their dosh (money).
It was also the region that once had Europe's largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.
• • • • •
• This is a scan of this Banksy photo running in the the Boston Globe on May 13, 2010. This is the first time I've made the newspaper with one of my photos :-) (The Globe later ran a longer article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? with a photo taken by one of their staff photographers, Essdras M. Suarez.
• This photo appeared on Grafitti - A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now -- I was as surprised as you are.
• The photo has also appeared, among other places, on CafeBabel, a European online affairs magazine based in Paris.
• • • • •
From Wikipedia, the free encyclopedia
Banksy
• Birth name
Unknown
• Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]
• Nationality
• Field
• Movement
Anti-Totalitarianism
Anti-War
• Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone's Angel
Pulp Fiction
Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.
Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]
Banksy's first film, Exit Through The Gift Shop, billed as "the world's first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]
Contents
• 1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
Career
Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol's DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]
Stencil on the waterline of The Thekla, an entertainment boat in central Bristol - (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.
In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur's 2003 album Think Tank.
2000
The album cover for Monk & Canatella's Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]
2002
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]
2003
In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]
2004
In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen's head with Princess Diana's head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.
2005
In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel's highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]
2006
• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[26]
2007
• On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy's iconic image of a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:
The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote 'If it's better next time I'll leave it' in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone - rest in peace.[citation needed]
Ozone's Angel
• On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl & Bird fetching £288,000 (US$576,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]
• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot 'Em Up starring Clive Owen, Banksy's tag can be seen on a dumpster in the film's credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]
2008
• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn't cover anyone else's.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].
2009
• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don't believe in global warming" which was submerged in water.[52]
2010
• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner $50 for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.
Notable art pieces
In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:
• At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message 'I want out. This place is too cold. Keeper smells. Boring, boring, boring.' in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London's Tate Britain gallery.
• In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]
Near Bethlehem - 2005
• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]
See also: Other Banksy works on the Israeli West Bank barrier
• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT's transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]
Technique
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]”
Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.
He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.
Identity
Banksy's real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]
Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]
In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]
In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]
In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.
In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.
Banksy, himself, states on his website:
“I am unable to comment on who may or may not be Banksy, but anyone described as being 'good at drawing' doesn't sound like Banksy to me.[82]”
Controversy
In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:
“To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up.[83]”
Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".[6]
In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.
In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London's Regent Canal. In retaliation several Banksy pieces in London have been painted over by 'Team Robbo'.[85][86]
Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia's Melbourne CBD. [87]
Bibliography
Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:
• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3
Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]
Two books authored by others on his work were published in 2006 & 2007:
• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 - with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy's Bristol: Home Sweet Home (2007) ISBN 978-1906477004
External links