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El interior

Las columnas de la nave central.

Detalle de la bóveda.

 

Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.

El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.

Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.

 

The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.

The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).

(Wikipedia)

C'è una storia dietro ogni persona. C'è una ragione per cui loro sono quel che sono. Loro non sono così solo perché lo vogliono. Qualcosa nel passato li ha resi tali e alcune volte è impossibile cambiarli

 

chiaracianniello.tumblr.com/

- Jim Rohn

 

|| insta || blog || photostream ||

 

It's warbler season again, and I am excited to capture new images of birds I have never photographed. Here in Southern California, the season began with more yellow-rumped warblers. Next, the orange-crowned warblers showed up. I heard one on my morning walk, but they were so fast that I didn't get a single shot on the first day. Then I heard their distinct song in my backyard. I tried a couple of times in my backyard, but I didn't have much luck. After several more tries, I saw them again in the same location where I initially spotted them. What I did differently this time was to stay a bit away from the area the birds frequented and waited. After what felt like ages, the birds came back to the brush. They were still hopping around like crazy, but I got a few images even with all the mad movements. An interesting thing about this warbler is that the orange crown in its name is only visible when it raises the tuft of feathers on the top of its head. If you enlarge the image, you can see the orange crown peeking through.

 

:: BIGGER is......... almost a must ......and largely recommended........!......:-)

 

:: PORTFOLIO

   

:: Deer Escape, Lake Simon, Québec, Canada.

Copyright © 2008 Gaëtan Bourque. All rights reserved. Use without permission is illegal.

  

♥♥♥ Explore December 2, 2022 ♥♥♥

 

ENG The portal of Santa María La Real de Sangüesa (Navarra, Spain) is one of the most outstanding works of Spanish Romanesque art. Sculpted at the end of the 12th century. The statues-columns that support the three archivolts are one of the most beautiful elements of the portal, those on the left represent the Three Marys who symbolize the resurrection and those on the right Saint Peter, Saint Paul and Judas. The lower part of the cover is the work of the master Leodegarius.

 

ENG La portada de Santa María La Real de Sangüesa (Navarra, España) es una de las obras más sobresalientes del arte románico español. Esculpida a finales del siglo XII. Las estatuas-columnas que sostienen las tres arquivoltas son uno de los elementos más bellos de la portada, las de la izquierda representan a las Tres Marías que simbolizan la resurrección y las de la derecha a san Pedro, san Pablo y a Judas. La parte inferior de la portada es obra del maestro Leodegarius.

 

22P4528

www.benoitmalaussena.com | flikcr | 500Px | Follow me on my facebook page

 

Le calme entre deux tempêtes. Toujours cette impression de vivre un moment unique et exceptionnelle.

A Pacific Golden-Plover (Pluvialis fulva) on migration in Bhaktapur, Nepal. #championofmigration

 

Story behind the shot: www.ianhearn.com/post/manohara-1

 

eBird: ebird.org/checklist/S73447255

 

My website: www.ianhearn.com/

Burnett School Road Bridge over Cedar Creek in Callaway County, Missouri by Notley Hawkins. Taken with a Sony ILCE-7RM4 camera and a Sony FE 24-105mm F4 G OSS lens at ƒ/8.0 with a 6-second exposure at ISO 50. Processed with Adobe Lightroom CC.

 

Follow me on Twitter, Facebook, Instagram

 

www.notleyhawkins.com/

 

©Notley Hawkins. All rights reserved.

Hmmmm, so it seems I was REALLY lucky with the previous render I made that it came out so nicely. There was no denoising needed so all of the detail was kept. Here... not so much...

 

One of the reasons I wanted to use blender for rendering was so that I could make more realistic backdrop materials. I spent a bit setting up the one here with a paper-y texture based on photos I've seen around and in the noisy image, it came out really well. But there were a ton of fireflies in the gangway so I used the basic denoising techniques and suddenly, bye bye paper. I will be looking into using masks to better direct the denoising. Maybe I can constrain it to only look at noise on the model itself and to ignore the backdrop? I may revisit this render from another angle when I have this all figured out. It just looks too soft...

 

The other reason I wanted to use blender was so that I could add more non-Lego objects, such as the paper cut-out lines here. I think the line came out really well with its thickness, slight imperfections, etc. As for the model, you may recognize it as the base model from the Hibernia Roto-Lift. In fact, the only reused portion is the angled setup of the gangway door. Everything else is new to this build and the structure is far more robust. It is still based on the same concept art though and serves generally the same purpose. The rear landing legs tuck away and the vertical fins fold down into their place for flight. I think I made this pigeon large enough to carry an Imperial tank or ATST.

 

Oh, and I couldn't decide which mouse droid I liked more, so here are both!

Best Viewed Large On Black

 

Some days are just not as good as we hoped they would be.

But nonetheless, our human instincts drive us to never give up, and look forward to a brighter and better tomorrow.

 

Have a great weekend everyone!

 

Yokohama

'La 17°...' Large On Black

 

"(...)Pour Christine Lebrasseur, utilisatrice intensive de FlickR et photographe amateure depuis à peine un an, FlickR est une source d’inspiration et d’apprentissage inépuisable.

 

“Si vous comparez mes cinq premières photos et mes cinq dernières, vous allez tout de suite comprendre combien la communauté m’a influencé, dans la qualité, dans la façon de voir les choses. Dans un premier temps, j’ai visité beaucoup de galeries, j’ai laissé des traces chez ceux qui m’ont émue et qui ont été pour moi source d’inspiration. Petit à petit en publiant vos photos, une communauté virtuelle se crée autour de ce que vous faites et vous fait évoluer.

 

Cet échange est valorisant, même s’il n’a aucun but lucratif, juste le plaisir de partager une émotion, de créer un déclic, même si la personne ne voit pas dans vos photos la même chose que ce que vous y avez mis ou écrit, l’important est de susciter quelque chose.”

 

Là encore, ce sont les rencontres qui prédominent : “Il y a des gens que j’ai connu via FlickR, virtuellement, et que je pourrais considérer comme des amis. Il m’est arrivé plusieurs fois de recevoir de magnifiques bouquins sur Man Ray ou Sieff via ma Whislist Amazon, de la part de gens de FlickR que je n’ai jamais vu, simplement pour me remercier de l’émotion que leur a procuré mes photos.

 

FlickR n’est qu’un moyen. Si on publie de mauvaises photos, si on ne parle pas aux gens, ont peut rester tout seul longtemps. Bien sûr, le côté virtuel ne marche pas pour tout le monde Pour certains, la relation reste trop impalpable : ils préfèrent montrer leurs photos à des clients du café du coin plutôt qu’à des milliers d’inconnus virtuels.(...)”

 

Inside FlickR - Extrait de l'article de Hubert Guillaud du 7/06/2006

 

Lire la totalité de l'article ici : www.internetactu.net/?p=6472

  

Classified in the flickstrsBETA

فصل يعرف بالبرد والمطر

 

ونشعر فيه اننا فى احتياج الى الدفئ

 

ولكن لماذا دائما عندما يأتى الشتاء

 

يأتى معه حبنا للوحدة

 

والشعور الدائم للعودة الى الحنين

 

ربما عند قدوم ذلك الفصل نتذكر معه

 

كل ذكرياتنا الماضية

 

نحّن معه الى دفئ أشخاص قد مروا علينا فى غيمة الشتاء

 

وحينما ننظر الى المطر نتمنى الطيران

 

تحت أرجائه وكأننا نريد منه أن يعيد

 

الينا زمن قد مضى وفات

 

!

 

twitter.com/#!/1991Ladyreem

'As rain falls equally on the just and the unjust, do not burden your heart with judgements but rain your kindness equally on all.' - Buddha

 

Soundtrack : www.youtube.com/watch?v=8SbUC-UaAxE

NOVEMBER RAIN – GUNS N' ROSES

 

Soundtrack : www.youtube.com/watch?v=1fOrGCZM38I

AUTUMN I by Vivaldi – NIGEL KENNEDY

  

Soundtracks : www.youtube.com/watch?v=OgJYc9WE7xY

AUTUMN II by Vivaldi – NIGEL KENNEDY

 

NOVEMBER RAIN

 

When November skies cry out their pain

and Buddha's tears fall down as rain

the Autumn leaves fall down again

in burnished gold abandonment

capable of letting go

trees don't discern from friend or foe

but shed and scatter all around

their foliage carpet on the ground

we tread and kick the leaves up high

some catch the wind and reach the sky

others may adhere themselves to limbs

that look so bare as Winter slims

full-bodied landscapes; the art of Masters

water-coloured, oils and faster

splashes, dots like pointillism

paint generously the rainbow's prisms

the multi-coloured hues of Fall

the baring forests stand so tall

and quite prepared to give their all

to perfect bold abandonment

we relish change of seasons such

as this one with it's harvest much

and luscious, full and rosy lips

rose-gold kiss abandonment

poetic justice; fire and musty

apple wood, sweet and smelling ripe

lingers long and leaves us longing

for more to whet our appetite

In Summer most we see is sun

and feel the warmth upon our skin

but Autumn is a visual treat

to gift our eyes before we sleep

oh how I wish to hibernate

come Winter with it's threatening storms

and ice-cold winds that bite and nip

my fingers, toes as different forms

come bustling, breezing through the open

doors and floors are wet with melted

snow and ice; I long for nice

hot cocoa with a few marshmallows

pink and white, that soothe and mellow

warm the cockles of my heart

and smooth the feelings that depart

as Autumn falls and Winter beckons

with icy fingers; Jack Frost reckons

he can paint inside the glass

a pattern etched that will stick fast

and never touch it with your tongue

you'll stick and have to wait for Mum

to softly release you from this task

you set yourself; and you will laugh

at this sweet memory of your past

when your family was still complete

now scattered, lost or just divided

left behind where you resided

why did they have to go away

like Autumn leaves and Summer days

but come the Spring and come the thaw

you may hear knocking at your door

and those that left to travel wide

may smile and hug and step inside

Four Seasons by Vivaldi playing

inside your head and on turntable

round and round; spinning gently

another year; and there are plenty

yet to come now you are winning

plans can be made and find you grinning

the joy of life; the joie de vive

Buddha watches; never leaves

enigmatic smile; all-knowing

buds on trees will soon be showing

renewal; rejuvenate the Earth

a time for living; for what it's worth

and now you know it's worth a lot

a year you thought might bring your end

a borrowed year that saw you mend

a year that taught you; value friends

and live and love and laugh awhile

for peace begins with just one smile

and harmony's gift to Mother Earth

brings treasures full; beyond monetary worth

that only sweet abandonment

as with the trees that teach us much

to love; be loved is all enough

and letting go is not so bad

and will not always leave us sad

for like the trees begin again

so can we live through all our pain

and come the Spring we'll be reborn

and sprouting trees shelter us from harm

like the arms of Buddha and the arms of man

joined together in perfect sweet abandonment

giving thanks for all we have

letting go so there is more

for everyone to go around

we are united; we are found.

 

- AP - Copyright remains with and is the intellectual property of the author

 

Copyright © protected image please do not reproduce without permission'

 

My artwork is a compilation of 3 of my photographs

 

for the Pretty Pink Tuesday Theme - A Hint of Pink

 

It really took me a week to think for this week's concept, and hoping this photo will be acceptable...the idea of pink "R" in flickr just popped when I was looking on my photostream...

 

This was really my real handwriting and I also drew that heart doodle...yes, I used my wacom...been ages since the last time I used it.

      

Do you want to see the raw file of this shoot?

Here u have the chance:

 

processingraw.com/gallery/antes-y-despues-hamnoy/

----------------------------------

 

Quieres ver el archivo raw original de esta imagen?

Entra en

 

processingraw.com/gallery/antes-y-despues-hamnoy/

 

y podrás ver el antes y después.

 

Hamnøy is a small fishing village in the municipality of Moskenes in Nordland county, Norway. It is located on the eastern side of Moskenesøya, about 1.5 kilometres (0.93 mi) northeast of Reine, along the Vestfjorden. Hamnøy was previously connected to Reine by ferry, but this was replaced by bridges on the European route E10 highway as part of the Lofoten Mainland Connection.

  

source:wikipedia

  

The shot is approx 4 minutes long, using a lee big stopper (10 stops) and a 0.75 neutral grad from lee.

  

Just one shot, no HDR!!!

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► Chantilly ► Oise (60) ► Hauts-de-France ► France

 

château douves eau reflets paysage ciel noir et blanc nuages

Chosen from Flickr Social's May's Explore Takeover Theme: " Light & Shadows " and then placed in "in explore" May 24th 2023 ( Joined 101,461 Members• 1.6M Photos ).

 

www.flickr.com/groups/inexplore/pool/jimmy_singleton_jr

 

www.flickr.com/groups/inexplore/pool/with/52373343847/

  

Using artistic license I have added the moon and stream to the previous photo to enhance the presentation.

The pursuit of Beauty that may be in Industry .

  

"Maria G "

Taking on a Load of wheat at Richardson's International Main Elevator Port of Thunder Bay .

 

MARIA G (IMO: 9358369) is a Bulk Carrier that was built in 2007 (15 years ago) and is sailing under the flag of Malta.

 

It’s carrying capacity is 37249 t DWT and her current draught is reported to be 5.7 meters. Her length overall (LOA) is 199.9 meters and her width is 23.7 meters.

 

In 2014, Richardsons announced that it had more than doubled its capacity in the Port of Thunder Bay by purchasing and re-opening the “Current River Terminal”, formerly part of Viterra Inc. and located near Richardson’s original “Heritage Terminal”. The Viterra elevator had not been used in three years and required cleanup and repairs. Both terminals are nearby one another on the Current River section of the waterfront.

 

While there aren’t as many grain elevators as there once were, Thunder Bay still has the largest grain storage capacity in North America and hundreds of thousands of tonness of wheat, canola, soybeans, flax and oats are stored in silos before being shipped.

 

The Current River Terminal has a storage capacity of 235,000 tonnes, while the Heritage Terminal holds 208,000 tonnes. This makes for a combined storage capacity of 443,000 tonnes.

Música: " Derby Motoreta’s Burrito Kachimba - Seis Pistones (Makensy’s Dream)"

 

Pues eso que entre esta imagen y la anterior/posterior hay siete elementos diferentes... 😅

 

Doncs això que entre aquesta imatge i l'anterior/posterior hi ha set elements diferents... 😅

 

www.lightartdm.com

I wrote a piece in this downloadable magazine about my love affair with light painting. Lots of other wonderful light art related articles and beautiful pictures to look at too. Go see :)

Click here to purchase this image.

Early morning on a cold December day out at Red Rock Canyon , Nevada

www.bjorn-burton.photography

 

de.wikipedia.org/wiki/Halde_Schwerin

 

www.ruhrgebiet-industriekultur.de/halde-schwerin/

 

Auch mit Sonnenuhr, etwas kleiner als auf der Halde Hoheward...

 

Also with sundial, somewhat smaller than on the Hoheward spoil tip...

www.youtube.com/watch?v=FGOFBLHiVXU

An Interview with Eugene Ionesco

 

library

Conacul Brătianu - Florica

Bratianu family's "Florica" Manor

www.ccbratianu.ro

[1905-1912] architect Petre Antonescu

www.monumenteromania.ro/index.php/monumente/detalii/en/Co...

 

Limited Addiction- 2021

Fit for Legacy, Perky, Maitreya, and Petite

 

1313- Julia Pumps

Fit for Maitreya and Kupra

 

Anny's Fashion- Wren Socks

BoM

 

The Bearded Guy- Sodalsia Golden backdrop

Available at Thirsty event through January 10.

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