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Zuca, fiel compañera de caminatas.
Les invito a visitar mi blog de fotografía y senderismo (Tenerife y La Palma).
Gracias por vuestras visitas y comentarios.
Mondoto, Monte Perdido, Añisclo, Punta de las Olas, La Zuca y Sestrales desde las proximidades al pueblo de Vio.
Panorámica de 3 tomas horizontales.
Please don't use this image on websites, blogs or other media without my explicit permission. ©20XXI Pr'amor f/11 - All rights reserved. marianogarciamg@gmail.com
La erosión provocada por el Río Bellós crea uno de los paisajes más singulares e impresionantes de los Pirineos.
Al fondo, parte izquierda, el Macizo de Monte Perdido.
Panorámica de dos tomas horizontales. Trípode, disparador remoto, filtros polarizador circular y degradado suave de 3 pasos.
Los tres picos que forman el techo del Parque nacional de Ordesa y las tres Marias o Zucas.
Tomada un día con ligera bruma y algo de polvo sahariano, lo que le da ese tono marron al cielo.
The three peaks that form the roof of the Ordesa National Park and the three Marias or Zucas.
Taken a day with light mist and some Saharan dust, which gives that brown hue to the sky.
...into a new phase of life... ;-)))
youtu.be/49k_ZUcA_t0?si=QDUUbhCy4anPmA7C
Have a wonderful sunday ahead!
[Letituier] Zuca Hair - L$50 Exclusive in MAINSTORE!!
Slurl: maps.secondlife.com/secondlife/Summer%20Heat/159/159/3024
Essa coisinha linda era do avô do meu cunhadinho, ele trouxe da Alemanha ainda na época do Hitler quando vieram fugidos para o Brasil...
Eu já tinha visto essa belezinha e já era apaixonada por ela, até que mês passado foi meu aniversário e tive a grande surpresa de tê-la como presente.
Eu simplesmente AMEI!!!!! *-*
É mais uma pra minha pequena coleção!
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Whist today, the highest sedimentary mountains of Europe have precise names for each peak, in their Haut-Aragon region - with its local dialect Aragonaise, the Massif retains a single name, and a name so strong as to enter into the title of the national park, and a name so vivid that it asks to be looked at in the same category as mythical mountains and hills that may have held significance during chapters of the great ages of prehistory. The traditional name for today's Pico Añisclo, Cylindro and Mont Perdu is the 'Tres Serols' or three sisters. Whilst it is difficult to measure, many important prehistorical ritual sites were over-written by post Christian spiritual elements - the idea of crosses and chapels appropriating the space of gatherings for prechristian worship, rite and song.
Many high points on a horizon can be seen from foothills and planes, and with a 3355m summit, the scattered population that lived under its snow capped veils must have been culturally significant during all ages. and from a very long distance. Sedimentary landscapes can naturally provide high plateaus and shoulders for vistas (by contrast, ignious rock tends to point). With mixed densities of strata, mountains and hills often naturally tilt like vast sarcophagie - giants bodies held in rocky memory: ancestral myths and life forces. As with much of the deep rural on either side of the Pyrenees, stories of witches, giants and fairies are still just-about within aural-history's touching distance: now closer to a new glitz overlay with 'heroic fantasy 'and kitsch projecting false memory to the now exotic and vivid terms. 'Tres Serols' or 'Three sisters' has the unique scale and geology to generate enough myth for a mother earth and her sisters. Three proto angels lifting their heads to the stars, overseeing the very weather itself, the seasons and passing migrations.
Whilst mythologies from the Mesolithic and its slopes of time have long uncoupled from modern-man's train of thought, there is a further element that lets us measure the past significance of this loci. For multiple reasons it is unlikely that ancient pilgrimages took to the very summit of the Tres Serols - an intermediate glacier, the chance of sudden storms, technicity of hiking, and vertigo management all perhaps excluding the summit from being a general pilgrimage destination, and one should expect lowland populations to be drawn from time to time to a close viewing point rather than the very summit itself.
Normally, a major pagan loci should be met with attempts to Christianise - but here a cross on the summit would be invisible and an early chapel would have its foundations in snow. Christianisation of late prehistorical myths are perhaps detectable from the fifth century, with stories of Visigoths converting the three sisters to Christianity. Despite this story, evidence from around the mountains suggest that Christianity co existing with earlier spiritual and cultural traditions, and by implication ones that existed prior to the fifth century tale.
The Christianisation of pagan sites could come from benevolent directions, for example from those seeing it as a protective way of consolidating against Roman vacuity, from conviction and faith, or from a negative direction - the stigmatisation of local culture to remove points of local power to enable an unquestioned feudal domination and centralisation of wealth. From whichever direction the will to realign symbols came, the desire to Christianise a powerful and seemingly unChristianisable landscape icon may have found an outlet - and although the data is compressed by the folds of time, it is worth looking into.
Under the peaks of the three sisters - along the south wall of the Pineta Canyon, in the sierra d'as Zucas, are found a line of three similar peaks; three subordinate peaks of around 2781m so about 600m under the adjacent three sisters (see the above Flickr text box). These lesser peaks are the 'Roncha', 'Punchuda' and 'Plana', and from afar - especially when seen from the east (for example the important and ancient path over 'Le port de Plan') - they look to be an anticipation and primer for the three sisters. These three adjacent and smaller peaks are collectively known as the 'Tres Marias' and the col that passes aside is known as the 'Portillo de Tella' or passage in the direction of the village of Tella. Marias is Spanish for Mary or Marie-Madeleine, and here a Christianised name change within the parameters of an ancient myth is possible; and Tella, the destination of the named col, is neither large or that close, but does cluster both pagan and Christian gathering and pilgrimage (four adjacent ancient chapels, documented pagan rituals, a newly discovered chromlech and so on) - again possibly suggesting that the naming of the three subordinate and reflective peaks added a Christian regard on a dominant prechristian landscape symbol. Were the three mountains Roncha, Punchuda and Plana have been understood in prechristian legend as ladies in waiting of the three sisters? A depiction of the cycle of life in preparation and permanence? Christianised as the three Mary's, and on a path to the pilgrim destination of Tella (see adjacent posts) does look like it may be an example of an expected pragmatic juxtaposition of Christian symbols.
Here, the fact that the Tres Serols remained above Tres Marias and 'power' was not found to give the Tres Serols a direct Christian name, may indicate the strength of local belief and determination.
The importance of the village of Tella regarding its capacity to have been a pilgrimage destination and viewing point will be discussed in an adjacent post.
Other peaks on the panorama include:
Puntal de Bachaco 2317m
The hill's name translates to 'stroll of the hairy one' - with the personification perhaps closer to a 'wild character' than hairy as 'golden locks'. "Bachaco" is also used for a type of characterful insect. The peak is a little under the main snow line, so the vegetation may be a more scrubby than the higher kast and mountain meadow. A poorly frequented land will also be less grassy. It may also be that most valley based 'pilgrims' climbed to higher viewpoints and meeting-points on lower ridges and paths and that the people who strolled up this slope were met with a cul-du-sac of a cliff's edge and were stigmatised to be wild outsiders lacking in local knowledge (haircuts and style were important in the Celtiberic and the tools to fashon facial hair existed from the shards of the neolithic through to the bronze and iron blade). Beards can also be shaped.
The last mountain featured on the above panorama is the
'Pico la Pala Portañús' 2593m An unusual name in today's language that may simply refer to the crest.
For reference, the village and four ancient chapels of Tella are on pathways between the Bachaco and Portanus, and on pathways under and to the left of the same peaks, with the village itself still a good panorama to the left of the image. Once at Tella (1402m), there is a crest walk directly down to a lower valley (below 1000m) and from there, easy navigation to the foothills of the south. This clean north/south rise is also part of an ancient east/west pathway stretching from the Maladeta Massif to Jaca or from the central to eastern Pyrenees.
AJM 20.12.19
Eu ia fazer um splash, mas logo depois dessa foto com a Nina, eu fiz o favor de quebrar essa caneca... é, eu fiquei morrendo de raiva, mas fazer o que haiueheiuaeh
The fanfare opening of Montiverdi's profane opera Orpheo is one of the iconic starts in the whole of the classical music repertoire. Written towards the end of the Renaissance, and in view of the coming of Baroque, the work was finished in 1607. By this date, all of the hermitages and churches in the tight cluster of four that feature in this 'moving lens test' were fully constructed and 'in service'. Built around an important pagan loci that, even until recent years, married Christian traditions with folk traditions: cultural rites that stood on corridors with perspectives back through superstition with potential glimmers of residual Celt and post prehistoric rite.
The Toccata of Orpheo rings with 'Court' and formal cultural social ornament, and there are some academics who go as far as to squeeze the fanfare towards a military guise. Hearing the first version on traditional folk instruments, and seeing how the key elements of melody and rhythm fit so snugly into a simpler pastoral musical form, is between happenstance and intrigue. Far from sounding like a military fanfare, the toccata when played by traditional instruments, sounds like an assemblage of bird songs, calls and chatters - might Montiverdi have taken a synergy of ancient 'rural melody' and polished these into 'power' for feudal and centralised ornament? The 'underworld' for centralising Medieval was the endless pagan undulations with its myriad corners of folk and pagan duties and habits. Here, 'saving' Orpheo from the underworld is almost a guise for taking melody out from the countryside and placing it into the context of the court. This is pure speculation, but something to think about whilst contrasting the two versions.
In the film, the two versions of the tocatta are presented side by side, with a short gap between, and neither comply rigorously with Montiverdi's score. One is played by the Spanish folk musicologist Juanma Sanchez - tabor pipe in one hand and string drum over his shoulder, and the second, a more recent and justifiably popular recording by Gabriel Garrado, with a potentially over-wide orchestration and using modern recording techniques.
Primitive folk musical instruments vary with local example but are spread over a wide and detailed rural geography, from the Near East to the Atlantic coast, with other correlations toward the north of the African continent and beyond: drums, cithares, luths, bagpipes, flutes, whistles and recorders, shakers and casternets, dulcimer and salteriums all finding local expressions over vastly different local geographies: different tuneings, frets, chords and strings, materials and combinations - but all locally made and frequently played expressions from shared themes.
The shepherds, fowlers and free-time musicians, who played at local gatherings in the dark ages, may not have been subject to artistic description, and we are left knowing that simple pipes and flutes were established with man during the ice age and that bagpipes and string drums (zithers and lutes) were known in parts from the iron age, and that their distribution is vast, varied and detailed. The wide range and local differences may suggest a deep and continuous time and variation beyond some of the Middle Ages dates of origin often quoted. A migrant from Greece or North Africa may install in mountains and quietly continue with a soundscape... People create tunes and people dance to music. Man is a tool maker, and the complements to his voice diversity were just the 'tools' for melody and rhythm.
A three holes tabor pipe is long enough to find an octave by varying the speed of air. Whilst the notes are a little less precise than a two handed pipe, a three holed tabor lets the left hand guide the rhythm for dancers. A single unit musician can thus guide both practices and gatherings, allowing music to penetrate into the smallest corners of countryside and then meet as complicit larger gatherings of known musical themes and mastered moves. The gathering fields aside the village of Tella were dynamic and variable enough to host every possible mass gathering a year could generate. Pilgrims from the plane who arrived, looked up to the high mountains and down on their distant valley perspectives; shepherds and crofters, cross summit traders and east west traders all passing through the spiritual and social Babel of Tella - in many ways an unusual loci for both history and prehistory.
Tella is in the Spanish Haut-Aragon, and is located at an altitude of 1387m, overlooked by the high passes of Portillo de Tella 2089m and the peaks of Mont Perdu 3355m, Castillo Mayor 2110m and the Sierra d'as Zucas 2781m. The pagan fields and cluster of Hermitages are found on available land to the east of a rocky pog now known as the "Punton de las Brujas" (witches python). The image of pagan gatherings linked with conceptions of evil is hosted by the Basque word Akerra - which translates as the 'Billy Goat". The assignment of 'Evil' to the Akerra gathering may have been part of anti pagan protocols and a goat is an animal that domesticates with its own mischievous opinions. Dancing and gathering to honour 'mischievous' elements within nature is not necessarily the same as 'devil worship'. However hard you try to domesticate a Billy goat, it will still eat anything, stand on everything and bang into all. If sheep want to stay on a crest and the flock's Billygoat is interested in a person far away, then the sheep will follow the Billygoat who is perhaps the original pied piper, with all of the bagage of potential good or evil that 'following' can entail. It can be argued that the art of domestication that accompanied man through the late Mesolithic and in to history and the day-today needed the variable of 'mischief' as part of the equations in a 'lifestyle of folk science' where topics of conversation need to be focused on 'seeds of ideas' and their futures. Here the Billygoat is a personification of the factor today understood as 'levels of uncertainty'.
Violent and extreme thunder and lightning land beyond mischief, and are abundant and amplified by the watching peaks of a mountain range: the 'fear and fascination' of this human experience can find focus in a voyeuristic viewpoint like Tella - again this is not the same as the Devil or evil - more a great force that remains outside of human will and domestication. A force of mixed and strong emotions, to be feared and even hated, revered or even admired.
Mother earth as a provider of water, sun, soil, seed and birth; the heady seduction of the dance of the life force. Sewing and harvest all asking for get-togethers around the vivid fields of Tella.
For all of this pagan dynamic, witches were locally feared and visualised with physical sculptured stone points called 'espantabruja' adorning the roofs of all local buildings. Was there also a 'seedy' side this high mountain vista, coupled with vectors for superstitions and dark ideas. A spinster herbalist is never far from superstition and rite, and where people flow there are often those who settle. It may also be the case that the local herbalist 'witches' of the deep countryside were kept away from the refined spiritual loci.
The lens test includes a selection from Goya's paintings of a Spanish witches sabbath (El aquelarre) and the focal point of the Billy Goat character is clearly evident. The painting is context bound to a period of advanced and even procured superstition that followed the retreat of Napoleon's plundering armies from the Iberic peninsula. Goya's works were against superstition, and the lens test includes his image of a pagan goat rite complete with strong stigmatic images of participants handing over babies for sacrifice.
The four hermitages and Churches position themselves around the pagan fields, key views, accommodation and sacred-path termini of Tella. They were built as part of a policy to 'syncrétiser' pre Christian activities, or to 'work with' - perhaps akin to Celtic Christian activities to the north. Four Christean buildings, all practically in sight of each other for a mountain village of less than 50 buildings), is an indication of the importance of the landscape and crossroads to people and culture, and the elements of animism are all imposing and strong.
Tella is in the Haut-Aagon on the south side of the highest central portion of the east-west mountain range. It sits on ancient paths north south and east west and has intimate views on a mythical mountain Les Tres Serols. Many ancient ancient villages have dry fields and rises to their sides - plots of land where bonfires are lit to mark the Summer Solstice and at a distance where fire does not present a danger for thatched roofs and wooden frame. The equivalent for the mountain village of Tella is a short walk away - hermetically apart, and very vivid, with bonfire fields on three different associated levels all overlooking a rocky outcrop with hints of its own Babel-esque spiral. The moving lens test was largely shot from a fixed point looking down on this ancient loci, revolving around to take in the heady mix of pre Christean elements and Christean elements. The only exception is a shot of the Church in the main village itself - San Martin. An attempt was made in the video edit to evoke a sense of living human drama rather than simple picturesque landscape.
Tucked under the rocky outcrop:
L’ermitage de los Santos Juan y Pablo
Consecrated in 1019 and perhaps the first Christian building in the greater region.
Starting the second version...
l’Ermita de la Virgen de Fajanillas
13th century.
The simple building on the far hill with a view looking down on the unseen path up from the lowlands:
Nuestra Señora de la Peña. 16th century.
The main Church of Tella is the
l’Eglise paroissiale San Martín of 1509
The original music from Juanma Sanchez:
www.youtube.com/watch?v=YObScUtwfVU
Again Juanma Sanchez, here with an overview of the varieties of traditional pipes:
www.youtube.com/watch?v=C1o2mFVqA0M
A string-drum maker's site:
An overview of string-drum and pipe variety:
www.pipeandtaborcompendium.co.uk/other%20percussion/strin...
Orfeo: Toccata Gabriel Garrido
Ensembel Elyma
Claudio Monteverdi. libretto by Alessandro Striggio
K.617 ASIN : B0000283B7
AJM 13.1.20
Press play and then 'L' and even f11. Escape and f11 a second time to return.
Credits:
Field: Illustration
Agency: Herraizsoto&co / Creative: Victor Sarrià / Graffiti: Lynn Court / Direction: André Zuca / Lighting: Daniel Guerrero
MORE DETAILS: www.behance.net/gallery/17407971/NICE-TO-MEET-YOU
Hahahaha at skating the other night we had WAY to much fun in the parking lot... We stood on top of my Zuca bag in the middle of the parking lot (where cars were passing us on the highway like 20ft. away) and did random beilman poses and stuff...
And then we found the dandelions... I'll just leave it at that... ;-P
Getty - These files are available to license at Getty Images.
On explore
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I'm dedicating my first shot of my dear cat named Žuća ( Yellowie), to one amazing photographer !! He wrote to me testimonial with so nice words. It's a honor to have you Rijk as a FlickrFriend.
He is a great photographer with a very special variety of pictures.
Just look at his flowers, insects, animals.... you an see that nature is so precious to him. Go on and see his work - RijkV©!!!
Hoje minha amiga Juliana Dutra foi fotografar uma gestante e me convidou, claro que fui, adoro né!
Adoro fotografar os brinquedinhos, detalhes, coisinhas que os pais já separam pro bebê... =)
Amo essas coisinhas de bebê!
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4h da manha de domingo, depois de ter passado o dia td no autódromo acompanhando o track day, eu estar ligeiramente queimado e o zuca o caminhoneiro em pessoa... recebemos a visita do eurico ( que chegou da praia meia-noite)
eurico: poo... ta chato ficar aqui em cima só no pc...
eu:e ai que vamos fazer? putz 4h da matina já!
zuca: bora pro estacionamento fotografar meu manco
eurico: para, fotografar no estacionamento? que tosqueira..
eu: bora, só vou no carro buscar o ubirajara
zuca: pera ai preciso pegar meu capacete :P
só saiu foto bizonha, o carro do zuca correndo sem capo, o eurico em cima do motor acertando os detalhes e o zuca berrando de dentro do carro, essa foto do segurando o G-force da porta aberta com a perna.. e por ai vai.
mais uma vez...brigadão zuca!
fim do conteudo atrasado de curitiba..
Every Sunday last winter, I had a longstanding tradition of making Hot Chocolate 15 minutes before my skating session (I'm a figure skater) ended and letting it sit until I got off the ice. It was always the perfect temperature: not to cold, while not to warm either. I know from a lot of personal experience that it is never fun to burn your tongue while drinking extremely hot Hot Chocolate because for the next four days afterwards, you get that constant tingling feeling on your tongue, but it kind of hurts.
Around seven o'clock in the evening (even though it always felt like it was around ten o'clock at night), I remember walking outside of the ice rink (figure skating), and into a world of pitch black darkness, lit only by the occasional light posts surrounding the parking lot. Other than that, it was complete darkness, as well as the parking lot was basically deserted except for a couple of cars, and a few people trudging through the foot and a half of snow that had been flattened by hundreds of cars earlier in the day. It was peaceful in a way, but also very lonely. It was always so beautiful. The sports fields off the left, completely covered in fresh white snow. The amazing school built of stone directly in front of me, the roof covered with snow nonetheless, but still beautiful.
I remember walking out into the bitter cold wind that was thrashing at my bare throat. Covered in three warm jackets, two pairs of pants, a pair of thick gloves, and a warm hat. Even with the hood of my jacket covering my face from the snow, it couldn't prevent the wind from chilling my face and neck to the bone. I also had the extra task of pulling my Zuca bag (bag i keep my skates in) through the mounds of snow, not the easiest thing in the world.
After much effort in trying to pull my Zuca bag through the snow, I finally reached to car. Once inside, I was pounded by the warm air coming from the vents. Finally, some warmth after being frozen to the bone.
Some pretty good memories, even though I usually ended up freezing afterwards. In case you were wondering, this picture has nothing to do with the story, or where it took place. For some reason, the picture just reminded me of all the times I spent at the skating rink on Sunday evenings during the middle of winter.
please view on black(:
Cliente: Revista Dolce Vita - Buggatti
Colección Novias: Olga Dumet
Modelo: Andre
Locacion: Club la Union
Foto: Gabriel Gonzalez
Producción: ETRA Fotografía - Gabriela Pérez
Maquillaje y peinado: Moreno & Zuca
Post: Gabriel Gonzalez
Since I have moved my makeup kit into a rolling Zuca, I have found a tonne of uses for this Tas Merah makeup case. It was a GREAT portable craft box but now I have used it to store my Blythe goodies.
You can fit 3 Blythes in the top compartment, and there are 6 drawers for all those clothes and accessories.
I just got a great selection of little bows as well - they are clipped onto the front flap - so now I have something to go with almost everything (and at such a great price too!)
Desejo a Todas Minhas amigas do Flickr...um Natal Muito Iluminado e cheio de alegrias!!!! Que a Luz Divina caia sobre todas neste dia tão especial!!!
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FELIZ NATAL!!!!!!!!!!!