View allAll Photos Tagged xenon

This is why I prefer to shoot the details on a car instead of the whole car. I get shots like this.

 

Dynamic xenon headlights on a BMW.

Thank you so much for your views, kind comments and faves!!!

Be happy and enjoy shooting!

This is why I don't usually shoot the whole car, preferring to focus in on the details. The lines, the curves and especially the lights.

 

I'm not a big BMW fan, but they do make some cool lights.

Just a mill, and the sky falling

I have a broken Domiplan that is somehow missing first element. From time to time I attach random pieces of glass to see effects. This time it is a front group from Xenon 50mm f2 lens. Result is soft but I found it attractive enough to share.

S.K. Xenon 50mm f1.8 from Rollei cameras. It was supposed to be a cheaper option to Zeiss Planar but mechanical quality and IQ are exceptional IMHO.

Continuing my ICM (camera movement) experiments. It's not yet perfect and my arm is about to fall off, due to the added weight of the setup for this. I still think it's worth it to further explore this.

 

HSS!

 

Shot with a Schneider Kreuznach "Xenon 35 mm F2" lens on a Canon EOS R5.

Cyclovia at boulevard Monk. Just a few details taken with Xenon 50mm f2. I need to make better DIY adapter to Diox mount for this one. It is very hard to focus with just few step up/down rings attached.

One of my attempts a the "Macro Mondays" theme "Lid".

 

Shot with a Schneider Kreuznach "Xenon 50 mm F 2 (Diax)" on a Canon EOS R5.

This is a version for Retina cameras but not named Retina-Xenon. It has short MFD of 0.5m compared to 0.9 of more common Retina-Xenon. Obviously it has longer barel but other than that it is the same lens optically.

As all Xenons it is a beautiful and precisely made. It is similar optical design to Biotar so it is not surprise that it swirl in right conditions. But it is also capable of creating very smooth aquarelish bokeh too.

If I do not want to exaggerate a bit bokeh affect, no post processing is really needed. Colors are rich and natural. Here I worked hard to restaure the details and some colours in peony flower. It is almost impossible to get right this kind of composition straight out of camera. Something has to give up. Or flower is burnt or background is too dark. Lot of pushing and pulling is needed to make it right in the post. Xenon will render enough informations in RAW file to make it possible. I did not try to remove artifacts and as you may see there is not much of them

Schneider Kreuznach SL Xenon 50mm f1.8

Schneide Kreuznach Karat-Xenon 50mm f2

LARGA EXPOSICION PARA CAPTAR LOS TRES COLORES DEL SEMAFORO

 

Retina Xenon 50mm f2, refit for mirrorless.

Schneider Kreuznach Retina Xenon 50mm f2

Xenon 50mm f1.9 bokeh withs some flares. This Xenon has very deep front element retraction. That gives it quite good flare management.

Enjoying and exploring Schneider Kreuznach Karat-Xenon 50mm f2

Few shots with Schneider Kreuznach Xenon 50mm f1.9 and Darktable 'soft contrast' workflow applied.

Schneider Kreuznach Retina-Xenon 50mm f2

Few shots with Schneider Kreuznach Xenon 50mm f1.9 and Darktable 'soft contrast' workflow applied.

Schneider Kreuznach Xenon 50mm f1.9 DKL short MFD lens, as the all other Xenon lenses I tried is joy to use and it did not hide its double gauss nature. Its 0.6m MFD is still not close enough compared to some other fast fifties but there was only one other Xenon lens that comes closer. For me it is not a big deal as I use helicoid adapters for almost all my vintage lenses.

It is very (vintage) sharp at the center and bokeh is painterly impressionistic even when there is no sunshine or light sources in the background.

No post ptocessing is done other than standard Nikon presset.

S.K. Xenon 50mm f1.8 from Rollei cameras. It was supposed to be a cheaper option to Zeiss Planar but mechanical quality and IQ are exceptional IMHO.

Mekong Delta, Vietnam

 

Kodak Retina IIIC, Schneider-Kreuznach Xenon 50mm f/2

Kodak Tri-X 400 @ box

Xtol 1+0, 20C, 7 mins

 

Epson Perfection V800 Photo

Dnày học hành bận bịu gê đó hà :))

  

357 ỡ nhà -246 đi - Cn tăg ca :))

   

Comeback BONUS

 

Dnày hay lên Chợ Cãi chơi lắm \:D/ Vui lắm đó :*

    

Karat-Xenon 50mm f2 is tiny even with built in shutter. Colours tend to be natural. A bit on cooler side. It is as sharp as my hands are steady which is questionable (especially when. I forgot to activate IBIS.

Schneide Kreuznach Karat-Xenon 50mm f2

The heart of a small, 350-watt xenon arc lamp from an Eiki EX-300SL 16mm projector. Like the xenon-gas-filled flashtube used to light this picture, it also produces hard, white light, but continuously.

Tabachtint, Assif Melloul valley, central High Atlas mountains

Pentax MX, smc Pentax-M 1:4 200mm, Ilford HP5 film/ID-11 1+3 developer

Negative copied using Pentax K-1 with Schneider-Kreuznach Xenon-Zirconia 2.8/89-0001

Ended up having to do 2 edits for this one since I wasn't satisfied with the first. You can find the reject edit below.

 

Original Shot: imgur.com/SU7dsfz

 

Reject Edit: imgur.com/C3YGVWq

 

Community wrap created by: D-Assault-96

 

GReddy Nismo Skyline R34 GTR Z-tune - Need For Speed 2015

Y la misma bici por delante...

 

Thanks to Steven Falk for identifying it as a Queen Bee!

Grid reference NJ893025.

gridreferencefinder.com/?gr=NJ8932202528%7CPoint_s_A%7C1&...

Pentax K-I Mark ll fitted with a Schneider-Kreuznach/Samsung D-Xenon Macro 100mm F2.8Lens

Camera: Kodak Retina IIIC

Lens: Schneider-Kreuznach Retina-Xenon 2/50mm, close-up-lens #1

Film: Fujicolor 200N

Developed by: flash foto München

Digitized with Nikon Coolscan Super 4000

(Schneider Kreuznach Balda-Xenon 1:1,9/50mm)

beta (raw edit)

 

Cracow Train Station

 

Xenon 50mm f/0.95

Retina Xenon 50mm 1.9

Long exposure, flash and continuous light with camera movement.

 

Model: Kerry Walker

A picture of my maine coon tom Xenon

Working with the Schneider Retina-Xenon f1.9 lens. Its every bit as good as reviews suggest.

Shot on Kodak Tmax 400, processed in Xtol stock.

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