Atomic Number 10 (Neon signs)
View allAll Photos Tagged xenon
This is why I prefer to shoot the details on a car instead of the whole car. I get shots like this.
Dynamic xenon headlights on a BMW.
This is why I don't usually shoot the whole car, preferring to focus in on the details. The lines, the curves and especially the lights.
I'm not a big BMW fan, but they do make some cool lights.
I have a broken Domiplan that is somehow missing first element. From time to time I attach random pieces of glass to see effects. This time it is a front group from Xenon 50mm f2 lens. Result is soft but I found it attractive enough to share.
S.K. Xenon 50mm f1.8 from Rollei cameras. It was supposed to be a cheaper option to Zeiss Planar but mechanical quality and IQ are exceptional IMHO.
Continuing my ICM (camera movement) experiments. It's not yet perfect and my arm is about to fall off, due to the added weight of the setup for this. I still think it's worth it to further explore this.
HSS!
Shot with a Schneider Kreuznach "Xenon 35 mm F2" lens on a Canon EOS R5.
Nicht schon wieder Krokusse! 😁 Doch! Ich hatte im vergangenen Jahr ähnliche Wasserfarben-Effekte mit der Kombination Schneider Xenar 50 2.8 + 20mm Extension erzielt. Aber das Xenon legte beim experimentieren im Garten noch eine Schippe drauf. Pinsel und Staffelei können nun in der Schublade bleiben. Neutrales JPEG direkt aus der Kamera.
Not crocuses again! 😁 Yes! Last year I achieved similar watercolor effects with the combination Schneider Xenar 50 2.8 + 20mm extension. But the Xenon took things up a notch when I was experimenting in the garden. Brushes and easel can now stay in the drawer. Neutral JPEG straight from the camera.
One of my attempts at the "Smile on Saturday" theme "Double Exposure with Objects".
Shot with a Schneider Kreuznach "Xenon 75 mm F2 (fixed aperture)" lens on a Canon EOS R5.
Xenon 50mm f1.9 bokeh withs some flares. This Xenon has very deep front element retraction. That gives it quite good flare management.
Schneider Kreuznach Xenon 50mm f1.9 DKL short MFD lens, as the all other Xenon lenses I tried is joy to use and it did not hide its double gauss nature. Its 0.6m MFD is still not close enough compared to some other fast fifties but there was only one other Xenon lens that comes closer. For me it is not a big deal as I use helicoid adapters for almost all my vintage lenses.
It is very (vintage) sharp at the center and bokeh is painterly impressionistic even when there is no sunshine or light sources in the background.
No post ptocessing is done other than standard Nikon presset.
S.K. Xenon 50mm f1.8 from Rollei cameras. It was supposed to be a cheaper option to Zeiss Planar but mechanical quality and IQ are exceptional IMHO.
Dnày học hành bận bịu gê đó hà :))
357 ỡ nhà -246 đi - Cn tăg ca :))
Comeback BONUS
Dnày hay lên Chợ Cãi chơi lắm \:D/ Vui lắm đó :*
Few more with Schneider Kreuznach Xenon 50mm f1.9. I will need to mopare it with other Xenons as it seems to me that it has a hint of more glow then them.
Processed with Darktable.
Ended up having to do 2 edits for this one since I wasn't satisfied with the first. You can find the reject edit below.
Original Shot: imgur.com/SU7dsfz
Reject Edit: imgur.com/C3YGVWq
Community wrap created by: D-Assault-96
GReddy Nismo Skyline R34 GTR Z-tune - Need For Speed 2015
Camera: Kodak Retina IIIC
Lens: Schneider-Kreuznach Retina-Xenon 2/50mm, close-up-lens #1
Film: Fujicolor 200N
Developed by: flash foto München
Digitized with Nikon Coolscan Super 4000
Working with the Schneider Retina-Xenon f1.9 lens. Its every bit as good as reviews suggest.
Shot on Kodak Tmax 400, processed in Xtol stock.
The Xenon Burn is a strange craft, its bizarre configuration evidence of its alien origin. Comprised of two halves capable of rotating around a central axis, its narrow profile make it difficult to hit. With pods for four standard humanoid bounties located along the back of the cockpit, the Xenon Burn takes few contracts, but so far has never failed to capture a target once a job has been accepted.