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I have finally consulted an architect and builder to construct a townhouse in this lot beside the studio.
We're Here! : World Architecture
Running out of ideas for your 365 project? Join We're Here!
Located at the New York City Public Library. Third Floor, Room 315
The Deborah, Jonathan F. P., Samuel Priest, and Adam R. Rose Main Reading Room is a majestic public space, measuring 78 feet by 297 feet—roughly the length of two city blocks—and weaving together Old World architectural elegance with modern technology. The award-wining restoration of this room was completed in 1998, thanks to a fifteen million-dollar gift from Library trustee Sandra Priest Rose and Frederick Phineas Rose, who renamed the room in honor of their children.
The other side of the big brown dividing wall is an equally large room identical to this side.
Cabinet portrait, around 1910s
Format: Promenade gross
www.flickr.com/photos/37578663@N02/sets/72157645682699802
Photographer/Fényképész: Mai és Társa (Mai & Co.)
Budapest
Nagymező utca 20.
saját házában, az Andrássy út közelében
(in his own house, next to Andrássy Avenue)
No. 22 156
"Willst du haben Frieden viel, thu' wie dein Weib es haben will."
-------------------------
About Mai Manó: www.maimano.hu/maimanohaz_en.html
Mai Manóról: hu.wikipedia.org/wiki/Mai_Man%C3%B3.
Mai Manó (1855-1917) was a professional photographer and specialist, in his time he was one of the best specialists of child portraits. His status in the professional community of that time is uncontested. He was also the founder and editor of the periodical called "A Fény" (The Light, launched in 1906).
Mai Manó House - The Hungarian House of Photographers operates in this house. His eight-story studio-house and home was built in fourteen months in 1893-94.
The special, eight-story neo-renaissance monument is unique in world architecture: we have no knowledge of any other intact turn-of-the-century studiohouse. In addition, it serves its original goal, the case of photography again.
I committed to bringing trophies for the World Architecture theme. I thought it would be fun to make a "triumphal arch", which seems to incorporate the theme of architecture along with triumphing. I think they look better in person. I was also severely limited in color and piece count and all the rest. Oh well.
For added extra fun, I'm going to give a presentation on cheese slope mosaics Sunday morning.
Then I'm going to write an article about the convention for Hispabrick Magazine. Busy times!
A tear in urbanity. Where facades should align in rigid order, an anomaly has taken root, emerging from the ground like the remnant of a shattered world. Architecture, once unyielding and domesticated, seems to have lost its footing against the intrusion of an unknown fragment. A shard of steel and glass, like a prism from another dimension, has inserted itself into reality without warning.
Light grazes its sharp surfaces, unveiling a paradoxical geometry, a distortion where the urban landscape is reflected. But are these reflections still true to reality, or are they mere illusions projected by a material that does not belong to our world? Around it, silence weighs heavy. Mist rises from the ground, a sign of an impending collapse, a transition underway between two states of existence.
This fractured monolith carries the memory of an elsewhere. It evokes both a fall and an ascension, a rupture and a revelation. Could it be a wreck from the future, an architecture that has yet to find its era? Or the awakening of a mineral entity attempting to tear through the veil of the rational world?
You may easily find out why I chose the other "Salve" photo as a greeting for my profile page! Naturally because it's old, and it's a detail of a notable Hungarian photographer's studio.
Budapest, Terézváros.
The notable Hungarian photographer, Mai Mano's former home and studio, now The Hungarian House of Photography, exhibition hall, bookshop and café.
Architects: Nay & Strausz, 1894. Eclectic Neo-renaissance style.
Note the cast iron windows of the Sunlight studio and the frescos around it, with the attributes of painting, photography and chemistry.
Statues: Róna józsef
www.flickr.com/photos/nora-meszoly/sets/72157645682699802
www.flickr.com/photos/nora-meszoly/sets/72157647652442301
Mai Manó House, The Hungarian House of Photography operates in a studio-house built for the commission of Mai Manó (1855-1917), Imperial and Royal Court Photographer. His eight-story studio-house and home was built in fourteen months, in 1893-94.
This special, eight-story neo-renaissance monument is unique in world architecture: we have no knowledge of any other intact turn-of-the-century studiohouse. In addition, it serves its original goal, the case of photography again.
Mai Manó was a professional photographer and specialist, in his time he was one of the best specialists of child portraits. His status in the professional community of that time is uncontested. He was also the founder and editor of the periodical called A Fény (The Light, launched in 1906)
The building's richly decorated neo-renaissance façade clearly served ideological purposes: Mai Manó wanted to lend a past to the young trade, hardly considered to be a form of art by anyone at that time. Take the majolica putti between the ground floor and the mezzanine or the façade paintings on the third floor showing the "six muses of photography".
Actual photographing took place in the Sunlight-studio on the second floor, we restored in 1996-97. During the restoration, we found the original frescoes hiding bethind the white wallpaper for decades. These used to serve as background for Mai's portraits. His studio worked in the house for four decades, until 1931. It was followed by a luxury-bar, Arizona, which was closed in 1944.
After the Second World War, a number of institutions and companies moved into the house and a few private apartments were separated as well. In spite of all the vicissitudes, the house kept its original character. It was declared a piece of national heritage in 1996 considering its special architecture, ornaments and industry-historical significance.
www.maimano.hu/maimanohaz_en.html
www.maimano.hu/maimanohaz_02_en.html
North Avenue Beach
Chicago, IL
August 22nd, 2014
All photos © Joshua Mellin per the guidelines listed under "Owner settings" to the right.
The Cathedral of Monreale, also called Santa Maria la Nuova, is a Sicilian masterpiece built during the Middle Ages. Is one of the best examples of coexistence between Islamic, Byzantine and Romanesque cultures. The church was founded by the Norman king William the II between 1174 and 1189, at the same time with the Abbey, the Royal Palace and the Archbishop’s Palace with which it constitutes a complex, expanded during the sixteenth and seventeenth centuries. The external part of the Cathedral shows its Arab-Norman nature, with arches, windows and coloured marbles which are typical expressions of that kind of architecture. ..
"Frank Owen Gehry, CC (born Frank Owen Goldberg; 28 February 1929) is a Canadian-born American architect, residing in Los Angeles.
A number of his buildings, including his private residence, have become world-renowned attractions. His works are cited as being among the most important works of contemporary architecture in the 2010 World Architecture Survey, which led Vanity Fair to label him as "the most important architect of our age".
Gehry's best-known works include the titanium-clad Guggenheim Museum in Bilbao, Spain; Walt Disney Concert Hall in downtown Los Angeles; Louis Vuitton Foundation in Paris, France; MIT Ray and Maria Stata Center in Cambridge, Massachusetts; The Vontz Center for Molecular Studies on the University of Cincinnati campus; Experience Music Project in Seattle; New World Center in Miami Beach; Weisman Art Museum in Minneapolis; Dancing House in Prague; the Vitra Design Museum and the museum MARTa Herford in Germany; the Art Gallery of Ontario in Toronto; the Cinémathèque française in Paris; and 8 Spruce Street in New York City."
Source: wikipedia.org
"The Rheinturm (Rhine Tower) is a 240.5 meter high concrete telecommunications tower in Düsseldorf, capital of the federal state of North Rhine-Westphalia, Germany. Construction commenced in 1979 and finished in 1981."
Source: wikipedia.org
This Lynch, Kentucky building was used by the U.S. Coal and Coke Company as the general office personnel, including General Superintendent, Accounting, Safety, Engineering, Personnel Departments, as well as providing bathing facilities for the mine workers.
Designed to accommodate 1500, the bathhouse served 4500 at its peak. There were 71 showers were furnished and used live steam jets to mix cold water. A smoke room was also provided for training mine rescue workers.
The facility was closed in 1963 when the Portal 31 mine was closed.
The building is located along W. Main and Church Streets in Lynch, Kentucky.
North Avenue Beach
Chicago, IL
1-6-2012
Taken with an iPhone using AutoStitch, Camera+ & Sunrise Sunset
All photos © Joshua Mellin per the guidelines listed under "Owner settings" to the right.
Breakfast at Mai's....
Terrace of Mai Mano Café.
Doorway of the notable Hungarian photographer, Mai Mano's former home and studio, now The Hungarian House of Photography, exhibition hall, bookshop and café.
Architects: Nay & Strausz, 1894. Eclectic Neo-renaissance style.
www.flickr.com/photos/nora-meszoly/sets/72157645682699802
www.flickr.com/photos/nora-meszoly/sets/72157647652442301
Mai Manó House, The Hungarian House of Photography operates in a studio-house built for the commission of Mai Manó (1855-1917), Imperial and Royal Court Photographer. His eight-story studio-house and home was built in fourteen months, in 1893-94.
This special, eight-story neo-renaissance monument is unique in world architecture: we have no knowledge of any other intact turn-of-the-century studiohouse. In addition, it serves its original goal, the case of photography again.
Mai Manó was a professional photographer and specialist, in his time he was one of the best specialists of child portraits. His status in the professional community of that time is uncontested. He was also the founder and editor of the periodical called A Fény (The Light, launched in 1906)
The building's richly decorated neo-renaissance façade clearly served ideological purposes: Mai Manó wanted to lend a past to the young trade, hardly considered to be a form of art by anyone at that time. Take the majolica putti between the ground floor and the mezzanine or the façade paintings on the third floor showing the "six muses of photography".
Actual photographing took place in the Sunlight-studio on the second floor, we restored in 1996-97. During the restoration, we found the original frescoes hiding bethind the white wallpaper for decades. These used to serve as background for Mai's portraits. His studio worked in the house for four decades, until 1931. It was followed by a luxury-bar, Arizona, which was closed in 1944.
After the Second World War, a number of institutions and companies moved into the house and a few private apartments were separated as well. In spite of all the vicissitudes, the house kept its original character. It was declared a piece of national heritage in 1996 considering its special architecture, ornaments and industry-historical significance.
www.maimano.hu/maimanohaz_en.html
www.maimano.hu/maimanohaz_02_en.html
THIS IS NO A PHOTOGRAPHY.THIS IS MY COMPUTER RESTORATION OF DESTROYED BY THUNDERSTORM SET OF CHURCHES MADE OF LOGS ON THE BANKS OF RIVER MEZEN.I USED PHOTOGRAPHS OF THIS ENSEMBLE SAVED IN OLD BOOKS.WE CAN SEE ONLY 2-3 PROJECTIONS .MY RESTORATIONS WAS DONE WITHIN 3D PROGRAMS AND WE CAN SEE ENSEMBLE FROM ALL SID EVEN FROM THE TOP.IF I HAD HAD MESERMENTS WHICH PROBABLY ARE IN MOSCOW MUSEUM OF ARCHITECTURE I COULD MAKE EXACT DEPICTION OF WORK WHICH I AS MASTER OF INDUSTRIAL DESIGN REGARD AS A MASTERPIECE OF WORLD ARCHITECTURE. INTERESTED CAN WRITE ME. MAKS ERLIKH
The "public stage" at the Staatstheater, Darmstadt, as viewed from the vistors' terrace. Take a few steps forwards and you yourself appear on a stage above the main entrance to the theater. The big concrete block also contains the lift and the stairwell to and from the car park.
Please view in full size for the best effect.
(to see further pictures and read other information please go to the end of page!)
Flaktowers
Flakturm, Arenbergpark
Picture: Flakturm, Arenbergpark
The Vienna flak towers are six large, of reinforced concrete erected defensive and protective structures in Vienna, which were built in the years 1942-1945 as giant bomb shelters with fitted anti-aircraft guns and fire control. The architect of the flak towers was Friedrich Tamms (1904-1980).
Flakturm, Arenbergpark
Image: Terrace of the flak tower in Arenbergpark
The system of the Vienna flak towers consists as a whole of six buildings, three turrets, each with a Feuerleitturm (fire-control tower). The three bunker pairs are arranged in a triangle in the approximate middle of which the Stephansdom is situated. The towers are of different heights, but their upper platforms are in exactly the same altitude, so that an overall coordination of air defense was possible. The maximum operating radius of the four main guns (12.8 cm twin) of each tower was under ideal conditions 20 km. The smaller platforms of combat and fire-control towers were provided for 2 cm anti-aircraft guns, but they were never used in Vienna. In addition to its military crew the flak towers in Vienna served as makeshift hospitals, housed radio stations and partly war-relevant technical companies and offered on a large scale air raid shelters for the population.
Flakturm Augarten
Picture: Flakturm, Augarten
After the war, the Red Army undertook blasting tests in Gefechtsturm (flak tower with battle platform) Augarten, but a removal of the towers failed because of the proximity to residential areas. Nowadays, a removal of the towers would be possible, but now existing only an official decision as to the two anti-aircraft towers in Augarten from 5 April 2000 (GZ 39.086/2/2000) because all six buildings ex lege have been put under monument protection. Today, the towers are partially owned by the City of Vienna and partly owned by the Republic of Austria. There were repeatedly attempts to rebuild the flak towers and make it usable. The ideas range from depot for important backup data to a café or hotel.
Planning
Flakturm, Arenbergpark
Picture: Flakturm, Arenbergpark - Notstiege (Emergency flight of stairs)
Flakturm, Arenbergpark
Picture: Flakturm, Arenbergpark
Elevator shaft to the left, original instructions for lift usage right
After the battles of World War II also spread more and more to Vienna, Adolf Hitler ordered on 9 September 1942 the construction of flak towers in Vienna. The Air Force leadership provided for this purpose as building sites the Schmelz (Vienna), the Prater and Floridsdorf but Hitler rejected these places since the city center would not have been adequately protected because of the large distances. After discussions with Reichsstatthalter (Reich Governor) Baldur von Schirach, the final locations were determined. Instead of the Augarten, however, was initially the Roßauer barracks under discussion. The decisive factor for the choice of the places were on the one hand, the easy availability of the building ground and on the other hand the possibility to establish railway connections. The plan provided after the victorious end of the war to disguise the flak towers with marble and devote them as monuments to the fallen German soldiers. As with all the flak towers Friedrich Tamms was responsible for the planning, he was represented in Vienna by Anton Ruschitzka, construction management held Franz Fuhrmann from Vienna's city building department. The military leadership rested with Major Wimberger, which, however, had no mission staff. The material procurement was carried out by the Organisation Todt.
Construction
Flakturm, Arenbergpark
Picture: Flakturm, Arenbergpark
Emergency Exit Photo: Flakturm, Arenbergpark
With the construction of the flak towers the companies Philipp Holzmann and Gottlieb Tesch were commissioned, smaller firms being integrated via joint ventures. Since the availability of local workers due to conscription declined steadily, more and more prisoners of war, foreign and forced laborers were used in the course of the war. Cement was delivered primarily from Mannersdorf at Leithagebirge, to a lesser extent from Rodaun (situated in the outskirts of Vienna). The gravel stemmed from the gravel pits Padlesak in Felixdorf and Gustav Haager at Heidfeld at the Bratislava railway (Pressburger Bahn), about in the area of today's airport Wien-Schwechat. Sand was delivered in ships over the Danube Canal, which is why in the area of Weißgerberlände sand silos of the United Baustoffwerke AG were built. In this area was already in 1918 a feeder track of the tram through the Drorygasse. Although this was already in 1925 shut down it was restored in 1941 and enlarged in the following year after the construction of a new silo to two tracks. For the then due to the excavation of the foundations coming up overburden, at the Kratochwijlestraße (then Weissenbachstraße) in 22 District was created a landfill, which also got a tram connection.
This report is based on an article in the
WIKIPEDIA - The Free Encyclopedia
and is licensed under the GNU license
Free Documentation Creative Commons CC -BY- SA 3.0 Unported.
On Wikipedia there is List of the authors Available .
de.wikipedia.org
The monstrous remnants of the "Third Reich"
District II (Leopoldstadt), anti-aircraft towers in the Augarten, tram line 31 from metro station Scots ring/Schottenring (U2, U4).
On 15 March 1938 gathered some 200 000 Wiener (Viennese people) on Heldenplatz in order to celebrate the "Anschluss" of Austria to the so-called fatherland Germany, something, since the end of the first World War I many had been longing for. Adolf Hitler himself appeared on the balcony of the Neue Burg and announced: "As leader and Chancellor of the German nation and the Reich I report before story now the entry of my home in the German Reich". Then he boarded a plane back to Germany, the rest, as they say, is history. A few years later the magnificent Heroes Square (Heldenplatz) was dug up to plant vegetables there, they needed food for the distraught people who suffered the privations in Hitler's zusammenbrechendem (breaking down) "millennial Reich".
Right: Gefechtsturm in the Augarten
In Leopoldstadt
Below: The Leitturm (control tower) in Arenbergpark
In III. District highway (Landstraße).
The already existing and sometimes bombastic Viennese architecture the occupiers seems to have pleased, no major buildings were added during their reign. On 9 September 1942, however, Hitler decreed that the city center of Vienna like in Berlin and Hamburg should be protected by some huge flak towers, three pairs should form a defensive triangle, St. Stephen's Cathedral was the center. 1943/44, the German troops began the construction of two flak towers in the Augarten and defaced in this way Austria's oldest still existing and in 1712 laid out baroque garden. Another pair of flak towers emerged in Arenberg Park in III. District (Landstraße), a third near the Mariahilferstraße (in Esterházypark and in the courtyard of the barracks Stiftskaserne) in the VI. resp. VII. District (Mariahilf/Neubau). The towers have been made of almost indestructible, 2.5 to 3.5 meters thick reinforced concrete and were self-sufficient, and they possessed their own water and power supply, first aid station and air filters if it should come to a gas attack. Each pair of flak towers contained a big, provided with a heavy gun flak tower and a smaller control tower for communication. The first is either a square tower in the style of a fortress, like the one in the Arenbergpark (neunstöckig - nine storeys), 41.6 meters high, 57 meters in diameter) or a round tower, in fact, sixteen -sided, as in the Augarten Park and the yard of the Stiftskaserne Barracks (zwölfstöckig - twelve storeys, 50.6 meters high, 43 meters in diameter). The heaviest artillery gun (105-128 mm) was standing on the roof, on the projecting balconies below there were lighter guns (20 to 30 millimeters). The Leittürme, from which the air defense was coordinated, were all rectangular (neunstöckig - nine storeys, 39 to 51.4 meters high, 24 to 39 feet long) and equipped with a lighter gun, they possessed communication devices and searchlights on the roof. Toward the of the war the towers only just were functional. They also served as air-raid shelter for the people in the area and each tower had space for 30 000 people. In the event that the war ended with a victory, the architect, the builder of the Reichsautobahn Friedrich Tamms, already had prepared designs to dress up the towers with black marble plates in which the names of the dead German soldiers should be engraved in gold letters. So the towers would also have been victory and war memorials (and thus in a strange way similar to the Mausoleum of Theodoric in Ravenna or the Castel de Monte in Apulia).
In the bureau of an architect of Berlin were even found plans to demolish the Jewish Quarter in the Leopoldstadt and to build a huge Nazi forum. Today, however, there is in Leopoldstadt again a thriving Jewish life and the flak towers are frozen monuments to the darkest times of Viennese history (in fact, the Russians tried to destroy the tower in Augarten with dynamite, which later on was mistaken for the vandalism of a few schoolboys, by mistake a forgotten weapon depot setting on fire).
In a famous quote Hitler Vienna compared with a pearl, which he wanted to give a socket. Towards the end of war, however, this socket only consisted of bombed-out buildings and abandoned flak towers, silent witnesses of the delusion of their builder. As a result, only the Leitturm was used in Esterhazy Park, and today in it the house of the sea (Zoo - Haus des Meeres) is accommodated. Outside there is a climbing wall with 25 different routes, and the vertical wall and the projecting balconies give a perfect imitation of an overhanging cliff of 34 meters of height. A conservatory (or biotope) with a miniature rain forest along with monkeys and birds has been added on one side; it is entered through a door that only with difficulty could be broken in the two and a half meters thick reinforced concrete, but this also ensures a uniform temperature for aquariums and vivariums in the tower.
The stable temperatures also have the Museum of Applied Arts (MAK) brought to take advantage of the flak tower in Arenberg Park as a magazine and occasional exhibition space; in the meantime it is known as Contemporary Art Tower (CAT).
A former air-raid shelter at the base of the Leitturm in Esterhazy Park now contains the Museum of Medieval legal history: the history of torture
Excerpts from
Duncan J. D. Smith; Only in Vienna
A travelling guide to strange places, secret places and hidden attractions
Translated from English by Brigitte Hilzensauer
Photographs by Duncan JD Smith
"The streets of Vienna are paved with culture, the streets of other cities with asphalt". Karl Kraus (1874-1936)
Vienna is certainly one of the greatest and also the most homogeneous capitals in Europe. And it is one of the most fascinating. The overabundance of travel guides that are out there to buy, presents the not too demanding visitor a magical (and easily accessible) abundance of museums, churches, palaces and culinary venues, and they recount the history of the city since the times of the Romans over those of the Habsburg Empire to the present.
Courtesy
Christian Brandstätter Verlag mbH
The publishing service for museums, businesses and public authorities
www.brandstaetter - verlag.at
Total, totalitarian, dead
Picture: Flak tower in 1943 /44, Augarten
At the zero point of the knowledge about the progress of the world stands since 11 September 2001 "Ground Zero". The debris field of the World Trade Center was used as a metaphor, which for its part marks a zero point. "Ground Zero" is called the area that lies in the center of a nuclear explosion. In Hiroshima and Nagasaki this area has been explored, the experiments that began with Albert Einstein's warning of a nuclear policy of Nazi Germany, were successful beyond measure. The name for the nuclear program, "Manhattan Project". With the beginning of the new millennium "Ground Zero" is real returned to where it had once taken its nominal starting point. The skyscraper obviously is able to stimulate the imagination of physicists, ballistics and aeronauts. In the skyscraper the obsessions of the 20th century are concentrated, self-sufficiency and utopia become one in the sky billowing tower. It is the exalted and the sublime. It provides a beacon, of the construction as well as of the destruction.
As the World Trade Center each of the Viennese "flak towers" come along as pairs: One serves as control tower, the other as a flak tower. The central component is the platform, it was needed in high altitudes in order to have a clear field of fire over the city. The tower architecture, which thereby became necessary, one used for bunker systems, no fewer than 40,000 people should here find shelter. For other facilities there was also space: the Gaupropagandaleitung (Regional propaganda direction) for example, the radio station, a munitions factory. At three locations in the city - the triangle that they abzirkelten (encircled), took in Vienna's historic center - in the years 1943/44 had established an own self-contained world, with it corresponded an outside, the world of total war. The flak towers gave this world the architectural icon.
On 14 February 1943, the British Air Force had carpet bombings on German cities announced after it adversary those commitments to civility, just in war of some validity, namely to protect non- military targets, long ago had abandoned. It was a strategy that should give World War II a decisive turn. The Germans had their production concentrated on weapons with immediate penetrating power, especially on fighter planes and tanks. The Allies, however, swore on sustainability, on long-range bombers that now more and more were used. Against such so-called "flying fortresses" should prepare the city's flak towers.
On 18 February 1943 already, the Nazi regime had reacted propagandistically. Joseph Goebbels delivered in the Sportpalast (Sports Palace) those infamous speech in which an unleashed crowd at the top of its voice loud the hysterical question "Do you want total war?" applauded. From then on, the action would no longer overridingly occur on the fronts. Now, as Goebbels put it, the "phalanx of the homeland" was at stake. The war would be carried to the cities. In their midst, in the urban milieu that would now lose all nonchalance and any worth of life. Also, and just that is what the flak towers stand for: their comfort is the security wing, their promise the ammunition depot. They guarantee offensive and defensive in one. In this hard as reinforced concrete alignment, imagined the regime each of every Volksgenossen (member of the German nation).
The flak towers are the architecture of total war par excellence: monumental exclamation marks for military preparedness, towering icons of the resistiveness, uniform archetypes of a technical, an instrumental progress, to which the Nazi state with due atavism was always committed. Furthermore, comes to some extent the domestic political effect: The flak towers are citadels against the own population, reduits in the face of a psychological and social situation, which solely by forced violence, by martial law and concentration camps could be overmastered.
The prototype of the flak towers built up in Berlin, as well as their principle was conceived in the capital, especially by Albert Speer, the Minister for the war economy. But as a kind of urban identification mark they stand in Vienna, and also for this the logic of total war can be used. It is the logic of destruction, the so-called "Nero-command", which after Hitler's disposal would have provided the destruction of all remaining infrastructure in the German Reich. It is the logic of a perverted Darwinism, which would have applied the dictum of unworthy life in the moment of defeat on the own population.
In one of his table talks in May 1942, Hitler blustered about the "huge task to break ... the supremacy of Vienna in the cultural field ...". The hatred toward the city of his youth was notorious, and one may assume that the flak towers, whose placement the "Führer" personally ordered, the enemy, in a manner of speaking, definitely should stake out a target area. Because naturally, the towers would increasingly attract attacks on themselves. But they have the war unscathed as hardly another building survived. That they are standing for the long shot, the totalitarism this very day is clear. To eliminate them, would mean to turn the city with them in rubble.
Building with 476 apartments that looks like the figure 8 from above (built 2010). A café, a preschool, shops and offices are placed at the base of the building. You can bike from the ground up to the tenth floor. Award winner in the category best housing project in the World Architecture Festival in Barcelona 2011. Architect: BIG, Bjarke Ingels Group, Denmark.
(In the World Architecture Festival 2008 the architects won the award for the housing project The Mountain.)
www.big.dk (website in English)
The Cathedral of Monreale, also called Santa Maria la Nuova, is a Sicilian masterpiece built during the Middle Ages. Is one of the best examples of coexistence between Islamic, Byzantine and Romanesque cultures. The church was founded by the Norman king William the II between 1174 and 1189, at the same time with the Abbey, the Royal Palace and the Archbishop’s Palace with which it constitutes a complex, expanded during the sixteenth and seventeenth centuries. The external part of the Cathedral shows its Arab-Norman nature, with arches, windows and coloured marbles which are typical expressions of that kind of architecture. ..
North Avenue Beach
Chicago, IL
February 21st, 2017
All photos © Joshua Mellin per the guidelines listed under "Owner settings" to the right.
Istanbul, Turkey - October 14, 2015: Sancaklar Camii is the mosque. In 2013 it won 1st Prize in the World Architectural Festival’s Best Religious Building category.
The Cathedral of Monreale, also called Santa Maria la Nuova, is a Sicilian masterpiece built during the Middle Ages. Is one of the best examples of coexistence between Islamic, Byzantine and Romanesque cultures. The church was founded by the Norman king William the II between 1174 and 1189, at the same time with the Abbey, the Royal Palace and the Archbishop’s Palace with which it constitutes a complex, expanded during the sixteenth and seventeenth centuries. The external part of the Cathedral shows its Arab-Norman nature, with arches, windows and coloured marbles which are typical expressions of that kind of architecture. ..
The Guggenheim Museum Bilbao is a museum of modern and contemporary art, designed by Canadian-American architect Frank Gehry, and located in Bilbao, Basque Country, Spain. The museum was inaugurated on 18 October 1997 by former King Juan Carlos I of Spain. Built alongside the Nervion River, which runs through the city of Bilbao to the Cantabrian Sea, it is one of several museums belonging to the Solomon R. Guggenheim Foundation and features permanent and visiting exhibits of works by Spanish and international artists. It is one of the largest museums in Spain.
One of the most admired works of contemporary architecture, the building has been hailed as a "signal moment in the architectural culture", because it represents "one of those rare moments when critics, academics, and the general public were all completely united about something." The museum was the building most frequently named as one of the most important works completed since 1980 in the 2010 World Architecture Survey among architecture experts.
n 1991, the Basque government suggested to the Solomon R. Guggenheim Foundation that it would fund a Guggenheim museum to be built in Bilbao's decrepit port area, once the city's main source of income. The Basque government agreed to cover the US$100 million construction cost, to create a US$50 million acquisitions fund, to pay a one-time US$20 million fee to the Guggenheim and to subsidize the museum's US$12 million annual budget. In exchange, the Foundation agreed to manage the institution, rotate parts of its permanent collection through the Bilbao museum and organize temporary exhibitions.
The museum was built by Ferrovial, at a cost of US$89 million. About 5,000 residents of Bilbao attended a preopening extravaganza outside the museum on the night preceding the official opening, featuring an outdoor light show and concerts. On 18 October 1997 the museum was opened by Juan Carlos I of Spain.
The Solomon R. Guggenheim Foundation selected Frank Gehry as the architect, and its director, Thomas Krens, encouraged him to design something daring and innovative. The curves on the exterior of the building were intended to appear random; the architect said that "the randomness of the curves are designed to catch the light". The interior "is designed around a large, light-filled atrium with views of Bilbao's estuary and the surrounding hills of the Basque country". The atrium, which Gehry nicknamed The Flower because of its shape, serves as the organizing center of the museum.
When the Guggenheim Museum Bilbao opened to the public in 1997, it was immediately hailed as one of the world's most spectacular buildings in the style of Deconstructivism (although Gehry does not associate himself with that architectural movement), a masterpiece of the 20th century. Architect Philip Johnson described it as "the greatest building of our time", while critic Calvin Tomkins, in The New Yorker, characterized it as "a fantastic dream ship of undulating form in a cloak of titanium," its brilliantly reflective panels also reminiscent of fish scales. Herbert Muschamp praised its "mercurial brilliance" in The New York Times Magazine. The Independent calls the museum "an astonishing architectural feat". The building inspired other structures of similar design across the globe.
The museum is seamlessly integrated into the urban context, unfolding its interconnecting shapes of stone, glass and titanium on a 32,500-square-meter (350,000 sq ft) site along the Nervión River in the old industrial heart of the city; while modest from street level, it is most impressive when viewed from the river.[15][16] With a total 24,000 m2 (260,000 sq ft), of which 11,000 m2 (120,000 sq ft) are dedicated to exhibition space, it had more exhibition space than the three Guggenheim collections in New York and Venice combined at that time. The 11,000 m2 of exhibition space are distributed over nineteen galleries, ten of which follow a classic orthogonal plan that can be identified from the exterior by their stone finishes. The remaining nine galleries are irregularly shaped and can be identified from the outside by their swirling organic forms and titanium cladding. The largest gallery measures 30 meters wide and 130 meters long (98 ft × 427 ft). In 2005, it housed Richard Serra's monumental installation The Matter of Time, which Robert Hughes dubbed "courageous and sublime".
The museum by night, November 2007
The building was constructed on time and budget, which is rare for architecture of this type. In an interview in Harvard Design Magazine, Gehry explained how he did it. First, he ensured that what he calls the "organization of the artist" prevailed during construction, to prevent political and business interests from interfering with the design. Second, he made sure he had a detailed and realistic cost estimate before proceeding. Third, he used computer visualizations produced by his own Digital Project software and collaborated closely with the individual building trades to control costs during construction.
KLM Royal Dutch Airlines donated $1,000,000 towards its construction.
Credit for the data above is given to the following website:
Part 1 of 2:
I have been putting this off for quite a while because I just didn't want to think that hard. But the time has come to figure out how to realistically recreate photos of real-world architecture when taking pictures of micro-scale MOCs.
This is probably obvious to everyone but me, but I'm one of those people who has to actually do something to learn something...if that makes any sense.
The first photo I'm hoping to recreate is a picture I took of the US Capitol Building from 3rd Street, which defines the border between the National Mall and the Capitol Grounds.
Okay, so what does forced perspective have to do with all this? Well, the area a building takes up in a picture is dependent on many variables, but two of the most important are: 1) the size of the building and 2) the distance between the building and the camera.
In this test, I built five objects based on a 1x2x1 brick. With each new version, I doubled the size. So I had a 1x2x1, 2x4x2, 4x8x4, 8x16x8, and a 16x32x16 version.
Looking through the camera's viewfinder, I placed each variation at a distance where they all appeared to be about the same size in the viewfinder. Then I measured the distance between the camera and each size variation.
The photography math says that when you divide the width of the object by the distance away from the camera, the number you come up with should be the same for each size variation.
NOTE: actual math is
2*invtan*(distance/(2*width))
In this example it means that if you double the size of an object, it will need to be twice as far away to appear to be the same size in a picture. And, in fact, that is exactly what happened in this test.
So how does this help me take recreate my picture of the Capitol Building? Well, things I know from Google Earth and my picture. The Capitol is about 760 ft. wide and I took the picture from about 1/4 of a mile away.
I also know that the LEGO US Capitol model is 16 3/8 inches wide. So now I need to figure out where to set the camera on the National Mall MOC.
The calculated distance is about 31 3/8 inches between the camera and the LEGO US Capitol.
Time to go take the pictures to see how well it matches the real thing.
Wissembourg (in French: Wissembourg, pronounced [visɑ̃buʁ]; in South Franconian: Weisseburch, pronounced [ˈvaɪsəbʊʁç]; in German: Weißenburg) is a small town and commune situated on the little River Lauter close to the border between France and Germany, in easternmost Alsace région, approximately 60 km north of Strasbourg and 35 km west of Karlsruhe. Wissembourg is a sous-préfecture of the Bas-Rhin département. The name Wissembourg is merely a Francosized version of Weißenburg (Weissenburg) in German meaning, "white castle".
The picturesque town is set in a landscape of rolling wheat fields retains its former Augustinian convent (1279) with its large-scale gothic church, now the parrish church Saints-Pierre-et-Paul; other medieval churches are the Église Saint-Jean, and the Église Saint-Ulrich. Its Grenier aux Dîmes (tithe barn) belonging to the Abbey is 18th century but an ancient foundation. Noteworthy houses are the medieval "Salt house", the Renaissance "House of l'Ami Fritz" and the imposing classicist City Hall, a work by Joseph Massol. Also Visiting the Pastery Shop Rebere as it's one of the oldest, and the top 100 in French Pastery.
Last week, I made a little trip to this wonderful little town.
Vor einer Woche habe ich einen kleinen Ausflug nach Weißenburg gemacht, das Wetter war traumhaft schön an dem Abend... heute regnet es wieder nur...
Weißenburg (frz. Wissembourg [visɑ̃ˈbuʀ], hergeleitet von rheinfränkisch wiss - weiß) ist eine Stadt im Elsass, Frankreich.
Die Stadt Weißenburg ist Sitz der Unterpräfektur (Sous-préfecture) des Arrondissements Wissembourg im Département Bas-Rhin in der Region Elsass. Das Arrondissement gliedert sich in fünf Kantone mit der Stadt Weißenburg als Hauptort (chef-lieu) des gleichnamigen Kantons.
Wissembourg ist eine der architektonisch reichhaltigsten Städte der nördlichen Elsasses. Die Altstadt ist heute noch teilweise von Resten der alten Stadtbefestigung umschlossen.
Zu den sehenswertesten Gebäuden der Stadt zählen das „Salzhaus“ (15. Jahrhundert) mit seinem auffallenden Dach, das Maison de l'ami Fritz (um 1550) mit seinem aufwändigen Erker und das klassizistische Rathaus (erbaut 1741 bis 1752), ein Hauptwerk des Straßburger Stadtarchitekten Joseph Massol.
Im Musée Westercamp werden archäologische Funde aus der Gegend, mittelalterliche Kunstwerke sowie Dokumente zur Stadtgeschichte und Heimatkunde ausgestellt.
Chicago, IL
January 29th, 2013
All photos © Joshua Mellin per the guidelines listed under "Owner settings" to the right.
Kurilpa Bridge is the world’s largest tensegrity bridge.
The Kurilpa Bridge (originally known as the Tank Street Bridge) is a (A$)$63 million pedestrian and bicycle bridge over the Brisbane River in Brisbane, Queensland, Australia.
The bridge connects Kurilpa Point in South Brisbane to Tank Street in the Brisbane central business district. In 2011, the bridge was judged World Transport Building of the Year at the World Architecture Festival.
Bjerget - the new architectural wonder from BIG - Bjarke Ingels Group. The name means The Mountain. The English name is Mountain Dwellings and it's shortlisted at the World Architecture Awards.
All the flats face south and each has a terrace with grass. There is ample car parking down below, under the mountain.
© All Rights Reserved.
Stock photos of Copenhagen, Denmark.
Architecture & Design
The Oslo Opera House (in Norwegian, Operahuset) is the seat of The Norwegian National Opera and Ballet, and the national opera theatre in Norway. The building lies in Bjørvika, in the center of Oslo, at the head of the Oslofjord. Its builder was Statsbygg, a government-run property owner. The architects were the Norwegian firm Snøhetta who were also the architects of the Bibliotheca Alexandrina (the Library of Alexandria) in Egypt. The theatre designers were Theatre Projects Consultants based in London, the acoustic designers were BrekkeStrandArup, a joint venture between local consultant Brekke Strand Akustikk and international acousticians Arup Acoustics. Norwegian construction company Veidekke was awarded one of the largest building contracts of the project. The structure provides a total area of 38,500 m² and includes 1,100 rooms, one of which has 1,350 seats and another has up to 400 seats. Total expenditures for the building project were planned at 4.4 billion NOK, but finished ahead of schedule, and 300 million NOK under budget.
The Opera House was finished in 2007 with the opening event held on 12 April 2008. King Harald V of Norway opened the Opera House that evening at a gala performance attended by national leaders and royalty, including President Tarja Halonen of Finland, Chancellor Angela Merkel of Germany and Queen Margrethe II of Denmark. The main stage is 16 meters wide, and can be made up to 40 meters deep.
The Opera won the culture award at the World Architecture Festival in Barcelona in October 2008. Jury member Sir Peter Cook said of the Opera House that it "...in its scale, ambition and quality has raised the bar for Norwegian architecture."
More information on the building from Snøhetta architects.
For this week's 100x Street Photography theme, a dusty street.
Captured at the Farmer's Museum in Cooperstown NY.
I loved this place when I was a kid and I guess my daug. did as well because we made a stop with the grandkids on the way to Old Forge.
Most people know Cooperstown because of the Baseball Hall of Fame. But, there is a good deal of other things to see and do in and around the beautiful little city.
James Fenimore Cooper's home is open to the public and presents various works of art though out the year. They were hosting an Ansel Adams show while we were there.
The Farmers Museum has been saving bits and pieces of NY history for many years.
Saving old buildings and moving them to the museum grounds. It offers a great snapshot of American life in the early and mid 1800s and brings it all to life with humans working at blacksmithing, farming, school teaching, rope making etc.
Then theres the lake and all it has to offer, the American Revolution has many historic sites in the area, there's nature hiking, antiquing and good local beers for thirsty travelers.
Be sure to save some time for a good look around the area if you stop for a visit at the Hall of Fame.
Chicago, IL
5-20-2012
This shot made possible with the help of Nick Ulivieri's lightning tutorial.
All photos © Joshua Mellin per the guidelines listed under "Owner settings" to the right.
One of Amsterdam’s many bridges is the beautiful Magere Brug, known to English speakers at the Skinny Bridge. This wooden drawbridge was once so narrow that it was hard for two pedestrians to pass each other. To cope with increasing traffic on the Amstel, a wider bridge replaced the narrow original in 1871.