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"It is said that the sorceress of the Dusk Order can be found in every major kingdom known to man, where they bide their time pursuing their myriad agendas."
Work in Progress Notation: One of the most frustrating things, if unavoidable, is detail degradation. It can be very disheartening to spend a lot of time working on small details that dissolve when transferred to SL.
The images on the left are the base texture renders in Zbrush (Which means that it is just the texture in fullbright, no actual light or shadow rendering.) Even here, a lot of detail is lost from the original. The image on the right is in Second Life, where another chunk of details have been smoothed away and lost.
Comes with the territory, but it can be frustrating sometimes! If something important is lost however, that is a very good time to open the texture back up in photoshop for some detailing to bring out those important details.
I know I said I'd be back when I posted my last pic which was.... 3 years ago... Fail. Life got crazy and here I am three years later.
Much of the last three years can be found on my Instagram so follow me there and you can stalk the past three years of my life haha.
Instagram.com/_raybaybay_
This was taken while at work one day and I liked the play of the sunlight coming in the windows behind me :) Link below is the Instagram link for this pic specifically. It is about 7 months old.
I also don't have a nice camera right now so everything is going to be just my iPhone 6. I will most likely upload choice past pictures from my Instagram as well as new ones I may take :) I am definitely going to try to get a nicer camera back into my life because I miss going out and shooting and using my creative side for something more than just an Instagram post.
I miss the community on here and chatting with all y'all. I'll try to be more present. I promise!!! Can't wait to see what you all have been up to the last three years I've been away!
Favorite or leave a comment and you will probably get a better chance of me looking at your profile too btw :)
Images 1-3 are varying exposures of the same scene, taken on a tripod.
HDR Image was prepared using the Photoshop CS2: automate -> merge to HDR. White point was set, then the conversion to HDR was done by the Exposure/Gamma method.
HDR image was then perspective corrected (to correct for wideangle lens distortion, especially evident on the closest vertical pillar) using the PTLens plugin and profile for the Olympus Zuiko 14-45 lens.
I'm sure this could still be much improved, but in comparison to all of the overprocessed, trendy, fake looking HDR I've seen lately I think I've used the process as it is intended.
The HDR image can be seen here LARGE.
Single in September 2017
Pentax M50/1.4
Day 7
The dust mask, especially the N95 version, an essential piece of PPE when dealing with cargoes such as grain and iron ore.
I have finally been able to get my hands on a camera that I've had a lot of interest in over the years of taking up this craft.
I've been lucky enough to own and enjoy the Leica experience with an m3, m5, m6 and a couple of lenses. I loved the ergonomics, compact nature and a list of other things, but I never quite got the hang of the workflow like I did with my xpan and contax 645.
The m9 has always held my interest even though it continues to age and we know time isn't kind to digital technology. Even with the new m240 out, what really drew my attention was that Kodak CCD. Photos with the m9, to me, have always had a certain bite to them...the colours, sharpness and rendering all come together to create something distinct...not like the soft "digital" looking images I'm used to from dslrs regardless of lens used.
I could go on more about all my thoughts on this and maybe down the road I will. For now I'm enjoying trying out something new, yet familiar and hopefully the photos will speak for themselves.
Used thumbs+ to replace some colors, Have not worked out if the a6k can do an in-camera key colour
from C:\Users\User\Pictures\My Pictures\Dell 2020\07 Jul 15 general
see camera lens search www.goat.vision/search/SONY/ILCE-6000/
Workflow: Negs processed by apetureuk.com
Raw file scanned with Reflecta RPS 10m @ 2,500dpi
Imported to Lightroom, then 'edit copy in Photoshop' selected. Colorperfect filter applied in Photoshop then saved. Colour, sharpness and N/R applied in Lightroom.
Nikon F5
Carl Zeiss ZF.2 2/28 Distagon T*
Kodak Gold 200@400
Developed & scanned by Carmencita Film Lab in Valencia, Spain
With Biscione&Associati S.r.l.: an infographic explaining the commercial offer from INAZ, part of a larger work
The end result of this madness is that, while shooting in the studio, photos can be immediately reviewed on the ipad, projected on the wall, uploaded to flickr and entered into my lightroom library, all by just pressing the shutter on my camera.
A funny aspect of this is that it only covers the workflow that involves ingesting photos into lightroom. The workflow from lightroom to the thunderbolt raid, followed by cloud backup, is just as amusing.
The Notre-Dame-d'Espérance church (Eglise du Suquet) is a Catholic parish church located in the town of Cannes, France.
It is dedicated to Notre-Dame on the Place de la Castre in the Suquet district, and has been classified as a historical monument since July 28, 1937 [Wikipedia.org]
Since 2004 I use this workflow. This workflow stay since 2006 on my pbase account:
By changing frequence, amplitude and waveform other figures are created. Many examples stay on my pbase account but a few are now also on this flickr site.
My workstation melted so rather than be sad, i decided to see how viable the ipad is as a mobile editing solution. The apps have come a long way, but theyre still not as nice as a desktop apps. By that i mean the algorithms seem a bit sloppier than desktop versions.However it works in a pinch and would be an excellent solution for a traveling photographer who wants to travel light. If youre an instagram photographer, then its a perfect fit.
Another picture from the series I did on the streets around my house this past weekend. I forgot to upload it yesterday. In the weekends, despite having more time, I forget or don't take the time to upload pictures. I will do my best to change that in my workflow :)
FULL EDITORIAL available at: www.miguelmartin.es/stories/what_to_wear_tonight/
model: María S. @Pasarella Image Agency
mua & hair: Javier Romero
photo & edit: Miguel Martín
Practicando un nuevo workflow de procesado. ¿Qué os parece el resultado? (imprescindible verla en grande).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4.Reflector para rellenar en la parte de abajo.
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New retouching workflow. Fancy the results? (Please watch it fullsize!!).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4 . Reflector down for fill.