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O Batistério de Pisa, dedicado a São João Batista, situa-se na Piazza dei Miracoli, em Pisa, Itália, e é parte de um conjunto classificado como Património Mundial da UNESCO desde 1987. A sua construção, iniciada em 1152 e concluída em 1363, reflete a transição entre os estilos românico e gótico, com uma planta circular que atinge cerca de 54 metros de altura. Destaca-se pela cúpula em forma de cone truncado e pela rica decoração exterior em mármore branco de Carrara, incluindo relevos de Nicola Pisano e seu filho Giovanni. O interior é simples, mas notável pela sua acústica excecional, frequentemente demonstrada aos visitantes, com ênfase no púlpito esculpido por Nicola Pisano em 1260 e na pia batismal octogonal de Guido Bigarelli. Além do Batistério, o complexo inclui a Catedral de Pisa e a famosa Torre Inclinada, refletindo a ambição da antiga República de Pisa.
The Baptistery of Pisa, dedicated to St. John the Baptist, is located in Piazza dei Miracoli, Pisa, Italy, and is part of a UNESCO World Heritage Site since 1987. Its construction, which began in 1152 and was completed in 1363, reflects the transition between the Romanesque and Gothic styles, with a circular plan that reaches a height of around 54 meters. It is notable for its truncated cone-shaped dome and rich exterior decoration in white Carrara marble, including reliefs by Nicola Pisano and his son Giovanni. The interior is simple, but notable for its exceptional acoustics, often demonstrated to visitors, with emphasis on the pulpit sculpted by Nicola Pisano in 1260 and the octagonal baptismal font by Guido Bigarelli. In addition to the Baptistery, the complex includes Pisa Cathedral and the famous Leaning Tower, reflecting the ambition of the ancient Republic of Pisa.
A bah bravo Nils, super la description aux petits oignons et t'as pas appuyé sur enregistrer, génial !
Les attrapes-touristes sont bien plus sages à cette heure-là.
Troisième pont le plus ancien de Prague parmi ceux encore debout; il fut construit entre 1876 et 1878. Il fut nommé en l'honneur d'un homme disparu aux environs de la construction et considéré comme un père fondateur de la jeune nation tchèque (František Palacký).
Cet imposant pont à piliers massifs et voutes surbaissées fut le premier de la capitale à profiter du transport en commun hippomobile, le premier tram paissait par là en 1883 (et y passe toujours).
Et comme le titre l'indique, après avoir enjambé la Moldau, nous nous retrouvons dans le quartier du Smíchov où de superbes immeubles de la Belle Époque nous font face.
Sources : Wikipédia (Multi) && Monument historique (CZ) && Wikipédia František Palacký (Multi) && Vidéo pour ceux qu'on pas la référence de l'introduction (FR)
"Before - After"
Firenze.
Juin/Juillet 2013.
L’idée met venu en regardant des cartes postales vendues en Italie. La première photo est juste une copie de l’œuvre étant donné que l’originale est interdite à la photo. La seconde se trouve dans le jardin de Boboli qui est un vrai labyrinthe…
A gauche : Le David est un chef-d'œuvre de la sculpture de la Renaissance, réalisé par Michel-Ange entre 1501 et 1504, Il mesure 4,34 mètres de hauteur (5,14 mètres avec le socle) et il est tiré d'un bloc de marbre blanc de Carrare, laissé à l'abandon après l'échec d'autres sculpteurs. Michel-Ange a su tirer parti de l'étroitesse du bloc de marbre et contourner un de ses défauts (une brèche dans laquelle il a creusé l'espace entre le bras droit et le torse). Michel-Ange a représenté David, une fronde (lanière de cuir servant de lance pierre) à la main, juste avant son combat contre Goliath. Initialement placé devant le palazzo Vecchio pour symboliser la détermination d'une jeune république face au tyran, l'original est, depuis 1873, exposé dans la Galleria dell'Accademia de Florence.
A droite : La Fontana del Bacchino (« Fontaine du petit Bacchus »), qui se trouve dans le Jardin de Boboli, au nord-ouest du Palais Pitti de Florence sur une paroi du Corridor de vasari qui débouche près du jardin de la place Pitti. Elle est appelée aussi fontanella del Nano Morgante (« fontaine du nain Morgante ») car elle est en fait la statue du nain, nommé ironiquement Morgante, le favori de Cosme Ier. Il s'agit d'une statue en marbre blanc de 116 cm de haut, qui date de 1560 et l'œuvre la plus connue de Valerio Cigoli. Bacchus est représenté chevauchant une tortue qui crache de l'eau dans la vasque qu'ils surplombent. Son style, dit « grotesque » est typique des jardins maniéristes des Cinquecento et Seicento (XVIe et XVIIe siècles italiens). La statue exposée est une copie.
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The idea puts came looking postcards sold in Italy. The first photo is just a copy of the work since the original photo is prohibited. The second is in the Boboli Gardens which is a maze ...
Left: David is a masterpiece of Renaissance sculpture, created by Michelangelo between 1501 and 1504, It measures 4.34 meters tall (5.14 meters with the base) and it is drawn a block of white Carrara marble, abandoned after the failure of other sculptors. Michelangelo took advantage of the narrow block of marble and around one of its defects (a hole in which he widened the gap between the right arm and torso). Michelangelo's David has shown, a sling (leather strap using slingshot) by hand, just before his fight against Goliath. Initially placed in front of the Palazzo Vecchio to symbolize the determination of a young republic against the tyrant, the original is from 1873, exhibited in the Galleria dell'Accademia in Florence.
Right: The Fontana del Bacchino ("Fountain of Bacchus small"), which is in the Boboli Gardens, northwest of the Pitti Palace in Florence on a wall of the corridor that leads vasari near the garden of the Pitti up .It is also called Fontanella del Nano Morgante ("Fountain of the dwarf Morgante") as it is actually a statue of the dwarf Morgante named ironically, the favorite of Cosimo.It is a white marble statue 116 cm high, which dates from 1560 and the most famous work of Valerio Cigoli. Bacchus is depicted riding a turtle that spits water in the bowl they overlook.His style, called "grotesque" is typical mannerist gardens Cinquecento and Seicento (Italian sixteenth and seventeenth centuries).The statue is a copy exposed.
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L'idea mette venuto cartoline in cerca venduti in Italia. La prima foto è solo una copia del lavoro in quanto la foto originale è vietata. Il secondo è nel Giardino di Boboli, che è un labirinto ...
A sinistra: David è un capolavoro della scultura rinascimentale, creato da Michelangelo tra il 1501 e il 1504, misura 4.34 metri di altezza (5.14 metri con la base) e viene disegnato un blocco di marmo bianco di Carrara, abbandonato dopo il fallimento di altri scultori. Michelangelo ha approfittato della stretta blocco di marmo e intorno a uno dei suoi difetti (un buco in cui ha ampliato il divario tra il braccio destro e il tronco). David di Michelangelo ha dimostrato, una fionda (cinturino in pelle con fionda) a mano, poco prima della sua lotta contro Golia. Inizialmente posta di fronte a Palazzo Vecchio a simboleggiare la determinazione di una giovane repubblica contro il tiranno, l'originale è del 1873, esposto nella Galleria dell'Accademia di Firenze.
A destra: La Fontana del Bacchino ("Fontana di Bacco piccolo"), che si trova nel Giardino di Boboli, a nord ovest di Palazzo Pitti a Firenze, su una parete del corridoio che conduce Vasari vicino al giardino del Pitti up .È anche chiamato Fontanella del Nano Morgante ("Fontana del nano Morgante"), come in realtà è una statua del Morgante nano di nome ironicamente, il preferito di Cosimo.Si tratta di una statua di marmo bianco alto 116 centimetri, che risale al 1560 e la più famosa opera di Valerio Cigoli. Bacco è raffigurato a cavallo di una tartaruga che sputa acqua nella ciotola si affacciano.Il suo stile, definito "grottesco" è tipico manierista giardini Cinquecento e Seicento (secoli XVI e XVII italiani).La statua è una copia esposta.
Marble Arch in London. Designed by John Nash in 1825, based on Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris and made of white Carrara marble. It was originally located in the courtyard of Buckingham Palace but dismantled in 1850 when the Palace was extended and moved to its current location in 1851. Three small rooms inside the rebuilt arch were used as a police station from 1851 until at least 1968. It firstly housed the royal constables of the Park and later the Metropolitan Police's Central Traffic Control Centre. One policeman stationed there during the early 1860s was Samuel Parkes, who won the Victoria Cross in the Charge of the Light Brigade in 1854, during the Crimean War.
by Florentine artist Baccio Bandinelli (1525–1534), to commemorate the victory over the Medici
Hercules is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures.
Marble Arch in London. Designed by John Nash in 1825, based on Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris and made of white Carrara marble. It was originally located in the courtyard of Buckingham Palace but dismantled in 1850 when the Palace was extended and moved to its current location in 1851. Three small rooms inside the rebuilt arch were used as a police station from 1851 until at least 1968. It firstly housed the royal constables of the Park and later the Metropolitan Police's Central Traffic Control Centre. One policeman stationed there during the early 1860s was Samuel Parkes, who won the Victoria Cross in the Charge of the Light Brigade in 1854, during the Crimean War.
Marble Arch in London. Designed by John Nash in 1825, based on Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris and made of white Carrara marble. It was originally located in the courtyard of Buckingham Palace but dismantled in 1850 when the Palace was extended and moved to its current location in 1851. Three small rooms inside the rebuilt arch were used as a police station from 1851 until at least 1968. It firstly housed the royal constables of the Park and later the Metropolitan Police's Central Traffic Control Centre. One policeman stationed there during the early 1860s was Samuel Parkes, who won the Victoria Cross in the Charge of the Light Brigade in 1854, during the Crimean War.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Marble Arch in London. Designed by John Nash in 1825, based on Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris and made of white Carrara marble. It was originally located in the courtyard of Buckingham Palace but dismantled in 1850 when the Palace was extended and moved to its current location in 1851. Three small rooms inside the rebuilt arch were used as a police station from 1851 until at least 1968. It firstly housed the royal constables of the Park and later the Metropolitan Police's Central Traffic Control Centre. One policeman stationed there during the early 1860s was Samuel Parkes, who won the Victoria Cross in the Charge of the Light Brigade in 1854, during the Crimean War.
Marble Arch in London. Designed by John Nash in 1825, based on Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris and made of white Carrara marble. It was originally located in the courtyard of Buckingham Palace but dismantled in 1850 when the Palace was extended and moved to it's current location in 1851. Three small rooms inside the rebuilt arch were used as a police station from 1851 until at least 1968. It firstly housed the royal constables of the Park and later the Metropolitan Police's Central Traffic Control Centre. One policeman stationed there during the early 1860s was Samuel Parkes, who won the Victoria Cross in the Charge of the Light Brigade in 1854, during the Crimean War.
Gravity è la nuova scultura Fantastica di Emanuele Rubini dedicata a George Clooney e Sandra Bullock, ispirata dall’omonimo film di Alfonso Cuaròn & Jonás Cuarón presentato alla 70esima Mostra del Cinema la Biennale di Venezia 2013.
La scultura Gravity cm 43x23x21 kg. 9 in marmo bianco carrara raccontata dallo scultore Emanuele Rubini in poche parole: doppia, originale, sfuggente, sensuale, mutante, marziale, gommosa.
Gravity is the new Fantastic sculpture by Emanuele Rubini dedicated to George Clooney and Sandra Bullock, inspired from the film by Alfonso Cuaròn & Jonás Cuarón presented at the 70th Venice Film Festival The Biennale di Venezia 2013.
Technical Details
Nikon D7000
Sigma 17-70mm 2.8-4 Macro HSM
1/60sec f/4 17mm ISO125
Exposure bias :+1.3stop
Software: Photoshop CS5 and Lightroom
Sculpture : Rudderstone at Manuka Way, Wellington Botanic Garden
The image has been edited to remove the lines around the black mica-flecked granite that alludes to the night sky, and the Old World.
What I like about it is the speckled grain almost gives it a damaged print look. It gives a nice warming tint to the whole shot further lending to it's older classic feel which was my immediate thought and feel when I looked at it. Initially, I increased the hue and saturation to enhance colours but it just didn't look authentic so I reverted to the original.
What I don't really like and am sure most of you would agree is that the subjects are not in the most interesting of actions. I do not feel compelled to engage with them, to take a closer look as I might be if they were facing the camera and laughing, or pointing at something. Therein lies the issue of me being shy, furtive and forceful at the same time. There are days I have the guts to snap and fly out like a hawk, and some days I don't. Sometimes, people are happy to reveal themselves to the camera perhaps they believe they'd never see me again. And sometimes it can be full on. On this day, I didn't have the nerve to shoot the couple from the front and had to settle for a dull view.
Marble Arch in London. Designed by John Nash in 1825, based on Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris and made of white Carrara marble. It was originally located in the courtyard of Buckingham Palace but dismantled in 1850 when the Palace was extended and moved to its current location in 1851. Three small rooms inside the rebuilt arch were used as a police station from 1851 until at least 1968. It firstly housed the royal constables of the Park and later the Metropolitan Police's Central Traffic Control Centre. One policeman stationed there during the early 1860s was Samuel Parkes, who won the Victoria Cross in the Charge of the Light Brigade in 1854, during the Crimean War.
One of my favourite pieces at the Yorkshire Scultpure Park. Quite surreal in nature, this photo doesn’t give any of impression of the scale. This is a detail from Héros de lumière by Igor Mitoraj.
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ECSTASY- Estasi Marmo Statuario Design by Emanuele Rubini opera autentica e unica.
White statuary marble cm 28x20x15 anno 2013
ECSTASY- Estasi Marmo Statuario Design by Emanuele Rubini opera autentica e unica.
White statuary marble cm 28x20x15 anno 2013