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"Audiojungle on the Web"
Tenth entry for the "Design an AudioJungle Wallpaper" Contest
Photos used: (cc)
-Leaf: www.cgtextures.com/texview.php?id=22605&s=L&PHPSE...
-Spider: flickr.com/photos/dvdmerwe/378660212/
-Background: www.cgtextures.com/texview.php?id=20227&s=S&PHPSE...
-Tree: www.flickr.com/photos/befuddledsenses/1333632753/
-Headphones: flickr.com/photos/kathryn_rotondo/1903406419/
Copyrights Hans Vargas
(Remember to check my other entries: www.flickr.com/photos/hansvargas/ )
1600x1200: hansvargas.deviantart.com/art/Audio-Jungle-on-the-Web-902...
(Go there to Download to see the original!!)
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Found this little guy in the bushes outside the front of our house. The web was suspended horizontally over two different bushes and the spider itself was suspended upside-down on the bottom edge of it.
The horizontal edge to the spider web meant I had to shoot at a very steep angle rather than straight on, which led to a kind of interesting composition. Mostly happy that I managed to pull manual focus on the spider as sharp as I did, considering I was shooting through my 50mm and could barely see the spider in the viewfinder.
Submitting for FlickrFriday's "WhiteSpace" -- it's most of the photo and also most of what makes up a spider web, after all.
twitter.com/AkashaLounge/status/1544287439715307520
This photo is posted for design inspiration. The design content and photos posted in this album are not my own, but posts from external sources around the web. For use in commercial and personal projects contact the original source of the content posted in the Album "Web Graphic Design Resources".
© 2008 Glenn Wolsey.
Image taken with the Canon EF 24-70 f/2.8L USM lens attached to a Canon EOS 350D.
Throughout its nearly five years of existence, High Places has toured extensively and performed in a multitude of environments. Whether playing at the Guggenheim Museum in Manhattan or in an industrial warehouse in Santiago, Chile, the band's enveloping sound and propulsive energy allow the music to translate to a variety of venues. Much to our enjoyment, they recently came by Room 205 to play inside our enormous yarn sculpture.
BIO
High Places began as an experiment in collaboration: two people with diverse artistic backgrounds coming together to merge their skills and aesthetic tastes. Rob Barber grew up listening to punk and hardcore, and Mary Pearson studied bassoon performance, but both gravitated toward a DIY compositional style and a love of layers. High Places' songs contain a fascinating range of aural layers: bells and bird calls over a wash of ocean waves; mallets hitting mixing bowls over treated guitar and glockenspiel; Mary's reflective vocals over Rob's homemade beats. The result is an imaginative and spacious amalgam of sounds that is as immediate as it is refreshing.
COMPONENTS
Video
• YouTube: youtube.com/playlist?list=PLC4EEUwd7e4kYsSY8n8HzG6ixrFpKv40m
• Vimeo: vimeo.com/album/2230432
Photos
• Flickr: flic.kr/s/aHsjtMC5pX
Music
• SoundCloud: soundcloud.com/goincase/sets/high-places-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Director
• Otto Arsenault: ottoarsenault.com
Set Designer
• Sophia Rubio: nothingisbeautifulanymore.com
Audio Engineer
• Butchy Fuego: twitter.com/butchyfuego
Camera
• Jon Barlow: vimeo.com/jonbarlow
• Sophia Rubio: nothingisbeautifulanymore.com
• Otto Arsenault: ottoarsenault.com
Editor
• Otto Arsenault: ottoarsenault.com
Art Department
• Lauren Barlow
• Melissa Huddleston
Gaffer
• Frits Dejong: imdb.com/name/nm0208997
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• High Places: hellohighplaces.blogspot.com
Label
• Thrill Jockey: thrilljockey.com
Room 205 Theme Song
• Cora Foxx: theheapsf.com
Gera >> Heinrich-Laber-Straße 2
Architekt: Max Sommer
Jahr der Entstehung: 1894
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Die Villa wurde für den Kammwollwarenfabrikanten Alfred Weber erbaut. 1935/36 entstand ein Erweiterungsanbau nach den Plänen des Architekten Thilo Schoder zur Schaffung von 2 separaten Etagenwohnungen für Erich Weber. In den Jahren 1959 bis 1961 erfolgten umfangreiche Umbauten.
“The web of our life is of a mingled yarn, good and ill together.”
—William Shakespeare
It was a tossup, of course, because Sir Walter Scott said it
just as well: "Oh what a tangled web we weave / When first
we practise to deceive!" And that's appropriate now, since my
book is about to hit the stores. Nonfiction is supposed to be
true. All true. I think about those people who've written hoax
books or exaggerated or lied about their experiences. I did
none of that. Except for the part where the cake talks. I hope
most people will recognize that as a literary device and not
a lie.
But Shakespeare's quote is more appropriate. My life lately
has been that mingled yarn. The back, the book, the back.
At my desk through it all were pencil and pen. Even the yarn—
a warming element this winter, as it warmed me in my lap and
went on to warm the necks of friends—spent a great deal of
time by my side.
Today, a photographer from the Baltimore Sun came by
to do a shoot for a short piece by Rob Kasper in the April 1
paper, and I decided it was time to do something for Utata
again. Her Nikon D700 sure looked delicious.
I'm still prone to bouts of leftover sad and inertia, but I managed
to take care of two bits of business yesterday—I prepared my
taxes for the accountant, and I scheduled two urgent medical
appointments.
Today I felt good after therapy and smiled quite a bit to no one
in particular. I mailed an apology to one of the people (I hope
not one of many) whose name I misspelled in the book.
Oh, yes. The mingled yarn of my life. I am grateful that it is
no longer mostly bad.
Result of a "What is Web 2.0?" brainstorming session at FOO Camp 2005. Meme maps adapted from business What Is Web 2.0:Design Patterns and Business Models for the Next Generation of Software
by Tim O'Reilly
Result of a "What is Web 2.0?" brainstorming session at FOO Camp 2005. Meme maps adapted from business model maps developed by Beam Inc.