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Danny mixing the cement and water with what is basically a giant version of a kitchen blender! It is air operated and also pumps the grout with great pressure to seal the shafts.
The Void would become the medium for live art. Performers would stream down and across the Void creating a literal body of art that changes both in time and space, depending upon where the viewer is located in the museum and when they are visually interacting with the creation. The vertical steams of fabric would flow down connecting the divine to the earthbound and embracing them into the creative process.
I had originally made one a little while ago for my friend Adam, but i lost the shrinky dink part. So I whipped up another last night. clear shink plastic with yellow painted on the back. This was sort of a pain, I wasn't around a computer so I had to use a little logo in the back of American Hardcore as a reference.
This is a /fast/ machine, and I managed to eat shit a mile down the line from this photo when I hit a patch of gravel when I was taking a corner much hotter than I thought I was.
Yoko Ono live @ All Tomorrow's Parties festival. Pontins, Camber Sands. April 2005.
Credit to shot2bits.net
I have no idea where this is. Probably Blackhorse Road, but it could be anywhere.
From the archives.
The Locust live @ All Tomorrow's Parties festival. The Nightmare Before Christmas. Pontins, Camber Sands. December 2, 2005.
Credit to shot2bits.net